Time: 40:28
File: Flac
Released: 2022
Styles: Folk/Blues
Art: Front
1. Tonight I'll Be Staying Here with You (2:57)
2. Girl from the North Country (4:54)
3. It Takes a Lot to Laugh, It Takes a Train to Cry (5:12)
4. Country Pie (2:49)
5. I Shall Be Released (feat. Larkin Poe) (4:47)
6. She Belongs to Me (4:06)
7. Forever Young (4:16)
8. The Times They Are A-Changin' (feat. Rosanne Cash, Steve Earle, Jason Isbell & The War and Treaty) (3:44)
9. Don't Think Twice, It's All Right (4:29)
10. Quinn the Eskimo (The Mighty Quinn) (3:09)
Long Beach, California. Jeff Hanna was in high school, a holding zone where hormones and anxiety are left to fester until they explode like Langston Hughes’s dream deferred.
Suddenly, a sound burst through the middling morass at laser speed, deflating the balls of confusion that teenaged Jeff was holding. That sound came from the iron ore town of Hibbing, Minnesota, by way of Greenwich Village. It was Bob Dylan, a young man who at first recharged old folk and blues songs, but who became known for his own wild-eyed compositions.
Hanna didn’t know what was going on. But, at the same time, he knew Dylan was the man who would lead him to know most everything that was going on.
After school, he’d go home, lock himself in his bedroom, and haltingly play the picking pattern to Dylan’s “Don’t Think Twice, It’s All Right” until the halting gave way to the feeling that he’d mastered a magic trick.
And when Dylan came to play at the Wilson High School auditorium, Hanna paid $4 to sit in the balcony with his girlfriend and a group of pals that included Bruce Kunkel, with whom he would soon start the Nitty Gritty Dirt Band, a fluid combo that would make a beautiful and necessary mark on American music. Another key member of that band was a boy named Jimmie Fadden, who would sit and play Dylan songs with Hanna, transfixed by the way Dylan’s music blended seemingly every roots music strain.
Fadden would become Hanna’s lifelong partner in the groundbreaking, hit-making, Grammy winning, long-lived (since 1966), Dirt Band. Hanna considers Jimmie’s harp to be another lead vocal, and, indeed, Fadden’s harmonica is to the Dirt Band what Mickey Raphael’s is to Willie Nelson: It is instantly recognizable, and instantly satisfying.
What’s all this about Dylan, then? Well, the Dirt Band’s new album, Dirt Does Dylan, is a romp through some of the gems in Dylan’s catalog, as played by Hanna, Fadden, keyboardist/songwriter/vocalist Bob Carpenter (who joined in 1980), and three new members: fiddle specialist Ross Holmes; singer-songwriter and bass player Jim Photoglo (who wrote one of the Dirt Band’s biggest hits, “Fishin’ in the Dark”); and Hanna’s son, the absurdly talented singer and guitarist Jaime Hanna.
Between Long Beach high school days and the release of Dirt Does Dylan, the Dirt Band brought folk music to the national forefront with “Mr. Bojangles,” recorded the volumes of the multi-artist Will the Circle Be Unbroken series of albums, featuring Mother Maybelle Carter, Doc Watson, Earl Scruggs, Emmylou Harris, Taj Mahal, John Prine, Dwight Yoakam, and dozens more.
They’ve won three Grammys and placed an album and a single in the Grammy Hall of Fame, and scored country hits including “Voila (An American Dream),” “Modern Day Romance,” “Stand a Little Rain” and many more. They’ve undergone numerous lineup changes, the latest of which has just recorded its first studio album together. The album was produced by Ray Kennedy (Steve Earle, Lucinda Williams) and Hanna in a nondescript building located behind an auto parts store in Nashville’s Berry Hills neighborhood. In that studio, with vintage microphones and instruments and this newly reconstructed Nitty Gritty Dirt Band, the group added a definitive album to an unprecedented catalog.
Suddenly, a sound burst through the middling morass at laser speed, deflating the balls of confusion that teenaged Jeff was holding. That sound came from the iron ore town of Hibbing, Minnesota, by way of Greenwich Village. It was Bob Dylan, a young man who at first recharged old folk and blues songs, but who became known for his own wild-eyed compositions.
Hanna didn’t know what was going on. But, at the same time, he knew Dylan was the man who would lead him to know most everything that was going on.
After school, he’d go home, lock himself in his bedroom, and haltingly play the picking pattern to Dylan’s “Don’t Think Twice, It’s All Right” until the halting gave way to the feeling that he’d mastered a magic trick.
And when Dylan came to play at the Wilson High School auditorium, Hanna paid $4 to sit in the balcony with his girlfriend and a group of pals that included Bruce Kunkel, with whom he would soon start the Nitty Gritty Dirt Band, a fluid combo that would make a beautiful and necessary mark on American music. Another key member of that band was a boy named Jimmie Fadden, who would sit and play Dylan songs with Hanna, transfixed by the way Dylan’s music blended seemingly every roots music strain.
Fadden would become Hanna’s lifelong partner in the groundbreaking, hit-making, Grammy winning, long-lived (since 1966), Dirt Band. Hanna considers Jimmie’s harp to be another lead vocal, and, indeed, Fadden’s harmonica is to the Dirt Band what Mickey Raphael’s is to Willie Nelson: It is instantly recognizable, and instantly satisfying.
What’s all this about Dylan, then? Well, the Dirt Band’s new album, Dirt Does Dylan, is a romp through some of the gems in Dylan’s catalog, as played by Hanna, Fadden, keyboardist/songwriter/vocalist Bob Carpenter (who joined in 1980), and three new members: fiddle specialist Ross Holmes; singer-songwriter and bass player Jim Photoglo (who wrote one of the Dirt Band’s biggest hits, “Fishin’ in the Dark”); and Hanna’s son, the absurdly talented singer and guitarist Jaime Hanna.
Between Long Beach high school days and the release of Dirt Does Dylan, the Dirt Band brought folk music to the national forefront with “Mr. Bojangles,” recorded the volumes of the multi-artist Will the Circle Be Unbroken series of albums, featuring Mother Maybelle Carter, Doc Watson, Earl Scruggs, Emmylou Harris, Taj Mahal, John Prine, Dwight Yoakam, and dozens more.
They’ve won three Grammys and placed an album and a single in the Grammy Hall of Fame, and scored country hits including “Voila (An American Dream),” “Modern Day Romance,” “Stand a Little Rain” and many more. They’ve undergone numerous lineup changes, the latest of which has just recorded its first studio album together. The album was produced by Ray Kennedy (Steve Earle, Lucinda Williams) and Hanna in a nondescript building located behind an auto parts store in Nashville’s Berry Hills neighborhood. In that studio, with vintage microphones and instruments and this newly reconstructed Nitty Gritty Dirt Band, the group added a definitive album to an unprecedented catalog.
Dirt Does Dylan FLAC
