Wednesday, December 22, 2021

The Fat Tones - Sounds Like A Party

Album: Sounds Like A Party
Size: 104,8 MB
Time: 45:09
File: MP3 @ 320K/s
Released: 2011
Styles: Electric blues, rocking blues
Art: Front

1. Party Noise (4:27)
2. I Need Love (5:39)
3. Big Deck (4:08)
4. Black Eyes Revised (3:03)
5. Too Many Drivers (6:19)
6. Cards With The Devil (4:31)
7. Where You Go I'll Follow (4:10)
8. Hustled Down In Texas (5:01)
9. Hung Over You II (3:54)
10. I-55 (3:51)

Stealing the show at major music venues, blowing away audiences, and winning award after award - both collectively and individually - is what the music industry has come to expect from the Fat Tones. Sometimes fate allows all the puzzle pieces to fall into place just the way we want them to, and that is exactly what happened one fruitful night at a club in Spokane, Washington a few years back. Bobby Patterson (guitar), Bob Ehrgott (bass), and Michael Hayes (drums) got into a jam that electrified the audience and had them screaming “Encore!”.

Since then, the Fat Tones’ musical skills have evolved into a high-impact, progressive fusion of blues and rock that leaves their audiences begging for more. Precise synergy of rhythm, percussion and world class guitar playing, topped off with fun, fresh lyrics and perfectly blended 3-part harmonies is what this band consistently delivers. Their newest CD entitled "Sounds Like A Party" was nominated for Best Blues Album at the Inland Empire Blues Society Awards.

Personnel: Robert Patterson (guitar, vocals); Robert Ehrgott (bass, vocals); Zach Cooper (drums).

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Alan Wilson - The Blind Owl (2 CD)

Album: The Blind Owl
Size: 90,4 + 88,1 MB
Time: 38:36 + 37:45
File: MP3 @ 320K/s
Released: 2013
Styles: Blues, blues-rock
Art: Full

CD 1:
1. On The Road Again (4:59)
2. Help Me (3:10)
3. An Owl Song (2:43)
4. Going Up The Country (2:50)
5. My Mistake (3:19)
6. Change My Ways (2:50)
7. Get Off My Back (5:13)
8. Time Was (3:23)
9. Do Not Enter (2:51)
10. Shake It And Break It (2:31)
11. Nebulosity/Rollin' & Tumblin'/Five Owls (4:42)

CD 2:
1. Alan's Intro (1:26)
2. My Time Ain't Long (3:46)
3. Skat (2:40)
4. London Blues (5:25)
5. Poor Moon (3:23)
6. Pulling Hair Blues (9:28)
7. Mean Old World (3:26)
8. Human Condition (5:24)
9. Childhood's End (2:42)

Issued by Maryland's Severn Records label, The Blind Owl is - amazingly - the first comprehensive overview of Alan Wilson's contribution to Canned Heat, the legendary blues-rock band he co-founded with Bob "The Bear" Hite. Few would argue that CH were one of the two American groups so deeply influenced by Delta blues that they brought the music form wholesale into rock & roll during the mid- to late '60s; the other group was, of course, the Allman Brothers Band.

Compiled and produced by Skip Taylor (the band's manager and producer) and CH's drummer Adolfo de la Parra, this wonderfully annotated volume contains all the originals Wilson wrote for CH, as well as the tunes on which he sang lead vocals with his unusual tremulous meld of tenor and falsetto that fueled the band's two biggest hits, "Going Up the Country" and "On the Road Again." Along with his songs and wildly inventive rhythm and slide-guitar playing, his ingenious harmonica playing must be factored in: it was one of the Heat's trademarks, and gave them an otherworldly, timeless sound.

Besides the hits, other stand-out cuts include "Time Was," featuring some stellar lead guitar work from Henry Vestine; "An Owl Song," with killer piano work from Dr. John; "Do Not Enter," an angry, early example of the band's trance-inducing qualities; the haunting (and prophetic) "My Time Ain't Long"; the slow, spooky, loose, and lengthy "Pulling Hair Blues," and his cover of "Little" Walter Jacobs' "Mean Old World," which could have been recorded in the late '40s rather than in 1967.

Another highlight is "Skat" (the only tune here that showcases the band in the company of horns), featuring Wilson's scat singing and guest guitar work from Harvey Mandel. The only excesses in this set - though for historical purposes they had to be included - are on Wilson's four parts of CH's opus of self-indulgence, "Parthenogenesis," though they are easiest to endure. The Blind Owl is a fitting tribute to a truly underappreciated musician who should rightfully be regarded as an icon. /Thom Jurek, AllMusic

(For personnel details, see artwork included.)

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The Blind Owl (2 CD) zippy

Tuesday, December 21, 2021

David Gogo - Christmas With The Blues

Size: 74.5 MB
Time: 31:47
File: MP3 @ 320K/s
Released: 2012
Styles: Electric Blues, Xmas
Art: Full

01. Christmas Blues (2:43)
02. Christmas On The Bayou (4:16)
03. Christmas Tears (2:59)
04. Let's Get A Real Tree (2:48)
05. Please Come Home For Christmas (3:27)
06. Santa Claus Is Back In Town (3:28)
07. Merry Christmas Baby (4:10)
08. Little Drummer Boy (3:56)
09. Santa Claus Wants Some Lovin' (3:56)

One of the few things that can make the holidays even better is not just Christmas music, but bluesy Christmas music. Luckily, David Gogo has you covered this holiday season as he’s recently released a Yuletide-themed 9-song album, Christmas With the Blues.

Gogo celebrates this particular December with a range of holiday songs, some well-known and others not so much. 5 of them have the word Christmas in the title, 2 name “Santa Claus” directly, and he even includes the ever-favorite “Little Drummer Boy.”

The music feels familiar, but still has a special cozy quality that makes it an ideal choice to celebrate with, away from the cold and closer to where the warmth of Christmas is already glowing.

Gogo tries to inject some additional fun by keeping things light, as with the humorous “Let’s Get a Real Tree,” which tells the tale of Christmas with a hippie girlfriend. Gogo’s aim seems to be to mostly steer from conventional Christmas musical themes, which can feel a bit strange at times (such as the particularly cheeky song “Santa Claus Wants Some Lovin’).

The album is a worthy holiday romp though, and Gogo can be commended for bringing together two things very close to America’s heart: Christmas and the blues. At times it might not be a perfect bulls-eye, but as we’re told with the Christmas season, it’s the thought that counts.

In the end, Christmas with the Blues is a worthwhile album, and if you love blues and want a friendly reminder of the reason for the season, it’s more than recommended. After all, what’s not to like about any Christmas with the Blues? The Review: 7.5/10 ~Tyler Quiring

Christmas With The Blues MP3
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Ulrich Ellison - Power Of Soul (A Tribute To Jimi Hendrix)

Size: 137.1 MB
Time: 58:32
File: MP3 @ 320K/s
Released: 2021
Styles: Blues Rock
Art: Front

01. Spanish Castle Magic (3:04)
02. I Don't Live Today (4:01)
03. Power Of Soul (7:59)
04. Angel (7:15)
05. Manic Depression (6:00)
06. May This Be Love (6:18)
07. Love Or Confusion (4:08)
08. One Rainy Wish (4:52)
09. Rock Me Baby (3:02)
10. Castles Made Of Sand (4:13)
11. Little Wing (7:35)

Outstanding "Hendrix Tribute Disc" by this excellent, world-class guitarist from Austria which defines true guitar rock artistry with depth, style & vibe. "Power Of Soul" lands seamless, linear & defies gravity with authentic musical respect & admiration. Includes eleven awesome, dynamic adaptations of classic, remarkable, timeless Jimi Hendrix songs performed excellently by Ulrich Ellison and featuring an impressive "musical tribe" of "Special Guests" in the form of Chris Farlowe, Tommy Shannon, Greg Koch, David Grissom, Matt Schofield among others who dig deep & jam together on the "Power Of Soul" disc to celebrate & honor the phenomenal, prolific, visionary music of Jimi Hendrix.

Power Of Soul (A Tribute To Jimi Hendrix) MP3
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Joe Bonamassa - Merry Christmas Blues

Size: 99.1 MB
Time: 42:15
File: MP3 @ 320K/s
Released: 2016
Styles: Blues, Rock, Xmas
Art: Front

1. Christmas Comes But Once A Year (4:05)
2. Merry Christmas, Baby (4:48)
3. You Know It’s Christmas (Feat. Dion) (3:48)
4. Christmas Date Blues (2:32)
5. Christmas Boogie (One Little Kiss) (6:54)
6. Hello Christmas (Feat. Dion & Amy Grant) (4:04)
7. Santa Claus Is Back In Town (2:31)
8. Bring Back My Cadillac (3:36)
9. O Holy Night (4:05)
10. Lonesome Christmas (3:29)
11. God Rest Ye Merry, Gentlemen (2:17)

Joseph Leonard Bonamassa born May 8, 1977) is an American blues rock guitarist, singer and songwriter. He started his career at age 12, when he opened for B.B. King. Since 2000, Bonamassa has put out 15 solo albums through his independent record label J&R Adventures, of which 11 have reached number 1 on the Billboard Blues charts.

Bonamassa has played alongside many notable blues and rock artists, and has earned three Grammy Award nominations. Among guitarists, he is known for his extensive collection of vintage guitars and amplifiers.

Merry Christmas Blues MP3
Merry Christmas Blues FLAC

Dion - Rock N' Roll Christmas

Size: 98.2 MB
Time: 42:02
File: MP3 @ 320K/s
Released: 1993
Styles: Blues, Rockabilly, Xmas
Art: Front & Back

01. Rockin' Around The Christmas Tree (2:31)
02. I Saw Mommy Kissing Santa Claus (3:21)
03. Jingle Bell Rock (2:14)
04. Santa Claus Is Coming To Town (4:59)
05. White Christmas (3:53)
06. Silent Night/What Christmas Means (3:55)
07. Christmas (Baby Please Come Home) (3:48)
08. Winter Wonderland (3:43)
09. Please Come Home For Christmas (3:59)
10. Rudolph The Red-Nosed Reindeer (2:22)
11. Merry Christmas Baby (3:25)
12. O Holy Night (3:47)

Dion MiMucci (vocals, acoustic & electric guitar); Johnny Sambataro (acoustic & electric guitar, background vocals); Jamie "King" Cotton (saxophone, synthesizer); Paul Harris (accordion, synthesizer, keyboards); Gabe Vales (bass, background vocals); Tony Lavender (drums, background vocals); Chuck Kirkpatrick (background vocals). Recorded at New Rivers Studios, Ft. Lauterdale, Florida. A dozen seasonal standards rendered in a mid-tempo Springsteen mode. Competent and fun. ~Roch Parisien

Rock N' Roll Christmas MP3
Rock N' Roll Christmas FLAC

Big Daddy Wilson - Hard Time Blues (Instrumentals)

Size: 121.7 MB
Time: 52:19
File: MP3 @ 320K/s
Released: 2021
Styles: Blues
Art: Front

01. Yazoo City (Instrumental) (4:03)
02. The City Streets (Ps.23) (Instrumental) (4:32)
03. Hard Time Blues (Instrumental) (4:57)
04. Poor Black Children (Instrumental) (3:47)
05. Meatballs (Instrumental) (2:56)
06. He Cares For Me (Instrumental) (4:21)
07. Dearly Beloved (Instrumental) (5:56)
08. New Born (Instrumental) (3:31)
09. I Can't Help But Love You (Instrumental) (3:46)
10. A Letter (Instrumental) (3:58)
11. Maybe It's Time (Instrumental) (3:33)
12. Testimony (Instrumental) (3:00)
13. He Cares For Me (Remix) (Instrumental) (3:53)

An ex-pat American born in Edenton, N.C., Big Daddy Wilson has been a star on the European acoustic blues scene in the ‘80s, but came full circle to his roots in 2019 with Deep in My Soul, a stellar, all-electric effort that proved his prowess in that format, too. He continues that journey with this powerful CD, venturing into territory he’s never gone before with a mixed-media set of originals infused with contemporary themes and deep religious overtones.

Born Adam Wilson Blount on Aug. 19, 1960, Big Daddy grew up in poverty, sang in the church and quit school at age 16 to join the Army. Despite having been raised in the heart of Piedmont blues country, he didn’t discover the music until adulthood in Germany, where he quickly won over audiences with his original tunes at jams.

Released on the Netherlands-based Continental Blue Heaven imprint, this is Wilson’s 13th album, which includes two early CDs on Germany’s Ruf imprint, stops at four more European labels – DixieFrog, Phamosa, Crossroads and New Music Distribution – before returning to Ruf for his four latest albums, the most recent of which was produced by Grammy winner Jim Gaines in Alabama.

Hard Time Blues was recorded in England, Sweden, Germany and Italy under the direction of Glen Scott, a multi-instrumentalist who also contributes drums, bass, organ, keys and electric guitar. A powerful, emotive baritone, Big Daddy shines on vocals in a set that includes appearances from perennial Blues Music Award honoree Eric Bibb.

While Wilson is an accomplished guitarist in his own right, he only picks up the six-string on one tune here, leaving those responsibilities to Scott, Bibb, Stefan Astner, Christer Lyssarides, Mike Titre and Cesare Nolli, who also doubles on banjo. Rounding out the roster are Klaus Grossert (harp), Nicolo Taccori (drums), Enzo Messina (piano) and Shaneeka Simon, Paolo Legramandi and Enzo Messina on backing vocals.

Big Daddy penned 11 of the 13 tracks, and Bibb contributed the two others, including “Yazoo City,” which opens the action with images of the Delta and describes almost losing his mind along with everything else after a levee break inundates the community and forces the singer to make a new life elsewhere. The search continues in “The City Street (Ps. 23),” which percolates from the jump as it intersperses Bible verses with a description of traveling down a lonely road.

The soulful title tune, the ballad “Hard Time Blues,” is another Bibb creation that continues the message forward, this time with images of Hurricane Katrina and the struggling humanity left in its wake while “Poor Black Children” is a stripped-down, gospel- and field-holler send-up that describes the kids toiling in the fields under a blazing sun as it insists that “all God’s children come from the same oak tree.”
Beginning with a medium-tempo, half-sung, half spoken intro, the mood brightens with “Meatballs,” a medium-paced love song that features Shaneeka sharing vocals. Big Daddy announces he’s on his way home with a hankering for collard greens and steak, but she replies that she’s got something else simmering on the stove. Images of growing up in poverty go hand-in-hand with deep faith in the spiritual, “He Cares for Me,” before the touching, soulful “Dearly Beloved” mourns the loss of a love eternal at the woman’s funeral.

The sweet ballad, “New Born,” celebrates the entry of a boy into the world and the love that created it, a theme that continues in the slow shuffle, “I Can’t Help but Love You,” before sounds of the Delta return in “A Letter,” which offers up a prayer to end racism. Three more tunes with deep spiritual messages — “Maybe It’s Time,” “Testimony” and “He Cares for Me (remix)” – bring the album to an inspirational close.

Big Daddy Wilson deserves far more attention in his homeland than he receives. This disc is an emotion-packed treasure. Give this one a spin. You’ll agree. ~Marty Gunther

Hard Time Blues (Instrumentals) MP3
Hard Time Blues (Instrumentals) FLAC

VA - The Devil's Blues Christmas

Size: 139.3 MB
Time: 59:27
File: MP3 @ 320K/s
Released: 2015
Styles: Blues, Rock, Xmas
Art: Front

01 Joe Louis Walker - Christmas Comes But Once A Year (2:44)
02 Larry McCray - Santa Claus Wants Some Lovin' (3:05)
03 Steve Cropper - Let's Make Christmas Merry, Baby (5:08)
04 Popa Chubby - Back Door Santa (2:12)
05 Paul Nelson Band - Christmas Tears (3:26)
06 Kenny Neal - I'll Be Home For Christmas (5:02)
07 Eric Gales - Little Drummer Boy (4:56)
08 Chris Spedding - Blue Christmas (3:00)
09 Pat Travers - Happy Xmas (War Is Over) (4:03)
10 Leslie West - Silent Night (2:19)
11 Foghat - Run Rudolph Run (2:57)
12 Wolf Mail - I Want To Spend Christmas With You (3:06)
13 Debbie Davies - Boogie Woogie Santa Claus (2:24)
14 James Montgomery Band - Deck The Halls (1:46)
15 Harvey Mandel - Santa Claus Is Coming To Town (3:33)
16 Charles Brown - Merry Christmas Baby (3:02)
17 Annie Marie Lewis - O Come All Ye Faithful (2:48)
18 Lightnin Hopkins - Santa (3:48)

The Devil's Blues Christmas MP3
The Devil's Blues Christmas FLAC

Boo Boo Davis & ElectroBluesSociety - Transatlantic Quarantaine Sessions

Size: 136.9 MB
Time: 58:58
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Front

01. Give Me What Belongs To Me (5:44)
02. Good Man (3:47)
03. Groove Me Now (3:47)
04. Secret (4:30)
05. See A Better Day (4:07)
06. You Better Watch Yourself (4:58)
07. It's A Sad Thing (4:03)
08. Ain't No Love (3:59)
09. What's Going On (4:46)
10. Choogie Billum (4:10)
11. Bye Baby Bye Bye (5:12)
12. Lowdown Dirty Blues (4:45)
13. Bye Baby Bye Bye (Rose Sunset Remix) (5:03)

Between 1998 and 2019 Boo Boo Davis used to come and tour in Europe several times each year and most of music was written and recorded during these tours.

The current pandemic put that “tradition’ on hold. But with the help of the internet and mutual friend Chris Brown in St Louis,we started to exchange idea’s and demo’s with Boo Boo in East St Louis (USA). So despite the fact that we had the Atlantic Ocean between us, we were still able to write and record new music. Covid may be able stop live shows (for a while) but it can not stop the creation of new music.

Several of these tracks have been released as single releases earlier this year but here is the complete album. Twelve original tracks plus one remix by our french buddy Rosé Sunset.

Transatlantic Quarantaine Sessions MP3
Transatlantic Quarantaine Sessions FLAC

Mick Clarke - Relentless Boogie: The Album

Size: 126.5 MB
Time: 54:28
File: MP3 @ 320K/s
Released: 2021
Styles: Blues Rock
Art: Front

01. Cry For Me (3:17)
02. Settle On It (4:32)
03. Break It Down (4:33)
04. Hi-Heel Sneakers (4:21)
05. Nothin' In Ramblin' (3:46)
06. Cruise Control (4:10)
07. Little By Little (5:24)
08. Blues Fit Me (3:55)
09. Diamond Ring (4:31)
10. Who Do You Love (3:03)
11. Down The Road Apiece (3:25)
12. Black Crow Fly (5:17)
13. Rollin' On (4:07)

Mick Clarke first attracted attention in 1968, playing guitar in the south London-based duo Killing Floor with Bill Thorndycraft (vocals/harmonica). They made two well-received albums, Killing Floor in 1969 and Out of Uranus the following year. Killing Floor played in London and elsewhere in the U.K., backing American bluesman Freddie King, and also jammed with other visitors, including Howlin' Wolf. In mid-1972 Killing Floor folded, but Clarke played with Daddy Longlegs before forming his own band, Salt, in the mid-'70s, recording the rare EP All Wired Up in 1978. After a spell in the United States, Clarke returned to the U.K. at the start of the '80s to form the Mick Clarke Band. For the next two decades the band worked extensively, touring the U.K. and Europe, receiving critical acclaim for their live shows and albums. Critics and audiences in the U.S. also reacted very favorably to the band. In 2005 the band included drummer Chris Sharley (drums, ex-Sassafras), Dave Rea (bass), and Dave Lennox (keyboards). Among other musicians who have worked with Clarke over the years are keyboard player Peter Terry; bass players Mick Phillips, Len Davies, Ian Ellis, Eddie Masters, and Russell Prett; blues harpists Stevie Smith, Dave Newman and Mark Feltham; and drummers Ron Berg, Slash, Mike Hirsh, and Wilgar Campbell. An important part of the repertoire of Clarke's bands are his own compositions, which include "Murderers' Home," "Cheap," "Walking in the Dark," "The Killingest Place," "Second Hand Dream," and "New Star Over Texas."

Relentless Boogie: The Album MP3
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Monday, December 20, 2021

Rama Bluesband - Splitting Again

Size: 86,5 MB
Time: 37:47
File: MP3 @ 320K/s
Released: 2004
Styles: electric blues
Art: Front, back, inner, inner1

1. Splitting Again (3:34)
2. Divin Duck Blues (4:11)
3. Going Around And Around (5:10)
4. Have You Ever Loved A Woman (4:49)
5. Stateboro Blues (5:12)
6. Pride And Joy (4:47)
7. Bluesman (6:01)
8. Talk To Me Baby (4:00)

Rama Bluesband from Östersund in the north of Sweden started in 1995 but only two members remain from the original lineup. However, we have been playing pretty much the same kind of rough blues all the time. The last few years we have had excellent support from our new young members, Per and Johan, but it really took off when Magnus joined the band. He brought his own songs and a touch of soul. That, in combination with Per's somewhat jazzier sound, makes Rama not just "another blues band". We have tried to bring about a live feeling by recording everything together at once in the studio. That was our way to achieve what we like to think is a specific Rama beat and sound.

Splitting Again MP3

Blues de Bolso - Blues de Bolso

Size: 116,4 MB - 293 MB
Time: 49:36
File: MP3 @ 320K/s - Flac
Released: 2021
Styles: Acoustic blues, acoustic music
Art: Front

1. Somoke on the Water (5:45)
2. Little Wing (7:33)
3. Samba Pra Ti (5:53)
4. Hoochie Coochie Man (4:33)
5. Volta (4:33)
6. Everyday I Have a Blues (4:23)
7. Got You on My Mind (4:13)
8. Hey Joe (6:16)
9. Walkin on the Wild Side (6:23)

In early 2000 musicians Bemol and Haroldinho Mattos decided to form a guitar duo to play in the city's nightclubs. The initial idea was to provide a repertoire composed of songs that both loved to play and sing ie...Blues and Rock'n roll!! The instrumentation would have to be as clean as possible, admitting only the use of preamps to control the quality of the generated sound. No effects that altered the sound of the instruments. Everything would be easy to set up: two guitars, two microphones, two stools, a music stand and repertoire for a two-hour uninterrupted concert. A pocket stage with arena show duration...A pocket show...Pocket Blues!! And so the duo kept on going...they spent 6 months in the Boca da Noite project at Asbac, two years at the Lounge Bar do Meliá, two years at the Oscar Restaurant and another two years at Café da Rua 8, private parties, presentations in several nightclubs, participation in Festivals such as Ibitipoca Blues... The work required the Duo to extend themselves in power trio in order to better express their work on larger stages. Haroldinho Mattos is a guitarist, composer and luthier. Founding member of Oficina Blues, he participated and captained groups such as Mel da Terra, Akneton, Oficina Blues, HM Blues, in addition to collaborating and enhancing the works of several musicians in the city. Born in Minas Gerais and Brasiliense by training, Haroldinho Mattos is a wizard in the manufacture of guitars, chords and solos. Bemol is a guitarist, bassist, composer, singer and architect. Considered as the Introducer of style in the city – Blues ambassador, founding member of the Oficina Blues and Filial Blues Band Groups, lent vocals to the Geriatric Blues Band, participated in the band of Rio de Janeiro's Zé da Gaita, Paulinho Trumpete and others.. musicians , participated in several blues festivals such as the extinct and very important Nescafé & Blues, opened shows for John Mayall and BB King, among others. Bemol is totally Brasiliense, born in the capital.

Blues de Bolso MP3
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Thursday, December 16, 2021

Roomful Of Blues - The Blues'll Make You Happy, Too!

Size: 143.7 MB
Time: 61:10
File: MP3 @ 320K/s
Released: 2000
Styles: Electric Blues, Jump Blues
Art: Full

01. Poverty (4:03)
02. The Comeback (5:31)
03. Just Like Dynamite (4:21)
04. I'm Just Your Fool (4:01)
05. Standing Here At The Crossroads (4:16)
06. If You Know It (3:04)
07. Baby, Baby, Baby (5:24)
08. She'll Be So Fine (4:03)
09. Back On Front Street (3:41)
10. He Knows The Rules (4:27)
11. Loan A Helping Hand (3:06)
12. Jeep's Blues (5:42)
13. That's My Life (3:54)
14. Shake Rattle And Roll (With Big Joe Turner) (5:29)

This is one of the first volumes in Rounder Records' Rounder Heritage series, which will celebrate the company's 30-year history with a line of 30 releases that dip into the label's deep catalog of blues, folk, and bluegrass recordings. The Blues'll Make You Happy, Too! compiles 14 tracks from various Roomful of Blues albums released over the past 20 years; the collection focuses on the 1990s but includes tracks from as long ago as 1980, just after the departure of guitarist/leader Duke Robillard and his replacement by Ronnie Earl. At this point, the band took on more horns, and its style was subtly redefined. Although production values have changed since that period, the band's overall sound hasn't -- the Roomful's winning combination of blues, soul, R&B and swing remains pretty much the same throughout the program. Singer Sugar Ray Norcia's original jump blues composition from 1996 (the excellent "If You Know It") could have been written 30 years ago, and when the band covers Memphis Slim (with "The Comeback," featuring Mac Odom on vocal) or Duke Ellington (a fine, slinky interpretation of "Jeep's Blues," recorded in 1980), it's with the immediacy and energy of a band delivering its latest composition. This album is an excellent overview of an ensemble that has been making top-notch blues-based music for over 30 years and that shows no signs of slowing down. Highly recommended. ~Rick Anderson

The Blues'll Make You Happy, Too! MP3
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Ricci / Krown - City Country City

Size: 152.1 MB
Time: 65:16
File: MP3 @ 320K/s
Released: 2021
Styles: Harmonica Blues
Art: Full

01. City Country City (5:14)
02. Down N' Dirty (5:17)
03. Badger The Witness (4:37)
04. My Mama Told Me So (6:19)
05. Feel Good Funk (4:47)
06. It Starts With Me (4:32)
07. Down At The Juke (5:47)
08. Upshot (5:39)
09. Drifting Blues (8:05)
10. The Jimmy Smith Strut (4:18)
11. Just A Playboy (5:20)
12. Ode To Billy Joe (5:15)

New Orleans musicians Jason Ricci and Joe Krown, known collectively as the duo Ricci/Krown, completely reinvent the idea of a two-piece roots group on their new release City Country City. Set to drop October 22nd, 2021 on Mike Zito’s Gulf Coast Records, the record pairs up Ricci (harmonica, vocals) and Krown (organ, piano) with noted Big Easy guest drummer Doug Belote for a new-style organ trio session that kicks major backside and flies in the face of every harp-and-guitar duo you’ve ever heard.

No stringed instruments were needed for Ricci/Krown to burn up a stack of hot tracks for City Country City and the change in texture that creates is refreshing and attention-getting. Captured at Jack Miele Production Studios and co-produced by Ricci, Krown, and Miele, City Country City explodes with an innovative take on American music and shows us all just how much territory remains to be explored out there.

Both Ricci and Krown are roots music veterans with big-league skills and solid reputations. Ricci is a multiple Blues Music Award-winner whose sound and feel command much respect in the industry and Krown is a Crescent City legend who is presently the keyboardist in Kenny Wayne Shepherd’s band. Mix in New Orleans drum monster Doug Belote and you get an absolute powder keg of a trio that’s ready and able to explore blues, funk, jazz, or any other style you’d care to name. Ricci is one of the most copied harp players in the business. He spent time living and playing with Junior and David Kimbrough in Mississippi, did sideman duties with Big Al and The Heavyweights, and currently performs with his new band Jason Ricci and The Bad Kind. Krown held down the keyboard spot for Clarence “Gatemouth” Brown from 1992 until Brown passed in 2005 and has also toured with Mavis Staples and Allen Toussaint.

From the opening Hammond organ strains of the title cut “City Country City,” Ricci and Krown take listeners on a melodic and rhythmic excursion like no other. The track blends humid Louisiana grooves with percolating funk, open space, and a willingness to go wherever the moment requires. It’ll slice through the acres of guitar music you listen to like a hot knife and bring you to an understanding of the power of being different. You’ll be hooked at once. Ricci’s harp tone is warm and righteous and Krown’s B3 puts down a chordal environment no fan will want to leave.

“Down and Dirty” rolls into a wonderful shuffle feel that needs no explanation to blues lovers. Krown’s keyboard phrasing is on-point here and he makes the most of drummer Belote’s mighty pocket. Ricci also throws down his own praise-worthy lines and adds in just the right touch of dirt needed to keep the jam lit up. Up close in a New Orleans club, this would be heaven.

“Feel Good Funk” makes good on the promise of its title and features a cool vocal performance from Ricci. The beat is hypnotic to the highest degree and the three players do their level best to make anyone within earshot shake it all the way down to the ground. Ricci’s harmonica soars over the syncopation bubbling below him and Krown’s organ licks match him step-for-step. Grant Green’s “Upshot” is equally kinetic and features more outstanding organ work from Krown. Whether he’s popping out rhythmic chords or spinning articulate jazz-tinged lines, he’s unquestionably masterful.

One of the best cuts on the record is the closer, which is an instrumental cover of Bobbie Gentry’s mysterious masterpiece “Ode To Billy Joe.” The original vibe-filled swamp/pop hit gets funked up and turned into something amazing that you never once thought it could become. Ricci blows the vocal melody on the harp with a lot of the same hazy phrasing as Gentry’s original take and his tone is sweet and clear. It’s the “don’t you dare miss it” song on this set, so you’d best not. All in all, City Country City is the unexpected roots music smash of 2021 and belongs in all of our rotations. There’s simply nothing like it. Ricci/Krown for the win. Highly recommended. ~Mike O’Cull

City Country City MP3
City Country City FLAC

Felix Rabin - Pogboy

Size: 68.2 MB
Time: 29:16
File: MP3 @ 320K/s
Released: 2020
Styles: Blues Rock
Art: Full

01. Walk (3:47)
02. Moving On (5:07)
03. Say (You Won't Leave Me) (3:41)
04. Angels (3:26)
05. Death (7:21)
06. Gone (5:51)

Recorded in Los Angeles with Ross Hogarth, French singer-songwriter Félix Rabin’s debut EP, Pogboy, is an impressive collection of contemporary blues rock music. The EP’s title came from Rabin’s use of a guitar pedal effect called the Pog which is featured in the majority of his songs. Rabin’s debut release is diverse, modern, and a very strong start to his career as a recording artist.

Pogboy kicks off with “Walk,” an electrifying rock song with a catchy chorus and vocals that learn on the airier side. Rabin’s strong sense of melody is obvious in the ad libs included in this song. This carries well over into the second track on the EP, “Moving On” which features grittier vocals over a chill guitar melody. With a satisfying chord progression, this song has an open, clear, and refreshing tone that contrasts nicely with the energetic horns that were included. The following track, “Say (You Won’t Leave Me)” also includes horns, but this song has a more old school sound that makes it a stand out amongst the other five songs on the tracklist. This song is a fantastic take on contemporary blues rock and its guitar solo is outstanding. The fifth track on the EP, “Death,” also includes a very impressive guitar solo, perhaps the most emotional and soulful one on the album. This song is melancholy and the lighter instrumentals on the song really let Rabin’s expression as a vocalist shine.

Overall, Pogboy is a wonderful album and a truly remarkable debut EP. A young and talented musician, this is only the start of Félix Rabin’s very promising career. The Review: 9/10 ~Sabrina Tian

Pogboy MP3
Pogboy FLAC

Mean Old Fireman & The Cruel Engineers - Dumpster Fire

Size: 104.9 MB
Time: 44:46
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Full

01. Tour Three (Album Version) (5:25)
02. McArthur's Cunning Ruger (6:18)
03. Barefootin' (3:17)
04. Stack O Lee (4:34)
05. Your Mind Is On Vacation (2:36)
06. Got No Spoons (5:55)
07. Cold Women With Warm Hearts (5:04)
08. Too Much Alcohol (4:57)
09. Rocket 88 (2:48)
10. Outrun The Blues (Album Version) (3:47)

I just had the opportunity to review the most recent release, Dumpster Fire, from Mean Old Fireman and the Cruel Engineers, and it's a solid block of traditional blues. Opening with Tour 3 funky blues rocker with a heavy bottom, Ned Bolle is upfront on lead vocal and slide guitar with Joey Pafumi on drums, Rick Plourde on bass and some nice harmonica by Dana Andrews. Cool opener. McArthur's Cunning Ruger is a cool. extended Southern style blues rocker with some really sweet slide guitar work by Bolle. His vocals blend nicely with this styling, joined by Christina Lacoste, Shockwell Morency and Chat De Rouelle on backing vocals. On traditional blues track, Stack O Lee, Bolle's vocals have just the right amount of grit and with a New Orleans drums style by Pafumi and John Wadkins on keys, Bolle's slide work makes this my favorite track on the release. Toby Soriero opens up on electric guitar a bit on Got No Spoons and Bolle is right there with him on slide. This is a real cool track nicely supported by Wadkins on organ and Pafumi on drums. Wrapping the release is blues rocker, Outrun the Blues. A cool jam featuring Bolle on guitar, Plourde on bass, Marty Phillips and Wadkins on keys, this is a solid closer. ~Bman

Dumpster Fire MP3
Dumpster Fire FLAC

Big Al Carson & The Blues Masters - Live At The Funky Pirate Vol. 1

Album: Live At The Funky Pirate Vol. 1
Size: 160,9 MB
Time: 69:35
File: MP3 @ 320K/s
Released: 1995
Styles: Blues
Art: Full

1. I'll Play The Blues For You (8:01)
2. Built For Comfort (3:59)
3. Back Door Man (6:16)
4. Born Under A Bad Sign (5:51)
5. Crossroads (5:03)
6. Pull Your Pants Up (5:06)
7. It Hurts Me Too (6:27)
8. Tangeray (Hand Granade Song) (4:52)
9. Mannish Boy/Hoochie Coochie Man (11:59)
10. Georgia (8:04)
11. Big Leg Woman (3:52)

Alton "Big Al" Carson (October 2, 1953 – April 26, 2020) was an American blues and jazz singer from New Orleans. He performed with his band, the Blues Masters, in New Orleans, and with other bands. He played tuba in addition to singing. Carson performed and recorded with multiple jazz and brass bands in New Orleans, including under the leadership of Doc Paulin, Lars Edegran, and Dr. Michael White.

In 1994, he traveled to Europe on a New Orleans music tour, where he performed for the Dutch royal family. The tour included Aaron Neville and Ernie K-Doe. He died on April 26, 2020 at the age of 66 after a heart attack. /Wikipedia

(For personnel details, see artwork included.)

Live At The Funky Pirate Vol. 1 mc
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Big Al Carson & The Blues Masters - Live At The Funky Pirate Vol. 2

Album: Live At The Funky Pirate Vol. 2
Size: 168,1 MB
Time: 73:00
File: MP3 @ 320K/s
Released: 1999
Styles: Blues
Art: Full

1. Further On Up The Road (4:23)
2. Champagne And Reefer (7:16)
3. Members Only (9:39)
4. What A Wonderful World (11:15)
5. Still Call It The Blues (6:55)
6. Jesus Just Left Chicago (9:26)
7. For The Good Times (12:26)
8. Soul Man (7:42)
9. Mustang Sally (3:55)

Now in their 5th year at Funky Pirate, Big Al Carson and the Blues Masters have become the must-see act on Bourbon Street. Tourists from around the world visit Funky Pirate several times during their stay in the Crescent City to experience the blues like you've never heard them before as the 495 pound "Big Al" belts out traditional as well as original songs as visitors enjoy world famous specialty drinks.

(For personnel details, see artwork included.)

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Dr. Duke Tumatoe - I Just Want To Be Rich

Album: I Just Want To Be Rich
Size: 101,8 MB
Time: 43:53
File: MP3 @ 320K/s
Released: 2010
Styles: Blues/Rock/Funk mix
Art: Front

1. Bionic Tumatoe (3:40)
2. I Just Want To Be Rich (4:27)
3. Fire And Ice (4:33)
4. Right On Rhythm (4:12)
5. What I Really Want To Do (5:06)
6. Long Legged Woman And Blues Guitar (4:31)
7. Barbeque (4:15)
8. You Never Really Know A Woman (3:35)
9. One Good One Left (3:56)
10. The Traveler (5:32)

Chicago-born Duke Tumatoe is a musician/showman who has retained a firm career by fusing gritty R&B, rock, blues, and funk injected with equal parts humor and gut-level sincerity. Tumatoe was a founding member of what would become REO Speedwagon. His tenure with that band was short-lived, leaving in 1969 and forming Duke Tumatoe & the All-Star Frogs. For the next 13 years, they toured relentlessly playing throughout the Midwest on countless college campuses and bars. Because of this grueling tour schedule, the band managed to release two albums, Red Pepper Hot! (1976) and Back to Chicago (1982). In 1983, Tumatoe decided to slow down the pace and break up the Frogs.

He immediately rebounded with the creation of the Power Trio, who recorded Duke's Up for Blind Pig Records. Tumatoe took advantage of the more flexible schedule and formed his own record label, Sweetfinger Music. Over the next several years, Tumatoe released four discs on his label, Dr. Duke (1992), Wild Animals (1994), Greatest Hits Plus (1996), and the all-instrumental Picks & Sticks (1997). Throughout his illustrious career, Tumatoe opened for several legendary figures in blues and rock, including Muddy Waters, Buddy Guy, B.B. King, George Thorogood, Fabulous Thunderbirds, and John Fogerty. Fogerty was so taken with Tumatoe's performance, he produced the critically acclaimed 1988 live album I Like My Job! on Warner Bros.

In 1999, Tumatoe signed with the J-Bird label, which released A Ejukatid Man that same year. In 2001, Tumatoe had tongue firmly in cheek with the releases Pompous & Overrated and the raunchy seasonal disc It's Christmas (Let's Have Sex). Duke Tumatoe & the Power Trio appeared from Sweetfinger Records in 2003, followed by 2006's You've Got the Problem! on Blind Pig Records. /Biography by Al Campbell, AllMusic

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Wednesday, December 15, 2021

Roomful Of Blues - Roomful Of Christmas

Size: 97.7 MB
Time: 41:36
File: MP3 @ 320K/s
Released: 1997
Styles: Electric Blues, Xmas
Art: Full

01. Christmas Celebration (3:27)
02. I Told Santa Claus (4:15)
03. The Christmas Song (3:11)
04. White Christmas (4:15)
05. Have Your Self A Merry Little Christmas (4:43)
06. Good Morning Blues (5:03)
07. Let It Snow (3:46)
08. Run, Rudolph, Run (3:51)
09. I Want You With Me Christmas (4:18)
10. I Want To Spend Christmas With You (4:44)

This Christmas platter adds another page to Roomful's voluminous releases for Rounder's Varrick and Bullseye Blues imprints. Their only holiday album is a unique collection of some of the greatest R&B Christmas tunes of all time, including Chuck Berry's "Run Rudolph Run," Fats Domino's "I Told Santa Claus" and Lloyd Glenn's "Christmas Celebration." Roomful also puts their distinctive touch on classics by Mel Torme ("The Christmas Song"), Nat King Cole ("Have Yourself a Merry Little Christmas"), Jesse Belvin ("I Want You With Me Christmas"), Lowell Fulson ("I Want to Spend Christmas With You") and swinging takes on "Let It Snow," the perennial "White Christmas" (done up New Orleans style) and a holiday slant to Count Basie's "Good Morning Blues." ~Cub Koda

Roomful Of Christmas MP3
Roomful Of Christmas FLAC

Norma Winchester & Bluedays - Success

Size: 68.6 MB
Time: 28:58
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Jump Blues
Art: Front

01. Mellow Down Easy (3:01)
02. Success (2:45)
03. Baby Please Don’t Go (2:12)
04. Lucky Lips (2:02)
05. Happy And Calm (2:52)
06. Down The Street (2:52)
07. Sunday Night (2:45)
08. So Glad (3:01)
09. Flawless (3:36)
10. As Long As I’m Moving (3:49)

Norma was born in Valladolid and from a very young age she began to demonstrate her musical gifts by enlivening all her family's car trips from the back seat, although the first few times only 2 songs were known.

She was part of her school choir and she always says that her first English teacher was Michael Jackson, but in reality it was Gene Kelly and Fred Astaire, as well as all the great American musicals that hypnotized her in front of the television, so she had to study philology English to understand what those gentlemen who sang so well said.

After choirs and jam sessions, she decided to start singing professionally, starting with jazz and swing, discovering a whole universe of black music and velvety voices, like Ella Fitzgerald, and powerful and passionate women, like Aretha Franklin, and she finally gave herself up. She realized that the diva within her wanted to sing a lot more.

Norma continues to listen, learn and explore styles and singers from various eras to offer her best on stage, where she has impressive strength and charisma.

A talent that brings us a show of rhythm & blues, jump and swing solid as a rock. Dance, sweat and a lot of sensuality and fun, as in the mythical clubs and ballrooms of the 40s and 50s.

Success MP3
Success FLAC

VA - Knockdown: And Lubricate The Gear (KMCD73)

Size: 160.4 MB
Time: 67:55
File: MP3 @ 320K/s
Released: 2021
Styles: Blues, Rock, R&B
Art: Front & Back

01 Mickey & Kitty - St Louis Blues (2:02)
02 The Continentals - Do It Baby (2:19)
03 Bobo Jenkins - Tell Me Who (2:33)
04 Johnny (Rockhouse) Green Orchestra - Little Eva (2:16)
05 Johnny Guitar Watson - Johnny Guitar (2:24)
06 Lonesome Sundown - Learn To Treat Me Better (2:03)
07 Jesse Stone - The Stash (2:15)
08 Mr. Bo - Heartache & Troubles (2:28)
09 Flash Terry & His Orchestra - Shes My Baby (2:47)
10 Muvva (Guitar) Hubbard & The Stompers - Congo Mombo (2:32)
11 Curley Page & Band - I Believed In A Woman (2:26)
12 Sonny Forrest - Knockdown (2:30)
13 Guitar Shorty - Ways Of A Man (2:32)
14 Roy Hawkins & His Orchestra - Highway 59 (2:21)
15 Five Masks - Polly Molly (2:00)
16 The Twisters (Bobby Smith Combo) - Run Little Sheba (2:39)
17 The Staples Singers - Wish I Had Answered (2:46)
18 Joe Guitar Morris - The Git Back (Part 1) (2:17)
19 Clarence Gatemouth Brown - Midnight Hour (2:43)
20 The Nite Riders - Got Me A Six Button Benny (2:41)
21 Johnny Jenkins & The Pinetoppers - Pine Top (2:19)
22 Goree Carter & His Hepcats - Rock Awhile (2:42)
23 Clarence Garlow - Sound The Bell (2:24)
24 Jimmy Rogers - Rock This House (2:48)
25 Al Garner - You Must Be Crazy (2:17)
26 Little Eddie Mint - Two More Days (1:44)
27 Lefty (Guitar) Bates & His Orchestra - Rock Alley (2:28)
28 Jesse Allen & His Orchestra - After A While (2:25)

This is the kind of no-nonsense and straight to the point compilation many a music lover will appreciate and no doubt welcome into their collection. Fresh from Koko Mojo in terms of its blues and traditional rhythm and blues series, which has been weaving an alluring spell for some considerable time now given its high level of output, is brand-new album ‘Knockdown And Lubricate The Gear’. The clues are most definitely in the title of this current twenty-eight track long player where the guitar features heavily, and the sounds given plenty of energy. The rhythm flowing through The Continentals ‘Do It Baby’ suggests such an approach as it is performed at considerable pace with an equally quick lead vocal finding no trouble keeping up and greeted by a strong guitar break that takes this track to another level. Promising beginnings that only gets better by way of blues by name, blues by nature Lonesome Sundown and detailed guitar blues ‘Learn To Treat Me Better’. There’s much pain seeping from the vocals of Curley Page And Band has he laments over a relationship that only ever favoured one side during excellent ‘I Believed In A Woman’, before Flash Terry & His Orchestra live up to their moniker by offering an interesting mix of blues with big band accompaniments and sounding slightly ahead of its time given its rough edges and therefore impression of a band experimenting with a new sound. It’s the vocal once more that fuels the engine during track ‘Heartache & Troubles’ from Mr. Bo, whereas The Staples Singers provide a similar feat but only with more involvement from the instruments of song ‘Wish I Had Answered’. The final jolt of energy supplying the cables to this album comes from Jesse Allen And His Orchestra, where the sentiments of the lyrics are stripped bare and amplified by the rawest of guitars during ‘After A While’, which closes ‘Knockdown And Lubricate The Gear’ perfectly.

Knockdown: And Lubricate The Gear

Stacy Mitchhart - Printers Alley

Size: 163.0 MB
Time: 69:41
File: MP3 @ 320K/s
Released: 2021
Styles: Blues Rock, Blues Soul
Art: Full

01. The Only Thing Missing (3:07)
02. She Knows What To Do (4:15)
03. Homewrecker (5:41)
04. Something So Wrong (4:17)
05. Shake (3:37)
06. Feels Like I've Been Here Before (4:27)
07. Brand New Same Old Blues (5:15)
08. Doghouse Blues (4:37)
09. What I Feel (5:58)
10. I Might Be Your Husband (5:17)
11. You Turn Me On (3:57)
12. Why Did She Have To Leave (4:27)
13. Live My Life (3:47)
14. Worried Mind Blues (5:02)
15. Basin Street Blues (5:50)

The Bourbon Street Blues and Boogie Bar, 220 Printers Alley, Nashville, Tennessee, is one of the hippest blues club addresses in Music City USA, with a considerable draw for music enthusiasts from all over the world. In the 26 years of its existence, one musician in particular has decisively shaped the reputation of the “blues stage”: Stacy Mitchhart.

The now 62-year-old recorded his long player "Live at Bourbon Street Blues and Boogie Bar, March 5th, 1997" there at the beginning of his career. Now he is dedicating another special album to the blues institution on the Cumberland River with “Printers Alley”. With 15 pieces, the current studio work comprises a review of Mitchhart's blues history, which actually began in Cincinnati, Ohio, and with role models such as Freddie King, Carlos Santana and BB King.

“Printers Alley” reflects this path right at the beginning: on “The Only Thing Missing” and “She Knows What To Do”, the Stacy Mitchhart Band shows their blues-rock side; and that is only a small part of the great musical diversity of this blues formation. Songwriter, lead guitarist, singer and band leader Stacy Mitchhart produced all the songs and describes in detail the background and information for each track in the booklet.

From the soul blues of the 1960s (“Homewrecker” and “Something So Wrong”) to the classic soul title “You Turn Me On” - The Temptations “greet” The Miracles! - up to jazzy versions ("I Might Be Your Husband" and "Why Did She Have To Leave") in the swinging Sade style, the album offers more than a cross-section of the band's bluesy stage years. The big band sound of the tracks “Shake” and “What I Feel” should definitely not be ignored.

As one of the top five live acts in Nashville's club scene, the Stacy Mitchhart Band plays up to 200 gigs a year - also as a house band at the Bourbon Street Blues and Boogie Bar. "Blues Doctor" Mitchhart won the 2003 Albert King-Most Promising Guitarist Award and proves this promising honor not only with the acoustic "doghouse blues" in jug band style and outstanding slide abilities in "Live My Life", but also very impressively masters the long guitar part in "Worried Mind Blues". Mitchhart, in his own view, "a Yankee in Nashville playing the blues",closes the long player with a cover version of the “Basin Street Blues (1928) - which Louis Armstrong made inimitably famous - as a bow to the sound of New Orleans and in its own way thanks for the many influences of the jazz metropolis.
“Printers Alley” by Stacy Mitchhart is an impressive production by a blues enthusiast “all-rounder” who has found his home in Music City and, despite 16 long players, unfortunately has hardly received any attention in this country. Mitchhart's retrospective on his blues history and two decades in “Printers Alley” conveys a successful retrospective in 70 minutes, a “bluesy” synonym for a musical life's achievement.

Printers Alley MP3
Printers Alley FLAC

Brian Knight - A Dark Horse

Size: 105.5 MB
Time: 44:59
File: MP3 @ 320K/s
Released: 1981/2005
Styles: Electric Blues, Blues Rock
Art: Full

01. Boogie Beat (2:51)
02. Goin' Down Slow (6:04)
03. Bring Your Corn To Me (3:29)
04. Trouble In Mind (4:16)
05. Honey Bee (4:27)
06. Blues Is Rock'n Roll (3:10)
07. Mannish Boy (3:14)
08. Got The Blues For You (2:51)
09. Good Morning Blues (4:25)
10. Cabin In The Sky (2:52)
11. Bright Lights, Big City (3:51)
12. Can't Be Satisfied (3:23)

Brian Knight, who has died of cancer aged 61, was a wonderful guitarist who came from that late-1950s repertory company of musicians who provided the cast for the 60s British rhythm and blues boom, but achieved little fame - or money - from it.

At the beginning of the 60s, he met Brian Jones at an Ealing r 'n' b club. Jones was forming a band, and Brian became its vocalist; but Brian was a devotee of Muddy Waters, while Jones favoured Chuck Berry, and down such sectarian divisions the band plunged. Jones departed for what became the Rolling Stones while Brian created Blues By Six. Electric blues was supplanting the "trad" jazz craze, and in clubs BBS - featuring drummer Charlie Watts - became immensely popular, and also backed touring American bluesmen. Overworked Watts, still holding down a day job, moved on, to Alexis Korner's Blues Incorporated.

Brian was working class, born in north-west London. In the early 1950s, a radio era dominated by crooners, what impressed him was the black American blues singer Josh White, and interest had been sparked. In the mid-1950s, he got his first job as a panel beater in a London garage. Also employed there was the pioneer British blues harmonica player, Cyril Davies.

Davies invited Brian to visit the Wardour Street Roundhouse pub - the venue for Davies and Korner's London Skiffle Club and the London Blues and Barrelhouse Club. It was there that Brian heard Sonny Terry and Brownie McGhee, and Muddy Waters. He was there the night that Big Bill Broonzy had to be extricated from a passionate, if over-enthusiastic, Margaret Mead, the anthropologist, and he helped cart Bill off to my Waterloo flat.

In those days, aficionados of American music headed to its source by the cheapest route, by signing up on a merchant ship. So, like the jazzman Ken Colyer, a New Orleans enthusiast, Brian headed west. He spent two years in the US coastal trade, from the Gulf of Mexico to Maine, learning guitar and absorbing the music, visiting black clubs and gospel halls.

Back home in 1957 he played his first gig, at the White Hart in Southall. He turned down an invitation from Korner to join Blues Incorporated, as a vocalist. But then came Brian Jones and BBS.

The times did not treat Brian kindly. In 1964 Cyril Davies died of leukaemia. Two years later an exhausted Brian quit the music business and bought a garage. In 1967 he married Davies's widow, Marie. He continued to work with bands, perfecting a slide guitar technique that earned the respect of musicians like Ronnie Wood, Peter Green and Eric Clapton - who recorded with him.

And then there was Terry and McGhee. Brian had the habit of showing up on their tours - and at their after-show jam sessions. One night, at the Half Moon pub in Putney in 1975, the two Americans were playing when in walked Brian. McGhee put down his guitar, and switched to piano. He was not playing, he announced, when "there was a proper guitarist" around.

In his later years he played acoustic guitar and harmonica in East Anglian pubs, inviting local musicians to join him on stage. Brian was an outstanding musician, and if his life history was closer to those of the black Americans who were his inspiration than those of the rock stars who admired him, well, that is perhaps the way he would have preferred it.

He is survived by Marie, their two daughters and his stepdaughter and stepson.

Brian Knight, guitarist, born October 14 1939; died September 25 2001

A Dark Horse MP3
A Dark Horse FLAC

VA - Blues Singles Collection Vol. 38

Size: 228.1 MB
Time: 97:47
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Front

01 Checkerboard Lounge - Money Man (4:05)
02 Tinsley Ellis - Beat The Devil (3:49)
03 Clare Free - I'll Never Love Again (5:20)
04 Dan Patlansky - Hounds Loose (3:44)
05 James Bull - Black Magic Blues (2:34)
06 Eric Assmar & Luciano Leaes - Close To Me (4:55)
07 Spoonful Of Blues - Rollercoaster Ride To Hell (3:25)
08 Eric's Bluesband & Alan Haynes - Stay With Me (3:55)
09 Erika Baier - Let Me Know (3:55)
10 North Mississippi Allstars, Lamar Williams Jr., Sharisse Norman - See The Moon (3:21)
11 Jo Harman & Redtenbacher's Funkestra - A Case Of You (5:06)
12 Katie Henry - On My Way (3:10)
13 Eric Gales - You Don't Know The Blues (4:34)
14 Kris Barras Band - These Voices (3:50)
15 Little Feat - Fat Man In The Bathtub (45th Anniversary) (7:45)
16 Matt Andersen - Some Things Never Change (2:29)
17 Mick Clarke - And You Need Love (3:14)
18 Mike Farris - Havana Santa (4:23)
19 John Illsley - Which Way Is Up (3:47)
20 Richard Ray Farrell & The Leisure Men - It's Your Voodoo Working (3:34)
21 Ryan Neville - Don't Stop (4:17)
22 Son Of Dave & Benjamin Darvill - Celebrate The Season (2:19)
23 Elles Bailey - Stones (3:25)
24 The Harpoonist & The Axe Murderer - Pretty Please (Live) (3:37)
25 Gina Sicilia - Last Bad Habit (3:03)

A collection of blues singles released in November/December 2021 compiled by myself.

Blues Singles Collection Vol. 38

Mark & Red Porter - Porter Bros Blues

Size: 93,2 MB - 267 MB
Time: 40:43
File: MP3 @ 320K/s - Flac
Released: 2018
Styles: electric blues, harp blues
Art: Front

1. Never Thought About Growing Old (5:03)
2. Baby Please Don't Go (3:57)
3. Blues River (4:12)
4. Roadrunner (3:18)
5. Travellin' lady (3:39)
6. Mean Old World (3:28)
7. Let'er Roll (5:34)
8. Hmas Vampire (3:53)
9. Little By Little (4:35)
10. The 16 Piece (2:58)

Mark is a third generation musician,influenced by the early music that came out of Americas Deep South. With powerfull vocals his renditions are raw, played on Acoustic and Dobro guitars, backed by a stomp box. Classic blues, from Robert Johnson to Muddy Waters to J.J.Cale combined with earthy folk/blues originals, delivered with impressive presence, that's never overstated. He has performed at festivals including Gympie Music Muster, Agnes Water BluesRoots & Rock Festival, '17 & '21, Rotorua Blues Festival, NZ., Festival of King Is., Tas., and The Cunnamulla 150 yr. Reunion Festival. 2018 into '21 has seen Mark touring throughout Qld. Previously, with brother Red, their 2017 Album " Porter Bros Blues " reached No. 13 on the Australian Blues and Roots Airplay Chart.

Porter Bros Blues MP3
Porter Bros Blues FLAC

Tuesday, December 14, 2021

Uncle Sal - Little Cabin Music

Size: 110,5 MB - 292 MB
Time: 48:09
File: MP3 @ 320K/s - Flac
Released: 2015
Styles: Rock, Blues
Art: Front

1. Devil Paid My Dues (4:19)
2. Oh, My Dark Gone Soul (4:50)
3. Down the Line (4:50)
4. NYC Blues (4:24)
5. A Runnin' Buffalo (4:07)
6. Little Cabin (5:23)
7. My American Song (4:18)
8. Lazy Magnolia Blues (5:38)
9. Mississippi State Line (3:44)
10. The River Song (6:32)

Info: See post below this one.

Little Cabin Music MP3
Little Cabin Music FLAC

Uncle Sal - The American Dream

Size: 137,6 MB - 356 MB
Time: 59:56
File: MP3 @ 320K/s - Flac
Released: 2019
Styles: Rock, Blues
Art: Front, back, cd, inside

1. Last Will (6:27)
2. The American Dream (5:22)
3. South of Memphis (5:25)
4. Drinkin' Days (Waffle House Blues) (7:24)
5. Snakebite Fever (7:21)
6. Station Blues (5:16)
7. All the Family Tragic Deaths (5:41)
8. Rock and Roll Soul (6:37)
9. Full Gray Moon (7:15)
10. Homeless & Drunk (3:04)

Its four members Sandro Soulman Sal on vocals, slide, harmonica, guitars and creator of the songs, Fernando The Rock and Roll Banker, fundamental prop on guitar, along with the mainstays Gabi Artimus Gabe on drums and Francis Fastfingers on bass. Ten new songs from Uncle Sal, after his debut album "Little Cabin Music" four years ago and more than one from his second "You ain’t no blues man." From island to island, from Eivissa to Gran Canaria the album arrived, I have not removed it from my playback devices, and in this gap of a few frenzied months of everyday ins and outs I dedicate these lines to this phenomenal band of undeniable authenticity. The beginning with “Last Will” is a bluesy warm-up that makes you move your leg and head, enchanting you de facto with the scale that you never forget. "The American Dream" gives title to the work and is a complete objective, you breathe hidden effluvia of Mr. Wilbury or the temperamental Canadian, who no longer leave the album. Change of third and we go for the "South of Memphis" riffs marked by fire on the road, they sound fucking good, Soulman Sal is a gale, wrapped in the exquisite bonanza of the rest of the band.

The American Dream MP3
The American Dream FLAC

Rock Bottom Blues - Rock Bottom Blues

Size: 81,1 MB - 200,3 MB
Time: 35:21
File: MP3 @ 320K/s - Flac
Released: 2004
Styles: rock, blues-rock
Art: Front

1. Standin' Dry (4:12)
2. 4th Street Blues (4:19)
3. Sourmash (6:52)
4. Love Sucks (4:02)
5. Valley of the Moon (3:29)
6. Blues Genes (3:11)
7. Empty Pockets (5:33)
8. Soul Search (3:39)

RockBottom Blues, a highly-energetic six-man band from Santa Cruz, has recently been bringing good old rock & roll and blues to audiences all over Northern California. Norton Buffalo has described RockBottom as, "one of the hottest young blues sensations to hit Santa Cruz in years". They've created their catchy beats by mixing blues, rock, funk, and reggae to produce music that is multi-faceted and original, appealing to all audiences. RockBottom blends each member's individual flavor while simultaneously drawing on influences of legendary greats such as Jimi Hendrix, The Allman Brothers, Taj Mahal, Stevie Ray Vaughn, Paul Butterfield, and many more to produce a sound that always leaves their crowds wanting more. RB's motto is "Everybody's had the blues". VOCALS: Codi Binkley, a native of Sonoma, California, is a vocalist whose passion for music is not only heard, but also felt in every note he sings. Codi grew up listening to and touring with his parents' band, Rick Binkley Bad River. These early experiences contributed to his strong music background in the sounds of folk, country, and blues. Codi's soulful vocals add depth and range to the full and flavorful music of RockBottom Blues. This soul singer's major influences are Buddy Guy, B.B. King, Johnny Lang, and Bobby ''Blue'' Bland. GUITAR:Gabe Brueske, a rocker-gone-bluesman, was lured into the blues by its screaming melodies. He grew up in Sonoma and has been playing the guitar for years. Gabe developed a love for music at a young age through the encouragement of his parents who pushed him toward blues from an early age. His major musical influences include Gary Moore, Robben Ford, Mark Knoppler, and Eric Johnson. Gabe has previously played with The All Nighters, Live Wire, and Devillock. HARMONICA:Jeremy ''Booger'' Heinemann is a high-spirited harp player who was born and raised in Sonoma. His Chicago-blues style adds energetic beats to Rockbottom's fresh and upbeat rhythms. Jeremy has previously recorded with other bands including The All Nighters, The Choppers, and The Logan St. Boys. His main influences are Junior Wells, Norton Buffalo, Paul Butterfield, and John Mayall. BASS:Zakk Murphy - This cool cat brings his rambling bass and rockabilly undertones to the original music of RockBottom Blues Band. Zakk is also strongly influenced by his father's Sonoma based rock 'n roll & blues blues band, Murphy's Garage. Zakk has had years of experience performing and recording all over the Bay Area with such bands as Rebel Rocket, The Hyjax, V.O.I.D., The Merge, and the Soul Cats. GUITAR:Ray Masterson comes to RockBottom all the way from New Jersey. He has been playing guitar from coast to coast with his extreme ''funkmaster'' style. Ray grew up on the East Coast and has always had a strong connection to music and is greatly influenced by Stevie Ray Vaughn, Buddy Guy, Johnny Lang, and Jimi Hendrix

Rock Bottom Blues MP3
Rock Bottom Blues FLAC

Monday, December 13, 2021

Various Artists - Blue Christmas

Album: Blue Christmas
Year: 1994
Bitrate: MP3@320K/s
Time: 69:22
Size: 163,4 MB
Styles: R&B, Blues, Christmas
Scans: Front, back, inside

1. Johnny Otis, Little Esther Phillips & Mel Walker - Christmas Greetings (0:32)
2. Clyde McPhatter w. The Drifters - White Christmas (2:39)
3. Roy Milton - Christmas Time Blues (3:05)
4. The Orioles - What Are You Doing New Year's Eve? (2:54)
5. Jimmy Liggins - I Want My Baby For Christmas (2:41)
6. Mabel Scott - Boogie Woogie Santa Claus (2:19)
7. Billy Ward & His Dominoes - Christmas In Heaven (2:44)
8. Lowell Fulson - Best Wishes (2:36)
9. Little Esther Phillips & Mel Walker w. Johnny Otis Band - Faraway Christmas Blues (3:21)
10. Big Joe Turner - Christmas Date Blues (2:36)
11. Sam Cooke w. The Soul Stirrers - Any Day Now (2:27)
12. Amos Milburn & His Aladdin Chicken Shakers - Let's Make Christmas Merry Baby (2:55)
13. The Moonglows - Hey Santa Claus (2:26)
14. Bull Moose Jackson - I'll Be Home For Christmas (2:31)
15. Lowell Fulson - Lonesome Christmas (2:11)
16. Julia Lee - Christmas Spirit (2:47)
17. Louis Jordan - May Everyday Be Christmas (3:11)
18. Nat King Cole - The Christmas Song (3:14)
19. Sugar Chile Robinson - Christmas Boogie (2:15)
20. The Orioles - Lonely Christmas (3:19)
21. Jimmy Witherspoon - Oh, How I Hate To See Christmas Come Around (3:00)
22. Smokey Hogg - I Want My Baby For Christmas (2:51)
23. The Pilgrim Travelers - I'll Be Home For Christmas (2:32)
24. The Moonglows - Just A Lonely Christmas (2:29)
25. Charles Brown - Merry Christmas Baby (2:41)
26. The Ravens - Silent Night (2:54)

Here's a very nice compilation of blues, R&B, and group harmony Christmas sides from the late 1940s and early 1950s. Some of these tracks are well known, but others are pretty darned obscure. If you don't have the well-known tracks, you should. And if you like the well-known tracks, then you will like the lesser-known ones as well.

Blue Christmas mc
Blue Christmas gofile

Various Artists - Blue Christmas And A Funky New Year

Album: Blue Christmas And A Funky New Year
Year: 2013
Bitrate: MP3@320K/s
Time: 71:48
Size: 167,3 MB
Styles: Blues, Christmas
Scans: Front

1. Carey Bell - Christmas Train (3:36)
2. Little Charlie & The Nightcats - It's Christmas Time Again (Spend, Spend, Spend) (3:14)
3. Carl Story - Family Reunion (2:44)
4. Michael Burks - Christmas Snow (4:00)
5. Lonnie Brooks - All I Want For Christmas (Is To Be With You) (4:56)
6. Lil' Ed & The Blues Imperials - Christmas Time (3:39)
7. W.C. Clark - Christmas Party (3:54)
8. Cephas & Wiggins - Christmas Day Blues (3:10)
9. Marcia Ball - Christmas Fais Do Do (3:15)
10. Roomful Of Blues - Santa Claus, Do You Ever Get The Blues (3:23)
11. Coco Montoya - A Bluesman's Christmas (4:29)
12. C.J. Chenier & The Red Hot Lou - Zydeco Christmas (3:25)
13. Shemekia Copeland - Stay A Little Longer, Santa (4:23)
14. The Holmes Brothers - Back Door Santa (3:06)
15. Albert Collins - Snowed In (9:12)
16. The Mellow Fellows - Street Party (3:44)
17. Elvin Bishop - Party 'Til The Cows Come Home (4:02)
18. Marcia Ball - The Party's Still Going On (3:26)

Haven't found any specific info för this compilation, so let the music do the talking.

Blue Christmas And A Funky New Year mc
Blue Christmas And A Funky New Year zippy

Various Artists - Blue Suit: Eleventh Anniversary Collection

Album: Blue Suit: Eleventh Anniversary Collection
Size: 163,3 MB
Time: 70:31
File: MP3 @ 320K/s
Released: 1998
Styles: Blues
Art: Front

1. Eddie Burns - Dixie Boogie (5:19)
2. Detroit Junior - Chicken Shack Boogie (2:51)
3. Howard Armstrong - Lady Be Good (4:06)
4. Sir Mack Rice - Cadillac Assembly Line (5:05)
5. The Queens Of Harmony - He's A Mighty Good God To Know (2:17)
6. Willie D. Warren - Killing Floor (5:35)
7. Detroit Junior - Take Out The Time (3:34)
8. Honeyboy Edwards - Who May Your Regular Be (2:33)
9. Eddie Burns - Orange Driver (4:50)
10. Big Jack Reynolds - Little Dog (2:11)
11. Louis Bo Collins - If Trouble Was Money (4:28)
12. Ellis Kirk - Breakup (1:58)
13. Detroit Junior - How Blue Can You Get (8:25)
14. Art & Roman Griswold - I Love The Woman (4:04)
15. Harmonica Shah - Stubborn As A Mule (6:18)
16. Sir Mack Rice - Mustang Sally (6:49)

Blue Suit: Eleventh Anniversary Collection is a collection of 11 years of Blue Suit Records, featuring live cuts never before released and one from the vaults.

Blue Suit: Eleventh Anniversary Collection mc
Blue Suit: Eleventh Anniversary Collection zippy

Friday, December 10, 2021

Dr. Duke Tumatoe - Live At Kingston Mines

Size: 85.0 MB
Time: 36:31
File: MP3 @ 320K/s
Released: 2015
Styles: Chicago Blues, Blues Rock
Art: Front

01. Back To The Chicken Shack (Live) (4:31)
02. I Just Want To Be Rich (Live) (4:31)
03. Before You Accuse Me (Live) (3:46)
04. Sloppy Drunk (Live) (4:23)
05. I Just Want To Make Love To You (Live) (4:27)
06. Love To Play The Blues (Live) (4:54)
07. Gimme Back My Wig (Live) (4:57)
08. You've Got The Problem (Live) (4:58)

What sets Duke Tumatoe apart from the mob of contemporary guitarists who practice the blues these days is his sense of humor. He usually finds something to chuckle about in the barroom tales he spins, where the pain and misery on display is more often than not self-inflicted and just as often hilariously ironic, at least in Duke's view. Oh, he falls into the trap of tired blues clichés occasionally, which is pretty much endemic in the genre, but then he pops out with a song like "My Baby Is a Nudist" and all is forgiven. At some point when you're down and out you have to laugh to keep from crying, and that's apparently Dr. Tumatoe's philosophy. You've Got the Problem! doesn't break any new ground in this regard, mixing stock blues pieces with goof ball gems like the aforementioned "My Baby Is a Nudist" and the whiskey-drenched title tune, both of which would stand a chance on the country charts if the commercial music industry wasn't so darn divisional. Also worth mentioning here is the mostly acoustic "Mudcat Man" and the closing track, "Moanin' After Blues," which has a wonderful afterhours feel thanks to some jazzy trumpet lines from P.J. Yinger. Elsewhere the album plays by the numbers, which isn't necessarily a bad thing, but there are approximately one thousand hard working but creatively challenged guitar slingers out there doing this exact sort of generic blues stuff, so it is a little disappointing when the Duke falls into the same bag. When he unleashes that delightfully wicked wit, though, he rises above the mob and becomes something special.

Live At Kingston Mines MP3
Live At Kingston Mines FLAC