Size: 93,5 MB
Time: 40:22
File: MP3 @ 320K/s
Released: 1961/1998
Styles: Blues, harmonica blues
Art: Full
1. Rainin' In My Heart (2:32)
2. Blues Hangover (3:06)
3. Bobby Sox Baby (1:56)
4. I Got Love If You Want It (2:46)
5. Snoopin' Around (2:15)
6. Buzz Me, Baby (2:14)
7. I'm A King Bee (3:02)
8. What A Dream (3:06)
9. Don't Start Crying Now (2:12)
10. Moody Blues (2:56)
11. My Home Is A Prison (2:56)
12. Dream Girl (3:22)
13. My Little Queen Bee (Got A Brand New King) (Bonus Track) (2:36)
14. Late Last Night (Bonus Track) (2:39)
15. Tip On In, Pt. 2 (Bonus Track) (2:36)
In the large stable of blues talent that Crowley, Louisiana producer Jay Miller recorded for the Nashville-based Excello label, no one enjoyed more mainstream success than Slim Harpo. Just a shade behind Lightnin' Slim in local popularity, Harpo played both guitar and neck-rack harmonica in a more down-home approximation of Jimmy Reed, with a few discernible, and distinctive, differences. Harpo's music was certainly more laid-back than Reed's, if such a notion was possible. But the rhythm was insistent and, overall, Harpo was more adaptable than Reed or most other bluesmen. His material not only made the national charts, but also proved to be quite adaptable for white artists on both sides of the Atlantic, including the Rolling Stones, Yardbirds, Kinks, Dave Edmunds with Love Sculpture, Van Morrison with Them, Sun rockabilly singer Warren Smith, Hank Williams, Jr., and the Fabulous Thunderbirds.
Harpo's first record became a double-sided R&B hit, spawning numerous follow-ups on the "King Bee" theme, but even bigger was "Rainin' in My Heart," which made the Billboard Top 40 pop charts in the summer of 1961. It was another perfect distillation of Harpo's across-the-board appeal, and was immediately adapted by country, Cajun, and rock & roll musicians; anybody could play it and sound good doing it. In the wake of the Rolling Stones covering "I'm a King Bee" on their first album, Slim had the biggest hit of his career in 1966 with "Baby, Scratch My Back." Harpo described it "as an attempt at rock & roll for me," and its appearance in Billboard's Top 20 pop charts prompted the dance-oriented follow-ups "Tip on In" and "Tee-Ni-Nee-Ni-Nu," both R&B charters. For the first time in his career, Harpo appeared in such far-flung locales as Los Angeles and New York City.
Flush with success, he contacted Lightnin' Slim, who was then residing outside of Detroit, Michigan. The two reunited and formed a band, touring together as a sort of blues mini-package to appreciative white rock audiences until the end of the decade. The new year beckoned with a tour of Europe (his first ever) all firmed up, and a recording session scheduled when he arrived in London. Unexplainably, Harpo - who had never been plagued with any ailments stronger than a common cold - suddenly succumbed to a heart attack on January 31, 1970. /Excerpts from biography by Cub Koda, AllMusic
(For personnel and recording details, see artwork included.)
Harpo's first record became a double-sided R&B hit, spawning numerous follow-ups on the "King Bee" theme, but even bigger was "Rainin' in My Heart," which made the Billboard Top 40 pop charts in the summer of 1961. It was another perfect distillation of Harpo's across-the-board appeal, and was immediately adapted by country, Cajun, and rock & roll musicians; anybody could play it and sound good doing it. In the wake of the Rolling Stones covering "I'm a King Bee" on their first album, Slim had the biggest hit of his career in 1966 with "Baby, Scratch My Back." Harpo described it "as an attempt at rock & roll for me," and its appearance in Billboard's Top 20 pop charts prompted the dance-oriented follow-ups "Tip on In" and "Tee-Ni-Nee-Ni-Nu," both R&B charters. For the first time in his career, Harpo appeared in such far-flung locales as Los Angeles and New York City.
Flush with success, he contacted Lightnin' Slim, who was then residing outside of Detroit, Michigan. The two reunited and formed a band, touring together as a sort of blues mini-package to appreciative white rock audiences until the end of the decade. The new year beckoned with a tour of Europe (his first ever) all firmed up, and a recording session scheduled when he arrived in London. Unexplainably, Harpo - who had never been plagued with any ailments stronger than a common cold - suddenly succumbed to a heart attack on January 31, 1970. /Excerpts from biography by Cub Koda, AllMusic
(For personnel and recording details, see artwork included.)
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