Showing posts with label Parker Millsap. Show all posts
Showing posts with label Parker Millsap. Show all posts

Tuesday, May 15, 2018

Parker Millsap - Other Arrangements

Bitrate: MP3@320K/s
Time: 33:51
Size: 77.5 MB
Styles: Pop/Rock/Blues
Year: 2018
Art: Front

[2:39] 1. Fine Line
[2:11] 2. Your Water
[3:02] 3. Singing To Me
[3:41] 4. Other Arrangements
[2:37] 5. Let A Little Light In
[3:23] 6. Tell Me
[2:01] 7. Gotta Get To You
[3:14] 8. Good Night
[2:40] 9. Coming On
[2:31] 10. Some People
[2:49] 11. She
[2:59] 12. Come Back When You Can't Stay

Other Arrangements marks a shift in direction for Millsap — one where he indulges his pop sensibilities.

“For me, this record is about trying to write pop songs,” Millsap said. “When I say ‘pop,’ I mean how a Beatles record was pop music: the songs provide a variety of musical and emotional information; there are funny, sad, and happy moments; multiple tempos; ballads; rock and roll songs … Like I usually tell strangers who ask, I play rock and roll music but I have a fiddle player, too.”

Millsap said he’s more confident about releasing this album than he’s been with any other. And for the 24 year-old, this confidence comes with the recognition that he can explore new territory and still portray something honest.

“This record is where I learned that I’m allowed to change, and that people expect it and it’s good. I wanted this one to be different from the last; I realized while making it that I didn’t have to do the sad, folky thing with Jesus lyrics and acoustic guitar, but that I could write artsy pop songs like Van Morrison. I wanted to prove to myself that I could write something universal. Songs are primal — even in jazz there’s a base, a guideline. I just want to hear somebody be honest with me. Whether in a saxophone solo or a groove or a great phrase, it’s worth looking for the honesty in everything.”

Other Arrangements mc
Other Arrangements zippy

Saturday, June 25, 2016

Parker Millsap - The Very Last Day

Bitrate: MP3@320K/s
Time: 35:47
Size: 82.0 MB
Styles: Americana
Year: 2016
Art: Front

[2:35] 1. Hades Pleads
[2:43] 2. Pining
[3:39] 3. Morning Blues
[3:52] 4. Heaven Sent
[2:57] 5. The Very Last Day
[2:40] 6. Hands Up
[2:38] 7. Jealous Sun
[3:02] 8. Wherever You Are
[4:19] 9. You Gotta Move
[4:25] 10. A Little Fire
[2:53] 11. Tribulation Hymn

"It's not the end of the world" is a thing people say to place inconveniences in perspective, a reminder that a rush-hour fender bender doesn't belong to the same category of catastrophe as nuclear or biblical apocalypse. Doomsday scenarios seem so far removed from the day-to-day that pop culture treatments of Armageddon — from Earth-atomizing special effects in big screen blockbusters like War of the Worlds, The Day After Tomorrow and, yes, Armageddon to end-times visions unfurled in the ominous Christian fundamentalist fiction of the Left Behind series — can make for violent, alien spectacles.

Leave it to Parker Millsap, one of the most arresting and puckish young singer-songwriters to emerge in the Americana scene this decade, to turn the jarring nature of apocalypticism on itself in the most enthralling way. The story goes that he started writing for his new album, The Very Last Day, in the midst of a bleak Oklahoma winter and, instead of seeking sunny diversion from his surroundings, embraced the grimness, binge-watching The Walking Dead and reading Cormac McCarthy's The Road. But Millsap didn't emerge from that season with quite the cataclysmic song cycle you'd expect.

By the end of these 11 tracks (which he recorded with his agile, rockabilly-redefining outfit and coproduced with Gary Paczosa), Millsap has pulled off a downright remarkable feat. He's confronted the power of collective belief and orienting myth, an endeavor made all the more affecting by his subversive use of language learned in his Holiness-Pentecostal past and his willingness to engage worldviews that provoke postmodern discomfort. He also brings ultimate and everyday concerns into conversation with each other. It's an apocalyptic thriller, all right — but one of an entirely different breed. ~Jewly Hight

The Very Last Day