Showing posts with label Sonny Boy Williamson I. Show all posts
Showing posts with label Sonny Boy Williamson I. Show all posts

Friday, January 6, 2017

Sonny Boy Williamson I - Bluebird Blues: The Secret History Of Rock & Roll

Bitrate: MP3@320K/s
Time: 72:22
Size: 165.7 MB
Styles: Chicago blues
Year: 2003
Art: Front

[2:58] 1. Good Morning School Girl
[3:03] 2. Blue Bird Blues
[2:57] 3. Sugar Mama Blues
[2:33] 4. Got The Bottle Up And Gone
[2:46] 5. Early In The Morning
[2:54] 6. Whiskey Headed Blues
[3:31] 7. Decoration Blues
[3:12] 8. Deep Down In The Ground
[2:46] 9. I Been Dealing With The Devil
[2:56] 10. My Little Machine
[2:50] 11. Jivin' The Blues
[2:59] 12. Western Union Man
[3:09] 13. My Baby Made A Change
[3:03] 14. Mattie Mae Blues
[3:13] 15. Sloppy Drunk Blues
[3:02] 16. Million Years Blues
[2:42] 17. My Black Name Blues
[2:36] 18. She Was A Dreamer
[2:45] 19. Sonny Boy's Jump
[2:38] 20. Elevator Woman
[2:54] 21. Hoodoo Hoodoo
[2:33] 22. Mellow Chick Swing
[2:26] 23. Polly Put Your Kettle On
[2:47] 24. Alcohol Blues
[2:56] 25. Better Cut That Out

Bluebird Blues focuses on 25 excellent performances by John Lee Williamson (aka Sonny Boy Williamson I, not to be confused with Rice Miller aka Sonny Boy Williamson II). These tracks were originally recorded between May 1937 through November 1947 for RCA Victor and include the staples "Sugar Mama Blues," "Blue Bird Blues," and one of the most recorded tunes in both blues and rock, "Good Morning, School Girl." Joining the versatile prewar harmonica wizard on numerous tracks are Big Joe Williams, Robert Lee McCoy, Henry Townsend, Yank Rachell, Blind John Davis, Big Bill Broonzy, Willie Dixon, and Eddie Boyd. If the only Sonny Boy you're familiar with is Rice Miller, give Sonny Boy I equal space in your collection. This is a great disc to start with. ~Al Campbell

Bluebird Blues: The Secret History Of Rock & Roll mc
Bluebird Blues: The Secret History Of Rock & Roll zippy

Sunday, July 3, 2016

Various - That's Chicago's South Side

Bitrate: MP3@320K/s
Time: 74:57
Size: 171.6 MB
Styles: Chicago blues
Year: 2002
Art: Front

[2:49] 1. Sam Theard - That's Chicago's South Side
[3:15] 2. Peetie Wheatstraw - Pete Wheatstraw
[2:59] 3. Roosevelt Sykes - Devil's Island Gin Blues
[3:16] 4. Amos Easton - Sail On, Little Girl, Sail On
[3:27] 5. Joe Pullum - Black Gal, What Makes Your Head So Hard
[2:49] 6. Lil Johnson - I Lost My Baby
[2:50] 7. Big Bill Broonzy - Keep Your Hands Off Her
[2:55] 8. Leroy Carr - When The Sun Goes Down
[2:51] 9. Memphis Minnie - Selling My Pork Chops
[3:06] 10. The Sparks Brothers - Every Day I Have The Blues
[2:48] 11. Walter Davis - Sweet Sixteen
[2:57] 12. Meade Lux Lewis - Honky Tonk Train Blues
[2:39] 13. Richard M. Jones - Trouble In Mind
[3:21] 14. Merline Johnson - He Roars Like A Lion
[3:01] 15. Robert Lee Mccoy - Prowling Nighthawk
[2:58] 16. Sonny Boy Williamson I - Good Morning Little Schoolgirl
[3:09] 17. Speckled Red - You Got To Fix It
[2:41] 18. Washboard Sam - Bucket's Got A Hole In It
[2:45] 19. Tommy Mcclennan - Bottle It Up And Go
[2:37] 20. Jazz Gillum - Key To The Highway
[2:56] 21. Tampa Red - Don't You Lie To Me
[2:53] 22. Johnny Temple - What Is That She Got
[3:10] 23. St. Louis Jimmy Oden - Goin' Down To Slow
[3:17] 24. James Yank Rachel - Hobo Blues
[3:15] 25. Lonnie Johnson - He's A Jelly Roll Baker

Ask a rock & roller to discuss Chicago's contributions to the blues, and he/she is likely to talk about Chess Records and electric post-World War II greats like Muddy Waters, Howlin' Wolf, Willie Dixon, Little Walter, Buddy Guy, and Junior Wells. But the Windy City had a healthy blues scene long before the rise of Chess -- one that went back to the days of Al Capone and Prohibition. Spanning 1931-1942, When the Sun Goes Down, Vol. 3: That's Chicago's South Side spotlights the acoustic pre-Chess, pre-Muddy Waters era of Chicago blues -- an era that helped pave the way for Chess Records as well as rock & roll. The recordings on this excellent CD point to fact that, long before Chicago became synonymous with electric blues, the city had its own unique blues sound. Gems like Sonny Boy Williamson's "Good Morning, Schoolgirl" (1937), Roosevelt Sykes' "Devil's Island Gin Blues" (1933), and Tommy McClennan's "Bottle It Up and Go" (1939) are quite different from the blues that were coming from the Deep South in the '30s and early '40s -- these artists offer an acoustic sound, but a harder, tougher acoustic sound than the Southern country blues that were coming from Mississippi, Georgia, and Tennessee back then. Of course, some of the artists who blues fans associate with Chicago blues were originally from the South; Muddy Waters and Howlin' Wolf, for example, were born in Mississippi. But when Southern bluesmen moved north and interacted with Chicago-based musicians, their music could easily take on a more urban outlook. And an urban outlook definitely prevails on this CD, which underscores the richness of Chicago's pre-Chess blues scene. ~Alex Henderson

That's Chicago's South Side

Thursday, October 8, 2015

Various - The Best Of Harmonica Blues

Bitrate: MP3@320K/s
Time: 65:28
Size: 149.9 MB
Styles: Harmonica blues
Year: 2001
Art: Front

[3:15] 1. Little Mack Simmons - You Mistreated Me Baby
[2:37] 2. Snooky Pryor - It Seem Like a Dream
[2:59] 3. Walter Shakey Horton - Hard Hearted Woman
[5:52] 4. Billy Branch - Everthing Gonna Be All Right
[2:20] 5. James Cotton - Dealing With the Devil
[5:32] 6. Little Arthur Duncan - Kansas City
[5:20] 7. Carey Bell - One Day
[5:07] 8. J. Monque'D - Rice and Gravy Fever
[4:28] 9. Oscar Harp - Caress Me Baby
[2:31] 10. Martin Lang - Martin Leaps In
[4:46] 11. Doc Terry - Born in the Delta
[3:04] 12. Sonny Boy Williamson I - Bluebird Blues
[2:35] 13. Jazz Gillum - I'm Still Walking the Hi-Way
[2:46] 14. Sonny Terry - Goin' Down Slow
[3:15] 15. Jerry Boogie McCain - It Must Be Love
[1:53] 16. Kid Thomas - Rockin' This Joint Tonite
[2:53] 17. George Harmonica Smith - I Don't Know
[1:12] 18. Hermann Alexander - Baby Please Don't Go
[2:53] 19. CeDell Davis - When I Woke Up Last Morning

Harmonica Blues refers to any style of blues where the harmonica plays a central figure. Although the harmonica was present in many country-blues recordings, it became a dominant force in the '50s, when it was amplified by the likes of Big Walter Horton, Little Walter, and Junior Wells. The powerful sound of a miked harmonica became an instantly recognizable element of electric blues, particularly Chicago blues. ~AMG

The Best Of Harmonica Blues mc
The Best Of Harmonica Blues zippy