Size: 87,3 MB
Time: 37:41
File: MP3 @ 320K/s
Released: 1971/1981
Styles: Blues, harmonica blues
Art: LP front & back
1. McComb Mississippi - Part 1 (1:57)
2. Situation Blues (3:36)
3. Roaming (7:00)
4. Blue Fog (3:59)
5. On My Mind (2:31)
6. Viola B (2:26)
7. Monkey On A Limb (4:23)
8. Trying To Hide The Things I Do (2:43)
9. Fire Exit (4:28)
10. She's Coming Home To Stay (3:18)
11. McComb Mississippi - Part 2 (1:16)
George Smith was born on April 22, 1924 in Helena, Arkansas, but was raised in Cairo, Illinois. At age four, he was already taking harp lessons from his mother, a guitar player and a somewhat stern taskmaster: it was a case of get-it-right-or-else. In his early teens, he started hoboing around towns in the South and later joined Early Woods, a country band with Early Woods on fiddle and Curtis Gould on spoons. He also worked with a gospel group in Mississippi called the Jackson Jubilee Singers. Smith moved to Rock Island, Illinois, in 1941 and played with a group that included Francis Clay on drums. There is evidence that he was one of the first to amplify his harp. While working at the Dixie Theater, he took an old 16mm cinema projector, extracted the amplifier/speaker, and began using this on the streets.
His influences include Larry Adler and later, Little Walter. Smith would sometimes bill himself as "Little Walter, Jr." or "Big Walter." He played in a number of bands including one with a young guitarist named Otis Rush, and later went on the road with the Muddy Waters Band after replacing Henry Strong. In 1954, he was offered a permanent job at the Orchid Room in Kansas City where, early in 1955, Joe Bihari of Modern Records (on a scouting trip) heard Smith, and signed him to Modern. These recording sessions were released under the name Little George Smith, and included "Telephone Blues" and "Blues in the Dark." The records were a success.
Smith traveled with Little Willie John and Champion Jack Dupree on one of the Universal Attractions tours. While on the tour, he recorded with Champion Jack Dupree in November of 1955 in Cincinnati, producing "Sharp Harp" and "Overhead Blues." The tour ended in Los Angeles and Smith settled down, spending the rest of his life in that city. In the late '50s he recorded for J&M, Lapel, Melker, and Caddy under the names Harmonica King or Little Walter Junior. He also worked with Big Mama Thornton on many shows. In 1960, Smith met producer Nat McCoy who owned the Sotoplay and Carolyn labels, and with whom he recorded ten singles under the name of George Allen. In 1966, while Muddy Waters was on the West Coast, he asked Smith to join him and they worked together for a while, recording for Spivey Records.
Smith's first album on World Pacific, A Tribute to Little Walter, was released in 1968. In 1969, Bob Thiele produced an excellent solo album of Smith on Bluesway, and later made use of Smith as a sideman for his Blues Times label, including sets with T-Bone Walker and Harmonica Slim. Smith met Rod Piazza, a young white harp player, and they formed the Southside Blues Band, later known as Bacon Fat. In 1969, Smith signed with U.K. producer Mike Vernon and did the No Time for Jive album. He was less active in the '70s, appearing with Eddie Taylor and Big Mama Thornton. Around 1977, Smith became friends with William Clarke and they began working together. Their working relationship and friendship continued until Smith died on October 2, 1983. /Excerpt from biography by Michael Erlewine, AllMusic
(For personnel details, see artwork included.)
His influences include Larry Adler and later, Little Walter. Smith would sometimes bill himself as "Little Walter, Jr." or "Big Walter." He played in a number of bands including one with a young guitarist named Otis Rush, and later went on the road with the Muddy Waters Band after replacing Henry Strong. In 1954, he was offered a permanent job at the Orchid Room in Kansas City where, early in 1955, Joe Bihari of Modern Records (on a scouting trip) heard Smith, and signed him to Modern. These recording sessions were released under the name Little George Smith, and included "Telephone Blues" and "Blues in the Dark." The records were a success.
Smith traveled with Little Willie John and Champion Jack Dupree on one of the Universal Attractions tours. While on the tour, he recorded with Champion Jack Dupree in November of 1955 in Cincinnati, producing "Sharp Harp" and "Overhead Blues." The tour ended in Los Angeles and Smith settled down, spending the rest of his life in that city. In the late '50s he recorded for J&M, Lapel, Melker, and Caddy under the names Harmonica King or Little Walter Junior. He also worked with Big Mama Thornton on many shows. In 1960, Smith met producer Nat McCoy who owned the Sotoplay and Carolyn labels, and with whom he recorded ten singles under the name of George Allen. In 1966, while Muddy Waters was on the West Coast, he asked Smith to join him and they worked together for a while, recording for Spivey Records.
Smith's first album on World Pacific, A Tribute to Little Walter, was released in 1968. In 1969, Bob Thiele produced an excellent solo album of Smith on Bluesway, and later made use of Smith as a sideman for his Blues Times label, including sets with T-Bone Walker and Harmonica Slim. Smith met Rod Piazza, a young white harp player, and they formed the Southside Blues Band, later known as Bacon Fat. In 1969, Smith signed with U.K. producer Mike Vernon and did the No Time for Jive album. He was less active in the '70s, appearing with Eddie Taylor and Big Mama Thornton. Around 1977, Smith became friends with William Clarke and they began working together. Their working relationship and friendship continued until Smith died on October 2, 1983. /Excerpt from biography by Michael Erlewine, AllMusic
(For personnel details, see artwork included.)
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