Showing posts with label CW Ayon. Show all posts
Showing posts with label CW Ayon. Show all posts

Monday, November 6, 2017

CW Ayon - 2 albums: Lohmador / Enough To Be Proud

Album: Lohmador
Bitrate: MP3@320K/s
Time: 45:47
Size: 104.8 MB
Styles: Electric blues
Year: 2012
Art: Front

[3:54] 1. Make Me Wanna
[3:26] 2. Where I'm From
[4:08] 3. Well Well Well
[3:16] 4. Let's Get Gone
[4:06] 5. Been Waiting
[4:11] 6. End Of My Rope
[3:28] 7. My Babe Told Me So
[2:48] 8. Don't Want Me Around
[4:14] 9. Broken Too
[3:27] 10. I Need You Now
[5:07] 11. Solitary Man
[3:37] 12. Help Me Settle Down

C.W. Ayon (pronounced I-Own) is a New Mexico delta blues trailblazer. I know that sounds crazy, but thanks to Cooper Ayon the stark hill country blues of the Mississippi Delta have found a home in New Mexico. For C.W. this isn't an affected style worn simply for fashion, Coop is the genuine article, he's literally a one man crusader out to spread the gospel of blues.

In the past CW Ayon has been compared to the White Stripes or the Black Keys, that's no longer the case. With his latest album "Lohmador" Coop has gracefully come into his own style. The most pleasant surprise about CW's new album is that his vocals, often buried in the thump & growl of his previous albums, are in full effect.

In terms of studio production, "Lohmador" really hits the bull's eye. The mix on "Lohmador" really favors Coop's strengths while, mitigating the repetitive tendencies so common in the "one man band" genre. The result is a sublimely textured musical document that flows with a fluidity rarely found in the aforementioned musical tradition.

Lohmador

Album: Enough To Be Proud
Bitrate: MP3@320K/s
Time: 43:48
Size: 100.3 MB
Styles: Country blues
Year: 2015
Art: Front

[4:15] 1. Bring It On Home
[4:14] 2. In My Dreams
[4:12] 3. Anyway Love
[4:21] 4. After While
[3:52] 5. Chicken Wing
[4:16] 6. River Song
[3:43] 7. Just Hold On
[3:16] 8. Can't Take It
[3:45] 9. Come Here Close
[3:58] 10. Catron County Time
[3:51] 11. Outta Here

CW Ayon may call the Southwestern deserts of New Mexico home but his soul is deeply rooted in the Blues and grooves of the Mississippi Hill Country. With a rather simple kick/snare and tambourine setup he lays down solid beats while picking out some catchy hooks on anything from acoustic to resonator guitars. Sometimes dropping in a bit of harmonica for good measure. All the while building a sound and playing style that is deceptively larger than it seems.

Enough To Be Proud

Saturday, September 12, 2015

CW Ayon - Enough To Be Proud

Bitrate: MP3@320K/s
Time: 43:43
Size: 100.1 MB
Styles: Hill Country blues
Year: 2015
Art: Front

[4:14] 1. Bring It On Home
[4:14] 2. In My Dreams
[4:12] 3. Anyway Love
[4:21] 4. After While
[3:52] 5. Chicken Wing
[4:16] 6. River Song
[3:42] 7. Just Hold On
[3:16] 8. Can't Take It
[3:44] 9. Come Here Close
[3:58] 10. Catron County Time
[3:51] 11. Outta Here

CW Ayon hails from New Mexico but his soul lives in the grooves of the Mississippi Hill Country. With a rather simple kick/snare and tambourine setup he lays down solid beats while picking out catchy hooks on anything from acoustic to resonator guitars. Sometimes dropping in a bit of harmonica for good measure. All the while building a sound and style that is deceptively larger than it seems.

Enough To Be Proud mc
Enough To Be Proud zippy

Sunday, January 26, 2014

CW Ayon - Setting Son

Bitrate: 320K/s
Time: 44:53
Size: 102.8 MB
Styles: Hill country blues
Year: 2014
Art: Front

[2:55] 1. Last Ride
[2:50] 2. Singing Blues
[2:39] 3. No Good Anymore
[3:49] 4. Strut
[3:08] 5. Got Ya Baby
[2:59] 6. Setting Son
[5:04] 7. Walls Of Our Home
[2:51] 8. Maybe Someday
[2:59] 9. Looking Back
[3:25] 10. Knock The Rust Off
[4:32] 11. Night Never Wins
[7:38] 12. Dust In My Eyes

In what he calls a "happy mistake," Cooper Ayon, known as CW Ayon, explores his talent for songwriting in his fifth album, "Setting Son." "It just kind of happened, and those are the best," he said.

"Setting Son" came about when Ayon's record label, Solitary Records out of Chicago, asked him to record four songs for a compilation album that would include two other one-man bands. Before he knew it, he had enough material for a full album. He recorded 12 songs for "Setting Son" last year in Las Cruces.

"Setting Son" is a collection of hill country, a style of Mississippi blues with forefathers the likes of Junior Kimbrough, R.L. Burnside, John Lee Hooker, Muddy Waters and Robert Belfour. "Those guys are just awesome," Ayon said. "That music is so ingrained in who those guys were. I don't know, maybe that's what I like about it. They built their own myths about themselves." The album is heavy on the blues. It has a simple beat, making it perfect for a one-man band, such as CW Ayon, to play. Ayon plays all instrument parts - even sometimes with a harmonica around his neck. He has a kick drum at his feet, a tambourine around one shoe, a guitar on his lap and a microphone in front of his lips.

Setting Son

Wednesday, January 22, 2014

CW Ayon - Lohmador

Bitrate: 320K/s
Time: 46:09
Size: 105.7 MB
Styles: Delta blues
Year: 2012
Art: Front

[3:57] 1. Make Me Wanna
[3:29] 2. Where I'm From
[4:07] 3. Well Well Well
[3:19] 4. Let's Get Gone
[4:09] 5. Been Waiting
[4:14] 6. End Of My Rope
[3:29] 7. My Babe Told Me So
[2:50] 8. Don't Want Me Around
[4:17] 9. Broken Too
[3:28] 10. I Need You Now
[5:07] 11. Solitary Man
[3:37] 12. Help Me Settle Down

C.W. Ayon (pronounced I-Own) is a New Mexico delta blues trailblazer. I know that sounds crazy, but thanks to Cooper Ayon the stark hill country blues of the Mississippi Delta have found a home in New Mexico. For C.W. this isn't an affected style worn simply for fashion, Coop is the genuine article, he's literally a one man crusader out to spread the gospel of blues.

In the past CW Ayon has been compared to the White Stripes or the Black Keys, that's no longer the case. With his latest album "Lohmador" Coop has gracefully come into his own style. The most pleasant surprise about CW's new album is that his vocals, often buried in the thump & growl of his previous albums, are in full effect.

In terms of studio production, "Lohmador" really hits the bull's eye. The mix on "Lohmador" really favors Coop's strengths while, mitigating the repetitive tendencies so common in the "one man band" genre. The result is a sublimely textured musical document that flows with a fluidity rarely found in the aforementioned musical tradition.

Lohmador