Showing posts with label Atomic Road Kings. Show all posts
Showing posts with label Atomic Road Kings. Show all posts

Monday, March 11, 2019

Atomic Road Kings - Clean Up The Blood

Size: 93,5 MB
Time: 39:26
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Harmonica Blues
Art: Full

01. I've Got Time (4:20)
02. Rumors (5:02)
03. In Arms Reach (2:19)
04. Have Your Way (2:07)
05. My Way Back Home (3:25)
06. Clean Up The Blood (3:09)
07. Candy Man (3:11)
08. Ain't For Me (2:30)
09. You Got To Change (2:27)
10. Two Sided Story (4:46)
11. Atomic Road Kings - Vibrations (3:34)
12. Back Down South (2:30)

The moment I first put on Clean Up The Blood, the new release from Atomic Road Kings, I knew it was something special. This album is blues with a bit of rock and roll, and a lot of soul, with a delicious classic sound. That sound is by design, as the album was recorded using old analog equipment. What a treat this disc is, especially today when the country is almost unrecognizable in its ugliness, and so many of us want to escape to another time, another place. A place that feels real, that feels honest. You know? And this music is just the right vehicle to take us there. The album features mostly original material. Atomic Road Kings are Jon Atkinson on vocals and guitar, Eric Von Herzen on harmonica, Bill Stuve on bass, Danny Michel on guitar, Malachi Johnson on drums, Tony Delgado on guitar and Scot Smart on guitar.

The album gets off to a great start with “I’ve Got Time,” blues with something of a Memphis feel. I love everything about this, for (as I mentioned) it all strikes me as honest and real. And a large part of that is due to its being recorded on old equipment, everything having an immediate and true sound. But the song itself is really good and features some great stuff on both harmonica and guitar. However, it’s that solid and cool work on bass that grabs me and holds me. “The time I was given could surely have been worse/But being from my family is nothing but a curse/I’ve got time/I’ve got time to be alone.” That’s followed by “Rumors,” the guitar having a delicious raw sound. Oh man, this is just so bloody good. Again, it has a classic sound, yet this song – like almost all of this disc’s tracks – is an original composition. Listen to that great vocal performance, the way he makes the words vibrate at times. “To lose this woman would be the death of me/I’ve seen the truth/Lord, I’ve seen it in her eyes.” This track features more great stuff on guitar. If you want the real deal, you’ve got to give this disc a listen.

“In Arms Reach” rolls along with a groove that got me smiling. We get more great work on harmonica, and another wonderful bass line. Then there is a bit of rock and roll to the sound of “Have Your Way.” And yet there is also a darkness, creating a very cool vibe. This is one of my favorite tracks. The vocals are kind of smooth, coming at us from the corners of an underground club where the chicks are all in black sweaters. “I feel all right/I feel, yes, I feel all right.” But ah, it is over too soon. Then “My Way Back Home” jumps off to a lively start. Hell, there is just not a single false note on this entire disc, no bullshit whatsoever, just some great playing. I dig the instrumental section of this track, particularly the work on drums. This tune has a damn good groove, and becomes a fun jam, that harmonica singing with a powerful voice. “With my baby in my arms I can do almost anything.”

“Clean Up The Blood,” the disc’s title track, has a slower, somewhat heavier feel, but with some touches on electric guitar that rise fiery above the general heat. This tune has a gloriously sweaty sound, a heat you can’t escape. I love the combination of darkness and joy that this music has. Take a track like “Ain’t For Me,” for example. There is a deep rumbling at its core, and yet is also totally danceable. This is just so damn good. The disc’s only cover is “Two Sided Story,” which fits right in with the rest of the material, not standing out as being older, though it is listed as “traditional,” because that is the sound and vibe of the entire album. It develops into a good powerful jam, driven by harmonica. It’s followed by “Vibrations,” a tune that is just dripping with cool right from its start. Robert Welch joins the group on piano for this track, delivering some absolutely delicious work and helping to make this another of my favorites. This album gets in one final bang with “Back Down South,” a raw, rockin’ tune with some more good stuff on harmonica. “For all my troubles, baby, I’ve got you to thank/I’ve got you to thank, I’ve got you to thank.” ~Michael Doherty

Clean Up The Blood

Sunday, May 17, 2015

Atomic Road Kings - ARK EP

Bitrate: MP3@320K/s
Time: 20:27
Size: 46.8 MB
Styles: West Coast blues
Year: 2013
Art: Front

[3:53] 1. Straighten Up Baby
[5:24] 2. Broke And Lonely
[4:08] 3. Easy Baby
[3:07] 4. Voodoo Woman Blues (Feat Kid Ramos)
[3:52] 5. Automatic

Kyle Jester: Guitar/Vocals - Brent Harding: Bass - Tom Essa: Drums - Kid Ramos: Guitar on Voodoo Woman Blues - Eric Von Herzen: Harmonica

Kyle Jester on vocals & guitar, formerly with Candye Kane & Earl Thomas: I formerly played with Candye Kane, Earl Thomas, Freddie Brooks, & Thomas Yearsley of the Paladins — and I have been running my own band since 1999. My usual outfit is a 4-piece (guitar, bass, & drums with either piano or harmonica), but I also put together intimate acoustic duos and large 6- or 8-piece bands. It has always been by goal to provide a traditional, but high-energy electric blues show.

Eric “Jailhouse” Von Herzen on harmonica, recording credits include Social Distortion: Eric Jailhouse Von Herzen got his nickname directly from Mike Ness of Social Distortion...for obvious reasons going back to his younger, wilder days. Von Herzens harmonica swings from dark and melodic, to a full steam rollin' freight train that'll knock you on your ass and keep on going. Social D album credits include ~ Coulda Been Me, Drug Train & Ghost town Blues.

Brent Harding on bass, current member of Social Distortion: Harding joined Social Distortion in November 2004. His first recording with the band was re-recordings of their older material and "Far Behind", which appear on their 2007 Greatest Hits album. He also appeared on the band's seventh studio album Hard Times and Nursery Rhymes, which was released in January 2011. This would be the band's first proper studio album with Harding. Prior to joining Social Distortion, Harding was the bass player for Mike Ness during his Cheating at Solitaire tour and recorded with Ness on his second solo offering Under the Influences. His previous bands include Deke Dickerson And The Ecco-Fonics, The Eugene Edwards Band, The Lucky Stars, The Sleepwalkers and The What-Me Worry? Jug Band.

Renaud Lesire on bass on European shows, current member of the Keith Dunn Band: His feeling and approach to guitar, big tone, altered chords and powerful beat, is essential to the overall sound of the group. He provides a strong bottom punch while weaving a smooth carpet of rhythm that is the foundation for the songs.

ARK