Jimmy D. Lane - 2 albums: It's Time / Legacy

Album: It's Time
Bitrate: MP3@320K/s
Time: 53:58
Size: 123.5 MB
Styles: Electric blues
Year: 2004
Art: Front

[ 3:31] 1. What Makes People
[ 3:29] 2. Til I Loved You
[ 4:01] 3. Half Love
[ 4:11] 4. Ain't It A Pity
[ 4:17] 5. It's Time
[ 4:03] 6. Stuck In The Middle
[ 4:24] 7. Hand On The Door
[ 5:23] 8. Bad Luck
[ 4:49] 9. My Nature
[ 2:44] 10. 24-7
[10:28] 11. Bleeding Heart
[ 2:32] 12. Salina

You might call Jimmy D. Lane a natural born bluesman. His father was the legendary Jimmy Rogers, who Jimmy D. shared the stage with for many years before recording on his own. Lane can play it '50s-style, as he did with his father and on Eomot RaSun's album, but he can also turn it up and rock out with any of the finest guitar slingers. For It's Time, Lane tackles a program of original tunes (except for one), with the aid of Double Trouble, Stevie Ray Vaughan's rhythm section. These guys bring decades of experience to their blues rhythms, and know exactly how to support a player like Lane. Keyboard duties are split between Celia Ann Price on B3 and piano, and Mike Finnigan on the B3. In addition, the album was produced and engineered by the one and only Eddie Kramer, who adds crisp, clear production values and some very subtle studio tricks (check out the panning in the slide solo on "Stuck in the Middle"). As a writer, Lane sticks close to standard subject matter "What Makes People" is certainly a close cousin of Willie Dixon's "The Same Thing," but the variety of tempos and grooves and great playing all around keep the album exciting. The reggae-inflected acoustic rhythm guitar and congas give "Til I Loved You" a unique sound, and the acoustic guitar, haunting slide and general atmosphere of "Stuck in the Middle" brings Lane close to Little Axe territory. "Ain't It a Pity" adds a bit of gospel flavor, a wonderful liquid guitar tone and the slightest bit of echo on some of Lane's vocals to great effect. But most of these songs showcase Lane's considerable guitar prowess and tough playing style. Great guitar solos are in abundance all over It's Time, and Lane really gets a chance to stretch out on Elmore James' "Bleeding Heart" (yet another connection to Jimi Hendrix's legacy). Credit must also go to label/studio owner Chad Kassem for putting out blues albums that sound the way they ought to: real musicians playing real instruments together in the same space without the gloss and polish (especially on drums) that is the bane of too many modern blues albums. Any fan of serious blues guitar really needs to check out Jimmy D. Lane, and It's Time is an excellent place to start. ~Sean Westergaard

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Album: Legacy
Bitrate: MP3@320K/s
Time: 60:02
Size: 137.4 MB
Styles: Electric blues
Year: 1998
Art: Front

[2:39] 1. Hey Little Girl
[4:05] 2. Clue Me
[7:13] 3. Four O'clock In The Morning
[2:37] 4. Going Downtown
[3:21] 5. Another Mule Kickin' In My Stall
[9:12] 6. In This Bed
[4:47] 7. Call It Blues
[7:04] 8. One Room Country Shack
[3:59] 9. Big House
[5:15] 10. Baby's Mule
[3:10] 11. Dem Blues
[3:49] 12. Pride
[2:45] 13. It's All Good

When your father was the late Chicago blues and Chess Records icon Jimmy Rogers (not to be confused with pioneering country singer Jimmie Rodgers), some would argue that you have a hell of a lot to live up to. But the question "How does Jimmy D. Lane compare to Jimmy Rogers?" is both unrealistic and unfair -- it would be like expecting Ravi Coltrane to accomplish what John Coltrane accomplished, or expecting Hank Williams, Jr. to be another Hank Williams, Sr. Besides, Lane is a fine Chicago bluesman in his own right. With Rogers making a guest appearance on "One Room Country Shack" and Muddy Waters' "Another Mule Kicking in Your Stall," listeners get to hear father and son playing alongside one another. Rogers, who died on December 19, 1997, had only two months to live when this historically important album was made. But Legacy is not only noteworthy because it contains the last recording of Rogers; it's also noteworthy because of the rich singing and expressive guitar playing that Lane brings to Memphis Slim's "Four O'Clock in the Morning" and Howlin' Wolf's "Big House," as well as heartfelt originals like "In This Bed," "Clue Me," and "Pride." Lane is someone who really understands the blues, and that fact is impossible to miss on this excellent date. ~Alex Henderson

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