Showing posts with label Victor Wainwright. Show all posts
Showing posts with label Victor Wainwright. Show all posts

Thursday, October 31, 2024

Southern Hospitality - Yard Sale

Size: 109.9 MB
Time: 46:26
File: MP3 @ 320K/s
Released: 2024
Styles: Electric Blues, Blues Rock
Art: Front

01. Together Again (2:48)
02. Howlin' At Midnight (3:55)
03. Hard Times Fade Away (Intro) (0:36)
04. Hard Times Fade Away (6:39)
05. Boogie With Jesus (2:38)
06. Going Fishin' (5:16)
07. Wildfire (3:17)
08. Mercy (6:00)
09. What I Feel In My Heart (4:12)
10. Yard Sale (4:57)
11. Nobody's Fault But Mine (6:04)

Southern Hospitality is Blues Super Group composed of Blues Music Award nominee and lap steel and guitar master Damon Fowler, Blues Music Award winner and guitarist extraordinaire J.P. Soars, and Grammy nominee and keyboard wizard Victor Wainwright. The three artists are musician's musicians, each bringing a unique style and fresh translation of the great Southern soul, blues, and rock music that came before them. Together, their mutual chemistry, high energy and skill sets create a cohesive vision, with echoes of Muscle Shoals and Macon, that organically flows together into an entirely original and dynamic form of Americana, Southern soul roots music with a modern sensibility.

Yard Sale MP3
Yard Sale FLAC

Thursday, May 21, 2020

Victor Wainwright & The Train - Memphis Loud

Size: 135,6 MB
Time: 57:50
File: MP3 @ 320K/s
Released: 2020
Styles: Blues Soul, Blues Rock
Art: Full

01. Mississippi (4:15)
02. Walk The Walk (3:27)
03. Memphis Loud (3:01)
04. Sing (4:31)
05. Disappear (6:18)
06. Creek Don't Rise (4:08)
07. Golden Rule (4:47)
08. America (5:09)
09. South End Of A North Bound Mule (3:46)
10. Recovery (4:41)
11. My Dog Riley (5:16)
12. Recouncil (8:26)

Joining Wainwright (vocals, piano, Hammond B3, electric piano) in the studio are Th Train: Billy Dean (drums, percussion, vocals), Terrence Grayson (bass, vocals), Pat Harrington (guitar, vocals), Mark Earley (baritone sax, tenor sax & clarinet), Doug Woolverton (trumpet & flugelhorn) and Dave Gross (guitar, vocals, percussion). Special guests on Memphis Loud include former ‘Train’ Greg Gumpel (guitar/vocals), Reba Russell & Gracie Curran (vocals), Monster Mike Welch (guitar).

As a seven-time Blues Music Award winner, including Band of the Year and B.B. King Entertainer of the Year, 2020 BMA nominee for Piano Player of the Year, Victor Wainwright’s release is a snapshot of America’s great cities and genres, embodying a connection between exciting unseen places with a modern twist. As the title suggests, Memphis Loud’s rattle-and-shout originals demand to be played at speaker-shaking volume.

“Find a moment”, Wainwright advises, “to sit back with your favorite headphones or speakers, turn it up, and listen. It’s heavy and I know you’re gonna love it.”

Stick a pin in the post-millennium roots scene and you’ll find Victor Wainwright at the heart of the action, breaking the rules. Since perking up ears with his 2005 release, Piana’ From Savannah, the now Memphis-based Savannah, Georgia native has been a vital force in the American roots scene, lost count of his industry awards, and elbowed aside the pop pretenders to scale the dizzying heights of the Billboard Top 10. He’s an ageless, genre-defying presence, busting at the seams with original music that darts between Americana, Jam, Soul, Funk, Blues, Jazz and even Psyche- delia. As he says; “Everyone’s welcome aboard the train.”

Wainwright’s latest locomotive only further stokes his creative fire. Whether in the studio or on the stage, Memphis Loud follows The Train’s self-titled studio debut’s 2019 Grammy Nomination with joyous, ears-wide-open music. The exchange of energy is breathtaking. “Our fans are like locomotive firemen,” says the bandleader, “frantically shoveling coal into the furnace. They fuel us as we pull handles, twist knobs and screech around bends. With flying sparks and a wicked whistle, we’re arriving right on time with Memphis Loud.”

The title track, “Memphis Loud” skillfully combines Wainwright’s piano-driven rhythmic fire with the story of a benevolent music-locamo- tive. Featured artistically on the album’s cover, this unique train proudly offers an exciting journey, escape and redemption to all who board it. With echoes of New Orleans piano, horns, and haunting chamber vocals, the song conjures a cinematic sense of looming, while celebrating the catharsis of music. “By the song’s end,” explains Wainwright, “the listener is surrounded by a hundred singing voices in emotional toil, but relieving that pain by singing, and letting it all out.”

All aboard! Renowned for twisting roots music into bold new shapes, Wainwright’s recording sessions in Memphis, flanked by co-producer Dave Gross and a Wishlist of special guests, has birthed a modern classic. “I like to produce and write with immense musical curiosity,” he says, “leaving no roots stone unturned, but pushing the art-form forward. I carry with me the lessons from my grandfather, who taught me piano, and countless hours studying the roots of blues, genuine rock ‘n’ roll, jazz, boogie-woogie and honky-tonk, all the while honestly developing that into something modern, fun, unique, emotional and powerful.” ~Martine Ehrenclou

Memphis Loud MP3
Memphis Loud FLAC

Thursday, October 17, 2019

VA - Don't Pass Me By: A Tribute To Sean Costello

Size: 143,1 MB
Time: 60:33
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Blues Rock
Art: Front

01 Albert Castiglia - Same Old Game (3:32)
02 Steve Marriner - How In The Devil (3:35)
03 Watermelon Slim - Who's Been Cheatin' Who (2:46)
04 Victor Wainwright - Don't Pass Me By (6:26)
05 Candye Kane & Laura Chavez - I've Got To Ride (3:44)
06 Bob Margolin - Low Life Blues (4:08)
07 Seth Walker - All I Can Do (5:16)
08 Sonia Leigh - No Half Steppin' (3:48)
09 Nick Moss Band - Hard Luck Woman (3:09)
10 North Mississippi Allstars - Father (4:14)
11 The Electromatics - She Changed My Mind (3:48)
12 Debbie Davies - Don't Be Reckless With My Heart (3:11)
13 The Morning Life - You're A Part Of Me (3:54)
14 Matt Wauchope Trio - Can't Let Go (4:00)
15 Oliver Wood & Amy Helm - Feel Like I Ain't Got A Home (4:55)

'Don't Pass Me By', is a tribute to the original songs of Sean Costello. Lovingly donated by an exceptional group of blues artists for the benefit of The Sean Costello Memorial Fund, which was established after his passing to research bi-polar disease, the album brings Costello's songwriting talents to the forefront. Among the notable recording artists included are the North Mississippi All-Stars, Oliver Wood (The Wood Brothers), Amy Helm, and Bob Margolin. Produced by Jon Justice and Dave Gross, the album features all previously unreleased recordings. DON'T PASS ME BY showcases Costello's tunes in a remarkable array of 15 distinctive performances that enhance his well known abilities as an influential blues singer and powerful guitarist.

Don't Pass Me By

Thursday, February 1, 2018

Mick Kolassa & Friends - Double Standards

Size: 125,1 MB
Time: 53:47
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues, Rockin' Blues
Art: Front

01. 600 Pounds Of Heavenly Joy (Feat. Sugaray Rayford) (3:48)
02. I Just Want To Make Love To You (Feat. Heather Crosse) (3:49)
03. It's Tight Like That (Feat. Victor Wainwright) (3:40)
04. Fever (Feat. Annika Chambers) (4:13)
05. Nobody Knows You When You’re Down And Out (Feat. Tas Cru) (4:11)
06. Rock Me Baby (Feat. Tullie Brae) (4:23)
07. Key To The Highway (Feat. Eric Hughes) (2:50)
08. Spoonful (Feat. Erica Brown) (4:53)
09. It Hurts Me Too (Feat. Patti Parks) (4:01)
10. Early In The Morning (Feat. David Dunavent) (2:48)
11. Don't You Lie To Me (Feat. Gracie Curran) (3:43)
12. Outside Woman Blues (Feat. Jeff Jensen) (3:54)
13. Ain't Nobody's Business (Feat. Annika Chambers, Victor Wainwright, Gracie Curran, Sugaray Rayford, Erica Brown & Jeff Jensen) (7:29)

I’ve always enjoyed albums in which one artist explores music with several other artists in order to see what direction that collaboration takes. In my collection are albums of duets featuring Ray Charles, Frank Sinatra, Tony Bennet, among others, and now I’m delighted to add the latest from Mick Kolassa who has teamed up with different friends on a new album of duets, Double Standards.

You might remember that on Kolassa’s previous album, You Can’t Do That, featured a team up with Mark Telesca, turning Beatles classics into acoustic blues numbers. He’s shown that he has no problem taking chances with his music and he’s gathered some very talented musicians and singers to make this a very enjoyable album.

Double Standards is produced by longtime collaborator and all-around guitar wizard Jeff Jensen, who also plays guitar and even adds vocals to one song. Vocalists include Sugaray Rayford, Heather Crosse, Victor Wainwright, Annika Chambers, Tas Cru, Tullie Brae, Eric Hughes, Erica Brown, Patti Parks, David Dunavent, and Gracie Curran.

Aside from Kolassa and Jensen on guitar, musicians include Bill Ruffino on bass; James Cunningham on drums; Chris Stephenson on organ; Eric Hughes adds his harmonica to three songs; Jeremy Powell plays piano on two tracks, Alice Hasan on violin; and Colin John and David Dunavent play guitar on one track each.

The album starts off with a fun Willie Dixon number, 600 Pounds Of Heavenly Joy, which features Sugaray Rayford with Kolassa. The two have great gruff voices and this is a lot of fun to listen to and a great invitation to what must surely be an interesting journey. Jensen’s guitar adds a sweet element to the song.

A second Willie Dixon classic, I Just Want To Make Love To You gives Kolassa a chance to team up with Heather Crosse. Crosse is a strong vocalist, and the way her voice has an edgy low growl makes this song one that catches you right away and won’t let go. Definitely going to be receiving airplay on Time For The Blues, and I suspect many other shows! I don’t have any of Crosse’s other recordings, but you better believe I’m ordering the others right now. Meow…

Victor Wainwright joins Kolassa for a great version of It’s Tight Like That. Originally written and performed by Hudson Whittaker, better known as Tampa Red, this is one of those great songs that features Red’s fun wordplay. This is a great example of Hokum Blues, and I, for one, hope that we will hear more of this style. Wainwright, who has just announced he’s joining the Ruf Records family, is one of the best keyboardists alive, and his vocals rock. Eric Hughes blows a great harp on the number.

One of the most alluring and sensual songs ever recorded, Fever, showcases Annika Chambers’ great voice. This jazzy number is deeply rooted in the blues, and Stephenson’s organ adds a deeper dimension to the song. This is a great late night song to unwind to after a long day, or to hold that certain someone a little closer for an even longer night…

Tas Cru steps up to the microphone for the next song, the powerful Nobody Knows You When You’re Down And Out. Hasan’s violin gives the song a sweet melancholy introduction before Kolassa’s vocals come in. This version of the song pulls out all the stops and Kolassa and Cru wring every drop of emotion out of the lyrics.

BB King’s Rock Me Baby features a great collaboration between Kolassa and Tullie Brae. Stephenson’s keyboards set up the song and while Kolassa’s vocals are good, Brae takes things higher. This is another song that will be appearing on a number of shows. It’s just plain fun and while it doesn’t try to capture King’s signature guitar sound, it takes on its own soul and remains very true to the spirit of the original.

The iconic Key To The Highway has been covered by just about every blues artist over the years. Now we can add Kolassa and Eric Hughes to that list. Hughes has already added his sweet harp to a couple of previous numbers, and here he brings both his harp and vocals to the song. It’s a good interpretation of a classic tune.

One more Willie Dixon number, Spoonful, features Kolassa and Erica Brown. They turn the song jazzy with Stephenson’s keys taking the lead. Kolassa has chosen his songs wisely, mixing some of the better known works by Dixon and Tampa Red with others that are great, but perhaps not as well known. Listen for Jensen’s guitar break and they way he trades off with Stephenson. Very nice interpretation.

Patti Parks joins Kolassa on a great cover of Hudson Whittaker’s It Hurts Me Too. This is one of Tampa Red’s most covered songs and one that resonates deeply with most audiences. It’s one of those songs where the singer just bares his or her heart and pours out the emotion. A truly wonderful gem of a song, and a great interpretation.

Early In The Morning features David Dunavent on guitar and vocals. This is a rocking blues number that will be showing up on my show, and I suspect many others as well. For those who like their blues with a bit of an edge, this is the one for you!

Another number from Hudson Whittaker, aka Tampa Red, Don’t You Lie To Me (Evil), brings Gracie Curran and Kolassa together. More great keys work from Stephenson overlaid with some funky guitar and Curran’s vocals are sweet and soulful at the same time.

Jensen teams up with his old friend on their version of Outside Woman Blues. Whenever they team up there are bound to be a few surprises, in this case a more rocking number than most of the previous tracks. Jensen is one of those guitar slingers who always turns in a great performance, and once you hear him, you’re always looking for his next release.

All of the previous vocalists join Kolassa on a fun, seven-minute version of Ain’t Nobody’s Business to close out the album. Everyone seems to be having a great time and it sounds like the recording of the album was a great party and a wonderful excuse for friends to get together. Wish I could have been a fly on the wall for this one!

Mick Kolassa may not be a household name, but within the blues world he is a well respected musician. He keeps that old school sound alive and isn’t shy about sharing the spotlight with his friends and colleagues. Since discovering his talents a few albums back, I have become a big fan of his work, and Double Standards will have a welcome place in my collection. ~Professor John

Double Standards

Friday, September 30, 2016

Nancy Wright - Playdate!

Size: 130,1 MB
Time: 55:37
File: MP3 @ 320K/s
Released: 2016
Styles: Blues, Soul, R&B
Art: Front

01. Why You Wanna Do It (With Wee Willie Walker) (4:35)
02. I Got What It Takes (With Tommy Castro) (4:27)
03. Yes He Do (With Victor Wainwright) (3:22)
04. Blues For The Westside (With Joe Louis Walker) (4:33)
05. Been Waiting That Long (With Frank Bey) (4:35)
06. Trampled (With Jim Pugh) (3:43)
07. Satisfied (3:47)
08. Warranty (With Terrie Odabi) (4:53)
09. Cherry Wine (2:52)
10. There Is Something On Your Mind (With Elvis Bishop) (4:30)
11. Back Room Rock (3:48)
12. Good Loving Daddy (4:27)
13. Soul Blue (With Chris Cain) (5:59)

PLAYDATE! is a freewheeling showcase for Wright's soulful playing, singing and songwriting, and a celebration of the thriving West Coast roots music scene that is her playground. Nancy decided to follow her heart and have fun with this album, so she enlisted the help of many of her friends and touring partners, including: producer Kid Andersen; guitarists Tommy Castro, Elvin Bishop, Joe Louis Walker, Mike Schermer and Chris Cain; vocalists Frank Bey, Wee Willie Walker and Terrie Odabi; and keyboardists Victor Wainwright and Jim Pugh.

The album features Nancy's songs and favorites, including a song by her friend and mentor Lonnie Mack that he never released. Nancy Wright lives in the San Francisco Bay area, and tours regularly around the United States, Canada and Europe, playing major Festivals and clubs with headlining artists and her own band. Recent appearances include New Orleans Jazz & Heritage Festival, Bayfront Blues Festival, San Diego Blues Festival, Hardly Strictly Bluegrass, and festivals across Italy and the Canary Islands. She is a popular regular on the Legendary Rhythm & Blues Cruise, performing this year with Tommy Castro and the Painkillers.

Her two previous albums, Moanin' (2008) and Puttin' Down Roots (2014) won her critical acclaim, a top-20 spot in the DownBeat Reader's Poll, and a place in the West Coast Blues Hall of Fame.

Playdate!

Tuesday, June 14, 2016

Victor Wainwright - 2 Albums: Lit Up! / Piana From Savannah

Album: Victor Wainwright & The Wild Roots - Lit Up!
Bitrate: MP3@320K/s
Time: 52:51
Size: 121.0 MB
Styles: Piano blues
Year: 2011
Art: Front

[3:36] 1. Big Dog's Runnin' This Town
[2:57] 2. Ting Tang Bang
[3:09] 3. Subliminal Criminal
[5:59] 4. Walk Away My Blues
[3:08] 5. Dixie Highway
[3:50] 6. Weeds
[3:18] 7. Little Ole' Shack
[3:15] 8. Lit Up
[5:03] 9. Out Last Goodbye
[3:54] 10. Don't Doubt It Ce Est Bon
[2:41] 11. Coin Operated Woman
[4:31] 12. Pile Of Blues
[3:41] 13. Honky Tonk Heaven
[3:43] 14. Let It Be The Same

Power-house blues, Memphis soul, and roots rock’n’roll. Featuring the high-octane boogie piano and big soul sounds of vocalist and blues man Victor Wainwright, backed by one of the tightest smokin’ bands on the scene; the WildRoots.

Victor, along with producer/bassist/co-writer Stephen Dees have teamed up once again to deliver a blues and American roots ‘tour de force’. In short, they have scored another musical Bull’s Eye! On the heels of their critically acclaimed debut release “Beale Street to the Bayou”; their new CD “Lit Up” is poised to ignite blues fans with a freshness and flair that’s infectious and impossible to ignore.

“Lit Up” Pure dynamite, set to explode, highly combustible, and ready to roll! Get Lit Up !

Lit Up!

Album: Piana From Savannah
Bitrate: MP3@320K/s
Time: 39:20
Size: 90.1 MB
Styles: Piano blues
Year: 2005
Art: Front

[2:16] 1. Piana From Savannah
[2:59] 2. Get Gone, Let's Go
[3:04] 3. Two Lane Backtop
[4:20] 4. Bad Seed
[3:11] 5. Sugar Shop
[4:37] 6. Easy Chair
[4:05] 7. Melody Drive
[3:32] 8. Holy Ground
[2:17] 9. Shoestring
[4:00] 10. Bug Out
[4:52] 11. Baby I'm Yours

Piano based roots rock n' roll boogie-woogie blues at it's finest.

"Piana from Savannah". "...it's hard to follow the speed limit while this one's playing... Pinetop Perkins would be proud."

Piana From Savannah

Friday, September 18, 2015

Mitch Woods - Jammin' On The High Cs

Size: 159,4 MB
Time: 68:13
File: MP3 @ 320K/s
Released: 2015
Styles: Jump Blues, Piano Blues, Chicago Blues
Art: Front

01. Big Mamou (Feat. Roomful Of Blues) (4:40)
02. Tain't Nobody's Business (Feat. Victor Wainwright & Julia Magness) (5:10)
03. Rip It Up (Feat. Tommy Castro & Roomful Of Blues) (4:47)
04. Story Of Club 88 (1:09)
05. Bright Lights, Big City (Feat. Lucky Peterson & Roomful Of Blues) (5:55)
06. Jambalaya (Feat. Dwayne Dopsie) (5:04)
07. Eyesight To The Blind (Feat. Billy Branch & Roomful Of Blues) (7:13)
08. I Want You To Be My Baby (Feat. Popa Chubby) (3:55)
09. 7 Mile Limit (0:25)
10. Rock Me Baby (Feat. Coco Montoya) (5:21)
11. Wine Spo Dee O Dee (Feat. Victor Wainwright) (5:10)
12. Friends Of Bill W. (0:52)
13. Broke (4:55)
14. Boom Boom (Feat. Billy Branch & Coco Montoya) (4:04)
15. Wee Wee Hours (Feat. Popa Chubby) (4:52)
16. Whole Lotta Shakin' Goin' On (Feat. Dwayne Dopsie) (4:23)
17. Toast To The Legendary Blues Cruise (0:11)

I just received the newest release, Jammin' On The High C's from Mitch Woods' Club 88 recorded live on the Legendary Rhythm & Blues Cruise and the talent was really flowing. Opening with Big Mamou, Woods, along with members of Roomful of Blues lays down a full tilt boogie. An excellent trumpet, sax and piano solos on this track make it an excellent opener. Next up is Tain't Nobody's Bizness with a stripped down swing. Victor Wainwright and Julia Magness join in giving a different feel vocally... and great piano work contribute to an excellent track. Classic rocker, Rip It Up features Tommy Castro and he really adds some great rockin' guitar riffs to Woods' piano and vocal talents. Backed by the Roomful of Blues horns this track rocks. Lucky Peterson is featured on vocals on Bright Lights Big City, maintaining much of Jimmy Reeds original feel. Breakin down with a little Zydeco, Dwayne Dopsie brings Jambalaya on accordion and vocal. Woods tickles the ivories adding a real nice touch. Billy Branch brings it on Eyesight To The Blind. A lot of real Chicago feel and great harp work are the key to this track. Nicely executed guitar additions and Woods on piano add to the overall blue feel. Boogie track, I Want You To Be My Baby features Popa Chubby on vocal. Woods does an excellent job of driving the boogie and soloing. Popa throws down some wicked rockabilly riffs on guitar making this track shine bright. Coco Montoya takes the lead on Rock Me Baby which has a bit more of a rock swing/boogie feel. He soloing is intermixed with Woods piano work and crisp. Victor Wainwright is back for a real doozie of a boogie, Wine Spo Dee O Dee. This is easily the shining piano track on the release. Woods holds tight on Broke as he sings the story and pushes the rhythm on piano. With audience participation, this track is a lot of fun. Branch and Montoya are back on Boom Boom. A more laid back swing than the Hook wrote it, Woods keeps the rhythm as Branch and Montoya solo. Popa Chubby is back on Wee Wee Hours and a nice easy boogie. Woods takes a particularly nice piano solo on this track giving way to Popa for a plucky guitar solo of his own. Wrapping the release is a hot, fast paced boogie, Whole Lotta Shakin' Goin' On featuring Dwayne Dopsie. Cool closer for a fun party release. ~bman

Jammin' On The High Cs

Tuesday, May 26, 2015

Victor Wainwright & The Wildroots - Boom Town

Size: 102,5 MB
Time: 43:29
File: MP3 @ 320K/s
Released: 2015
Styles: Blues Soul, Rockin' Blues
Art: Front

01. Boom Town (3:15)
02. Saturday Night Sunday Morning (2:32)
03. Stop Bossin' Me Baby (3:36)
04. If It Ain't Got Soul - Part 1 (3:33)
05. When The Day Is Done (2:55)
06. Genuine Southern Hospitality (4:50)
07. Two Lane Blacktop Revisited (2:40)
08. Wildroot Farm (3:16)
09. Piana's Savannah Boogie (2:06)
10. The Devil's Bite (4:34)
11. Reaper's On The Prowl (2:49)
12. Back On Top (2:42)
13. Wildroot Rumble (4:36)

Personnel:
Vocals, Piano, Organ / Victor Wainwright
Bass, Electric & Acoustic Guitar, Vocals / Stephen Dees
Drums, Vocals / Billy Dean
Guitar, Vocals / Nick Black
Bass, Vocals / Terrence Grayson
Tenor Saxophone, Vocals / Patricia Ann Dees
Tenor & Bari Saxophone / Charlie DeChant
Tenor Saxophone / Ray Guiser
Harmonica / Stephen Kampa

Blind Pig Records has announced the signing of Victor Wainwright, recognized as one of the most dynamic and exciting keyboard performers on the roots music scene. Following the signing, Victor said, "After putting a tremendous amount of time, effort and passion into this project, we’re extremely proud of the final recording. I’m excited that we are teaming up with renowned Roots and Blues label Blind Pig Records, to deliver what we feel is our best album yet!"

The first release under the pact from Victor Wainwright and the WildRoots, entitled Boom Town, is scheduled to be released in late May. The CD was recorded in Edgewater, Florida and produced by Stephen Dees, who wrote much of the material on the album and is also the WildRoots bassist. Dees is a highly respected session player whose credits include playing with Hall and Oates, Pat Travers, and Todd Rundgren.Said Victor, "We've always prided ourselves on excellent songwriting, musicianship and production, but on "Boom Town" we've also captured the energy and edge of our live shows. Although the concept of sin and salvation has been done before, this is our own personal statement, a story of Southern life, faith, redemption, and the challenges that we all face. The unique and edgy sound fits the purpose and storytelling to a T and lifts the whole record up to another level."

Victor’s star is definitely on the rise, having won the coveted Blues Music Award as “Pinetop Perkins Piano Player of the Year” in both 2013 and 2014, as well as anchoring the critically acclaimed Dixie supergroup, Southern Hospitality, whose “Easy Livin’” release made the Top 10 on the Billboard blues chart.
He is known for his high-octane boogie piano, big soul sounds, powerhouse blues, roots rock 'n' roll, and a voice that recalls Dr. John and Leon Russell. He's a raucous high-octane dynamic performer and a crowd pleaser with soul to spare.

Boom Town

Monday, September 16, 2013

Jeff Jensen - Road Worn And Ragged

Bitrate: 320K/s
Time: 44:23
Size: 101.6 MB
Styles: Roots rock, Electric blues
Year: 2013
Art: Front

[3:57] 1. Brunette Woman (Feat Brandon Santini)
[3:35] 2. Good Bye Portland (Feat Victor Wainwright)
[5:31] 3. Heart Attack & Vine
[3:09] 4. Pepper
[5:36] 5. Gee Baby, Ain't I Good To You
[4:14] 6. Little Red Rooster
[4:53] 7. Crosseyed Cat (Feat Brandon Santini)
[3:50] 8. Raggedy Ann (Feat Victor Wainwright)
[4:45] 9. River Runs Dry
[4:48] 10. Thankful

"Jeff Jensen" has been a musical work in progress for over a decade, blending blues, soul, west coast swing and Americana into a mature sound that now defines his latest highly-anticipated release, "Road Worn and Ragged".

Having moved to Memphis, TN from Portland, Oregon just two years ago, Jeff immediately began touring with Beale Street staple, Brandon Santini and recently co-produced and co-wrote on Santini's acclaimed album "This Time Another Year." Recording almost entirely live at Ardent Studios in Memphis, Jeff subtly emphasizes substance over hype, all the while never shying away from the extreme energy and honest emotion that he is well known for.

With an exciting mission to assemble the finest group of musicians, Jeff finds a powerhouse group of friends that share his passion for musical exploration. Complete with brand new fiery tracks like "Brunette Woman" and "Crosseyed Cat" to the risky emotional honesty of "River Runs Dry", this album shows the progressive maturity of a consistently growing artist. "Road Worn and Ragged" features bassist Bill Ruffino, James Cunningham on drums, Chris Stephenson on organ and Wurlitzer, Brandon Santini on harmonica and 2013 BMA Winner Victor Wainwright on piano. Wainwright also co-wrote the swinging "Raggedy Ann" and produced four of Jeff's vocal tracks. The one and only Reverend Billy C. Wirtz even chipped in by co-writing the easy shuffle with stinging honesty, "Good Bye Portland."

"Jeff don't chase any ghosts of Robert Johnson, or fall into the pitfalls of coming off gimmicky! He brings the goods with this no-nonsense production and I can't help but conclude that his songs were constructed for the express purpose of taking on and winning over an audience! something I greatly admire and something he and his band have the extreme talent to do!" - Victor Wainwright (2013 BMA winner).

Jeff Jensen - Vocals, Guitar; Bill Ruffino - Bass; James Cunningham - Drums; Chris Stephenson - Organ. Special Guests--Victor Wainwright - Piano; Brandon Santini - Harmonica.

Road Worn And Ragged