Sunday, August 23, 2026

Bullfrog Brown - Snakes And Devils

Album: Snakes And Devils
Size: 91,8 MB
Time: 39:27
File: MP3 @ 320K/s
Released: 2005
Styles: Blues/Roots
Art: Front, sleeve, tray, cd

1. The Wind Still Blows (3:00)
2. Legacy Blues (3:04)
3. Snakes Were Gettin' (2:46)
4. Night (2:26)
5. Missmeal Blues (2:53)
6. Devil Went A-Walkin' (4:01)
7. Feed The Habit (2:40)
8. I'll See You, Mr. Blues (4:22)
9. The Windows Are Shakin' (2:30)
10. Saucer Full Of Cream (2:52)
11. Whiskers (2:57)
12. Blues For Tinkle (3:37)
13. Sittin' By The Window (2:12)

Bullfrog Brown hail from Estonia and Snakes and Devils is a mixture of Delta and Chicago blues. It is mainly a musical illustration of the vocal talents of Alar Kriisa and Andres Roots slide and acoustic guitar with backing by bass, drums & harmonica. The vocals have a distinctive Estonian characteristic about them and only adds to their unique interpretation of the blues. After all, the blues belongs to the whole world.

Their passion for the blues really comes across on 13 track CD of home spun blues numbers, albeit borrowing some cotton from existing blues garmentsbut dont we all. Snakes And Devils is primal earthy blues with an honest delivery. Good musicianship throughout with some authentic acoustic slide and harp. /Paul Bufton

(For personnel details, see artwork included.)

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Keb' Mo' - The Breakdown

Album: The Breakdown
Size: 89,4 MB
Time: 38:42
File: MP3 @ 320K/s
Released: 2026
Styles: Acoustic blues, roots
Art: Front

1. Fussing And Fighting (4:14)
2. Every Step Of The Way (4:35)
3. They Don’t Make ‘Em Like They Used To (4:42)
4. More Yesterdays (3:42)
5. We Make Love (3:34)
6. Walking On Water (3:38)
7. Hand It Over (3:23)
8. Living In The Moment (3:37)
9. Stitched Up Heart (3:18)
10. One Day Away (3:54)

Few artists in contemporary roots music have built a legacy as remarkable as Keb’ Mo’. With five Grammy Awards, 14 Blues Foundation Awards, and a career spanning more than five decades, the acclaimed singer, songwriter, guitarist, and storyteller continues to redefine the boundaries of blues, folk, soul, and Americana. Now, Keb’ Mo’ has released his new album The Breakdown, a deeply personal collection of songs that strips his songwriting back to its most essential form. Built around intimate solo acoustic performances, the album explores the passage of time, the inevitability of change, and the enduring power of hope, faith, and love.

Born and raised in Compton, California, Keb’ Mo’ began his career behind the scenes as a guitarist, songwriter, and arranger before breaking through internationally with his acclaimed 1994 self-titled debut album. Since then, he has topped the Billboard Blues Chart eight times, performed at venues ranging from Carnegie Hall to The White House, and collaborated with artists including Taj Mahal, Willie Nelson, Bonnie Raitt, The Chicks, and Lyle Lovett. His songs have been recorded and sampled by artists as diverse as B.B. King, Zac Brown, and BTS.

Along the way, he has released signature guitars with Gibson and Martin, composed music for television productions, and appeared in projects including Martin Scorsese’s The Blues, Aaron Sorkin’s The West Wing, and the iconic children’s television series Sesame Street. In 2021, he received the Americana Music Association’s Lifetime Achievement in Performance Award. With The Breakdown, Keb’ Mo’ once again demonstrates why he remains one of the most respected voices in modern roots music. By embracing simplicity and vulnerability, he delivers a collection that promises to resonate with longtime fans and new listeners alike. /The Blues Magazine

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Thursday, August 20, 2026

Keith Dunn - Collection

Album: Collection
Size: 102,6 MB
Time: 44:29
File: MP3 @ 320K/s
Released: 2009
Styles: Blues, harmonica blues
Art: Front, back

1. Baby Ride With Me (5:05)
2. Can't Let You Go (2:43)
3. You Belong To Me (3:10)
4. Steal Away (6:16)
5. Need To Make A Dollar (2:06)
6. Wish You Would (6:22)
7. Worried Life Blues (3:46)
8. Close To You (3:48)
9. Hoy, Hoy, Hoy (3:48)
10. Baby Please Don't Go (2:36)
11. Off The Wall (4:44)

As a nine-year-old Dunn saw his first concert when T-Bone Walker played a free outdoor concert. At the age of 12 he bought a harmonica and began playing it at parties and with street players. He grew up listening to radio station W-I-L-D, initially taking a liking to Curtis Mayfield and Smokey Robinson. Later on he started listening to Archie Shepp and John Coltrane. He also bought records by Sonny Boy Williamson (I and II). In his early career he played only acoustic harmonica.

After seeing the Junior Wells/Buddy Guy Band he put his first real band together, Blue Lightning. They played material by Junior Wells, Jimmy Rogers, Aleck "Rice" Miller (Sonny Boy Williamson II), and also James Cotton and Muddy Waters. Dunn's second band was called the Honeydrippers which was a guitar/saxophone driven group.

Dunn presently lives in the Netherlands. He has performed with James Cotton, Hubert Sumlin, Roy Eldridge, Big Walter Horton, Lurrie Bell, Jimmy Rogers and Big Mama Thornton. He works as a record producer and gives master classes in harmonica. He regularly tours with The Love Gloves and The International Blues Band and also appears as a guest musician with different artists, for instance Big Jack Johnson. /Wikipedia

(For personnel details, see artwork included.)

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The Hitman Blues Band - Pale Rider

Album: Pale Rider
Size: 110,4 MB
Time: 47:50
File: MP3 @ 320K/s
Released: 2009
Styles: Blues/Rock/Americana mix
Art: Full

1. Your Blues (3:19)
2. Trouble On The Line (3:15)
3. Blues Can't Hit (What The Blues Can't Catch) (4:23)
4. Red Hook (5:09)
5. I Know About The Blues (4:33)
6. Blessed Man (4:42)
7. Miss Catherine (3:20)
8. I'm Coming For You (3:27)
9. Calamity's Child (4:26)
10. This Too Shall Pass (3:29)
11. Pale Rider (3:25)
12. Death Letter (4:18)

The Hitman Blues Band sound powerful and energetic, with an expressive forceful energy, able to produce a syncope at the first opportunity, so if you suffer high blood pressure o any other heart disease, this is not the best CD for you. Anyway, Russell "Hitman" Alexander on vocals and guitar, Kevin Rymer on keyboards, Mike Porter on bass and Ed "The Hat" D’Alessio on drums, form an enviable four musicians band with an amazing rockin' blues groove and Americana music.

Also notable is their mastery good team work and their commitment along the twelve songs included on the CD. Russell is also an excellent song-writer who signs eleven of the twelve songs on this album. The last one is a funky adaptation of Son House's Death Letter. So here comes a CD conceived and done with an extreme passion and positive mind. /La Hora Del Blues

(For personnel details, see artwork included.)

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Jodie Kay Victor - Soul Patrol

Album: Soul Patrol
Size: 131,5 MB
Time: 56:35
File: MP3 @ 320K/s
Released: 2026
Styles: Blues/R&B/Soul
Art: Front

1. Child's Play (4:24)
2. Bound And Detirmined (4:49)
3. Ain't That A Lotta Love (3:02)
4. Not The Lovin' Kind (4:33)
5. Only Everything (4:45)
6. Pride And Joy (3:25)
7. Breakin' Up Somebody's Home (4:01)
8. If You Gotta Make A Fool Of Somebody (3:38)
9. One Of These Days (4:14)
10. Don'tcha Do Me Dirty (3:56)
11. I'll Take Good Care Of You (3:57)
12. Don't Let Me Be Misunderstood (4:07)
13. Sweet Dreams (3:39)
14. Tiger In My Tank (3:59)

Jodie Kay Victor's Soul Patrol is focused on new blues and a refreshing new take on old-school R&B and funk. Jodie is an accomplished singer-song-writer and piano player. Reunited with longtime friend Glen Gerard Freundl, she invited him to join the project and they co-wrote 6 of the albums original songs. Glen is steeped in the blues tradition through work with the Paul Butterfield Blues Band.

The sessions brought together a strong lineup of players to complete the tracks, including Bobby Watson on bass, Eric Marienthal and Scott Gilman on saxophone, Land Richards on drums, Lenny Castro on percussion, guitarists Buzz Feiten, Allen Hinds, Joey Delgado, and Luie Freundl. David Siebels and Glen Gerard played keyboards. The result is the Soul Patrol project. Produced and mixed by Glen Gerard Freundl and David Siebels. The album was mastered by Grammy Award winner Chris Bellman.

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Lady A - The Space In Between

Album: The Space In Between
Size: 79,3 MB
Time: 34:14
File: MP3 @ 320K/s
Released: 2026
Styles: Soul-blues
Art: Front

1. I Wish You Would (4:35)
2. This World (3:26)
3. Sitting Here Waiting On You (2:50)
4. EveryTime (3:44)
5. Sip Of Liquor (4:31)
6. That's My Mama (3:13)
7. That Man I'm Looking For (3:57)
8. The Space In Between (3:57)
9. I Stay Covered (3:58)

With a voice that testifies, grooves, and stirs the soul, Lady A brings over two decades of powerhouse performances rooted in blues, soul, and gospel. Based in Seattle, WA, she’s known for her electrifying live shows and deep Southern musical roots. Lady A delivers authenticity and fire, blending original music with timeless classics, carrying forward the legacy of Denise LaSalle, Mahalia Jackson and Alberta Hunter while making each performance unmistakably her own.

Her performances are more than concert, they are experiences. Rooted in blues, soul, and gospel traditions, Lady A's music speaks to life, love, resilience, and community, creating meaningful connections with audiences wherever she performs. Now, Lady A has released her highly anticipated new album, The Space In Between. Recorded at Dexter Allen Entertainment Studios in Jackson, Mississippi, the project features songs written entirely by Lady A - an important first in her recording career. Blending blues, soul, and gospel influences, the album explores the conversations we avoid, the memories we carry, and the healing that happens in the spaces between.

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Tuesday, August 18, 2026

One Hand Dan - Self Medication

Size: 232 MB
Time: 40:46
File: Flac
Released: 2015
Styles: Blues
Art: Front

1. Bad Everything Blues (2:46)
2. Low Down Damn Dirty Shame (3:57)
3. 101 In The County (5:54)
4. Billy The Toad (4:22)
5. Magic Man (3:33)
6. Rollin' 'n' Tumblin' (3:12)
7. The Darkness (5:25)
8. John The Revelator (3:41)
9. Trailer Park Tracy (3:04)
10. Working Mans Blues (4:49)

"I think my favorite lesson from the blues is that real gold is found somewhere scattered and buried in the dirt, waiting to be found by the ones who seek it."

One Hand Dan (Daniel L. Russell) is a 29 year old ex-professional wrestler turned blues musician from Alabama. Born with one hand in Splendora, Texas, his can do attitude is inspirational to many. Dan always wanted to learn the guitar but never pursued it because he never thought he would be able to play it well enough to try. Well, he didn’t actually purchase a guitar. He acquired it from a friend who took it out of the trash from a remodeled Ruby Tuesdays. A short time later he met his wife Lizzie who inspired him to change his life around and live and give 110% again. She bought him his first cigar box guitar kit. After building that first kit, the hallway to their 2nd floor apartment became a permanent workspace. At the time, Dan was pulling 60 hours a week loading beer trucks and saved money to buy his first Resonator guitar. Inspired by slide guitar, he knew the right equipment was important to his sound. With his gorgeous guitar, he began to perform locally on the streets of Muscle Shoals.

After years of living in the Shoals, Dan and Lizzie moved to Tuscaloosa where he had a vision of a 3 neck cigar box guitar. Dan’s love for country and Delta blues started seeping into his performances. As a pro wrestler, Dan knew how to work a crowd, knowledge which became very helpful to this struggling musician. Dan loves to start random conversations of hilarity with strangers, oft times during his performances. Dan has been included on two Tuscaloosa tourism videos, and performed at a number of venues, festivals, and street corners. Festivals include Chicago Cigar Box Guitar festival, Clarksdale Juke Joint Festival, Flying Monkey Cigar box guitar Festival, Oxford Fringe Fest, Lowebowe Stage at Deep Blues Fest, and Nickel Guitars at Bonnaroo 2014, and recently a featured artist in "W.C Handy, Mr. Handy's Blues". Keep an ear out for the cries of delta blues slide guitar and an eye out for the infamous homemade instruments and minnow bucket tip jar.

Self Medication FLAC

Sunday, August 16, 2026

Keith Dunn Band - Trance Blues

Album: Trance Blues
Size: 80,6 MB
Time: 34:48
File: MP3 @ 320K/s
Released: 2012
Styles: Blues, harmonica blues
Art: Front

1. Crazy Legs (3:14)
2. Boogie Twist (4:25)
3. Ruler Of My Heart (2:56)
4. Kissing At Midnight (3:54)
5. Strange Land (4:41)
6. Ragged And Dirty (4:46)
7. Mean Old Frisco (3:43)
8. Snatch It Back And Hold It (3:20)
9. Turn Your Damper Down (3:45)

Keith Dunn Band plays rhythmic trance blues for dancers and music lovers. It is a unique four piece group; harmonica, two guitars and drums, no bass. Their deep groove, multi-styled songs are driven by a hypnotic beat with the heat of a hot southern night. The audience feels the emotion from the band - the mood is intense, a dance party is guaranteed. The strength and appeal of the Keith Dunn Band is the band itself. Four enthusiastic, sharp-dressed musicians of diverse ages, from four different countries, who are all masters of their instruments and who, as a band, love the challenge of making each concert better than the one before.

Keith Dunn is the band's Boston born, charismatic front man. He learned his profession performing for many years in venues across America along side the masters of blues, jazz and rock and roll. This is evident in his stage performance and flowing playing style. His distinctly percussive, inventive harmonica lines dance with the melody of the songs. He has a voice you would find in an American juke-joint.

Personnel: Keith Dunn (vocals, harmonica); Renaud Lesire (guitar, vocals track 7); Bart De Mulder (guitar); Alex Lex (drums).

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Willie Mabon - I'm Mad: The Early Years Collection 1953-62 (2 CD)

Album: I'm Mad: The Early Years Collection 1953-62
Size: 140,8 + 130,3 MB
Time: 60:24 + 55:47
File: MP3 @ 320K/s
Released: 2026
Styles: Blues, piano blues, R&B
Art: Front, back

CD 1:
1. It Keeps Raining (2:48)
2. Bogey Man (3:08)
3. Trouble In My Home (3:02)
4. Times Are Getting Hard (2:43)
5. Worry Blues (3:13)
6. I Don't Know (3:08)
7. I'm Mad (2:36)
8. Night Latch (3:22)
9. You're A Fool (2:23)
10. Monday Woman (2:51)
11. I Got To Go (2:46)
12. Cruisin' (3:08)
13. Would You, Baby (2:58)
14. Late Again (2:35)
15. Poison Ivy (2:52)
16. Say Man (2:32)
17. Come On Baby (2:58)
18. Wow! I Feel So Good (2:49)
19. Seventh Son (2:50)
20. Lucinda (2:38)
21. Knock On Wood (2:51)

CD 2:
1. Got To Let You Go (2:36)
2. I Gotta Go Now (2:25)
3. Michell (2:36)
4. I Don't Know (2:40)
5. I Got To Have Her (2:41)
6. Got To Have Some (2:36)
7. Why Did It Happen To Me (2:09)
8. Fannie Mae (2:47)
9. Mean Mistreater (2:29)
10. Early One Morning (2:36)
11. Got To Have It (3:05)
12. Beggar Or Bandit (2:44)
13. Life Could Be Miserable (3:08)
14. I'm Tired (2:43)
15. Lonely Blues (2:51)
16. Willie's Blues (3:02)
17. He Lied (2:41)
18. Someday You Gotta Pay (2:42)
19. Why Did It Happen To Me (2:20)
20. I'm Mad At You (2:20)
21. I Love My Baby (2:29)

Willie Mabon, born in Memphis, Tennessee in 1925, was a blues singer, pianist and songwriter, who was very much of the Chicago school of blues performers, and enjoyed a career peak with two US R&B No. 1s in 1953, although he never reached the long-term heights of some of his more renowned contemporaries. He eventually moved to Europe in the 1970s to become part of the thriving blues scene in France and the UK.

This 42-track 2- CD collection comprises most of his releases during this era on the Apollo, Aristocrat, Parrot, Chess, Mad, Formal & Solar labels, plus other Chess recordings which were not released at the time. It features his two No. 1 R&B hits, “I Don’t Know” and “I’m Mad”, and his 1955 R&B Top 10 hit “Poison Ivy” along with other notable recordings including Willie Dixon’s “Seventh Son”.

As a city blues artist, his songwriting often had a wry, tongue-in-cheek approach to social commentary, and his music had an urbane and stylishly streetwise feel, which comes across through this trawl across the primary era of his career.

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Saturday, August 15, 2026

One Eyed Crow - Too Much Trouble

Size: 240 MB
Time: 39:55
File: Flac
Released: 2018
Styles: Original & Classic Blues
Art: Front

1. What's Right For You (3:40)
2. Shake For Me (2:47)
3. Keep On Lovin' You (4:03)
4. Fight Another Day (4:03)
5. Switchback (3:09)
6. Blown Away (3:04)
7. Satisfy Susie (3:48)
8. Headin South (3:19)
9. Rock The Right Way (3:26)
10. Stormy Monday (5:06)
11. A Better Plan (3:26)

One Eyed Crow deliver a blistering mix of original and classic blues. Whether the groove is slow and soulful or fast and loose these guys from Merseyside always pack a punch.

After 6 years touring the UK and Europe as lead guitarist with the award winning blues singer Connie Lush, Pete Wade along with long time collaborators Pete Somerville and Paul Tsanos, was ready to unleash his own brand of electric blues on the world. Influenced by blues giants like B.B.King, Albert Collins, Stevie Ray Vaughan and Rory Gallagher, Pete has developed his own unique style and was described as one of the best blues guitarists on the circuit by Blues Matters magazine.

Pete first cut his teeth as the charismatic lead singer/guitarist with the hugely popular 80's rock band Engine. With their wild stage antics and high energy boogie rock, they were affectionately known as "the long haired lunatics from Liverpool", and for over a decade, entertained audiences all over the UK, alongside the likes of Uriah Heep, Suzi Quatro and Canned Heat.

Drummer Paul Tsanos has played with some of the top names on the Liverpool music scene, including Pete Wylie and Ian McNabb, Connie Lush & Parlour Flames with Bone head from Oasis. He also performed alongside Ringo Starr at the Liverpool Capital of Culture concert at the Echo Arena in 2008.

Bass player Pete Somerville was recruited after he supported the legendary blues man Peter Green at the International Guitar Festival of Great Britain and he has also played with Ian McNabb.

With their authentic sound and highly entertaining show, this exciting blues trio are gaining a reputation as one of the best new blues bands around. Catch them now and have yourself a great night out.

Too Much Trouble FLAC

Friday, August 14, 2026

Mike Milligan & The Altar Boyz - Holdin' On

Album: Holdin' On
Size: 126,2 MB
Time: 54:23
File: MP3 @ 320K/s
Released: 2007
Styles: Blues, harmonica blues
Art: Front, tray

1. She's My Woman (3:06)
2. Dangerous (4:34)
3. Holdin' On (3:46)
4. Wash Over Me (6:18)
5. Let's Get Naked 'N' Run Buck Wild (3:43)
6. No Pain, No Gain (3:42)
7. You Don't Know Me (4:44)
8. Permanent Insanity (6:14)
9. Always (4:28)
10. Cat Can't Make A Sound (2:39)
11. I'm Gonna Love You Baby (5:15)
12. Maggie's (5:50)

Michael Milligan and the Altar Boyz describe their unique sound as "Texas blues with Louisiana attitude". This is what happened when they combined their ethnic mixture of original sounds. Front man/lead singer Michael Milligan, raised in Angelton, Texas with roots In Louisiana, has been a working musician since the early 70's playing out of Iowa, Colorado and Houston as a lead singer and drummer. Moving to Austin in 1990 Mike then became a front man for the band Memphis Train, and from 2000 thru 2004 he was the front man for Delta Roux playing in the states and in Western Europe releasing two CDs thru the Taxim Label out of Germany.

In 2000 Michael began playing harmonica and very quickly became one of the premire harp players in Austin, and in 2005 he was asked by bassist Leland Parks to front for the Altar Boyz. Since that fateful day, the band has played over 900 gigs all over Texas and beyond. From Alpine to Dallas, Nashville to San Angelo and in between, the group has been gaining a true blues following of fans and friends. After just one month together, they made their first live CD and soon after their first live DVD. Finally in 2006 the band recorded and released their first studio CD called "Going Up" on the indie label Doc Blues Records. The title comes from the CD cover picture taken in the Austin famous Driskill Hotel elevator, but implies much more. Their second CD, "Holdin' On", was released in 2007.

They have opened bigger shows as well with names like Johnny Winter, Jerry LaCroix, Derek O'Brien, David Grissom, Nick Curran, Gary Clark Jr., Anson Funderberg, Whitey Johnson, Vallejo, Miss Lavelle White and others. Mike Milligan's composing and lyric talents haven't gone unnoticed by the local, national and international media as well with glowing reviews in Blues Review Magazine, Blues Matters, Music News-Houston. The Bastop-Smithville Times music editor Terry Haggerty raved about the combo in another shining live performance review on May 22, 2008. Michael Milligan is know as "the voice" on 6th Street and very often compared to the vocal stylings of Junior Medlow. Since Austin lost world famous blues mentor and club owner Clifford Antone a few years back, folks realized that he was Austin's own version of a blues society.

But since then, the new Austin Blues Society was created and has a monthly ABS open blues jam at Antones originally hosted by Michael Milligan and the Altar Boyz and in 2009, for the first time ever, Austin held the local International Blues Society Competition. From all the worthy entries, Michael Milligan and the Altar Boyz were judged the best act to represent Austin, Texas for the 2009 IBC Finals in Memphis, Tennessee. Austin, Texas has the reputation for producing some world class bands, musicians, artists and one of the latest is Michael Milligan and the Altar Boyz. On June 16th 2011, Michael Milligan was honored by the Austin City Council by proclaiming that day as "Michael Milligan Day" in Austin, Texas. In 2013 Michael Milligan and the Altar Boyz released their third studio CD entitled "My Time". /Amazon

Personnel: Mike Milligan (vocals, harmonica); Scott Unzicker (guitar); Lean Parks (bass); Dave Novak (drums).

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Honey Hush - Blood Turns Blue

Album: Blood Turns Blue
Size: 88,2 MB
Time: 38:14
File: MP3 @ 320K/s
Released: 2026
Styles: Blues, harmonica blues
Art: Front

1. Blood Turns Blue (4:30)
2. Lipstick And Poison (3:55)
3. Life Is A Fire (3:51)
4. Done With The Devil (3:59)
5. Frank's Kitchen (4:38)
6. AI Warrior (4:37)
7. Hotdog Man (4:08)
8. Suspect (4:29)
9. The Blues Calls Me (4:04)

Blood Turns Blue is the debut album by Honey Hush, a modern rhythm and blues band from Düsseldorf, Germany. Released by Rolling and Tumbling Records, the record blends energetic blues, southern rock, soul, and country, anchored by harmonica player Frank Born and guitarist Matthias Heft.

Personnel: Frank Born (harmonica, vocals); Matthias Heft (guitar, vocals); Bernd Strefling (bass); Selim Öztamur (drums).

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Camilla Lindstrøm Blues Band - Camilla Lindstrøm Blues Band

Album: Camilla Lindstrøm Blues Band
Size: 75,6 MB
Time: 32:42
File: MP3 @ 320K/s
Released: 2026
Styles: Blues
Art: Front

1. Love Me Like A Man (5:18)
2. A Woman's Fire (3:24)
3. Respect (7:00)
4. How Would You Know (3:52)
5. Get Off Your Phone (4:53)
6. You Upset Me (3:30)
7. Never Met A Man Like You (4:42)

Camilla Lindstrøm Blues Band plays a broad repertoire within blues music, and with great respect for the genre and the classics there is also room for innovation. The repertoire thus consists of both old standards, newer blues and soul songs, as well as their own interpretations from the world of pop, where the blue element is emphasized and cultivated. The band wants to show that the genre is as relevant now as ever through a present performance, where the songs are delivered with both edge, empathy and soul.

The audience is invited to listen when the grand ballads are performed with intense vocals in the lead, and the dance-friendly numbers make it difficult to sit still. The strong vocals are complemented by sweaty solos from a tight band, where everyone draws on extensive experience. When Camilla Lindstrøm Blues Band takes the stage, it can be felt and it makes an impression on both the soul and the dancing feet.

Personnel: Camilla Lindstrøm (vocals); Lau Mortensen (guitar, harmonica, background vocals); Kenneth Slot (piano, organ, background vocals); Jan Hangstrup (bass); Jesper Fuglsang (drums).

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Kat Riggins & Her Blues Revival - Everyday Is Saturday

Album: Everyday Is Saturday
Size: 86,9 MB
Time: 37:18
File: MP3 @ 320K/s
Released: 2026
Styles: Blues/Soul mix
Art: Front

1. Heads Are Gonna Roll (4:12)
2. Do My Thang (4:09)
3. I Say So (3:43)
4. Ain't Goin Down (3:25)
5. Tears Like Gasoline (3:25)
6. Holy Water (3:26)
7. Fear Slayer (4:13)
8. Til The Lights Come On (3:16)
9. Hunger Games (3:59)
10. Live In Peace (3:27)

While growing up in Miami, Katriva Tabitha Riggins was instilled with a love for music. Her parents’ record collection included R&B, soul, gospel, hip-hop, country, and rock ‘n’ roll. Her primary influences soon became Nina Simone, Tina Turner, Etta James, and Koko Taylor. Riggins landed a gig singing jazz and blues standards at a lounge in Sunny Isles, Florida, and in 2011 toured Asia and the Middle East with a top-40 cover band. She recorded her debut album, Lily Rose, in 2014. Riggins opened the 2016 Fort Lauderdale Riverwalk Blues Festival and later that year released her highly anticipated sophomore effort, Blues Revival, on Bluzpik Records. She followed up with 2018’s In the Boys Club, also on Bluzpik, and dedicated the album to the early blues women who first busted down the clubhouse door. Follow-up recordings include 2020’s Cry Out, 2022’s Progeny, and 2024’s Revival. This is Riggins’ seventh album overall.

Lead vocalist Riggins is accompanied by lead guitarist Erik Guess; multi-instrumentalist Tim Mulberry; backing vocalists Shaelyn Mulberry and Tim Mulberry; and on one track, Timya and Tamia Mulberry. The album was produced by Tim Mulberry at the House of Berry Productions in White Springs, Florida. On all songs, the lyrics are by Riggins while the music is by Tim Mulberry. Riggins’ punctuation carries each tune. [...]

Everyday Is Saturday is a reminder that joy, freedom, and real connection don’t have to wait for the weekend. It’s a soundtrack to the kind of house party where old friends gather, strangers become family, and everyone is welcome exactly as they are. Whether there is a passionate debate, a budding romance, or somebody dancing, the music keeps the energy alive and the possibilities endless. Rooted in the spirit of old-school “rent check” parties, these songs celebrate the full range of human experience. They invite you to laugh, dance, sing, or cry your eyes out without judgment or apology, because that’s what great blues has always done. /Richard Ludmerer, Making A Scene

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Tuesday, August 11, 2026

Charles Walker Blues Band - Hotel Room Blues

Album: Hotel Room Blues
Size: 123,2 MB
Time: 53:23
File: MP3 @ 320K/s
Released: 2005
Styles: Blues
Art: Front

1. Burnin Barrel Blues (6:36)
2. Like What I Like (5:07)
3. On Your Floor (8:48)
4. Shot Of Love (3:16)
5. Lost My Man (4:12)
6. Broken Child (6:20)
7. Big Thick Momma (4:30)
8. Ease The Pain (5:08)
9. E & A Express (5:17)
10. Hotel Room Blues (4:04)

The Charles Walker Band, formerly known as the Charles Walker Blues Band, was formed by tenor saxophonist and keyboard player Charles Walker in Milwaukee, WI, in 2003. Walker had studied jazz at the University of Wisconsin at Eau Claire, leading to an extensive career as a jazz saxophonist. Prior to forming the Charles Walker Band, he was a member of Muddy Blue, which released the album Low Down Dirty Blues.

Lead singer Shanna Jackson, a native of Milwaukee, began singing at the age of five and attended the city's School of Fine Arts, after which she sang in female vocal groups. Lead guitarist Misha Siegfried (who replaced Emre Alp) is from St. Paul, MN, but moved to Milwaukee in 2002. His prior affiliations include Fire on Your Sleeve, the Genie Halliday Revue Band, the Mixx, Reverend Raven and the Chain Smoking Alter Boys, Blues Wagon, and Mississippi Gun & Gun Smoke.

Bassist Kent Hamele of Madison, WI, had been playing for over 30 years before joining the Charles Walker Band. Drummer Joey B. Banks (who replaced Nic Fugate) began playing the drums at the age of six and studied at the Musicians Institute of Technology in Los Angeles. He joined James Earl Tate and the Million-Dollar Blues Band in 1991. He also has backed a number of different performers including, in 1996, the Spinners and the Four Tops.

The Charles Walker Band released Keep Takin and Hotel Room Blues in 2005. Live and Low Down followed in 2007. The World and Things, initially issued in 2007 and re-released on Lucky 13/BC Records on January 15, 2008, was the group's first to be billed to the Charles Walker Band. /Biography by William Ruhlmann, AllMusic

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Murali Coryell - Deep Blues

Album: Deep Blues
Size: 109,3 MB
Time: 47:19
File: MP3 @ 320K/s
Released: 2026
Styles: Blues
Art: Front

1. Saint James Infirmary (5:02)
2. Pony Blues (5:24)
3. It's Nobody's Fault But Mine (3:21)
4. Sitting On Top Of The World (5:13)
5. Sugar Mama Blues (4:29)
6. In The Pines (4:45)
7. Baby Please Don't Go (3:40)
8. 44 Blues (5:20)
9. Poor Boy Blues (4:13)
10. Kokomo Blues (5:52)

Fifty-six-year-old Murali Coryell is a living bridge between the blues' storied history and its contemporary evolution, a spirit-guru and vocal saint who brings a triple threat to every stage: the pedigree of musical royalty, a voice ripe with yearning and R&B-infused grit, and a guitar style that balances sinewy fire with articulate restraint. All of this comes to bear on his 13th album as a leader, Deep Blues.

Covering the classic blues songbook, including works by Charlie Patton, Roosevelt Sykes, Big Joe Williams, and Blind Willie Johnson, Murali brings blues heat and a storyteller’s fire to each of the album's 10 songs on this Audiophile Society release. But he is far from the only star. Surrounding himself with some of the greatest living purveyors of blues and R&B, Murali enlisted Bob Dylan's longtime bassist Tony Garnier, veteran guitar burner Junior Mack (Allman Brothers Band, Magic Slim, Jeff Healey), and Bernard “Pretty” Purdie, the legend who has played on more hits than any living drummer. Together, this team achieves a level of cohesion and focus only possible when veteran masters engage in evocative blues repartee.

Each of these collaborations carries its own story. Purdie's connection to Murali runs deep: when Murali's father, jazz great Larry Coryell, passed away, Bernard came to play at what became a tribute concert for him. Murali's bond with Tony Garnier stretches back to a chance meeting at the Byron Bay Music Festival in Australia, where Garnier was playing upright bass for Bob Dylan and Murali was performing alongside Joe Louis Walker, two musicians who quickly discovered they had much in common. Junior Mack was a first-time collaborator, coming highly recommended by guitarist Jimmy Vivino, and proved to be exactly the complementary voice Murali had been hoping for.

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Janiva Magness - Truth In The Room: The Clearmountain Sessions

Album: Truth In The Room: The Clearmountain Sessions
Size: 102,5 MB
Time: 44:19
File: MP3 @ 320K/s
Released: 2026
Styles: Blues/Soul/Americana mix
Art: Front

1. My Bad Luck Soul (2:27)
2. Slipped, Tripped And Fell In Love (4:35)
3. Make It Rain (5:01)
4. You Were Never Mine (5:14)
5. That's What Love Will Make You Do (5:22)
6. The Devil Is An Angel Too (4:33)
7. Closer (4:27)
8. Hammer (3:39)
9. Love Wins Again (3:51)
10. Things Left Undone (5:05)

Janiva Magness is a Grammy-nominated singer-songwriter and one of the most acclaimed voices in contemporary blues. A seven-time Blues Music Award winner, she is the recipient of the B.B. King Entertainer of the Year Award and the first woman to win that prize. She is also a 2025 inductee into the Women’s Songwriter Hall of Fame. Overall, Magness has spent three decades creating emotionally fearless music that bridges blues, soul, R&B, and Americana. Her powerful performances and unwavering authenticity have earned her a devoted global audience and a lasting place among the genre’s most important artists.

Magness was born in Detroit and grew up amid considerable hardship, a childhood marked by instability and loss that would ultimately deepen her capacity to connect with the emotional core of the blues. This is the 18th album for Magness and follows the 2019 publication of her memoir, Weeds Like Us, which vividly portrayed the traumas of both her parents’ suicide and her often nightmarish experiences in the foster care system.

With the release of Truth in the Room, Magness’ first comprehensive live album, she has delivered the document her fans have long been waiting for — proof, captured on record, of what she has always done live: make a room stop, listen, and feel. Recorded in front of an intimate gathering of 150 invited friends and industry guests by the legendary Bob Clearmountain, it is a milestone that crowns her as one of the most honest and enduring voices in American blues. Lead vocalist Magness is accompanied by guitarist Zach Zunis; keyboardist, Hammond B-3 organist, and backing vocalist Jim Alfredson; bassist and backing vocalist Gary Davenport; and drummer W.F. Quinn Smith. Bernie Barlow is added on backing vocals. The album was recorded at Berkeley Street Studios and mixed at Mix This! /Richard Ludmerer, Making A Scene

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Omar & The Howlers - Blues Bag

Size: 286 MB
Time: 48:30
File: Flac
Released: 1992
Styles: Blues Rock
Art: Front

1. Give Me Back My Wig (2:22)
2. Bessie Mae (2:54)
3. Big Chief Pontiac (2:16)
4. Sleeping In The Ground (2:43)
5. Lover Man (2:15)
6. Come On Pretty Baby (2:44)
7. Gotta Good Friend (2:37)
8. Leave Here Running (2:57)
9. Big Round World (3:14)
10. Omar´s Blues (4:46)
11. Angel Child (3:59)
12. Tears Like Rain (3:56)
13. Too Much (2:48)
14. Wine Headed Woman (3:14)
15. Blues In A Bottle (5:36)

Blues Bag was originally released in 1991 as an acoustic session of tracks featuring Omar Dykes on vocals and acoustic guitar and his good friend, Fingers Taylor, on harp. Several tracks are just Omar and Fingers playing classic blues. Omar decided to bring in the Howlers on a few tracks to give the album additional depth. Gene Brandon, an original Howler drummer, has since passed away. Bruce Jones on bass still plays with Omar today. Omar himself plays harp on Big Chief Pontiac. Many of the songs are some of Omar's favorite tracks from his entire career. This CD is released as a tribute to Gene Brandon.

Blues Bag FLAC

Sunday, August 9, 2026

Carol Fran & Clarence Hollimon - Soul Sensation!

Album: Soul Sensation!
Size: 130,3 MB
Time: 56:00
File: MP3 @ 320K/s
Released: 1992
Styles: Blues
Art: Full

1. Golden Girl (2:59)
2. Push-Pull (4:00)
3. I'll Make Your Life Sunshine (3:31)
4. Blues For Carol (3:55)
5. Box With The Hole In The Middle (2:33)
6. My Happiness (3:31)
7. I Needs To Be Be'd With (3:00)
8. Anytime, Anyplace, Anywhere (4:13)
9. Forgive Me, But My Heart Is Broken (3:09)
10. Bring It On Home To Me/Old Folks Jam (4:43)
11. I Had A Talk With My Man (3:57)
12. Gristle (3:28)
13. Mother's Love (3:05)
14. Tin-Tin-De-O (4:44)
15. This Little Light (5:04)

The new sweethearts of the blues' debut for Black Top is an uncommonly varied affair, the pair performing blues, jazz, and every stylistic stripe in between. Hollimon's red-hot licks are seldom short of amazing (his instrumental showcase "Gristle" is a stunner), and Fran's full-throated vocals shine on everything from a Gulf Coast-styled "My Happiness" and a reprise of Mitty Collier's emotionally charged "I Had a Talk with My Man" to the lounge-slanted "Anytime, Anyplace, Anywhere" and the rousing sanctified closer "This Little Light." /Bill Dahl, AllMusic

(For personnel details, see artwork included.)

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The Hitman Blues Band - Blues Enough

Album: Blues Enough
Size: 112,8 MB
Time: 48:36
File: MP3 @ 320K/s
Released: 2013
Styles: Blues
Art: Full

1. Blues Enough (5:21)
2. Sam The Bluzman (3:14)
3. Fishing Where The Fish Are (3:40)
4. Backhand Drive (3:33)
5. Every Piece Of Me (5:22)
6. Everything You Do (2:57)
7. Streets Of Downtown (5:52)
8. Life's Too Short (4:42)
9. Better Class Of Bums (4:58)
10. Deaf, Dumb & Blind (5:01)
11. Tough Street (3:52)

Blues Enough, from the Hitman Blues Band is a really good time! Out on Nerus Records and clocking in at just under 49 minutes, this album is energetic and spunky. The addition of a horn section on this outing is a huge plus, giving the music depth and warmth. The personnel are Russell “Hitman” Alexander – guitar and vocals, Kevin Rymer – keyboards, Mike Porter – bass and vocals, and Guy LaFountaine on drums. The horn section is: Michael Snyder – saxes, Eric Altarac – trumpet, and Alan Alpert is on trombone. Special guests are Neil Alexander – harp, with Victoria Anyah and Joanna Alexander on backing vocals.

As we said earlier, this album is just so much fun! The opener, “Blues Enough,” grabs you right away with its fast, thumping vibe, and the horn accents are just right. The tribute song, “Sam The Bluesman,” has a great thick and rich textured sound, and some well placed piano accents. “Every Piece Of Me” is an excellent slow South Texas blues. “Life’s Too Short” is Memphis meets Texas good time soul. “Better Class Of Bums” is light and breezy, with a great touch of the south; perfect synchronicity. “Deaf, Dumb, and Blind” is a well played blues with some wonderful horn washes throughout, and a sweet sax solo.

Blues Enough is mixed well, and the sound has lots of depth. Russell “Hitman” Alexander’s guitar playing is emotive, understated and brilliant throughout. Kevin Rymer stretches out on keys and really adds texture to the music. Mike Porter and Guy LaFountaine do a great job locking down the beat, and providing punch. Want something with a pulse? Blues Enough is it. /Barry Kerzner, American Blues Scene

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Deke McGee - All Night Long

Album: All Night Long
Size: 83,2 MB
Time: 35:57
File: MP3 @ 320K/s
Released: 2016
Styles: R&B, jump blues
Art: Front, back

1. Jumpin' Jesus Holy Cow (2:38)
2. Mr. Cornbread (3:18)
3. That's Love (4:57)
4. All Night Long (3:39)
5. Spooks Breakfast (4:40)
6. Jumpin' Out The Window (3:27)
7. I'm Leaving Town (2:05)
8. Blowout (1:55)
9. The Sweetheart Blues (3:00)
10. Shut Your Mouth (2:45)
11. Monkeybird (3:28)

11-tracker from Glasgow-based sax maestro McGee, who has been a leading light on the scene there for over thirty years as well as touring all over the place backing up numerous blues and jazz artists. This album consists of Deke’s own compositions, written in the spirit of classic R&B of the late 1940s, plus a couple of jazz-based instrumentals and slow blues. Deke’s tough blowing and pleasing vocals is accompanied by a fine little combo of guitar, keyboards, bass and drums. All fellow Glaswegians I presume.

‘Mr Cornbread’ is a fine tribute to the honking of Hal Singer, utilising the basic tenor riff before the band jumps in with a rollicking and infectious beat. ‘Blowout’ is another honking instrumental reminiscent of Big Jay at his best whilst ‘Jumpin’ Jesus Holy Cow’, ‘Jumpin’ Out The Window’ and ‘Shut Your Mouth’ are further examples of classic R&B/jump blues. The best track for me is ‘The Sweetheart Blues’, a great New Orleans-flavoured number, which would have served Fats Domino proud. If you’re a fan of classic R&B as put out by the likes of Louis Jordan, Roy Milton and Joe Liggins etc, then Deke’s your man. /Tony Watson, Blues & Rhythm Magazine

Personnel: Deke McGee (vocals, tenor & baritone saxophone); Alan Brown, Lloyd Reid (guitar); Daniel Meade (piano, Hammond organ); Richard Anderson (double bass); David Stone (drums).

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The Anthony Paule Soul Orchestra - What Can We Do?

Album: What Can We Do?
Size: 110,4 MB
Time: 47:24
File: MP3 @ 320K/s
Released: 2026
Styles: Soul, soul-blues
Art: Front

1. Still Smellin' Smoke (4:05)
2. Too Late (4:34)
3. Stranger (3:46)
4. You Lie Like A Rug (3:08)
5. Bigger Guitar (3:58)
6. What Can We Do? (4:32)
7. The Heart Never Says Goodbye (3:35)
8. Secret (3:57)
9. If It Ain't One Thing It's Two (3:10)
10. Walkin' (3:38)
11. You're Nobody Till Somebody Loves You (3:49)
12. Blue Mood Indica (5:05)

The 12-piece Anthony Paule Soul Orchestra featuring Willy Jordan returns with their powerful songwriting synergy and unmistakable retro-soul sound. Based out of San Francisco, California, The Anthony Paule Soul Orchestra was founded in 2007 by guitarist/songwriter Anthony Paule after a fateful phone call from his friend, Noel Hayes. The call was simply to request a backing band for Philadelphia soul and blues singer, Frank Bey, who was coming to San Francisco to perform at Biscuits and Blues. Nineteen years, seven albums, nineteen Blues Music Award nominations, dozens of trips to Europe, and many festival shows later, The Anthony Paule Soul Orchestra is a widely recognized and respected musical powerhouse. Inspired by authentic soul and blues recordings of the '60s and '70s, this dramatic horn driven extravagant act took shape.

Known for having great, authentic singers, the incomparable vocalist Willy Jordan is the newest orchestra vocalist. Having worked with Elvin Bishop's Big Fun Trio (which garnered him two Grammy Award nominations) and John Lee Hooker among others, Jordan holds court from a throne previously occupied by Wee Willie Walker, Frank Bey, and Terrie Odabi. His commanding vocals and unpretentious stage presence give audiences an honest, fresh, heartfelt experience. /Amazon

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Saturday, August 8, 2026

Ollee Owens - Home for the Ollee-Days

Size: 95.8 MB
Time: 16:03
File: Flac
Released: 2023
Styles: Blues
Art: Front

1. Weary Silent Night (2:20)
2. Gonna Have The Blues This Christmas (3:04)
3. Christmas Tears (2:48)
4. Please Come Home For Christmas (3:23)
5. Pretty Paper (4:27)

I KNOW IT'S NOT CHRISTMAS, BUT... IT'S VERY CLOSE, RIGHT?? Raised in the Canadian Prairies, music was always around Owens growing up. Artists such as Elvis, Odetta, The Band, Mavis Staples, Bonnie Raitt and Bob Dylan were formative in her teen years. But more than just listening, she took comfort in writing her own songs, seeing music as a way to process the chaotic nature of life and give visibility to her own feelings. And even when Owens took a 15-year respite in order to raise a family, she never fully put a cap on her passion for music, volunteering as a music therapist, occasionally performing, and always continuing to write songs. That hiatus would meet its end in 2015 at the famed Calgary venue The Blues Can where the late great Bill Dowey caught her performance at his “Blues Sunday School” jam and was immediately drawn to her raw and passionate sound, becoming one of her biggest supporters. Encouraged by the positive reception from audience and industry pros alike, Owens decided to pursue her dream of a career in music.

Since 2015, Ollee has shared stages across the Canadian Prairies and as far south as Memphis with artists like Matt Anderson, Blue Moon Marquee, Tim Williams, Albert Castiglia and Dawn Tyler Watson. Owens started 2025 with a dynamic set at the legendary BB Kings in Memphis, TN and spent the summer playing shows and festivals from Saskatoon to Vancouver Island. She plans to continue touring stages and festivals across Canada and Internationally, making new friends and fans wherever she goes.

“Music does so much more than entertain,” Owens says, ” It gives a voice to a wide breadth of experiences and feelings, touching those looking for a connection. It has the power to heal wounds and be a welcoming source of light and comfort in the darkness.” It’s for all those reasons and more that Ollee Owens keeps singing, lighting the path for her fellow travellers.

Ollee’s music continues to set her intentions as a talented artist who deals in authenticity, openness, and honesty paving the way for a lasting musical connection.

Home for the Ollee-Days FLAC

Friday, August 7, 2026

Papa John Creach - Papa John Creach

Album: Papa John Creach
Size: 89,9 MB
Time: 38:52
File: MP3 @ 320K/s
Released: 1971/2005/2009
Styles: Blues/Jazz/Psych mix
Art: Full

1. The Janitor Drives A Cadillac (2:49)
2. St. Louis Blues (4:39)
3. Papa John's Down Home Blues (2:44)
4. Plunk A Little Funk (5:14)
5. Over The Rainbow (3:31)
6. String Jet Rock (3:50)
7. Danny Boy (4:01)
8. Human Spring (2:54)
9. Soul Fever (4:14)
10. Everytime I Hear Her Name (4:51)

John Henry Creach (May 28, 1917 – February 22, 1994), better known as Papa John Creach, was an American blues violinist who also played classical, jazz, R&B, pop and acid rock music. Early in his career, he performed as a journeyman musician with Louis Armstrong, Fats Waller, Stuff Smith, Charlie Christian, Big Joe Turner, T-Bone Walker, Nat King Cole and Roy Milton. Following his rediscovery by drummer Joey Covington in 1967, he fronted a variety of bands (including Zulu and Midnight Sun) in addition to playing with Jefferson Airplane, Hot Tuna, Jefferson Starship, the San Francisco All-Stars (1979–1984), Dinosaurs (1982–1989) and Steve Taylor. Creach recorded a number of solo albums and guested at several Grateful Dead and Charlie Daniels Band concerts. He was a regular guest at the early annual Volunteer Jams, hosted by Charlie Daniels, which exposed him to a new audience that was receptive to fiddle players.

Creach was born in Beaver Falls, Pennsylvania. As a child, he was introduced to the violin by an uncle, and he received both tutoring in the instrument and conservatory training. Creach and his family moved to Chicago in 1935. Once he relocated to Chicago, the teenager began playing violin in bars. He performed some symphonic work when he was in his early 20s, which was unusual for a black musician at the time. At one point, he joined a local cabaret trio called the Chocolate Music Bars and toured the Midwest with them. According to Creach, knowing how to play in a variety of styles was a necessity to survive as a musician in Chicago at the time: Because of all the nationalities there, I had to learn to play everything. At some jobs it was strictly German music, or Polish. Now, they used to dance and knock holes in the floor.

He had some difficulty in learning to play jazz violin, having to adjust his bowing technique, but was helped when he purchased an electric violin in 1943. Moving to Los Angeles in 1945, he played in the Chi Chi Club, worked on an ocean liner for five years, appeared in several films, including with Nat King Cole in Fritz Lang's The Blue Gardenia, and performed as a duo with Nina Russell. Creach initially met and befriended drummer Joey Covington at a union hiring hall in Los Angeles in 1967. When Covington joined Jefferson Airplane in 1970, he introduced Creach to them. In autumn 1970, he was invited to join both Jefferson Airplane and Hot Tuna, Jorma Kaukonen and Jack Casady's side band. He remained with both groups while also recording and touring as a solo artist for Jefferson Airplane's Grunt Records. During this period, his backing band Zulu included guitarist Keb' Mo'.

Creach left Hot Tuna in 1973, but remained on board when Jefferson Airplane was reorganized as Jefferson Starship in 1974. He toured and recorded with Jefferson Starship from 1974 to 1975, a period that included platinum selling album Red Octopus (1975). In August 1975, Creach left the band to focus on his solo career. Nevertheless, he remained on amicable terms with the group and briefly returned as a touring member for the band's spring 1978 engagements. A year later, Creach renewed his working relationship with Covington as a member of the San Francisco All-Stars. He also performed with Covington's Airplane predecessor Spencer Dryden as a member of Dinosaurs.

Creach continued to make occasional guest appearances with Hot Tuna. He was performing with them at the Fillmore Auditorium in 1988 when Jack Casady and Jorma Kaukonen of Hot Tuna reunited with Paul Kantner and Grace Slick for the first time on stage since 1972. In 1992, Creach joined Kantner as a member of the relaunched Jefferson Starship and performed with them until his death. /Wikipedia

(For personnel details, see artwork included.)

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Mike Milligan & The Altar Boyz - Going Up

Album: Going Up
Size: 155,1 MB
Time: 67:20
File: MP3 @ 320K/s
Released: 2006
Styles: Blues, harmonica blues
Art: Front

1. Rockin' Blues Rhythm (3:23)
2. Run Daddy Run (8:12)
3. Forever (8:29)
4. Walkin' Spell (5:15)
5. Voodoo Lover (6:26)
6. Up In Here (4:35)
7. Lonely When She Dies (6:20)
8. Don't Mistreat Me (7:20)
9. Where Is Your Comfort (5:46)
10. Walk A Mile (6:53)
11. Lucinda Blues (4:36)

Michael Milligan and the Altar Boyz describe their unique sound as "Texas blues with Louisiana attitude". This is what happened when they combined their ethnic mixture of original sounds. Front man/lead singer Michael Milligan, raised in Angelton, Texas with roots In Louisiana, has been a working musician since the early 70's playing out of Iowa, Colorado and Houston as a lead singer and drummer. Moving to Austin in 1990 Mike then became a front man for the band Memphis Train, and from 2000 thru 2004 he was the front man for Delta Roux playing in the states and in Western Europe releasing two CDs thru the Taxim Label out of Germany.

In 2000 Michael began playing harmonica and very quickly became one of the premire harp players in Austin, and in 2005 he was asked by bassist Leland Parks to front for the Altar Boyz. Since that fateful day, the band has played over 900 gigs all over Texas and beyond. From Alpine to Dallas, Nashville to San Angelo and in between, the group has been gaining a true blues following of fans and friends. After just one month together, they made their first live CD and soon after their first live DVD. Finally in 2006 the band recorded and released their first studio CD called "Going Up" on the indie label Doc Blues Records. The title comes from the CD cover picture taken in the Austin famous Driskill Hotel elevator, but implies much more. Their second CD, "Holdin' On", was released in 2007.

They have opened bigger shows as well with names like Johnny Winter, Jerry LaCroix, Derek O'Brien, David Grissom, Nick Curran, Gary Clark Jr., Anson Funderberg, Whitey Johnson, Vallejo, Miss Lavelle White and others. Mike Milligan's composing and lyric talents haven't gone unnoticed by the local, national and international media as well with glowing reviews in Blues Review Magazine, Blues Matters, Music News-Houston. The Bastop-Smithville Times music editor Terry Haggerty raved about the combo in another shining live performance review on May 22, 2008. Michael Milligan is know as "the voice" on 6th Street and very often compared to the vocal stylings of Junior Medlow. Since Austin lost world famous blues mentor and club owner Clifford Antone a few years back, folks realized that he was Austin's own version of a blues society.

But since then, the new Austin Blues Society was created and has a monthly ABS open blues jam at Antones originally hosted by Michael Milligan and the Altar Boyz and in 2009, for the first time ever, Austin held the local International Blues Society Competition. From all the worthy entries, Michael Milligan and the Altar Boyz were judged the best act to represent Austin, Texas for the 2009 IBC Finals in Memphis, Tennessee. Austin, Texas has the reputation for producing some world class bands, musicians, artists and one of the latest is Michael Milligan and the Altar Boyz. On June 16th 2011, Michael Milligan was honored by the Austin City Council by proclaiming that day as "Michael Milligan Day" in Austin, Texas. In 2013 Michael Milligan and the Altar Boyz released their third studio CD entitled "My Time". /Amazon

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