Showing posts with label Seth Rosenbloom. Show all posts
Showing posts with label Seth Rosenbloom. Show all posts

Friday, January 13, 2023

Seth Rosenbloom - As The Crow Flies

Size: 110.5 MB
Time: 47:17
File: MP3 @ 320K/s
Released: 2023
Styles: Electric Blues, Blues Rock
Art: Front

01. As The Crow Flies (5:29)
02. Did You Try To Break My Heart (7:37)
03. Set Me Free (4:33)
04. Can't Trust Your Neighbor (4:44)
05. I Wish You Could See Me Now (5:10)
06. Ain't Nothing Wrong (3:21)
07. Blind Eye (4:35)
08. Gotta Roll (3:55)
09. Give Me The Ring Back (7:48)

Boston Blues musician Seth Rosenbloom is pleased to announce the upcoming release of his new album, As The Crow Flies.

As The Crow Flies builds on the strength of those earlier efforts with confidence and credibility, demonstrating why he ranks as one of the most assertive and authoritative artists in the Blues realm today. Recorded over four days during March 2022 at Rear Window Studios in Brookline, Massachusetts, it found Seth himself stepping into the producer’s chair. The rhythm section was comprised of some of New England’s finest: drummer Mark Teixeira (Duke Robillard), bassist Jesse Williams (North Mississippi Allstars, Al Kooper), guitarist Ryan Taylor (Band of Killers), and pianist and organist Bruce Bears (Duke Robillard, Curtis Salgado).

“For me, playing great music is all about being able to convey a wide range of emotion authentically,” guitarist and vocalist Seth Rosenbloom insists. “I was drawn to the blues at a young age because that has always been very evident in the Blues.”

The promise was evident early with the release of his debut self-titled EP and grew even more potent when his first full-length album, Keep On Turning, climbed to the top of the charts upon its release in 2019.

Notably, Seth points with pride that his dad, Michael Rosenbloom, arranged the strings and played violin on a track on the album “Can’t Trust Your Neighbor.”

“I wanted to bring a ‘live’ feel to this record,” Seth suggests. “We captured as many of the solos live as possible and focused on ensuring the energy was right for each song.”

That attention to detail is both clear and convincing. Moreover, the entire album reverberates with an unrelenting drive and delivery. The riveting intensity inherent in the barbed refrain of “Did You Try To Break My Heart” is matched by disappointment and defiance shared through “Set Me Free.” “Blind Eye,” on the other hand, conveys its message through a steady sway and strut while emphasizing the bitterness of betrayal through Seth’s searing guitar riffs and expressly emphatic vocals. Those torrid feelings are expressed with unrelenting energy and vitality, making As The Crow Flies one of the most unforgettable offerings in recent memory.

“Placing myself in the producer’s chair for this album was initially a challenge,” Seth reflects. “Yet, having learned so much from working with Josh Smith on my last album. I felt up to the task, and thanks to a great team, it worked out even better than I could have anticipated.”

Then again, Seth’s no stranger to making music. Born into a musical family and raised just west of Boston in Waltham, Massachusetts, he began playing classical violin as a child and subsequently took up guitar at age eleven. Initially inspired by the music of Elvis and The Beatles, he earned a performance merit scholarship from Berklee College of Music by the time he was 16.

After spending a few years as an active sideman and in-demand clinician, Seth further expanded his reputation by spending much of the last few years on the road, introducing himself to newly enthusiastic audiences while demonstrating at each stop his clear commitment to his craft and his ability to share his verve and versatility. He’s toured all over the U.S. and the U.K. and even shared a stage with Joe Bonamassa. Whether demonstrating his dazzling guitar riffs and stinging vibrato or emoting with his soaring and sultry vocals, he brings unprecedented power and personality to each performance. That ability is again underscored by the soaring sentiments expressed through As the Crow Flies.

As The Crow Flies MP3
As The Crow Flies FLAC

Saturday, January 19, 2019

Seth Rosenbloom - Seth Rosenbloom EP

Size: 52,5 MB
Time: 22:29
File: MP3 @ 320K/s
Released: 2017
Styles: Electric Blues, Blues Rock
Art: Front

01. Wild About You Baby (3:30)
02. I Don't Believe (3:58)
03. The Way Things Used To Be (5:13)
04. Nailed To The Wall (3:56)
05. Gambler's Blues (5:50)

“For me, playing the blues is all about expressing emotions,” guitarist and vocalist Seth Rosenbloom insists. “What’s always drawn me to the genre is the fact that it allows for an extraordinarily wide range of emotion. That, I think, is the key to making great music overall, and great blues in particular.”

Rosenbloom knows of what he speaks. Hailed by The Boston Globe as “a searing blues-rock guitarist,” and The Noise Boston as a musician who “makes his guitar growl and has a voice to match,” he’s been compared to “a slightly younger and rawer version of Matt Schofield ,” by the Blues PowR blog, which also praised him for “his gravelly, forceful vocals and stinging guitar work.”

Those assessments were affirmed this past year, when Rosenbloom made his bow with his debut self-titled EP. Now, with the release of his first full length effort, Keep On Turning (January 18, 2019), he shows again why he has been referred to as the future of blues guitar. An assertive and authoritative artist and auteur, he demonstrates confidence and credence with a set of songs that sounds every bit like a new set of standards. He executes the material in ways that are both riveting and embracing, with his dynamic delivery ensuring an emphatic impression.

Throughout the album, Rosenbloom commands center stage, with able support from Travis Carlton on bass (Robben Ford, Scott Henderson), Scott Kinsey (Tribal Tech) on keys and Gary Novak (George Benson, Chick Corea) on drums. Produced by Josh Smith, a world renowned blues guitarist in his own right, Keep On Turning was recorded at Smith’s Flat V Studios in Reseda, California.

Although firmly entrenched in the blues, Keep On Turning reflects a distinct diversity in the range of sentiment, as expressed in a selection of songs composed by Rosenbloom both on his own and with co-writer Sonya Rae Taylor. He also includes classic covers of B.B. King, Elmore James and Freddie King. From the emphatic wail of “Keep On Turning” and “Right About Now,” to the drive and determination of “Crawling Back” and “I Can’t Help It,” Rosenbloom’s passion and authenticity are on display throughout the album.“

This album is the culmination of everything I’ve ever aspired to musically,” Rosenbloom reflects. “I really wanted the album to represent the diversity that the blues has to offer, and I’m so pleased to have worked with such a wonderful producer and group of musicians who helped bring it to fruition.”

Then again, Rosenbloom’s no stranger to making music. Born into a musical family and raised in Waltham, Massachusetts, he began playing classical violin as a child and subsequently took up guitar at age eleven. Initially inspired by the music of Elvis and The Beatles, he earned a performance merit scholarship from Berklee College of Music by the time he was 16.

After spending a few years as an active sideman and in demand clinician, Rosenbloom stepped into the spotlight with the release of his self-titled EP in September 2017. He supported the recording with a string of tour dates up and down the East Coast, demonstrating at each stop his clear commitment to his craft and his ability to enthrall his audiences with his verve and versatility.

Rosenbloom has further expanded his reputation by spending much of this year on the road as well, introducing himself to his newly enthusiastic audiences. Whether demonstrating his dazzling guitar riffs and stinging vibrato, or emoting with his soaring and sultry vocals, he brings a distinctive power and personality to each of his performances. Now, with the release of Keep On Turning, he underscores that ability to add several specific hues to the blues.

Seth Rosenbloom

Friday, January 18, 2019

Seth Rosenbloom - Keep On Turning

Size: 89,9 MB
Time: 38:36
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Blues Rock
Art: Full

01. Keep On Turning (5:16)
02. Crawling Back (3:31)
03. I Can't Help It (3:42)
04. Heartbreaker (3:01)
05. Right About Now (5:36)
06. Look Over Yonders Wall (4:00)
07. Broke And Lonely (5:39)
08. Come Back Around (4:10)
09. Palace Of The King (3:38)

"For me, playtng the blues is all about expressing emotions." guitarist arxl vocalist Seth Rosenbloom insists. "What's always drawn me to the genre is the fact that it allows for an exlraordinarily rvide range of emotion. That, I thinh is the key to making great music overall, ard greatblues inparticular."

Rosenbloomknowsof whathe speaks. Hailedby The Boston Globe as "asearingblues-rockguitarist," and The Noise Boston as a musician who "makes his guitar growl and has a voice to matctl" he's beeo compared to "a slighfly younger and rawerversion of Matt Schofield ," by the Blues PowR blog, which also praised him for "his gravelly, forcefirl vocals and stinging guitar work." Those assessments lyere affirmed this past year, when Rosenbloom rnade his bow with his debut self-titled EP. Now, with the release of his fißt full length effort, Keep On Tirming (January 18, 2019), he shows again whv he has been referred to as the future of blues guitar.

Throughout ths alburq Rosenbloom commards center stage, wilh able support from Travis Carlton onbass, Scott Kinsey on keys and Gary Novak on drurns. Produced by Josh Smit\ a world renowned blues guitarist in his own righl Keep On Iirrning was recorded at Smith's Flat V Studios in Reseda, Califomia.

Although firmly entrenched in the blues, Keep On Turning reflects a distinct diversity in the range of sentimen! as expressed in a selection of songs composed by Rosenbloom both on his own and with co-writer Sonya Rae Taylor. He also irrludes classic covers of B.B. King, Elmore James ard Freddie King. From the emphatic wail of "Keep On Turning"' ard *Right About Now," to the ddve and deterrnination of "Crawling Back" and "I Can't Help It,' Rosenbloom's passion and authenticity'are on display throughout the album

Keep On Turning