Showing posts with label Leon Redbone. Show all posts
Showing posts with label Leon Redbone. Show all posts

Friday, April 27, 2018

Leon Redbone - Strings And Jokes (Live In Bremen 1977)

Size: 164,2 MB
Time: 70:27
File: MP3 @ 320K/s
Released: 2018
Styles: Acoustic Blues
Art: Front

01. Champagne Charlie (Live At Glocke, Bremen, 12th Jan. 1977) (5:31)
02. I Ain't Got Nobody (Live At Glocke, Bremen, 12th Jan. 1977) (6:09)
03. Ain't Misbehavin' (I'm Saving My Love For You) (Live At Glocke, Bremen, 12th Jan. 1977) (4:54)
04. Has Anybody Seen My Gal (Live At Glocke, Bremen, 12th Jan. 1977) (4:12)
05. Big Time Woman (Live At Glocke, Bremen, 12th Jan. 1977) (3:56)
06. My Walkin' Stick (Live At Glocke, Bremen, 12th Jan. 1977) (4:36)
07. Diddie Wa Diddie (Live At Glocke, Bremen, 12th Jan. 1977) (5:14)
08. Polly Wolly Doodle (Live At Glocke, Bremen, 12th Jan. 1977) (2:45)
09. Nobody Knows But Me (Live At Post-Aula, Bremen, 3rd Oct. 1977) (4:07)
10. Diddie Wa Diddie (Live At Post-Aula, Bremen, 3rd Oct. 1977) (5:21)
11. When I Take My Sugar To Tea (Live At Post-Aula, Bremen, 3rd Oct. 1977) (2:50)
12. I Ain't Got Nobody (Live At Post-Aula, Bremen, 3rd Oct. 1977) (5:32)
13. Champagne Charlie (Live At Post-Aula, Bremen, 3rd Oct. 1977) (3:21)
14. Ain't Misbehavin' (I'm Saving My Love For You) (Live At Post-Aula, Bremen, 3rd Oct. 1977) (3:58)
15. Polly Wolly Doodle (Live At Post-Aula, Bremen, 3rd Oct. 1977) (3:07)
16. Please Don't Talk About Me When I'm Gone (Live At Post-Aula, Bremen, 3rd Oct. 1977) (4:47)

Wanderer between the worlds. No other words can describe the musical work of the 1949 in Cyprus born Leon Redborne. His first official stage appearance took place 1971 at the Mariposa Folk Festival in Orillia, Ontario. Soon after he began performing in local clubs where he became famous with his unique style. His trademarks were a perfect suit (white jacket, black trousers), dark sunglasses, a moustache and a white fedora.

Best known for his interpretations of music from the depression times, Blues, Ragtime, Folk and the Tin Pan Alley era and on top his remarkable singing style. Influenced by the music of Fats Waller, Jelly Roll Morton, Jimmy Rodgers or Irving Berlin, his interpretations are legendary.

Both concerts took place in the same year, 1977 in Bremen in Northern Germany and show two different kinds of Leon Redbone. Whilst at his first concert at the Glocke he was accompanied by tuba player Jonathan Dorn, the other concert at the Post-Aula was a solo concert, pure and simple. Both concerts are electrifying through his unique performance, the combination of Blues and influences from Folk-Jazz. Strange in the first place the music develops into charming recordings from a special entertainer that he was. He sings, yodels, murmurs and hums and knows to fascinate his fans with his warm and outstanding voice. A must have for every fan of traditional and not commonplace music.

Strings And Jokes

Saturday, October 22, 2016

Leon Redbone - Branch To Branch

Size: 99,9 MB
Time: 34:18
File: MP3 @ 320K/s
Released: 1989
Styles: Blues, Jazz, Ragtime
Art: Front

01. Tee-Na-Na (3:00)
02. Hot Time - In The Old Town Tonight (2:25)
03. Sweet Mama - Papa's Getting Mad (2:42)
04. Step It Up And Go (3:40)
05. Your Cheatin' Heart (3:04)
06. Seduced (2:40)
07. Why (4:43)
08. My Blue Heaven (2:23)
09. Extra Blues (4:04)
10. When You Wish Upon A Star (2:01)
11. Prairie Lullaby (3:33)

This is as extravagant and complicated a studio production as any of Leon Redbone's releases. Complete details about the musicians involved in each session are printed in miniscule yellow type of the eyestrain-inducing variety, perhaps a gesture at making younger listeners feel more sympathetic to the elderly music fans who would have been old enough to remember some of this material first-hand even back in the early '80s. Other songs are so familiar that recognition is not an issue; the question would be more appropriately, why bother? But questions of taste are not really a subject for this performer, who once having established his shtick and the prerequisite of technical talent required to pull it off, created albums that inevitably mix the sublime with the totally boring. Disastrous moves here include a weak Hank Williams cover, since expressing sincere emotion is not really in Redbone's bones. "Prairie Lullaby" is pretty sappy as well, and not really the sort of thing someone as immersed in vintage music as Redbone should have wanted to create. The tracks featuring Dr. John come off much better, examples of rollicking interplay that producer Beryl Handler, whose name even implies a hands-on touch, is wise to leave in a fairly spontaneous mode. While Redbone's performance of "My Blue Heaven" is fairly hack, a good rhythm section with bassist Bob Cranshaw and drummer Grady Tate certainly does a good job on the backup. ~by Eugene Chadbourne

Branch To Branch