Wednesday, August 26, 2026

Bryan Lee & The Jump Street Five - Bourbon St. Beat

Album: Bourbon St. Beat
Size: 110,0 MB
Time: 47:46
File: MP3 @ 320K/s
Released: 1984
Styles: Blues, New Orleans blues
Art: LP front & back

1. Chicken Heads (6:38)
2. Angel Of Mercy (7:06)
3. So Low Down (4:44)
4. Crosscut Saw (8:29)
5. Personal Manager (5:21)
6. Jailhouse Rock (4:06)
7. Beautician Blues (4:00)
8. What'd I Say (7:17)

During the ’80 and ‘90, the only blues band visitors to New Orleans would hear was Bryan Lee’s Jump Street Five Band at the Old Absinthe House on Bourbon Street. Blues veteran Bryan Lee, blind since childhood, became a true New Orleans blues institution and kept on delivering his own fiery brand of bluespower long after the Old Absinthe House was gone. This was a gig that went a long way to establish New Orleans as a blues town despite the fact that Lee’s style never really departed from his mid-west demeanor, making him the most Chicago-sounding band on the strip.

Born in 1943 on March 16, Two Rivers, Wisconsin, Lee lost his eyesight at the age of eight. His avid interest in early rock and blues was fostered through the 1950s with late night listening sessions via the Nashville-based radio station WLAC-AM, where he first encountered the sounds of the three Kings, Elmore James, T-Bone Walker and other influential bluesmen. By his late teens, he was playing rhythm guitar in a regional band called The Glaciers that covered Elvis Presley, Little Richard and Chuck Berry material.

Through the ‘60s, Lee’s interest turned to Chicago blues and he soon found himself gigging in blues clubs throughout the Midwest. In January of 1982 (in the midst of a particularly cold Wisconsin winter), Lee relocated to New Orleans and for the next 14 years held down a steady gig playing five nights a week at the Old Absinthe House in the heart of the French Quarter. He subsequently went to the Opera House and 544 Club and remains one of the most crowd-pleasing acts on Bourbon Street to this day.

Lee debuted on Justin Time Records in 1991 with The Blues Is and has since released a string of powerful outings on the label, including 1993’s Memphis Bound, 1995’s Braille Blues Daddy, 1997’s Live at the Old Absinthe House Bar Friday and Saturday Night, Crawfish Lady and more! His dynamic Blues Power Band was captured in concert at The Spectrum in Montreal on the Justin Time DVD, Live & Dangerous.

Personnel: Bryan Lee (guitar, vocals); Brad Westen (bass); Alan Robinson (drums); Billy White (keyboards); Eric Traub (saxophone); Eric Langstaff (trombone).

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Byther Smith - Working Man's Blues (2 CD)

Album: Working Man's Blues
Size: 147,6 + 150,0 MB
Time: 64:00 + 64:55
File: MP3 @ 320K/s
Released: 2022
Styles: Blues
Art: Full

CD 1 - The Soto Sound Session 1989:
1. What Have I Done (7:01)
2. Addressing The Nation With The Blues (5:42)
3. Hello Mrs. Brown (4:46)
4. I Was Coming Home (5:59)
5. I Wish My Mother Was There (6:28)
6. Looking For A Woman (4:00)
7. Movin' (5:12)
8. Ain't No Sunshine (Instrumental) (2:22)
9. Play The Blues On The Moon (6:18)
10. Put Your Arms Around Me (5:04)
11. What Is This (4:42)
12. You Should Be Proud Of Your Daughter (6:19)

CD 2 - The 45s:
1. Thanks You Mr. Kennedy (2:25)
2. Champion Girl (2:23)
3. Give Me My White Robe Pt.1 (2:58)
4. Give Me My White Robe Pt.2 (2:50)
5. Money Tree (3:04)
6. I'm So Unhappy (3:10)
7. What Have I Done (3:43)
8. Sweet Sixteen (4:36)
9. Tell Me How You Like It (4:17)
10. Come On In This House (4:05)
11. This Little Voice (4:53)
12. Movin' On (6:25)
13. It's My Own Fault (6:25)
14. Messin' With The Kid (2:52)
15. The Thrill Is Gone/Talk To Your Daughter (10:41)

Byther Smith (1932-2021), an orphan, was shown the right path by his aunt. Byther aspired to a boxing career, but his aunt managed to interest him in the guitar. After taking lessons from JP Lenior, Robert Lockwood, and Hubert Sumlin, he went on to play as a rhythm guitarist in Otis Rush’s band. In the 1970s, he was a guitarist for Big Mama Thornton and George “Harmonica” Smith, among others. After his retirement, he continued as a full-time musician.

The album “Working Man’s Blues” refers to this; despite his steady job, he continued to play in the blues clubs of Chicago. Byther Smith’s style is recognizable by his crisp, plucking playing style and songs with long intros, but above all, Byther was also a gifted singer. In addition to his guitar playing, his clear voice was also his trademark. The album consists of 2 CDs with 27 tracks, well over two hours of fine Chicago blues. CD 1 is a reissue of his 1988 album Addressing the Nation With the Blues. CD 2 contains so-called pre-fame recordings, alternate takes, and funky live club tracks.

The album opens with one of his biggest hits, "What Have I Done", where the classic blues idiom is filled with saxophone and guitar. "Addressing the Nation with the Blues" is the title track of the reissued album and, along with "I Am Coming Home" and "I Wish My Mother Was Here", is timeless blues and delightful tracks to dream away to. In addition to these characteristic style numbers, the album contains shuffles and songs with a funky edge. The closing track, "You Should Be Proud of Your Daughter", features one of those characteristic long musical intros; it is a song with a hypnotic repeating groove and top-notch vocals from Byther. The only song not on "Addressing the Nation With the Blues" is a beautiful instrumental rendition of Bill Wither's "Ain't No Sunshine".

CD 2 opens with two pre-fame tracks, Thank You Mr. Kennedy and Champion Girl from 1962, two songs in the style of Little Richard with that rock 'n' roll sound. "Give Me a White Robe Part One and Two", "Money Tree", "Come in This House" - delicious blues. It is the entire feel of this compilation album, by this relatively unknown bluesman; the album breathes pure blues. As for the live recordings, it is not known where they were recorded, but the sound and the experience in the recordings are fantastic; it makes you feel like you are sitting in a Chicago blues bar. The closing track, "The Thrill Is Gone", and JB Lenoir’s "Talk to Your Daughter" are masterful. Byther Smith, sadly deceased, was a hardworking Chicago bluesman, and his blues shines through on this album. /Jos Verhagen, The Blues Magazine

(For personnel details, see artwork included.)

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Catfish John Tisdell - Front Street Blues

Album: Front Street Blues
Size: 146,1 MB
Time: 63:19
File: MP3 @ 320K/s
Released: 2026
Styles: Blues/Rock mix
Art: Front

1. I've Got A Woman (5:31)
2. You Can't Always Get What You Want (5:59)
3. Outside Woman Blues (5:57)
4. Red House (4:34)
5. Shake, Rattle, And Roll (4:07)
6. Take Me To The River (5:18)
7. Mustang Sally (Extended Version) (6:43)
8. Mary Had A Little Lamb (5:06)
9. Feelin' Alright (4:43)
10. Workin' Overtime (4:36)
11. Walkin' Blues (4:41)
12. Not Fade Away (6:00)

Since his first public performances in the early 70's in Denver, Catfish has toured the country both as a solo artist and in bands performing in clubs, coffeehouses, music festivals and concerts. His favorite style of music is a combination of blues & rock, but he has performed in bands ranging from traditional blues and folk to more modern rock and roll. He has lived on Maui for 30 years and windsurfs.

Shortly after John moved to Maui in 1991, he and some friends started the Front Street Blues Band. Based in Lahaina, they often played in clubs along the famous Front Street, and so adopted the name. They stayed together for about 5 years and often played in a nightclub called "Ludwigs". This "live" album was recorded at Ludwigs over several nights.

Personnel: Catfish John Tisdell (vocals, guitar, harmonica); Dan Bash, Mario Faure (guitar, backup vocals); James Lierley (bass, backup vocals); Tom Tierney, Steve Wright (drums); Alika Ross (saxophone, backup vocals).

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Tuesday, August 25, 2026

One Shot Johnny - Give Me A Reason

Size: 350 MB
Time: 50:01
File: Flac
Released: 2004
Styles: Blues
Art: Front

1. I Better Knock On Wood (3:43)
2. Take A Ride (3:36)
3. Someone, Somewhere (6:28)
4. Send A Letter (4:12)
5. Whiskey Kisses (4:36)
6. Watching Old Memories Burn (5:43)
7. Old Black Sadie (4:02)
8. Blessed Are The Peacemakers (4:08)
9. Sometimes (4:08)
10. Drunkard's Blues (6:16)
11. Two Days Till Payday (3:04)

One Shot Johnny is a 5 piece High Energy Tribute to the greatest rock-n-roll bands to ever grace the stage. OSJ takes the cover band concept to another level, performing the songs in a way that makes you reminisce of a time when Rock and Roll bands ruled the airwaves. Fans of the concert experience that had great guitar riffs, a rhythm section with a groove, and a front man who made you feel like you were personally invited to the party will enjoy singing along and dancing to the songs that OSJ bring to life. Whether you're a child of the 60's when the British invaded, the 80's when hair and makeup were a requirement for any great MTV video, or another era of rock-n-roll, your lifestyle, language, and fashion were influenced by the great rock bands of your time. The members of One Shot Johnny are dedicated to bringing that emotion and attitude to parties, clubs and events all across the great state of Texas. LONG LIVE ROCK-N-ROLL!!!

Give Me A Reason FLAC

Monday, August 24, 2026

Byther Smith - Big Shot Smitty

Album: Big Shot Smitty
Size: 94,6 MB
Time: 40:55
File: MP3 @ 320K/s
Released: 1984
Styles: Blues, Chicago blues
Art: LP front & back

1. Walk Streets At Midnight (4:40)
2. Killin' Floor (3:32)
3. Come On In This House (4:00)
4. Mississippi Kid (3:31)
5. Thrill Is Gone (4:26)
6. You Ought To Be Ashamed (3:47)
7. Tell Me How You Like It (4:09)
8. So Unhappy (4:30)
9. All The Love (4:37)
10. Got My Mojo Workin' (3:38)

Byther Claude Earl John Smith (April 17, 1932 – September 10, 2021) was an American blues musician who worked with Muddy Waters, Howlin’ Wolf, Jimmy Reed, Otis Rush, and Junior Wells. Born in Monticello, Mississippi, Smith's early music experiences revolved around gospel music. Orphaned, Smith was brought up by his uncle and aunt. In his teenage years he moved to Arizona to work on a cattle ranch and played in a country and western band on weekends. He worked in construction and local farmhands taught him to play the double bass. Around this time Smith showed an interest in boxing, so his aunt bought Smith an electric bass guitar to encourage him to follow a musical path instead.

Smith migrated to Chicago in the mid-1950s with his wife, Etta Mae. In the early 1960s he began performing in clubs, learning guitar from J. B. Lenoir (his first cousin who had encouraged him to migrate), Robert Lockwood, Jr., and Hubert Sumlin. He worked regularly as a rhythm guitarist for Otis Rush. During this period he recorded a number of singles with labels such as Bea & Baby, Cruise and Apex but in 1965 returned to his gospel roots with a group called the Gospel Travellers. In the 1970s he joined the house band at Theresa’s Tavern where he worked for five years, often playing with Junior Wells. In 1974 he recorded various tracks with Sunnyland Slim for Slim's later album 'She Got A Thing Goin' On'. In the late 1970s, Smith toured with the likes of Big Mama Thornton and George "Harmonica" Smith.

After years playing in clubs all over the world, a demo tape Smith recorded became the album Tell Me How You Like It, released by the Texas-based Grits record label. His next release in the United Kingdom was Addressing the Nation with the Blues for JSP Records. In 1995, Smith retired from his job at Economy Folding Box Company after twenty-five years, allowing him to focus fully on music. Smith retired from touring in 2015. Delmark Records boss Bob Koester observed, "There's a mellowness there that is disappearing in all but B.B. King". Byther Smith died in Chicago on September 10, 2021, aged 89.

Personnel: Byther Smith (guitar, vocals): Mike Baietto (guitar); Bruce Felgen (bass); Joe Pusateri (drums).

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Acme Blues Company - I Think I Made It

Album: I Think I Made It
Size: 117,4 MB
Time: 50:43
File: MP3 @ 320K/s
Released: 2006
Styles: Blues
Art: Front

1. Is Love Worth The Cost (3:10)
2. Expect My Own (3:47)
3. Sugar Mama (3:22)
4. Easy Money (4:31)
5. I Think I Made It (4:31)
6. Hey Baby (4:16)
7. You Ain't The First (Live) (5:55)
8. A Little Somethin' Somethin' (2:50)
9. No Shortage Of The Blues (5:36)
10. Liquor Store (5:02)
11. I'm What You Need (4:22)
12. Comin' And Goin' (3:18)

Acme Blues Company is a high-energy electric blues band from the Washington DC area. Their mix of traditional and contemporary blues music has an original sound that always fills the dance floor. This band has gained a reputation for delivering highly charged and memorable performances all around Virginia, Maryland and DC.

The band features Waverly Milor on harp and lead vocals, Steve Remy on electric guitar and lead vocals, Steve “Wolf” Crescenze on bass, and Chris Ruckman on drums, and their newest addition, Zach Sweeney on electric guitar. Acme plays originals and covers going back through the history of blues music. If you like Eric Clapton, Stevie Ray Vaughn, B.B. King, Tommy Castro, and The Fabulous Thunderbirds, then you’ll be rockin' when Acme Blues Company comes to your town!

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Various Artists - Morgan Freeman's Symphonic Blues Experience

Album: Morgan Freeman's Symphonic Blues Experience
Size: 100,2 MB
Time: 43:25
File: MP3 @ 320K/s
Released: 2026
Styles: Symphonic blues
Art: Front

1. Morgan Freeman & Keith Johnson - Dark Was The Night, Cold Was The Ground (2:49)
2. Super Chikan - Crossroads (3:35)
3. Taj Mahal - Death Letter Blues (4:00)
4. Lady Adrena - Dust My Broom (2:37)
5. Alvin Youngblood Hart - The Thrill Is Gone (4:10)
6. Keb' Mo' - Cadillac Assembly Line (3:44)
7. Anthony 'Big A' Sherrod - Somebody's Knockin' (3:48)
8. Shemekia Copeland - Traveling Riverside Blues (3:41)
9. Tierinii Jackson & Stax Music Academy Choir - I'll Take You There (3:09)
10. Anthony 'Big A' Sherrod - Love Me Or Leave Me (4:15)
11. Anthony 'Big A' Sherrod - Someday (4:04)
12. Keith Johnson - I Lied To You I Lied To You (From Sinners) (3:27)

Morgan Freeman is bringing one of his deepest musical passions to record. Morgan Freeman’s Symphonic Blues Experience, due September 25, 2026 via Decca Music, celebrates the history and continuing power of Mississippi Delta blues by placing the Ground Zero Blues Club Band alongside Chineke! Orchestra. With new arrangements by Martin Gellner and guest performances from Taj Mahal, Keb’ Mo’, Shemekia Copeland, Alvin Youngblood Hart and more, the album connects raw blues tradition with the scale and color of a symphony orchestra.

For Morgan Freeman, the blues is not simply another musical genre. It is tied to place, history and identity — especially the sound and legacy of the Mississippi Delta. With Morgan Freeman’s Symphonic Blues Experience, that long-standing passion becomes a full-scale recording project. Freeman serves as producer and narrator, helping shape an album that brings traditional and contemporary blues voices together with the breadth of a full orchestra.

At the center are the Ground Zero Blues Club Band and Chineke! Orchestra, connected through new arrangements by conductor and composer Martin Gellner. Gellner, whose credits include work connected to Hans Zimmer Live, created the orchestral arrangements for the project, allowing familiar blues songs to retain their grit and emotional directness while gaining a much larger cinematic frame.

The album was recorded between two studios with very different but equally powerful musical associations: Royal Studios in Memphis, Tennessee and Abbey Road Studios in London. That combination feels appropriate for a record built around movement between musical worlds. Memphis brings direct connection to Southern soul and blues traditions, while Abbey Road provides the space and technical scale required for the orchestral side of the project.

The result is designed as more than blues songs with strings added behind them. The arrangements aim to let the band and orchestra interact, giving classic material new shape without stripping away the raw character that made the songs endure in the first place. [---] Freeman’s role is central to the identity of the project. His narration links the music to the larger cultural history behind it, helping the album function as both a musical experience and a journey through the Delta blues tradition.

That makes the title Symphonic Blues Experience more literal than promotional. The record is built around contrast: a blues band grounded in groove, feel and improvisation, surrounded by the breadth and dynamics of an orchestra. The concept works best when those worlds remain distinct enough to create tension. The blues should still sound like blues. The orchestra should bring scale without smoothing away the rough edges. That balance is precisely what the project sets out to explore. /The Blues Magazine

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Sunday, August 23, 2026

One Rusty Band - Line After Line

Size: 252 MB
Time: 43:44
File: Flac
Released: 2025
Styles: Blues
Art: Front

1. Line After Line (3:15)
2. I Wanna Kill You (3:28)
3. Mr Catfishman (3:42)
4. Dust Bowl (4:20)
5. Happy Mess (4:34)
6. Wild Child (2:21)
7. Again (3:47)
8. She's A Vagabond (2:49)
9. Across The Country (3:59)
10. Anger Bones (2:39)
11. Come Back Home (3:29)
12. Lazy Land (5:15)

An explosive duo who mixes unpolished blues, vintage rock, super high-vitamin tap dancing and a touch of burlesque madness, with sonorities between "The White Stripes" and "Seasick Steve".Their third and latest album, Line After Line, released on June 6, 2025 tells of travels and encounters. A sound and visual journey made of Greg's handmade instruments and Léa's percussions and acrobatics.He's an electric and versatile one-man-band, and she's a whirlwind of rhythms, a percussive dancer who taps like others hit their drums. If you like sincere and passionate virtuosity as well as crazy shows, prepare your legs and your eyes: with One Rusty Band, you are served in a hair-raising and generous show.

Line After Line FLAC

Kerri Lick - Baptised

Size: 256 MB
Time: 43:03
File: Flac
Released: 2021
Styles: Blues
Art: Front

1. The Good Way (4:16)
2. Slow Moves (5:01)
3. Same Old Song (3:39)
4. Birds and the Bees (3:55)
5. Baptized (4:34)
6. Delta Dawn (3:11)
7. Friday Feet (3:28)
8. When Winter Comes (4:13)
9. Ms. Kate (4:59)
10. Toke or Two (Live) (5:43)

Kerri Lick is a force of nature. Soulful. Bluesy. Real. Her voice is powerful and emotive. It’s all on display here. She is Texas based singer songwriter with a true diversity in writing that can find you grooving in the blues or riding along an interstate folksingers.

Baptized FLAC

Russell Marsland - Dig Deep

Size: 483 MB
Time: 73:26
File: Flac
Released: 2005
Styles: Blues
Art: Front

1. Hootchie Kootchie Man (6:45)
2. In Good Hands (6:09)
3. Biscuit Stomp (1:18)
4. When Money Grew On Trees (4:28)
5. Traintime (6:18)
6. Belly Of A Whale (6:07)
7. I Don't Know 'Bout That (4:27)
8. Lay Your Head (6:57)
9. Mississippi Home Made Jam (4:46)
10. U2B2 (5:04)
11. Peaceful Man (5:27)
12. Time For A Change (6:47)
13. Warsaw Blues (3:16)
14. Traintime Reprise (2:58)
15. Sylviah (2:32)

He and Chris Gestrin spent four years making Dig Deep, creating an exciting soundscape, never turning into just a wall of sound however many instruments they put on a track. With a good voice, expert instrumental skills, both on the guitar and on percussion, Marsland is at times absolutely brilliant. Start your journey with this CD by, for example, listening to tracks 6-8. First you get "Belly of a Whale," a lovely blues work song pastiche, that could have passed for traditional, beautifully executed. Then the rocking "I Don't Know About That," followed by the moving "Lay Your Head," which could have found its place on a Peter Gabriel album (and I mean that as high praise indeed). Almost 18 minutes of sheer musical pleasure. Track 2, bluesy "In Good Hands," and track 11, the soulful "Peaceful Man," reach the same heights. Five tracks that would stand out on any album by any artist.

Dig Deep FLAC

Bullfrog Brown - Snakes And Devils

Album: Snakes And Devils
Size: 91,8 MB
Time: 39:27
File: MP3 @ 320K/s
Released: 2005
Styles: Blues/Roots
Art: Front, sleeve, tray, cd

1. The Wind Still Blows (3:00)
2. Legacy Blues (3:04)
3. Snakes Were Gettin' (2:46)
4. Night (2:26)
5. Missmeal Blues (2:53)
6. Devil Went A-Walkin' (4:01)
7. Feed The Habit (2:40)
8. I'll See You, Mr. Blues (4:22)
9. The Windows Are Shakin' (2:30)
10. Saucer Full Of Cream (2:52)
11. Whiskers (2:57)
12. Blues For Tinkle (3:37)
13. Sittin' By The Window (2:12)

Bullfrog Brown hail from Estonia and Snakes and Devils is a mixture of Delta and Chicago blues. It is mainly a musical illustration of the vocal talents of Alar Kriisa and Andres Roots slide and acoustic guitar with backing by bass, drums & harmonica. The vocals have a distinctive Estonian characteristic about them and only adds to their unique interpretation of the blues. After all, the blues belongs to the whole world.

Their passion for the blues really comes across on 13 track CD of home spun blues numbers, albeit borrowing some cotton from existing blues garmentsbut dont we all. Snakes And Devils is primal earthy blues with an honest delivery. Good musicianship throughout with some authentic acoustic slide and harp. /Paul Bufton

(For personnel details, see artwork included.)

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Keb' Mo' - The Breakdown

Album: The Breakdown
Size: 89,4 MB
Time: 38:42
File: MP3 @ 320K/s
Released: 2026
Styles: Acoustic blues, roots
Art: Front

1. Fussing And Fighting (4:14)
2. Every Step Of The Way (4:35)
3. They Don’t Make ‘Em Like They Used To (4:42)
4. More Yesterdays (3:42)
5. We Make Love (3:34)
6. Walking On Water (3:38)
7. Hand It Over (3:23)
8. Living In The Moment (3:37)
9. Stitched Up Heart (3:18)
10. One Day Away (3:54)

Few artists in contemporary roots music have built a legacy as remarkable as Keb’ Mo’. With five Grammy Awards, 14 Blues Foundation Awards, and a career spanning more than five decades, the acclaimed singer, songwriter, guitarist, and storyteller continues to redefine the boundaries of blues, folk, soul, and Americana. Now, Keb’ Mo’ has released his new album The Breakdown, a deeply personal collection of songs that strips his songwriting back to its most essential form. Built around intimate solo acoustic performances, the album explores the passage of time, the inevitability of change, and the enduring power of hope, faith, and love.

Born and raised in Compton, California, Keb’ Mo’ began his career behind the scenes as a guitarist, songwriter, and arranger before breaking through internationally with his acclaimed 1994 self-titled debut album. Since then, he has topped the Billboard Blues Chart eight times, performed at venues ranging from Carnegie Hall to The White House, and collaborated with artists including Taj Mahal, Willie Nelson, Bonnie Raitt, The Chicks, and Lyle Lovett. His songs have been recorded and sampled by artists as diverse as B.B. King, Zac Brown, and BTS.

Along the way, he has released signature guitars with Gibson and Martin, composed music for television productions, and appeared in projects including Martin Scorsese’s The Blues, Aaron Sorkin’s The West Wing, and the iconic children’s television series Sesame Street. In 2021, he received the Americana Music Association’s Lifetime Achievement in Performance Award. With The Breakdown, Keb’ Mo’ once again demonstrates why he remains one of the most respected voices in modern roots music. By embracing simplicity and vulnerability, he delivers a collection that promises to resonate with longtime fans and new listeners alike. /The Blues Magazine

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Thursday, August 20, 2026

Keith Dunn - Collection

Album: Collection
Size: 102,6 MB
Time: 44:29
File: MP3 @ 320K/s
Released: 2009
Styles: Blues, harmonica blues
Art: Front, back

1. Baby Ride With Me (5:05)
2. Can't Let You Go (2:43)
3. You Belong To Me (3:10)
4. Steal Away (6:16)
5. Need To Make A Dollar (2:06)
6. Wish You Would (6:22)
7. Worried Life Blues (3:46)
8. Close To You (3:48)
9. Hoy, Hoy, Hoy (3:48)
10. Baby Please Don't Go (2:36)
11. Off The Wall (4:44)

As a nine-year-old Dunn saw his first concert when T-Bone Walker played a free outdoor concert. At the age of 12 he bought a harmonica and began playing it at parties and with street players. He grew up listening to radio station W-I-L-D, initially taking a liking to Curtis Mayfield and Smokey Robinson. Later on he started listening to Archie Shepp and John Coltrane. He also bought records by Sonny Boy Williamson (I and II). In his early career he played only acoustic harmonica.

After seeing the Junior Wells/Buddy Guy Band he put his first real band together, Blue Lightning. They played material by Junior Wells, Jimmy Rogers, Aleck "Rice" Miller (Sonny Boy Williamson II), and also James Cotton and Muddy Waters. Dunn's second band was called the Honeydrippers which was a guitar/saxophone driven group.

Dunn presently lives in the Netherlands. He has performed with James Cotton, Hubert Sumlin, Roy Eldridge, Big Walter Horton, Lurrie Bell, Jimmy Rogers and Big Mama Thornton. He works as a record producer and gives master classes in harmonica. He regularly tours with The Love Gloves and The International Blues Band and also appears as a guest musician with different artists, for instance Big Jack Johnson. /Wikipedia

(For personnel details, see artwork included.)

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The Hitman Blues Band - Pale Rider

Album: Pale Rider
Size: 110,4 MB
Time: 47:50
File: MP3 @ 320K/s
Released: 2009
Styles: Blues/Rock/Americana mix
Art: Full

1. Your Blues (3:19)
2. Trouble On The Line (3:15)
3. Blues Can't Hit (What The Blues Can't Catch) (4:23)
4. Red Hook (5:09)
5. I Know About The Blues (4:33)
6. Blessed Man (4:42)
7. Miss Catherine (3:20)
8. I'm Coming For You (3:27)
9. Calamity's Child (4:26)
10. This Too Shall Pass (3:29)
11. Pale Rider (3:25)
12. Death Letter (4:18)

The Hitman Blues Band sound powerful and energetic, with an expressive forceful energy, able to produce a syncope at the first opportunity, so if you suffer high blood pressure o any other heart disease, this is not the best CD for you. Anyway, Russell "Hitman" Alexander on vocals and guitar, Kevin Rymer on keyboards, Mike Porter on bass and Ed "The Hat" D’Alessio on drums, form an enviable four musicians band with an amazing rockin' blues groove and Americana music.

Also notable is their mastery good team work and their commitment along the twelve songs included on the CD. Russell is also an excellent song-writer who signs eleven of the twelve songs on this album. The last one is a funky adaptation of Son House's Death Letter. So here comes a CD conceived and done with an extreme passion and positive mind. /La Hora Del Blues

(For personnel details, see artwork included.)

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Jodie Kay Victor - Soul Patrol

Album: Soul Patrol
Size: 131,5 MB
Time: 56:35
File: MP3 @ 320K/s
Released: 2026
Styles: Blues/R&B/Soul
Art: Front

1. Child's Play (4:24)
2. Bound And Detirmined (4:49)
3. Ain't That A Lotta Love (3:02)
4. Not The Lovin' Kind (4:33)
5. Only Everything (4:45)
6. Pride And Joy (3:25)
7. Breakin' Up Somebody's Home (4:01)
8. If You Gotta Make A Fool Of Somebody (3:38)
9. One Of These Days (4:14)
10. Don'tcha Do Me Dirty (3:56)
11. I'll Take Good Care Of You (3:57)
12. Don't Let Me Be Misunderstood (4:07)
13. Sweet Dreams (3:39)
14. Tiger In My Tank (3:59)

Jodie Kay Victor's Soul Patrol is focused on new blues and a refreshing new take on old-school R&B and funk. Jodie is an accomplished singer-song-writer and piano player. Reunited with longtime friend Glen Gerard Freundl, she invited him to join the project and they co-wrote 6 of the albums original songs. Glen is steeped in the blues tradition through work with the Paul Butterfield Blues Band.

The sessions brought together a strong lineup of players to complete the tracks, including Bobby Watson on bass, Eric Marienthal and Scott Gilman on saxophone, Land Richards on drums, Lenny Castro on percussion, guitarists Buzz Feiten, Allen Hinds, Joey Delgado, and Luie Freundl. David Siebels and Glen Gerard played keyboards. The result is the Soul Patrol project. Produced and mixed by Glen Gerard Freundl and David Siebels. The album was mastered by Grammy Award winner Chris Bellman.

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Lady A - The Space In Between

Album: The Space In Between
Size: 79,3 MB
Time: 34:14
File: MP3 @ 320K/s
Released: 2026
Styles: Soul-blues
Art: Front

1. I Wish You Would (4:35)
2. This World (3:26)
3. Sitting Here Waiting On You (2:50)
4. EveryTime (3:44)
5. Sip Of Liquor (4:31)
6. That's My Mama (3:13)
7. That Man I'm Looking For (3:57)
8. The Space In Between (3:57)
9. I Stay Covered (3:58)

With a voice that testifies, grooves, and stirs the soul, Lady A brings over two decades of powerhouse performances rooted in blues, soul, and gospel. Based in Seattle, WA, she’s known for her electrifying live shows and deep Southern musical roots. Lady A delivers authenticity and fire, blending original music with timeless classics, carrying forward the legacy of Denise LaSalle, Mahalia Jackson and Alberta Hunter while making each performance unmistakably her own.

Her performances are more than concert, they are experiences. Rooted in blues, soul, and gospel traditions, Lady A's music speaks to life, love, resilience, and community, creating meaningful connections with audiences wherever she performs. Now, Lady A has released her highly anticipated new album, The Space In Between. Recorded at Dexter Allen Entertainment Studios in Jackson, Mississippi, the project features songs written entirely by Lady A - an important first in her recording career. Blending blues, soul, and gospel influences, the album explores the conversations we avoid, the memories we carry, and the healing that happens in the spaces between.

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Tuesday, August 18, 2026

One Hand Dan - Self Medication

Size: 232 MB
Time: 40:46
File: Flac
Released: 2015
Styles: Blues
Art: Front

1. Bad Everything Blues (2:46)
2. Low Down Damn Dirty Shame (3:57)
3. 101 In The County (5:54)
4. Billy The Toad (4:22)
5. Magic Man (3:33)
6. Rollin' 'n' Tumblin' (3:12)
7. The Darkness (5:25)
8. John The Revelator (3:41)
9. Trailer Park Tracy (3:04)
10. Working Mans Blues (4:49)

"I think my favorite lesson from the blues is that real gold is found somewhere scattered and buried in the dirt, waiting to be found by the ones who seek it."

One Hand Dan (Daniel L. Russell) is a 29 year old ex-professional wrestler turned blues musician from Alabama. Born with one hand in Splendora, Texas, his can do attitude is inspirational to many. Dan always wanted to learn the guitar but never pursued it because he never thought he would be able to play it well enough to try. Well, he didn’t actually purchase a guitar. He acquired it from a friend who took it out of the trash from a remodeled Ruby Tuesdays. A short time later he met his wife Lizzie who inspired him to change his life around and live and give 110% again. She bought him his first cigar box guitar kit. After building that first kit, the hallway to their 2nd floor apartment became a permanent workspace. At the time, Dan was pulling 60 hours a week loading beer trucks and saved money to buy his first Resonator guitar. Inspired by slide guitar, he knew the right equipment was important to his sound. With his gorgeous guitar, he began to perform locally on the streets of Muscle Shoals.

After years of living in the Shoals, Dan and Lizzie moved to Tuscaloosa where he had a vision of a 3 neck cigar box guitar. Dan’s love for country and Delta blues started seeping into his performances. As a pro wrestler, Dan knew how to work a crowd, knowledge which became very helpful to this struggling musician. Dan loves to start random conversations of hilarity with strangers, oft times during his performances. Dan has been included on two Tuscaloosa tourism videos, and performed at a number of venues, festivals, and street corners. Festivals include Chicago Cigar Box Guitar festival, Clarksdale Juke Joint Festival, Flying Monkey Cigar box guitar Festival, Oxford Fringe Fest, Lowebowe Stage at Deep Blues Fest, and Nickel Guitars at Bonnaroo 2014, and recently a featured artist in "W.C Handy, Mr. Handy's Blues". Keep an ear out for the cries of delta blues slide guitar and an eye out for the infamous homemade instruments and minnow bucket tip jar.

Self Medication FLAC

Sunday, August 16, 2026

Keith Dunn Band - Trance Blues

Album: Trance Blues
Size: 80,6 MB
Time: 34:48
File: MP3 @ 320K/s
Released: 2012
Styles: Blues, harmonica blues
Art: Front

1. Crazy Legs (3:14)
2. Boogie Twist (4:25)
3. Ruler Of My Heart (2:56)
4. Kissing At Midnight (3:54)
5. Strange Land (4:41)
6. Ragged And Dirty (4:46)
7. Mean Old Frisco (3:43)
8. Snatch It Back And Hold It (3:20)
9. Turn Your Damper Down (3:45)

Keith Dunn Band plays rhythmic trance blues for dancers and music lovers. It is a unique four piece group; harmonica, two guitars and drums, no bass. Their deep groove, multi-styled songs are driven by a hypnotic beat with the heat of a hot southern night. The audience feels the emotion from the band - the mood is intense, a dance party is guaranteed. The strength and appeal of the Keith Dunn Band is the band itself. Four enthusiastic, sharp-dressed musicians of diverse ages, from four different countries, who are all masters of their instruments and who, as a band, love the challenge of making each concert better than the one before.

Keith Dunn is the band's Boston born, charismatic front man. He learned his profession performing for many years in venues across America along side the masters of blues, jazz and rock and roll. This is evident in his stage performance and flowing playing style. His distinctly percussive, inventive harmonica lines dance with the melody of the songs. He has a voice you would find in an American juke-joint.

Personnel: Keith Dunn (vocals, harmonica); Renaud Lesire (guitar, vocals track 7); Bart De Mulder (guitar); Alex Lex (drums).

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Willie Mabon - I'm Mad: The Early Years Collection 1953-62 (2 CD)

Album: I'm Mad: The Early Years Collection 1953-62
Size: 140,8 + 130,3 MB
Time: 60:24 + 55:47
File: MP3 @ 320K/s
Released: 2026
Styles: Blues, piano blues, R&B
Art: Front, back

CD 1:
1. It Keeps Raining (2:48)
2. Bogey Man (3:08)
3. Trouble In My Home (3:02)
4. Times Are Getting Hard (2:43)
5. Worry Blues (3:13)
6. I Don't Know (3:08)
7. I'm Mad (2:36)
8. Night Latch (3:22)
9. You're A Fool (2:23)
10. Monday Woman (2:51)
11. I Got To Go (2:46)
12. Cruisin' (3:08)
13. Would You, Baby (2:58)
14. Late Again (2:35)
15. Poison Ivy (2:52)
16. Say Man (2:32)
17. Come On Baby (2:58)
18. Wow! I Feel So Good (2:49)
19. Seventh Son (2:50)
20. Lucinda (2:38)
21. Knock On Wood (2:51)

CD 2:
1. Got To Let You Go (2:36)
2. I Gotta Go Now (2:25)
3. Michell (2:36)
4. I Don't Know (2:40)
5. I Got To Have Her (2:41)
6. Got To Have Some (2:36)
7. Why Did It Happen To Me (2:09)
8. Fannie Mae (2:47)
9. Mean Mistreater (2:29)
10. Early One Morning (2:36)
11. Got To Have It (3:05)
12. Beggar Or Bandit (2:44)
13. Life Could Be Miserable (3:08)
14. I'm Tired (2:43)
15. Lonely Blues (2:51)
16. Willie's Blues (3:02)
17. He Lied (2:41)
18. Someday You Gotta Pay (2:42)
19. Why Did It Happen To Me (2:20)
20. I'm Mad At You (2:20)
21. I Love My Baby (2:29)

Willie Mabon, born in Memphis, Tennessee in 1925, was a blues singer, pianist and songwriter, who was very much of the Chicago school of blues performers, and enjoyed a career peak with two US R&B No. 1s in 1953, although he never reached the long-term heights of some of his more renowned contemporaries. He eventually moved to Europe in the 1970s to become part of the thriving blues scene in France and the UK.

This 42-track 2- CD collection comprises most of his releases during this era on the Apollo, Aristocrat, Parrot, Chess, Mad, Formal & Solar labels, plus other Chess recordings which were not released at the time. It features his two No. 1 R&B hits, “I Don’t Know” and “I’m Mad”, and his 1955 R&B Top 10 hit “Poison Ivy” along with other notable recordings including Willie Dixon’s “Seventh Son”.

As a city blues artist, his songwriting often had a wry, tongue-in-cheek approach to social commentary, and his music had an urbane and stylishly streetwise feel, which comes across through this trawl across the primary era of his career.

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Saturday, August 15, 2026

One Eyed Crow - Too Much Trouble

Size: 240 MB
Time: 39:55
File: Flac
Released: 2018
Styles: Original & Classic Blues
Art: Front

1. What's Right For You (3:40)
2. Shake For Me (2:47)
3. Keep On Lovin' You (4:03)
4. Fight Another Day (4:03)
5. Switchback (3:09)
6. Blown Away (3:04)
7. Satisfy Susie (3:48)
8. Headin South (3:19)
9. Rock The Right Way (3:26)
10. Stormy Monday (5:06)
11. A Better Plan (3:26)

One Eyed Crow deliver a blistering mix of original and classic blues. Whether the groove is slow and soulful or fast and loose these guys from Merseyside always pack a punch.

After 6 years touring the UK and Europe as lead guitarist with the award winning blues singer Connie Lush, Pete Wade along with long time collaborators Pete Somerville and Paul Tsanos, was ready to unleash his own brand of electric blues on the world. Influenced by blues giants like B.B.King, Albert Collins, Stevie Ray Vaughan and Rory Gallagher, Pete has developed his own unique style and was described as one of the best blues guitarists on the circuit by Blues Matters magazine.

Pete first cut his teeth as the charismatic lead singer/guitarist with the hugely popular 80's rock band Engine. With their wild stage antics and high energy boogie rock, they were affectionately known as "the long haired lunatics from Liverpool", and for over a decade, entertained audiences all over the UK, alongside the likes of Uriah Heep, Suzi Quatro and Canned Heat.

Drummer Paul Tsanos has played with some of the top names on the Liverpool music scene, including Pete Wylie and Ian McNabb, Connie Lush & Parlour Flames with Bone head from Oasis. He also performed alongside Ringo Starr at the Liverpool Capital of Culture concert at the Echo Arena in 2008.

Bass player Pete Somerville was recruited after he supported the legendary blues man Peter Green at the International Guitar Festival of Great Britain and he has also played with Ian McNabb.

With their authentic sound and highly entertaining show, this exciting blues trio are gaining a reputation as one of the best new blues bands around. Catch them now and have yourself a great night out.

Too Much Trouble FLAC

Friday, August 14, 2026

Mike Milligan & The Altar Boyz - Holdin' On

Album: Holdin' On
Size: 126,2 MB
Time: 54:23
File: MP3 @ 320K/s
Released: 2007
Styles: Blues, harmonica blues
Art: Front, tray

1. She's My Woman (3:06)
2. Dangerous (4:34)
3. Holdin' On (3:46)
4. Wash Over Me (6:18)
5. Let's Get Naked 'N' Run Buck Wild (3:43)
6. No Pain, No Gain (3:42)
7. You Don't Know Me (4:44)
8. Permanent Insanity (6:14)
9. Always (4:28)
10. Cat Can't Make A Sound (2:39)
11. I'm Gonna Love You Baby (5:15)
12. Maggie's (5:50)

Michael Milligan and the Altar Boyz describe their unique sound as "Texas blues with Louisiana attitude". This is what happened when they combined their ethnic mixture of original sounds. Front man/lead singer Michael Milligan, raised in Angelton, Texas with roots In Louisiana, has been a working musician since the early 70's playing out of Iowa, Colorado and Houston as a lead singer and drummer. Moving to Austin in 1990 Mike then became a front man for the band Memphis Train, and from 2000 thru 2004 he was the front man for Delta Roux playing in the states and in Western Europe releasing two CDs thru the Taxim Label out of Germany.

In 2000 Michael began playing harmonica and very quickly became one of the premire harp players in Austin, and in 2005 he was asked by bassist Leland Parks to front for the Altar Boyz. Since that fateful day, the band has played over 900 gigs all over Texas and beyond. From Alpine to Dallas, Nashville to San Angelo and in between, the group has been gaining a true blues following of fans and friends. After just one month together, they made their first live CD and soon after their first live DVD. Finally in 2006 the band recorded and released their first studio CD called "Going Up" on the indie label Doc Blues Records. The title comes from the CD cover picture taken in the Austin famous Driskill Hotel elevator, but implies much more. Their second CD, "Holdin' On", was released in 2007.

They have opened bigger shows as well with names like Johnny Winter, Jerry LaCroix, Derek O'Brien, David Grissom, Nick Curran, Gary Clark Jr., Anson Funderberg, Whitey Johnson, Vallejo, Miss Lavelle White and others. Mike Milligan's composing and lyric talents haven't gone unnoticed by the local, national and international media as well with glowing reviews in Blues Review Magazine, Blues Matters, Music News-Houston. The Bastop-Smithville Times music editor Terry Haggerty raved about the combo in another shining live performance review on May 22, 2008. Michael Milligan is know as "the voice" on 6th Street and very often compared to the vocal stylings of Junior Medlow. Since Austin lost world famous blues mentor and club owner Clifford Antone a few years back, folks realized that he was Austin's own version of a blues society.

But since then, the new Austin Blues Society was created and has a monthly ABS open blues jam at Antones originally hosted by Michael Milligan and the Altar Boyz and in 2009, for the first time ever, Austin held the local International Blues Society Competition. From all the worthy entries, Michael Milligan and the Altar Boyz were judged the best act to represent Austin, Texas for the 2009 IBC Finals in Memphis, Tennessee. Austin, Texas has the reputation for producing some world class bands, musicians, artists and one of the latest is Michael Milligan and the Altar Boyz. On June 16th 2011, Michael Milligan was honored by the Austin City Council by proclaiming that day as "Michael Milligan Day" in Austin, Texas. In 2013 Michael Milligan and the Altar Boyz released their third studio CD entitled "My Time". /Amazon

Personnel: Mike Milligan (vocals, harmonica); Scott Unzicker (guitar); Lean Parks (bass); Dave Novak (drums).

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Honey Hush - Blood Turns Blue

Album: Blood Turns Blue
Size: 88,2 MB
Time: 38:14
File: MP3 @ 320K/s
Released: 2026
Styles: Blues, harmonica blues
Art: Front

1. Blood Turns Blue (4:30)
2. Lipstick And Poison (3:55)
3. Life Is A Fire (3:51)
4. Done With The Devil (3:59)
5. Frank's Kitchen (4:38)
6. AI Warrior (4:37)
7. Hotdog Man (4:08)
8. Suspect (4:29)
9. The Blues Calls Me (4:04)

Blood Turns Blue is the debut album by Honey Hush, a modern rhythm and blues band from Düsseldorf, Germany. Released by Rolling and Tumbling Records, the record blends energetic blues, southern rock, soul, and country, anchored by harmonica player Frank Born and guitarist Matthias Heft.

Personnel: Frank Born (harmonica, vocals); Matthias Heft (guitar, vocals); Bernd Strefling (bass); Selim Öztamur (drums).

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Camilla Lindstrøm Blues Band - Camilla Lindstrøm Blues Band

Album: Camilla Lindstrøm Blues Band
Size: 75,6 MB
Time: 32:42
File: MP3 @ 320K/s
Released: 2026
Styles: Blues
Art: Front

1. Love Me Like A Man (5:18)
2. A Woman's Fire (3:24)
3. Respect (7:00)
4. How Would You Know (3:52)
5. Get Off Your Phone (4:53)
6. You Upset Me (3:30)
7. Never Met A Man Like You (4:42)

Camilla Lindstrøm Blues Band plays a broad repertoire within blues music, and with great respect for the genre and the classics there is also room for innovation. The repertoire thus consists of both old standards, newer blues and soul songs, as well as their own interpretations from the world of pop, where the blue element is emphasized and cultivated. The band wants to show that the genre is as relevant now as ever through a present performance, where the songs are delivered with both edge, empathy and soul.

The audience is invited to listen when the grand ballads are performed with intense vocals in the lead, and the dance-friendly numbers make it difficult to sit still. The strong vocals are complemented by sweaty solos from a tight band, where everyone draws on extensive experience. When Camilla Lindstrøm Blues Band takes the stage, it can be felt and it makes an impression on both the soul and the dancing feet.

Personnel: Camilla Lindstrøm (vocals); Lau Mortensen (guitar, harmonica, background vocals); Kenneth Slot (piano, organ, background vocals); Jan Hangstrup (bass); Jesper Fuglsang (drums).

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Kat Riggins & Her Blues Revival - Everyday Is Saturday

Album: Everyday Is Saturday
Size: 86,9 MB
Time: 37:18
File: MP3 @ 320K/s
Released: 2026
Styles: Blues/Soul mix
Art: Front

1. Heads Are Gonna Roll (4:12)
2. Do My Thang (4:09)
3. I Say So (3:43)
4. Ain't Goin Down (3:25)
5. Tears Like Gasoline (3:25)
6. Holy Water (3:26)
7. Fear Slayer (4:13)
8. Til The Lights Come On (3:16)
9. Hunger Games (3:59)
10. Live In Peace (3:27)

While growing up in Miami, Katriva Tabitha Riggins was instilled with a love for music. Her parents’ record collection included R&B, soul, gospel, hip-hop, country, and rock ‘n’ roll. Her primary influences soon became Nina Simone, Tina Turner, Etta James, and Koko Taylor. Riggins landed a gig singing jazz and blues standards at a lounge in Sunny Isles, Florida, and in 2011 toured Asia and the Middle East with a top-40 cover band. She recorded her debut album, Lily Rose, in 2014. Riggins opened the 2016 Fort Lauderdale Riverwalk Blues Festival and later that year released her highly anticipated sophomore effort, Blues Revival, on Bluzpik Records. She followed up with 2018’s In the Boys Club, also on Bluzpik, and dedicated the album to the early blues women who first busted down the clubhouse door. Follow-up recordings include 2020’s Cry Out, 2022’s Progeny, and 2024’s Revival. This is Riggins’ seventh album overall.

Lead vocalist Riggins is accompanied by lead guitarist Erik Guess; multi-instrumentalist Tim Mulberry; backing vocalists Shaelyn Mulberry and Tim Mulberry; and on one track, Timya and Tamia Mulberry. The album was produced by Tim Mulberry at the House of Berry Productions in White Springs, Florida. On all songs, the lyrics are by Riggins while the music is by Tim Mulberry. Riggins’ punctuation carries each tune. [...]

Everyday Is Saturday is a reminder that joy, freedom, and real connection don’t have to wait for the weekend. It’s a soundtrack to the kind of house party where old friends gather, strangers become family, and everyone is welcome exactly as they are. Whether there is a passionate debate, a budding romance, or somebody dancing, the music keeps the energy alive and the possibilities endless. Rooted in the spirit of old-school “rent check” parties, these songs celebrate the full range of human experience. They invite you to laugh, dance, sing, or cry your eyes out without judgment or apology, because that’s what great blues has always done. /Richard Ludmerer, Making A Scene

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Tuesday, August 11, 2026

Charles Walker Blues Band - Hotel Room Blues

Album: Hotel Room Blues
Size: 123,2 MB
Time: 53:23
File: MP3 @ 320K/s
Released: 2005
Styles: Blues
Art: Front

1. Burnin Barrel Blues (6:36)
2. Like What I Like (5:07)
3. On Your Floor (8:48)
4. Shot Of Love (3:16)
5. Lost My Man (4:12)
6. Broken Child (6:20)
7. Big Thick Momma (4:30)
8. Ease The Pain (5:08)
9. E & A Express (5:17)
10. Hotel Room Blues (4:04)

The Charles Walker Band, formerly known as the Charles Walker Blues Band, was formed by tenor saxophonist and keyboard player Charles Walker in Milwaukee, WI, in 2003. Walker had studied jazz at the University of Wisconsin at Eau Claire, leading to an extensive career as a jazz saxophonist. Prior to forming the Charles Walker Band, he was a member of Muddy Blue, which released the album Low Down Dirty Blues.

Lead singer Shanna Jackson, a native of Milwaukee, began singing at the age of five and attended the city's School of Fine Arts, after which she sang in female vocal groups. Lead guitarist Misha Siegfried (who replaced Emre Alp) is from St. Paul, MN, but moved to Milwaukee in 2002. His prior affiliations include Fire on Your Sleeve, the Genie Halliday Revue Band, the Mixx, Reverend Raven and the Chain Smoking Alter Boys, Blues Wagon, and Mississippi Gun & Gun Smoke.

Bassist Kent Hamele of Madison, WI, had been playing for over 30 years before joining the Charles Walker Band. Drummer Joey B. Banks (who replaced Nic Fugate) began playing the drums at the age of six and studied at the Musicians Institute of Technology in Los Angeles. He joined James Earl Tate and the Million-Dollar Blues Band in 1991. He also has backed a number of different performers including, in 1996, the Spinners and the Four Tops.

The Charles Walker Band released Keep Takin and Hotel Room Blues in 2005. Live and Low Down followed in 2007. The World and Things, initially issued in 2007 and re-released on Lucky 13/BC Records on January 15, 2008, was the group's first to be billed to the Charles Walker Band. /Biography by William Ruhlmann, AllMusic

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