Friday, June 28, 2019

Anson Funderburgh & The Rockets - Which Way Is Texas?

Size: 81.7 MB
Time: 44:01
File: MP3 @ 256K/s
Released: 2003
Styles: Electric Blues, Texas Blues
Art: Full

01. Can We Get Together (3:21)
02. One Woman I Need (3:16)
03. Tryin' To Get Back On My Feet (2:49)
04. Rambling Woman (3:02)
05. Some Sunny Day (2:44)
06. Going My Way? (4:49)
07. The Last Tune (2:39)
08. Don't Turn This Child Away From Heaven (3:53)
09. Hoodoo Party (3:33)
10. Toss And Turn (2:47)
11. Jungle (3:45)
12. I Need To Know (3:19)
13. Crutch And Cane (3:57)

On his second outing on Bullseye, bluesman Anson Funderburgh & the Rockets deliver a solid album. "Can We Get Together" offers a spunky lead track with Sam Myers on vocals and the Texas Horns adding an extra bit of pizzazz. Funderburgh offers one of his rare vocals on "One Women I Need," a nice ballad with Gentleman John Street's piano and organ providing an atmospheric backdrop. The instrumental "Going My Way?" gives Funderburgh, Street, drummer Wes Starr, and bassist Johnny Bradley a chance to kick out the jams, while the band pays its dues to classic blues on good versions of Johnny Walker's "Rambling Woman" and B.B. King/Joe Josea's "Jungle." The album kicks into high gear on upbeat renditions of Sonny Boy Williamson's "Tryin' to Get Back on My Feet" and Tabby Thomas/Mark Dee's boogie-friendly "Hoodoo Party." Both of these benefit from spry guitar and piano work, and Meyers' exuberant vocal. Overall, the album also benefits from tight ensemble playing, a quality that undoubtedly comes from spending 300 days a year on the road together. For fans of Funderburgh's previous albums, and for anyone who enjoys electric blues, Which Way Is Texas? will prove a pleasing purchase. ~Ronnie D. Lankford, Jr.

Which Way Is Texas?

Big Gilson - XXX (Live) / Loun'd Proud

Album: XXX (Live)
Size: 127.6 MB
Time: 55:31
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Blues Rock
Art: Front

01. Jamming In Big D (Live) (6:39)
02. I'm Tore Down (Live) (4:25)
03. Ride The Rocket (Live) (4:51)
04. Aqui, Pra Voce! (Live) (4:50)
05. Um Brinde (Live) (6:46)
06. Albatross (Live) (4:12)
07. Xaman Do Raul (Live) (5:38)
08. Take Me To The River (Live) (6:11)
09. Aleluia (Live) (4:53)
10. Blues! Blues! Blues! (Live) (7:01)

Album: Loun'd Proud
Size: 104.5 MB
Time: 45:30
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Blues Rock
Art: Front

01. Take It And Go (6:39)
02. Shutting Me Out (3:47)
03. Rio Bravo (3:11)
04. Big Love (3:36)
05. Aroma De Portia (4:03)
06. Mary Ann (4:07)
07. Day Tripper (5:01)
08. She's A Woman (3:46)
09. Tropical Feeling Blues (6:16)
10. Tell Me Baby (5:00)

When the average fan thinks of hotbeds of the blues, he or she thinks of cities like Chicago, Austin, and Memphis, and even such far-flung outposts as London and Paris. That’s all set to change, however, as this red-hot Brazilian, guitarist Big Gilson a TopCat Records USA artist, is poised to put Rio de Janeiro on the blues map.

Gilson, have released fourteen CDs, and honed his chops the last thirty years gigging on his own (in South & North America, and also in Europe) and as the opening act for Steve Winwood on his Brazilian tour, Johnny Rivers (70.000 people audience), and twice to the master B.B. King. While touring America, and gigging at such clubs as Florida’s Bamboo Room, New York’s Blue Note, and all over Chi-town, the band knocked out such blues gods as Canned Heat, Mick Taylor, Tab Benoit, Corey Harries, Duke Robillard, Lonnie Brooks, Magic Slim, Saffire, Walter “Wolfman” Washington, Johnny Winter and Buddy Guy, who extended the Boy from Brazil an open invitation to play his Legends Club anytime.

As well as performing in blues festivals all over the world, he also had played gigs in such great venues as the Blue Note, NY (five times), the Bamboo Room, FL (three times) voted four years in the row the best blues club in America, the Tobacco Road (one of the oldest clubs in America, for the fifth time, the best Dallas club, the Deep Ellum Blues among others.

Among other companies from the music industry, this guy has the support from Marshall Amps.

Now, he’s touring all over, releasing his new album LOUD’N PROUD.

XXX (Live)
Loun'd Proud

Gov't Mule - Bring On The Music: Live At The Capitol Theatre, Pt. 2

Size: 178.1+169,8 MB
Time: 77:26+73:46
File: MP3 @ 320K/s
Released: 2019
Styles: Blues Rock
Art: Front

CD 1:
01. Hammer & Nails (Live) ( 7:07)
02. Thorazine Shuffle (Live) (12:19)
03. Larger Than Life (Live) ( 6:40)
04. Forsaken Savior (Live) ( 8:06)
05. Broke Down On The Brazos (Live) ( 8:48)
06. Endless Parade (Live) ( 9:13)
07. Lola Leave Your Light On (Live) ( 6:56)
08. Blind Man In The Dark (Live) (11:34)
09. Raven Black Night (Live) ( 6:39)

CD 2:
01. Traveling Tune (Alternate Version) (Live) ( 5:33)
02. Stone Cold Rage (Live) ( 6:23)
03. Whisper In Your Soul (Live) ( 6:27)
04. Little Toy Brain (Live) ( 5:10)
05. Trane > Eternity's Breath > St. Stephen (Jam) (Live) (17:28)
06. Pressure Under Fire (Live) ( 5:13)
07. Fool's Moon (Live) ( 6:51)
08. Revolution Come, Revolution Go (Alternate Version) (Live) (10:44)
09. Bring On The Music (Live) ( 9:54)


By the time the world hears the performances from these two shows, Gov’t Mule will have celebrated 25 years as a band, which is something they never could have imagined. It’s no easy task keeping a band together for 25 years. You don’t get to do that without having built, nurtured, depended on, and tested important relationships. In fact, with any band that’s stayed around that long, it’s all about relationships. When the band decided to document where they are currently (musically speaking), it was immediately clear that, amongst other things, this release should be a celebration of those relationships. Available June 28th via Provogue Records, Bring On The Music: Live At The Capitol Theatre is a commemoration curated with the audience experience at the forefront. “Without our audience, there would be no chance or reason for us to be around 25 years later,” says founding member and lead guitarist Warren Haynes. “They’ve stuck with us from the beginning, and this is our way of including them in the celebration of our 25 years together.”

Bring On The Music: Live At The Capitol Theatre, Pt. 2

Gov't Mule - Bring On The Music: Live At The Capitol Theatre, Pt. 1

Size: 183.0+180 MB MB
Time: 79:28+78:11
File: MP3 @ 320K/s
Released: 2019
Styles: Blues Rock
Art: Front & Back

CD 1:
01. Traveling Tune, Pt. 1 (Live) ( 3:22)
02. Railroad Boy (Live) ( 5:29)
03. Mule (Live) (10:16)
04. Beautifully Broken (Live) ( 7:13)
05. Drawn That Way (Live) ( 5:50)
06. The Man I Want To Be (Live) ( 7:05)
07. Funny Little Tragedy > Message In A Bottle > Funny Little Tragedy (Live) ( 8:51)
08. Far Away (Live) ( 9:00)
09. Sin's A Good Man's Brother (Live) ( 4:19)
10. Mr. Man (Live) ( 7:40)
11. Dark Was The Night, Cold Was The Ground (Live) (10:18)

CD 2:
01. Life Before Insanity (Live) ( 6:10)
02. Thorns Of Life (Live) (10:41)
03. Revolution Come, Revolution Go (Live) (10:04)
04. No Need To Suffer (Live) ( 8:36)
05. Dreams & Songs (Live) ( 6:52)
06. Time To Confess (Live) (11:34)
07. Comeback (Live) ( 6:09)
08. World Boss (Live) ( 5:47)
09. Bring On The Music (Live) ( 9:43)
10. Traveling Tune, Pt. 2 (Live) ( 2:31)

By the time the world hears the performances from these two shows, Gov’t Mule will have celebrated 25 years as a band, which is something they never could have imagined. It’s no easy task keeping a band together for 25 years. You don’t get to do that without having built, nurtured, depended on, and tested important relationships. In fact, with any band that’s stayed around that long, it’s all about relationships. When the band decided to document where they are currently (musically speaking), it was immediately clear that, amongst other things, this release should be a celebration of those relationships. Available June 28th via Provogue Records, Bring On The Music: Live At The Capitol Theatre is a commemoration curated with the audience experience at the forefront. “Without our audience, there would be no chance or reason for us to be around 25 years later,” says founding member and lead guitarist Warren Haynes. “They’ve stuck with us from the beginning, and this is our way of including them in the celebration of our 25 years together.”

Bring On The Music: Live At The Capitol Theatre, Pt. 1

Thursday, June 27, 2019

Ray Cashman - Houston Electric

Size: 95.6 MB
Time: 41:37
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Blues Rock
Art: Front

01. Feet On The Ground (3:26)
02. Good Times (4:12)
03. Devil's Smile (3:52)
04. Fire Dance (4:21)
05. Electric Pistol (3:31)
06. Domino (3:23)
07. Pickle Juice (2:49)
08. Full Moon Over Orlean (4:04)
09. Hardway (3:11)
10. Reefer Headed Woman (4:22)
11. Millionaire (4:21)

Ray Cashman is a blues singer, songwriter, and guitarist, who performs mainly solo or with an electric band. Armed with a National guitar, stomp box and a Fender amp he performs a blues gumbo repertoire that can conjure up the ghosts of the Mississippi Delta. Cashman grew up outside of Conroe, TX, listening to older black men play guitar, sing and drink. The influences of those times are certainly everywhere in his music. He is filled with years of experience from travel and inspirations of Southern Gothic literature. His songs are filled with passion and feelings and honesty and subtly be damned.

It all came together rather unexpectedly back when he was ten years old. He was at a friend’s house and a guitar that was sitting in another room caught his eye. He asked if he could pick it up and something about holding that guitar seemed to fit rather well. There was a mirror in the room and he looked into it while holding that guitar. Somehow it just felt like it was meant to be and that was the beginning.

Next, Ray would take in the blues from some real down home bluesmen. The young man was hooked. Years later while looking back at those formative years, Ray never would have imagined that armed with just the blues in his veins that he would go on to share his love of the guitar and the blues with people all over the U.S. and Europe.

Ray Cashman is an interesting musical gumbo of a person. The man fits into the Americana roots scene as well as in both the blues and rock genres. His sound is solid and his lyrics hit home. Two things you can tell about the man is that his heart is in his music and he’s passionate about sharing the blues with all sorts of folks. After all, that’s how he found it. It hasn’t stopped since; his upcoming release is probably his best.

Cashman’s 2007 release, Texassippi Stomp, which featured Jimbo Mathus, (Squirell Nut Zippers, Buddy Guy) was widely praised. It was placed on a number of critics’ year-end best of lists for blues recordings. Since 2003, Cashman has toured England, Ireland, Holland, Belgium, France, Italy, Spain, and the USA from the Gulf Coast to Canada and sea to shining sea. Cashman has released 6 full-length albums with the latest being 2016 “Slow Drag.”

From Spain to Belgium to Italy and on to the Netherlands, Ray had been sharing what’s inside him naturally with folks across the big pond. Then, he returned to the states and set up camp in Austin. Afterward he went on to Nashville where he could license his music to the Discovery Channel. However, as time moved forward, the notion of returning to Southeast Texas grew deeper in his heart. Now he’s back in Montgomery, Texas and even though performing on the stages in New York City, Los Angeles, Seattle, Austin at SXSW, as well as a number of other cities was a tremendous experience, the man has now settled back in where it all began.

He’s turned out six albums over the years and once he arrived back home there was one more working its way to the surface. This time around, the album will be a blues-rock release which Ray will title as “Houston Electric.” Ray describes his upcoming album as the best one he has ever done and “the most rounded one and even more rocking.” This is not too surprising when you learn that his top musical influences over time include the Rolling Stones, Howlin’ Wolf, and the great songwriter Townes Van Zand.

Houston Electric

The Sultans Of Slide - Lightning Strikes

Size: 130.4 MB
Time: 56:31
File: MP3 @ 320K/s
Released: 2011
Styles: Slide Guitar Blues
Art: Full

01. Strange Angel (4:11)
02. Drive All Night (4:16)
03. Lucky Again (3:39)
04. Stupid Trouble (3:27)
05. Entre Amis (2:43)
06. Lightning Strikes (4:56)
07. Rolling Stone (4:30)
08. Stumptown Slither (4:05)
09. Never Happy (4:36)
10. Dime At A Time (3:22)
11. Different Day Same Scene (3:27)
12. The Highway Is Like A Woman (6:17)
13. Going Upstairs (6:55)

Personnel:
“Big Monti” Amundson – guitar, vocals
Henry Cooper – guitar, harmonica, vocals
Franck “Paris Slim” Goldwasser – guitar, vocals
Bart Kamp – bass
Boyd Small – drums, vocals

In the late 1970’s, the short-lived Blues Ball record label released a compilation of tough Chicago blues featuring some of the greatest slide guitarists that the Windy City ever produced, including Robert Nighthawk, Johnny Littlejohn and Hound Dog Taylor. The title of the album, “Sultans of Slide Guitar”, captured Franck Goldwasser’s imagination. Goldwasser, an art student and passionate blues guitar devotee from Paris, France, took notice and proceeded to pour his heart and soul into this music which was to become his life’s work.

In 1983 Goldwasser dropped out of art school and moved to the San Francisco Bay Area to pursue his musical aspirations. Having received the stage name "Paris Slim" from Oakland musician/club owner Troyce Key, Goldwasser spent the next twenty-five years playing and recording under his own name and as a backup guitarist for some of the most prestigious names in contemporary blues, including Percy Mayfied, Big Mama Thornton and Charlie Musselwhite. Positive response from Rose City audiences over the years convinced Paris Slim to move to Portland in 2005. With a strong live music scene and residents such as Paul Delay, Curtis Salgado and Lloyd Jones, Portland could boast of being a towering center of blues music in the United States. While Delay, Salgado and Jones each have enjoyed worldwide exposure, Portland still keeps many hidden treasures within the ranks of its blues aristocracy.

Early in 2010, Franck Goldwasser began to work on a concept for a show. As a kind of an answer to the numerous “Harmonica Blowouts” popping up across the country, Goldwasser thought of gathering some of Portland’s best slide guitarists for an explosive night of blues at one of the city’s best loved venues, Duff’s Garage. For the name of the event, Franck remembered the title of one of his all time favorite LPs: Sultans Of Slide Guitar. The artists recruited for the event included Big Monti Amundson, Ben Bonham, Bob Shoemaker and Jim Mesi. An unprecedented success, the event was booked at other venues in the Pacific Northwest and continued to feature a rotating cast of frontmen. Big Monti Amundson, who played the majority of the shows, began to ponder the potential of the concept of a steady lineup for the show, and proposed to include another Portland blues stalwart, Henry Cooper, as a permanent member. The Sultans of Slide were born.

Since the early stages of its existence, it has been obvious to all that the chemistry between Amundson, Cooper and Goldwasser is nothing short of spectacular. While the three share a profound and limitless love for the blues, each complements the other with his own singular and unique approach to the music.

Amundson, a Seattle native who has called Portland home since 1987, is a Pacific Northwest rock and blues institution by any standard. A prolific songwriter, Monti blends elements from the styles of Johnny Winter, Jimi Hendrix and Billy Gibbons into a guitar style that is resolutely his own, a lyrical and muscular voice that is a natural complement to his smooth baritone vocals. As frontman for the Blubinos, Monti enjoyed regional success before signing a record contract with Munich Records and moving to the Netherlands in 1993. Since returning to the U.S. Monti has become a pillar of the Portland music scene and continues to release new material under his own Silverback Label.

Initially a harmonica player influenced by Paul Butterfield, Henry Cooper taught himself to play guitar in open E tuning. This uncommon approach, which harks back to earlier times when an aspiring guitarist had to rely on his imagination to figure things out, has lead Henry to develop a playing style that is inimitable. Growing up in Eugene, Cooper honed his skills while playing in numerous local bands, eventually co-founding the Terraplanes. After a stint with the Duffy Bishop band, Cooper toured the U.S. and Europe with the legendary Screamin’ Jay Hawkins. A highly emotional and commanding stylist, Cooper’s contribution to the Portland music scene over the years cannot be underestimated.

The Sultans Of Slide are rounded off by singer-drummer Boyd Small and bassist Dave Kahl. Small, co-founder of the notorious Terraplanes along with Cooper, is an outstanding vocalist, songwriter and world class entertainer in his own right. Leader of the Boyd Small Big Blues Band back in the Netherlands where he now resides, Small was inducted into Portland's Cascade Blues Association's "Muddy Hall of Fame" for winning the "Best Drummer Of The Year" award three years in a row. Kahl, a superb musician whose credentials include his contributions to the bands of Paul Delay and Lloyd Jones, is an articulate and sensitive player whose deep-pocket approach is an indispensable element to the Sultans' groove.

The Sultans Of Slide completed their first album, “Lightning Strikes”, in the winter of 2010, which was unofficially released on January 1, 2011. The album consists primarily of original compositions by Amundson, Cooper, Goldwasser and Small, and is a sensational showcase of slide guitar pyrotechnics, ranging from gutbucket blues to roadhouse rock and roll.

Lightning Strikes

The Kokomo Kings - Fighting Fire With Gasoline

Size: 77.2 MB
Time: 33:20
File: MP3 @ 320K/s
Released: 2019
Styles: Rockin' Blues
Art: Full

01. The More I Get, The More I Want (2:24)
02. I Thought I Was A Patient Man (3:19)
03. The Rich Man's Pocket (2:46)
04. Tornadohead (3:08)
05. Tied To The Tracks (2:33)
06. The Fish Won´t Bite (2:33)
07. Heatwave (3:02)
08. Fooled By The City Lights (2:30)
09. A Big Pile Of Fish (3:31)
10. If I Was An Alien (2:40)
11. It Ain't My House (2:35)
12. Fighting Fire With Gasoline (2:15)

The Swedish-Danish quartet has built up a very large and steadily growing fan base within a very short time. Already with "Artificial Natural" and "Too Good To Stay Away From" the musicians were enthusiastic, and even though the charismatic founding member HARMONICA SAM doesn't belong to the permanent line-up anymore, the band still literally tears down every hut at their regular shows all over Europe.

Therefore the success formula - namely a perfectly rounded, groovy mix of Low Down Boogie, Rock'n'Roll and Blues in the 30's vintage sound - is only slightly varied on "Fighting Fire With Gasoline". The album title aptly describes the effect of the twelve new Scandinavian songs, all written and produced by bassist MAGNUS LANGHAMMAR.

The KOKOMO KINGS are young, sexy, hip and urban blues, mixing traditional genre storytelling with contemporary irony. In 2018 they were named "Band of the year" by the British radio show "Blues Lounge" on Bradley Stoke Radio, while in the same year they were nominated as "best rockabilly band" at the Ameripolitan Music Awards. Guitarist RONNI BUSACK-BOYSEN was named "Danish Blues artist of the year" in 2013. The KOKOMO KINGS free the blues from belly, beard and glasses.

Fighting Fire With Gasoline

Nancy Wright - Alive & Blue (Live)

Size: 176.4 MB
Time: 76:37
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Blues Soul
Art: Front

01. Bugalu (Live) (6:48)
02. Been Waiting That Long (Live) (7:21)
03. I Don't Want No Man (Live) (6:21)
04. In Between Tears (Live) (5:27)
05. Jo-Jo (Live) (7:55)
06. Sugar Coated Love (Live) (4:41)
07. Warranty (Live) (5:28)
08. Bernie's Blues (Live) (7:11)
09. Keep Your Hands Off Of Him (Live) (5:28)
10. Soul Serenade (Live) (8:09)
11. What Do You Want The Girl To Do (Live) (6:12)
12. Rutabagas (Live) (5:30)

One of the most highly respected, in-demand sax players on today's blues, American and R&B scene, Nancy Wright's, smoking hot live recording Alive & Blue from legendary San Francisco blues club The Saloon showcases the interplay of veteran musicians.

Alive & Blue (Live)

Rudy Rotta - Now And Then... And Forever

Size: 103.2 MB
Time: 44:53
File: MP3 @ 320K/s
Released: 2019
Styles: Blues Rock
Art: Front

01. Hold On (4:19)
02. No One Cares (4:40)
03. Harlem Shuffle (3:53)
04. Lookin' Good (4:49)
05. Winds Of War (4:34)
06. Bad Bad Feelin' (9:48)
07. Cross Road Blues (4:18)
08. Papa Grooves Funk (3:39)
09. Money Money (4:50)

Rudy Rotta, a devil of a guitarist now famous throughout the blues world, served his musical apprenticeship in Lucerne (Switzerland) where his family moved in the early 60s.

Aged 18, already with an enormous blues culture and a technique to match, he returned to Italy, where he began the tough life "on the road" of the bluesman. After some compromises and doubts, he strung together an almost endless series of live performances as a promising frontman.

His aggressive but disciplined style, the sheer speed of his fingers over the six strings and his singing talent soon made him famous outside Italy, playing at the leading European festivals.

Guitarist, singer and excellent songwriter, he is now considered by the specialist European and US press one of the best bluesmen in the world.

Together with his phenomenal band, he was a great success (as US commentators have reported) on the ULTIMATE R&B CRUISE of the Mediterranean, in the company of artists of the caliber of Luther Allison, Buckwheat Zyde-co, Katie Webster, John Mooney e John Mayall (who was so impressed he played piano from start to finish at a concert given by Rudy and his band).

Now And Then... And Forever

Mindi Abair & The Boneshakers - No Good Deed

Size: 107.8 MB
Time: 46:44
File: MP3 @ 320K/s
Released: 2019
Styles: Blues, Rock, Jazz
Art: Front & Back

01. Seven Day Fool (4:00)
02. No Good Deed Goes Unpunished (5:18)
03. You Better Run (2:53)
04. Sweetest Lies (5:23)
05. Good Day For The Blues (6:14)
06. Mess I’m In (4:10)
07. Bad News (4:45)
08. Movin’ On (4:06)
09. Who’s Gonna Save My Soul? (5:56)
10. Baby Get It On (3:54)

Rock, jazz and blues influences stand up and roar on this gritty, electrifying and soulfully seductive collection of commanding original material and sublimely retooled covers.

Mindi Abair and the Boneshakers live, eat and breathe music as a collective — it’s their oxygen. Add to that a balanced mix of diverse musical backgrounds, big personalities and the bond of mutual respect coupled with friendship, and what transpires in the recording studio is sonic magic. It’s that kind of chemistry that the Los Angeles-based band has righteously captured and parlayed into their third studio album, No Good Deed.

Featuring an enthralling array of original material along with some cleverly reworked covers of songs from the Rascals, Etta James and others, No Good Deed is the band’s most multidimensional album to date and reflects the longtime camaraderie between the Boneshakers’ Randy Jacobs (guitar and vocals), Rodney Lee (keys), Ben White (bass, vocals) and Third Richardson (drums, vocals) and lead vocalist and award-winning saxophonist Mindi Abair. Not only does the album showcase the band members’ diverse talents and knack for creating music that is undeniably evocative and irrepressibly energetic; this time they’ve peeled back the layers to reveal more of their respective influences, unleashing unbridled infusions of rock, jazz and blues.

No Good Deed

Wednesday, June 26, 2019

Dr. John - Trippin' Live

Size: 161.9 MB
Time: 70:30
File: MP3 @ 320K/s
Released: 1997
Styles: Blues, R&B
Art: Full

01. Tipitina (Live) (6:28)
02. Wild Honey (Live) (4:24)
03. Didn't He Ramble (Live) (4:49)
04. Such A Night (Live) (7:24)
05. Renegade (Live) (7:51)
06. Kin Folk (Live) (5:36)
07. Right Place, Wrong Time (Live) (4:33)
08. My Buddy (Live) (4:01)
09. Medley: Down By The Riverside, My Indian Red, Mardi Gras Day, I Shall Not Be Moved (Live) (9:03)
10. 24 Hours A Day, 365 A Year (Feat. Jools Holland) (Live) (6:42)
11. Goodnight Irene (Live) (9:34)

Trippin’ Live captures Dr John in fine form, and is probably one of the finest representations of his inimitable New Orleans piano playing and distinguished musicianship.

Recorded at Ronnie Scott’s in 1996, the intimate feel and Mac’s relaxed good mood, give the recording a late-evening warmth. Backed by a tight band, with a horn section which really brings out the groove of the songs, the Dr plays a strong set-list. Naturally this is drawn largely from his crescent city heritage (this was before his tentative return to his legacy of the ‘Nite Tripper’), kicking off with a lively version of ‘Tipitina’ which gives him plenty of room for rolling the ivories. He also revisits 2 of his big numbers, ‘Right Place, Wrong Time’, and ‘Such a Night’, the latter being the real highlight as he incorporates numerous solos and riffs on the piano. With ‘Wild Honey’ and ‘Renegade’ his playing leads the band down to its funkiest grooves, while ‘My Buddy’ eases into his sentimental side, and he even plays lead guitar (while Jools Holland fills in on the keys) on ‘24 Hours of the Day’. The album is brought to a close with a spirited reading of Leadbelly’s classic ‘Goodnight Irene’.

In my opinion there’s not a weak song on the album; I've listened to it many times. The performances are lively, but overall it is his piano playing which really makes it a treat, and there are many great solos. Although the swampy Nite-Tripper does not appear, Dr John the eclectic New Orleans musician, singer and stylist is very well represented. ~Sleepy Green-Tea

Trippin' Live

Greg Izor - The Ground

Size: 84.9 MB
Time: 36:44
File: MP3 @ 320K/s
Released: 2019
Styles: Harmonica Blues
Art: Front

01. Bugs Got My Rice (3:20)
02. Cool Breeze (2:27)
03. Heart Turns To Crystal (2:45)
04. Ink Around My Heart (3:20)
05. Maureen (2:41)
06. New Sadie Blues (2:18)
07. Old Stone Walls (4:14)
08. Ruby's White Light (2:19)
09. Shoot The Moon (3:16)
10. Swiss Krissly #2 (Leave It All Behind Ya) (1:51)
11. The Ground (4:21)
12. Torras, La 1933 (3:46)

A mash-up of Louisiana grit, Austin soul, and low-down Chicago heat, blues harmonica powerhouse Greg Izor is on a roll.

Izor’s music is grounded in a deeply rooted traditional sound and shaped by the influence of the harmonica masters, as well as Louisiana blues, southern soul, swamp pop, early jazz, and R&B. His playing is evidence of the records he’s gotten his hands on and the greats he has played with over the years. Izor’s songwriting and playing are not to be missed, and his newest record, “I Was Wrong” is described as “filled with swinging, deep-fried fat back licks.”

A Vermont native and an old soul, Izor moved south to New Orleans to get his hands dirty. He fell in with one of today’s harmonica greats, Jumpin’ Johnny Sansone, who mentored young Izor and helped him develop his style. Izor became a Bourbon Street regular, earning a nightly residency at the Funky Pirate Club and playing around town in New Orleans’ clubs, from the well known Maple Leaf Bar and Tipitina’s to the funky neighborhood bars, and the clubs on the now legendary Frenchmen Street. His weekends were spent venturing to swampland juke joints, playing steamy gigs that lasted well into Sunday morning. During his Louisiana years, Izor played with Eddie Bo, Jerry “Boogie” McCain, Henry Gray, Wolfman Washington, Oliver “La La” Morgan, and Clarence “Gatemouth” Brown – even earning a spot in the all-star house band at Gate’s barbecue joint in New Orleans.

After a successful run in Louisiana and appearances at New Orleans Jazz and Heritage festival and Jazz Fest harmonica shows, Izor packed up his harps and set his sights on Austin. In Austin, Izor connected with the blues icons that have called Austin home– Pinetop Perkins, Gary Primich, Derek O’Brien, Denny Freeman, and Marcia Ball- and newer players like the Fabulous Thunderbirds’ Mike Keller, Johnny Moeller, and Nick Curran. Izor was a welcome addition to the musical scene and established his reputation for intense, high energy performances, stunning technique and musical ear, playing regularly at The Continental Club and Antone’s. His band, the Box Kickers, has turned heads in a town saturated with great players. He has been described by Living Blues Magazine as “That all-too-rare total package- a creative vocalist, harp player, songwriter, and showman.”

Izor also landed the gig fronting the legendary Texas band Anson Funderburgh and the Rockets. Blowing heavy riffs and singing the band’s hits, Greg has upheld the tradition set forth by one of his heroes, Sam Myers. Most days, Greg Izor can be found playing for the crowds at Evangeline Cafe or leading bands in legendary juke joints on the east side of town. Stick around and you just might get lucky enough to sample his homemade barbecue or gumbo at a late-night jam at the Izor house – his meticulous precision on harmonica is reflected in his efforts in the kitchen, as his fortunate friends will attest. After successful tours of the US and Europe, he is looking forward to continuing to bring his fresh riff on a classic American sound to audiences everywhere and introducing newcomers to The Blues. ~Ashley Moore

The Ground

Ivy Ford - Time To Shine

Size: 103.4 MB
Time: 45:01
File: MP3 @ 320K/s
Released: 2018
Styles: Chicago Blues, Funky Blues
Art: Front

01. Time To Shine (5:52)
02. Tell Me You're Sorry (4:28)
03. Gimme That Guitar (4:25)
04. Baby Come Home (5:07)
05. Hate To Have To Go (4:11)
06. Ain't Had Enough (5:17)
07. Girls Night (2:59)
08. Mr. Right (4:32)
09. Mama Don't (3:11)
10. Don't Handle Me (4:52)

A nominee in the Sean Costello Rising Star category in this year’s Blues Blast Music Awards, Ivy Ford Ghera doubles on vocals and guitar as she fronts this tight three-piece band in a follow up to their well-received, but limited debut release, Live NYE 2016.

Possessing a warm, rich, honey-sweet alto and wielding a cherry-red Epiphone 339, Ivy’s a young mother based out of Waukegan, Ill. She’s a self-taught multi-instrumentalist who can also double on bass, keyboards, sax and drums. Her professional career began at age 13 when she started working with Steve Rainey’s The Real Deal Band out of Kenosha, Wis., 15 miles to the north.

The roots of her current ensemble were planted when she joined a band in her hometown in 2012. Now known as “Chicago’s Blues Kitten,” she’s toured extensively throughout the U.S. and has become a Windy City fan favorite with frequent appearances at Buddy Guy’s Legends as well as other area clubs and events. And when not fronting her own band, she handles bass in support of Chicago Blues Hall Of Fame honoree J.B. Ritchie.

Ford credits Ritchie with schooling her in the blues tradition. While her music remains close to the root, she’s got a modern approach that incorporates R&B and roots. She’s backed here by bassist Willie J. Rauch and drummer Dave Axen in a collection of 10 tunes she penned herself.

“Time To Shine” opens with a brief guitar intro before Ivy delivers a lesson about living to a loved one, that he should never allow anyone to treat him wrong and that he should always be his own best friend. A medium-fast shuffle with a simple, but effective arrangement, the song comes across with a gospel feel once the rhythm section kicks in after the first verse, and Ford’s voice sounds much more mature than most 25-year-olds.

Ivy gets funky and shows off her skills on the fret board for the percussive “Tell Me You’re Sorry,” in which she tells a lover his apologies are falling on deaf ears, before urging a man to pick up a six-string and “Gimme That Guitar” if he wants to win her heart, driving the message home with her own single-note, stop-time solo mid-tune.

The pace slows slightly for “Baby Come Home,” another message of love that’s delivered atop another pleasant, propulsive beat, before the funk returns full force with “Hate To Have To Go.” The tension builds off of a five-note guitar hook before Ford’s voice enters to announce she needs a little break and that the absence will make hearts grow fonder. The theme continues in “Ain’t Had Enough Of You.” It’s a sweet ballad despite describing pitfalls in the relationship.

The mood brightens considerably as Ivy launches into “Girls Night,” an uptempo blues-rocker that gives her space to rip on run, which flows into the loping and soulful “Mr. Right,” a tune that describes the singer’s ideal man, while “Mama Don’t” kicks up the funk, dealing with a lady who doesn’t want to wait for her man too long. The set ends with “Don’t Handle Me,” a cautionary message to a lover that the singer’s making all the rules.

All of the songs here are fresh and deeply rooted in the blues. And Ivy Ford is a force to be reckoned with in a world that’s increasingly lacking in blues traditionalists. Hop on her bandwagon with this one. You’ll be glad you did. ~MARTY GUNTHER

Time To Shine

Dave Bartholomew - Blues & Rhythm Series Classics 5169: The Chronological Dave Bartholomew 1952-1955

Size: 144 MB
Time: 51:45
File: FLAC
Released: 2006
Styles: Blues, R&B
Art: Full

01. Kiss Me Baby (1:46)
02. Got You On My Mind (1:46)
03. Snatchin' Back (2:49)
04. No More Black Nights (2:41)
05. Air Tight (2:46)
06. Stardust (2:02)
07. You Got A Time (2:38)
08. That'll Get It (2:36)
09. Love Is So Low Down (2:38)
10. Texas Hop (2:39)
11. When The Saints Go Marching In Boogie (2:34)
12. The Ice Man (2:38)
13. Jump Children (2:25)
14. Cat Music (2:06)
15. Another Mule (2:26)
16. Every Night Every Day (2:30)
17. Shout Sister Shout (2:26)
18. I Want To Be With Her (2:05)
19. An Old Cowhand From A Blues Band (2:28)
20. Can't See For Looking (2:27)
21. Four Winds (2:23)
22. Would You (2:15)
23. Shrimp And Gumbo (2:05)

David Louis Bartholomew (December 24, 1918 – June 23, 2019) was an American musician, bandleader, composer, arranger, and record producer. He was prominent in the music of New Orleans throughout the second half of the 20th century. Originally a trumpeter, he was active in many musical genres, including rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland. In his induction into the Rock and Roll Hall of Fame, he was cited as a key figure in the transition from jump blues and swing to R&B and as "one of the Crescent City’s greatest musicians and a true pioneer in the rock and roll revolution."

Many musicians have recorded Bartholomew's songs, but his partnership with Fats Domino produced some of his greatest successes. In the mid-1950s they wrote more than forty hits for Imperial Records, including the Billboard number one pop chart hit "Ain't That a Shame". Bartholomew's other hit songs as a composer include "I Hear You Knocking", "Blue Monday", "I'm Walkin'", "My Ding-A-Ling", and "One Night". He was a member of the Songwriters Hall of Fame, the Rock and Roll Hall of Fame, and the Louisiana Music Hall of Fame.

The Chronological Dave Bartholomew 1952-1955

Phil Manca - Signs

Size: 94.0 MB
Time: 40:47
File: MP3 @ 320K/s
Released: 2018
Styles: Blues Rock
Art: Front

01. Brand New Game (3:27)
02. Signs (4:36)
03. Colorblind (3:17)
04. Yer Blues (4:58)
05. Little Girl (2:41)
06. S.M.I.L.E (4:00)
07. I Love To Love You (2:15)
08. Hot Little Mama (2:54)
09. Lay By My Side (5:22)
10. Down Payment Blues (7:13)

Europe seems to have an affinity for hot shot blues rock guitarists and France’s Phil Manca is the latest in a long line. He concentrates entirely on his axe except for background vocals, leaving the lead vocal chores to several others. His style of playing tends toward a more manic approach. His band is limited to the usual suspects-drums, bass and keyboards. Half the songs are band originals.

Josselin “JJ” Jobard takes up the vocal on “Brand New Game” with his capable rocker’s voice wailing over the guitars. The vocal on the title track is courtesy of Lois Landoi. This one is at a slower pace with slide guitar over power chords. “JJ” steps in again on “Colorblind” with acoustic guitar, slide and what sounds like a mandolin contributing to the atmospherics. A cover of The Beatles “Yer Blues” is a festival of guitar noise.

John Mayall’s “Little Girl” continues the guitar feeding frenzy. “S.M.I.L.E.” has Phil sliding his guitar in speed freak fashion. “JJ” takes the vocal on the jumpin’ little ditty “Hot Little Mama”. A change of pace in a lovely ballad “Lay By My Side” with Renaud Hantson on vocal and some beautiful lilting guitar work. To close out the CD they reach back to cover an AC-DC song from Bon Scott’s tenure with the band-“Down Payment Blues” and manage the rock and roll energy and frenetic guitar antics quite well.

A heavy dose of blues rock and rock from this guitar centric band. It doesn’t hurt that a variety of first class singers do a grade “A” job throughout. If blues rock is your thing you just can’t go wrong here. Phil Manca lays down a virtual guitar frenzy as a firm foundation for their songs. This is a blues rock keeper. ~GREG "BLUESDOG" SZALONY

Signs

Split Whiskers - Down In The Swamp

Size: 110.7 MB
Time: 47:49
File: MP3 @ 320K/s
Released: 2019
Styles: Rokin' Blues
Art: Front

01. Down In The Swamp (3:40)
02. I Ain't Got You (2:40)
03. Mellow Down Easy (6:16)
04. Ain't No Love In The Heart Of The City (4:57)
05. Days Of Old (3:09)
06. If You Can't Be Good Be Gone (2:54)
07. Split Whiskers Are Back In Town (2:40)
08. Rolling Down The Highway (3:44)
09. Money Ain't Everything (5:10)
10. Mean Ol' Frisco (5:43)
11. Up All Night (3:23)
12. Little Did She Know (3:28)

Personnel:
Gilby J. Fletcher: vocals & blues harp
Johnny 'Magic Boy' Wright: vocals & acoustic, resonator & electric guitars
Matt Willshaw: keys
Robbie Stewart-Mathews: bass
Rick Hudson: drums

Split Whiskers' fourth album "Down in the Swamp" is a celebration of Blues and Americana, it features original material from Split Whiskers and our good friend George Breakfast, alongside covers from Willie Dixon, BB King, Arthur 'Big Boy' Crudup, Calvin Carter, the Steeldrivers and others.

Split Whiskers have their roots firmly planted in Chicago blues, crossing boundaries into rock,
americana and more than a hint of the Delta.
The band’s fame is spreading and they are becoming one of the busiest bands at blues
venues around the UK, in particular in great demand on the Festival circuit.
Their superb musicianship, along with their infectious humour on stage, promises a
great evening’s entertainment.

Down In The Swamp

Brother Yusef, The Fattback Bluesman - Jook Joint Jam

Size: 81.5 MB
Time: 35:17
File: MP3 @ 320K/s
Released: 2019
Styles: Slide Guitar Blues, Swamp Blues
Art: Front & Back

01. I'm A Bluesman (3:54)
02. Hoodoo Woman Blues (3:24)
03. Bad Juju (3:56)
04. Hey There Blues (3:30)
05. Free Your Mind (3:18)
06. The Healers Blues (4:10)
07. Power Of The Blues (3:07)
08. Organic Gravey (2:50)
09. Jook Joint Jam (4:07)
10. The After Party Jam (2:57)

Brother Yusef’s music is exuberant, bouncing with a highly rhythmic beat and slippery with a wildly flailing slide; this Bakersfield born, dreadlocked bluesman chugs and stomps the blues with impassioned devotion. By combining "traditional" finger picking and slide guitar with the contemporary feel of urban blues, Brother Yusef gives the past and present equal rights on stage.
A stand-out talent.

Jook Joint Jam

S.E.Willis & The Willing - Too Much Love

Size: 100.0 MB
Time: 43:21
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Piano Blues
Art: Front

01. Turn Back (4:00)
02. My Happy Home (5:15)
03. I Sure Don't Know Who Does (2:32)
04. Apocalypto (4:22)
05. Crawl Off And Die (3:44)
06. Let That Be The Reason (3:27)
07. Wake Up (5:09)
08. Too Much Love (3:24)
09. Honky Tonk Romance (3:43)
10. I Study The Room (3:20)
11. Honky Tonkin' Night And Day (4:20)

It was 2015 and we were standing on the stage at the Blues Foundation’s Awards show in Memphis, named as Band of the Year for our work with Elvin Bishop. When my turn came to speak all I could think was: “I love this band!” We aren’t the Elvin Bishop Band anymore, but we still love making music together.
There’s a lot of experience here. I’ve been a working musician for 50 years now, much of that time spent in bars in the Southwest, playing rock and roll, country and blues for the local folks. Bobby Cochran’s been at it longer than me, starting in marching bands, drum-line, and the Army band during the Vietnam years. It was the army that brought him from South Carolina to Oakland, CA to join Bobby Freeman backing Carol Doda, the original topless dancer, then the Edwin Hawkins Singers, Cold Blood, Tom Fogerty and many more. Ruth Davies is an Oakland native, born and raised, and an integral part of the Bay Area jazz scene since high school. She was in Charles Brown’s great band through the 80’s and has since worked with John Lee Hooker, Elvis Costello, Nick Lowe, and too many others to name here.
That’s the core of the band. The others: Nancy Wright, sax and vocals; Danny Caron, guitar; Bob Welsh, guitar; Marina Crouse, vocal; Christoffer "Kid" Andersen, guitars, percussion; Lisa Leuschner, vocals.
I wrote all the songs here, with some help from Bobby and our friend Takezo Takeda. Some of the songs are a bit older, from an attempt to write a Honky Tonk musical set in Flagstaff, AZ (Tracks 2, 9,10, 11). The rest, beginning with Crawl Off and Die, are new, and are my attempt to deal with, mostly, love and death. It’s not beer and big-legged women, but it’s got a beat and you can dance to it. Too Much Love. As if there can ever be too much. ~Steve Willis

Too Much Love

Dr. John - Duke Elegant

Year: 1999/2000
Bitrate: MP3@320K/s
Time: 66:39
Size: 154,3 MB
Styles: Jazz/blues/funk
Scans: Full

1. On The Wrong Side Of The Railroad Tracks (5:42)
2. I'm Gonna Go Fishin' (5:04)
3. It Don't Mean A Thing (If It Ain't Got That Swing) (5:31)
4. Perdido (5:49)
5. Don't Get Around Much Anymore (3:37)
6. Solitude (5:05)
7. Satin Doll (4:46)
8. Mood Indigo (6:55)
9. Do Nothin' Til You Hear From Me (5:30)
10. Things Ain't What They Used To Be (6:25)
11. Caravan (6:24)
12. Flaming Sword (5:45)

Duke Elegant certainly wasn't the only tribute to Duke Ellington put out in honor of the 100th anniversary of the legendary bandleader, nor was it even the first time Dr. John had tackled his material. But it would be hard to find a better homage than this one. Dr. John proves a surprisingly good match for Ellington's material, placing a tremendously funky foundation under the composer's tunes.

The sound is dominated by the good doctor's incomparable New Orleans piano and organ, naturally, and the best tracks are those whose melodies are carried solely by his keyboard work, such as instrumentals "Caravan" and "Things Ain't What They Used to Be." The vocal cuts are fine - his takes on the Ellington ballad "Solitude" and especially the dreamy, elegant "Mood Indigo" show off Dr. John's uniquely expressive voice as well as any of his early-era recordings - though he occasionally tends to approach self-caricature, as on "It Don't Mean a Thing (If It Ain't Got That Swing)."

Any weakness, however, is more than made up for by the closing rearrangement of "Flaming Sword," one of three Ellington rarities here. Dr. John transforms the instrumental into a luminous, gorgeously melodic display of Professor Longhair-style piano over an astonishingly sexy New Orleans funk rhythm. Ultimately, Duke Elegant holds up both as an innovative twist on the Ellington songbook and as a solid Dr. John album in its own right. /Kenneth Bays, AllMusic

(For personnel details, see artwork included.)

Duke Elegant mc
Duke Elegant zippy

Greg 'Fingers' Taylor - Drop Down Mama

Year: 2005
Bitrate: MP3@320K/s
Time: 70:31
Size: 162,8 MB
Styles: Electric blues, harmonica blues
Scans: Front

1. Old Rock 'N' Roller (5:15)
2. Drop Down Mama (3:44)
3. Mississippi Steamboat (3:33)
4. Subway Swing (5:04)
5. I Can See Clearly Now (4:34)
6. St. Louis Blues (3:20)
7. Scratch My Back (3:59)
8. It Is What It Is (3:32)
9. The Hammer (2:54)
10. Big Top Hat (4:06)
11. Crosstown Boogie (Instrumental) (3:17)
12. Doo Wop Shang-A-Lang Shimmy Shimmy (5:31)
13. Geronimo's Rock (3:36)
14. Rock 'N' Roll Peg (4:51)
15. Crackhead Baby (8:39)
16. 'Til Honky Gets Tonky Again (4:28)

A fine harmonica player, Taylor was also a singer and played keyboards. He was one of the original members of Jimmy Buffett's Coral Reefer Band and continued on until 2000. If you've ever heard Greg "Fingers" Taylor play the harmonica, you know that Jimmy Buffett owes much of his success to the Mississippi resident. Taylor's nickname "Fingers" was given to him in 1969 by John "Johnny Rock" Buffaloe (so nicknamed by Taylor) during their time in The Buttermilk Blues Band in Jackson, Mississippi. At the time, Taylor played keyboards for the band, hence the nickname "Fingers". Taylor began playing harmonica during his time in the BBB. Currently, Greg Taylor is battling Alzheimer's.

Drop Down Mama mc
Drop Down Mama gofile

Bellevue Cadillac - The Best Of Bellevue Cadillac: 20 Years Of Swing!

Year: 2013
Bitrate: MP3@320K/s
Time: 84:43
Size: 194,6 MB
Styles: Swing, jump blues
Scans: Front

1. Black And White (3:34)
2. Call Of The Wild (4:52)
3. 3 Rules (5:34)
4. One Girl 2 Pretty (4:43)
5. Snake Charmer (4:17)
6. Cruisin' (3:32)
7. Guilty (3:36)
8. Shoulda Woulda Coulda (4:24)
9. Ships (4:18)
10. Perfect Crime (3:05)
11. Prozac (3:08)
12. Must Be Love (3:56)
13. Cuppa Joe (3:08)
14. Havana Moon (5:23)
15. Can't Win For Losin' (4:07)
16. Hazel Eyes (4:32)
17. Pay Pay Pay (4:58)
18. Pull The Plug (2:26)
19. Blow Wind Blow (5:42)
20. Talkin' Jive (Who Knew) (5:18)

Based out of Massachusetts and Palm Beach, Florida, Bellevue Cadillac is an original, eight-piece all American band led by singer-songwriter and lead guitarist Doug "The Professor" Bell. The band was formed in 1991 to write and perform original music drawing influences from New Orleans jazz, delta blues, Philly soul, R&B as well as California surf, Tex-Mex with some Caribbean influences along the way.

Bellevue Cadillac collaborated with legendary producer, Rob Fraboni (Rolling Stones, Dylan, Clapton, Bonnie Raitt) and produced Bellevue Cadillac's debut CD "Black and White," which received rave reviews and accolades. The song "Black and White" found itself on the platinum selling compilation CD "Swing This Baby!" which led Rolling Stone magazine to feature Bellevue Cadillac as the best of the bands in the genre of neo-swing!

Today Bellevue Cadillac continues to grow its world-wide fan base and thrill audiences of all generations with their fun, high-energy performances of their toe-tapping, can't sit in your seat, musical road trip through America! But at the end of the day, it's the music that resonates. All American, all original, the Bellevue Cadillac sound is a unique blend that Rolling Stone magazine coined "Jazz, Gospel, Blues and Soul, Swing on Top of Rock & Roll."

The Best Of Bellevue Cadillac: 20 Years Of Swing! mc
The Best Of Bellevue Cadillac: 20 Years Of Swing! zippy

Tuesday, June 25, 2019

Ray Collins' Hot-Club - Shaking That Boogie

Year: 2001
Bitrate: MP3@320K/s
Time: 42:29
Size: 98,6 MB
Styles: R&B, jump blues
Scans: Front, tray

1. Shaking That Boogie (2:57)
2. Get A Move On It (3:01)
3. Bopland (3:34)
4. Daddy's Coming Back Home (3:11)
5. Nothing But Your Kiss (3:47)
6. Down In Hell (3:15)
7. I Gotta Go (2:48)
8. Hob Nob Club (3:33)
9. Hot-Club Special (1:30)
10. You're My Gal (3:18)
11. Rock Me Baby (3:29)
12. Sweet Little Love (2:25)
13. Baby Won't You Please Come Home (2:37)
14. Burn Out Boogie (2:58)

Ray Collins' Hot-Club is without doubt one of Europe's hottest 50's jump-blues bands ever. And after experiencing them, you can say with certainty that they are one of the best in the world. As near a perfect 50's sound as you can get. It's all about swing and rhythm and blues of the highest quality, good-time music with a strong beat. It's rare that a band of today's lineage is able to generate such an original sound and also manage to capture the spirit of the classic old legends from the 1950s such as Tiny Bradshaw, Joe Houston, Big Jay McNeely, Joe Liggins, Johnny 'Guitar' Watson, Wynonie Harris and Ike Turner & The Kings of Rhythm.

Shaking That Boogie remains the only RCHC album that was recorded in one place on one weekend. Some bandmembers still consider it the best RCHC album ever. Many songs remain in the Hot-Club's setlist on every single show. Years later the band performed Shaking That Boogie in the movie Barfuss, and Rock Me Baby was used in the movie Good Old Fashioned Orgy. But even well trained ears will propably not hear that second one.

Shaking That Boogie mc
Shaking That Boogie zippy

Bad News Blues Band - Knockout!

Year: 2001
Bitrate: MP3@320K/s
Time: 52:20
Size: 120,7 MB
Styles: Electric blues
Scans: Front

1. Knockout (2:52)
2. Lolita (3:49)
3. Texas (3:56)
4. Nobody Understands Me But My Guitar (5:09)
5. Knockin' On Your Window (2:53)
6. It Ain't Me (5:17)
7. Poor Man's Blues (3:59)
8. Who's The Skoit (4:42)
9. Do You Like It? (6:53)
10. Bad Boy Willie (12:44)

The Bad News Blues Band has been gaining a reputation for house burning live performances all over the United States as well as Canada, Mexico, Turkey, Romania and even Moscow Russia! With their latest ARV Records release, "Knockout!" produced by Texas Blues Legend Andrew "Jr. Boy" Jones, they're set to hit the road and spread the word with the fire and intensity that their live shows are renowned for worldwide.

In the nine years since the band was formed they have won many local and regional awards including first place in the 1997 and 2002 Arizona Blues Shootout. Winning the shoot out earned them a spot at the International Blues and talent competition in Memphis Tennessee sponsored by the Blues Foundation. The band has the distinct honor of being the first blues band ever to be added to the artist roster for the Kennedy Center for Performing Arts.

They have also been honored by the Tucson Area Music Awards for several years with Best Blues Band '98 '99 '00 '01, Hardest Working Band '99 '01 '02, Electric Guitar '99 '00 '01, Male Vocalist '00 '02, Horn Player '00 '01 '02, Bass Player '99 '00 '02 and Best Drummer '01 '02. After touring at length with Texas guitar legend Long John Hunter, The Bad News Blues Band is making a name for themselves with upcoming performances, club dates and festivals across the country.

This band is on the move with a smoking hot rhythm section, sweet smoldering horns, blistering guitar, and an impressive frontline of dynamic vocals, that is sure to Knock You Out!

Knockout! mc
Knockout! zippy

Johnny 'Guitar' Blommer - Still Cadillacin'

Year: 2004
Bitrate: MP3@320K/s
Time: 39:38
Size: 91,7 MB
Styles: Electric blues
Scans: Front

1. Johnny's Boogie (3:24)
2. Gangster Of Love (3:19)
3. Lonesome (2:27)
4. Got To Have You (2:56)
5. Fool's Paradise (4:13)
6. Still Cadillacin' (2:32)
7. Thought I Saw You (4:38)
8. Devil Woman (4:25)
9. Always Singin' The Blues (5:24)
10. Mean Ol' Life (3:13)
11. Amazing Grace (3:01)

Johnny "Guitar" Blommer was born in St. Louis MO in 1971, Unbeknownst to him at the time, he lived a mere two blocks from Chuck Berry's nightclub in East St. Louis. The late night music may have been the first of many influences that led him to pursue a life of music, and the guitar in particular. Founder of the multi-award winning Bad News Blues Band, Johnny's playing is powerful and passionate without being overblown. The rich rhythmic phrasing that is his trademark subtly discloses his early training on drums. Dismissing the boundaries of the fret board, he explores and finds exactly the note he wants. He plays from the heart, giving soulful nods to blues guitar legends Freddy King, Buddy Guy and Albert Collins.

With the up-coming release of Johnny's debut solo album "Still Cadillacin'" the future of this young blues guitarist is looking bright. With his new band the Thousandaires he is sure to make a lasting impression on the blues scene, and bring some much deserved attention to the musical community here in the southwest. In the last eleven years Johnny has shared stages with many blue legends in including Lonnie Brooks, "Wild Child" Butler, Coco Taylor, Andrew "Jr Boy" Jones, Little Charlie and the Nightcats, "Smokin" Joe Kubeck, Coco Montoya, The Holmes Brothers, Lil' Brian and the Zydeco Travelers, Joe Louis Walker, and Anson Funderburg just to name a few. When the Bad News Blues Band played Buddy Guy's Legends in Chicago, Buddy Guy himself said "I'm flying to Australia in the morning and should have been home hours ago, but I had to stay 'cause you guys music sounds so good".

After three years of touring with Texas blues legend Long John Hunter, Johnny decided to concentrate on his own career and released the highly acclaimed "Knockout" with the Bad News Blues Band which is still selling strong. With the release of "Still Cadillacin'" he's ready to hit the road again and this time... in style.

Still Cadillacin' mc
Still Cadillacin' zippy

Monday, June 24, 2019

Dr. John - Live At Ultrasonic Studios 11/6/73 (Remastered)

Size: 100.4+97.6 MB
Time: 43:29+42:15
File: MP3 @ 320K/s
Released: 2015
Styles: Blues, R&B, Soul
Art: Front & Back

CD 1:
01. Loup Garou (Remastered) (Live) (7:05)
02. Walk On Gilded Splinters (Remastered) (Live) (6:26)
03. Danse Kalinda Ba Doom (Remastered) (Live) (4:06)
04. Stagger Lee (Remastered) (Live) (3:40)
05. Hard Judgement (Remastered) (Live) (4:52)
06. Traveling Mood (Remastered) (Live) (3:19)
07. Life (Remastered) (Live) (3:37)
08. Put A Little Love In Your Heart (Remastered) (Live) (3:58)
09. Tipitina (Remastered) (Live) (3:24)
10. Mess Around (Remastered) (Live) (2:57)

CD 2:
01. Interview (Remastered) (Live) (3:26)
02. I’ve Been Hoo Doo’d (Remastered) (Live) (3:24)
03. Such A Night (Remastered) (Live) (3:53)
04. Right Place Wrong Time (Remastered) (Live) (3:15)
05. Let The Good Times Roll (Remastered) (Live) (3:47)
06. Wang Dang Doodle (Remastered) (Live) (5:16)
07. Mama Roux (Remastered) (Live) (4:56)
08. Qualified (Remastered) (Live) (5:01)
09. Little Liza Jane (Remastered) (Live) (3:43)
10. Mama Don’t Allow (Remastered) (Live) (5:29)

Originally broadcast by Hempstead, Long Island s WLIR-FM, this superb set captures Dr. John at the height of his powers, as he transitioned from his psychedelic phase into a full embrace of New Orleans R&B. Backed by Sugar Bear Welch on guitar, Darrell Leonard and Jerry Jumonville on horns and John Boudreaux on drums, his keyboard playing was rarely better, and the band frequently hit a monstrous groove.

Live At Ultrasonic Studios 11/6/73

Mick Kolassa - Uncovers

Size: 85 MB
Time: 15:10
File: FLAC
Released: 2019
Styles: Electric Blues
Art: Front

01. Mama Told Me Not To Come (4:01)
02. Can't Get Next To You (3:31)
03. The Letter (4:39)
04. I Feel Fine (2:58)

Mick Kolassa is known for his “uncovers”, blues versions of popular songs. Unlike regular covers, Mick turns these tunes inside out to find the blues that were hiding there all the time. This is a compilation of some of his favorites.

Uncovers

Byther Smith - Chicago Blues Legend

Size: 123.8 MB
Time: 53:56
File: MP3 @ 320K/s
Released: 2019
Styles: Chicago Blues
Art: Front

01. All For Business (3:17)
02. I Don't Like To Travel (5:32)
03. The Man Wants Me Dead (4:59)
04. Ought To Be Ashamed (4:46)
05. I Can't Understand You Baby (4:36)
06. Love Me Like I Love You (4:37)
07. Put Your Arms Around Me (4:24)
08. Your Daughter Don't Want Me No More (4:32)
09. I Didn't Get None (3:21)
10. Mean Old Daddy (3:58)
11. Wait And See (4:36)
12. Don't Hurt Me No More (5:13)

Byther Smith is a true Living Legend of the Chicago blues scene and during his long lasting career he worked with the greatest of the Chicago blues artists like Muddy Waters, Howlin' Wolf, Jimmy Reed and Otis Rush.

Born in Monticello, Mississippi on April 17, 1933 young Byther Smith got his first musical experiences with gospel music, a music that he returned to at various stages of his career.

As a teenager Byther moved to Arizona, working on a cattle ranch and playing with a country & western band at weekends. In 1957 he moved to Chicago at the advice of his cousin, the legendary J.B. Lenoir. He began gigging and taking guitar lessons from Robert Lockwood and Hubert Sumlin presumably on the basis that if you're going to get a guitar teacher you might as well get the best.

In the early 1960's Byther Smith was working the clubs on guitar and bass both as a leader and in various bands as sideman. A group of highly prized recordings were made resulting in 45's on labels such as Bea & Baby, Cruise and Apex. In 1965 it was back to gospel with the Gospel Travellers for a time. In the 1970's he spent five years in the house band at Theresa's Tavern, which often meant playing with Junior Wells.

1979 found Byther Smith determined to make it under his own name and a steady stream of coast to coast gigging and touring commenced. He made several recordings and his releases, "Addressing the nation with the blues" (JSP) and "Housefire" and "I'm a mad man" (both on Bullseye), were very successful. Byther released three CD=s ("Mississippi Kid", AAll Night Long@ and AHold that train@) on Delmark Records.

During the years Byther Smith has toured all over the world. In Europe several times, among others as a member of the Chicago Blues Festival. Byther Smith did several very successful European tours between Nov '94 and Sept '99. During these tours he performed in Holland, Belgium, Germany, France, Norway, Sweden and the UK.

Chicago Blues Legend

Phil Whiting - Take A Chance On Blues (Feat. Klaude Walters)

Size: 169.7 MB
Time: 73:53
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Blues Rock
Art: Front

01. Motorcycle Mama (Feat. Klaude Walters, Ed Krahn & Rick Beneteau) (4:50)
02. Gaspe Boogie (Feat. Klaude Walters & Ed Krahn) (3:57)
03. Baby Why? (Feat. Klaude Walters, Ed Krahn & Randy Fascinato) (6:07)
04. Soul On Fire (Feat. Klaude Walters, Ed Krahn & Ryan Cassidy) (4:50)
05. Snooze You Loose (Feat. Klaude Walters, Kirk Hansen & Ed Krahn) (4:21)
06. Porch Light (Feat. Klaude Walters & Ed Krahn) (3:46)
07. Long Long Road (Feat. Klaude Walters, Ed Krahn & Randy Fascinato) (5:25)
08. Cold Rain (Feat. Klaude Walters, Ed Krahn & Ryan Cassidy) (4:10)
09. Attitude (Feat. Klaude Walters, Ed Krahn & Rick Beneteau) (3:01)
10. Come Home With Me (Feat. Klaude Walters & Ed Krahn) (3:49)
11. New Orleans (Feat. Klaude Walters, Ed Krahn & Ryan Cassidy) (3:35)
12. If I Hold You (Feat. Klaude Walters & Ed Krahn) (6:09)
13. Bayou Baby (Feat. Klaude Walters, Ed Krahn & Rick Beneteau) (4:29)
14. In The Night (Feat. Klaude Walters, Ed Krahn & Randy Fascinato) (4:34)
15. Take A Chance (Feat. Klaude Walters, Ed Krahn & Randy Fascinato) (6:46)
16. Waitin' For You (Feat. Klaude Walters, Ed Krahn & Elizabeth Gauld) (3:58)

The album features songs from the Blues genre and takes the listener through an array of the different blues style. From Dixie to New Orleans, fast to smooth, Whiting does an incredible job of creating a written and musical journey that entices you till the end and Walters vocal ability definitely holds your attention throughout and often mesmerizes you into submission. This album has had numerous positive reviews and is an assured winner for 2019.

Take A Chance On Blues

Nakia - Real.Live.Blues.

Size: 94.0 MB
Time: 40:56
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Blues Soul
Art: Front

01. I'm Ready (Live) (6:12)
02. Driving Wheel (Live) (5:07)
03. Rich Woman (Live) (8:13)
04. Hoodoo Party (Live) (5:04)
05. 300 Pounds Of Joy (Live) (6:35)
06. Somebody Loan Me A Dime (Live) (9:43)

Before he was on “The Voice,” Nakia was a Blues Grifter. Named for the age-old concept of stealing from the greats, the Blues Grifters formed in 2010. The band quickly became a hit on the club circuit in Austin performing at the legendary “Home of the Blues,” Antone’s Nightclub, and the South Austin hot spot, C-Boy’s Heart & Soul and began recording its first album. A video of Nakia’s full-throated, soulful performances found its way to television producer Mark Burnett who insisted on recruiting Nakia for a new show. Reluctant but hopeful, Nakia put the band, and the album on pause to go to Hollywood.

On the first season of “The Voice,” Nakia immediately became a fan favorite before finishing as a semifinalist. More than 14 million viewers tuned in each week to witness Nakia wowing the show’s four celebrity coaches with his electric stage presence and using his gritty voice to make Top 40 songs his own.

Using the momentum from the whirlwind of reality TV, Nakia focused on writing songs for a new EP and subsequent tour, still leaving the band on hold. Nakia knew it was time to call up the Blues Grifters again when he was invited to appear on the ALL ATX compilation album in 2016. Together, they transformed The Allman Brothers Band’s “Whipping Post” from a prog-rocking guitar dirge into a lowdown gritty sax-infused soul jam that culminates in a double time frenzy. Renewed from that studio experience, Nakia was ready to finish the album he started almost a decade ago with his long-time collaborator and fellow Grifter, Mac McNabb.

“I started the band as a way for me to cut loose and get lost in the blues, so I wanted this album to be a homage to the great blues artists who inspired me,” Nakia recalls, “but ‘The Voice’ happened and I couldn’t reach the finish line on the record. Once Mac and I got back together and listened to the tapes, we committed to finish the album. We cut these songs using old ribbon mics, analog gear and tape machines. Many of the songs recorded live, all in the room together. Real live blues — the way it was meant to be.”

After all this time, “Blues Grifter,” is finished and is streaming everywhere. Featuring songs by blues and soul greats Otis Rush, William Bell, Johnnie Taylor, Howlin’ Wolf, Luther “Snakeboy” Johnson and more. Nakia will donate a portion of all “Blues Grifter” album proceeds to The Clifford Antone Foundation, a 501(c)(3) non-profit in Austin, Texas dedicated to preserving blues music culture and community by caring for our elders and investing in our youth. Nakia is a two-time Black Fret artist grant award recipient. His band, Nakia and the Blues Grifters are proud to be on Texas Commission on the Arts Touring Roster.

Real.Live.Blues.

Bob Frank - True Stories And Outrageous Lies

Size: 79.2 MB
Time: 34:13
File: MP3 @ 320K/s
Released: 2018
Styles: Acoustic Blues Folk
Art: Front

01. Low Down Dirty Ways (3:35)
02. Married Woman Blues (3:11)
03. Chinese Knock-Off (2:27)
04. People Don't Change (2:43)
05. Come On Baby And Ride With Me (3:18)
06. Blues On 9/11 (2:17)
07. I'm So Damn Lazy (3:00)
08. High Maintenance Woman (3:24)
09. Stavin' Chain (2:33)
10. Dead Man's Curve (3:20)
11. Lucky So Far (4:20)

After a lifetime in traditional music as a performer, producer, writer, educator & journalist, Bob Frank steps out with his first solo recording of original music. Frank's prior recordings include 8 cds with the Blue Lunch band, 3 bluegrass albums with the Hotfoot Quartet and numerous recordings and sessions with other groups. As a performer and artist, Frank has a lot to say.

True Stories And Outrageous Lies

Jon Gindick - Love At The All Night Cafe (Feat. Franck Goldwasser)

Size: 116.2 MB
Time: 50:25
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues, Harmonica Blues
Art: Full

01. I Was Born To Wail (4:46)
02. Feeling Her Gone (3:26)
03. Baby's Got The Blues (3:31)
04. The All Night Cafe (4:54)
05. Load Me Up Baby (4:31)
06. Mississippi Moods (4:35)
07. Happy Wife, Happy Life, Happy Home (3:09)
08. The Song I Couldn't Write (4:54)
09. I Love The Feminine Girl (5:07)
10. Hand Holding Man (4:01)
11. Can't Get That Girl Off My Mind (3:33)
12. In The Land Of You (3:52)

At the heart of great songwriting is great storytelling and a keen eye for wordsmithing and phraseology. Jon Gindick has graced the world with another collection of great stories full of fresh phrases and joyful tales of life, love and the blues on his second album “Love At The All Night Cafe.” It’s also no coincidence that Gindick is also a master harmonica player, for his leads and solos are as fluid and lyrical as his vocal lines, as if he is singing through the blues harp. Gindick is backed by his trio of Ralph Carter on bass, guitarist Franck Goldwasser and Pete Gallagher on drums for a twelve-song set of foot stompin’ blues, swingin’ R&B, Calypso and soul.
The opening number, ‘I Was Born To Wail,’ is a lesson on the history of the blues harp with Gindick playing out his dream of joining the masters of the art and paying tribute to all who inspired him, and calling them out by name “Sonny Boy, Sonny Terry, Big Walter, Little Walter, Jimmy Reed and Howlin’ Wolf. These are the giants who created my music and to them I take my hat off.” The easy groove of the tale of heartache in ‘Feeling Her Gone’ has a classic Memphis Soul sound. The vibe gets edgy for ‘Baby’s Got The Blues,’ then deftly switches gears into a Latin groove for the satirical title track ‘The All Night Cafe.’ Some fine piano work from Carter frames Gindick’s colorful description of the scene portrayed in the painting “Nighthawks” by Edward Hopper that graces the album cover. He then spars with Goldwasser on the slinky shifting blues ‘Load Me Up Baby’ and spells out the virtues of his muse on the sweetly swinging ‘Mississippi Moods.’

Gindick takes liberty with the old advice to husbands on ‘Happy Wife, Happy Life, Happy Home,’ while the band dishes out some breezy western swing. He gets to finally put into words the depth of his love on the piano driven ballad ‘The Song I Couldn’t Write,’ then challenges the #metoo movement with an old-fashioned boogaloo about his baby ‘I Love The Feminine Girl,’ and then defends his machismo by declaring his sensitivity on the loping blues ‘Hand Holding Man.’ The tasty bossa nova ‘Can’t Get That Girl Off My Mind’ plays out the romantic tale. For the album closer Gindick speaks of his music and the profound love and redemption he has found in its creation on the soaring ‘In The Land Of You’ (a man giving up everything for a woman he has seen only once.)

Another great songwriter and his wife once penned the line “Some people wanna fill the world with silly love songs, And what’s wrong with that?” Jon Gindick has taken this notion to heart and with “Love At The All Night Cafe” gives it an edge of bluesy reality ~Rick J. Bowen

Love At The All Night Cafe

Sunday, June 23, 2019

Caledonia Blues Band - Blues For The Mother

Year: 1990/1994
Bitrate: MP3@320K/s
Time: 37:19
Size: 86,0 MB
Styles: Electric blues, harmonica blues
Scans: Front

1. Blues For The Mother (4:20)
2. When Your Woman's On Welfare (3:27)
3. My Aunt Lucia (4:02)
4. Uneasy (3:20)
5. Got My Mojo Working (3:21)
6. That's Life (4:21)
7. Dogs To Town (4:34)
8. Pig's Foot (3:02)
9. Messin With The Kid (6:49)

Caledonia Blues Band was a blues group founded in Seville, Spain, in 1986. During their 11 years of existence they recorded 5 albums and was the first Spanish band to travel to America to play at Buddy Guy's Legends in Chicago, the most famous club in the city, where they played two days. The first day supporting Cash McCall, and the second day as headliners. The band also the band toured extensively all over Spain and attended the most renowned blues and jazz festivals.

In November of 1986, bassist Juan Arias, guitarist Lolo Ortega and drummer Juan Ramón "Rama" Borreguero formed the nucleus of what would be the Caledonia Blues Band. Domingo "Mingo" Balaguer, a harmonica player, joined them shortly thereafter. In the following months, the group suffered its first change when Juan Arias left the band and was replaced by Paco Martínez. As a quartet, they recorded a demo and participated at the Hospitalet Blues Festival.

In 1988, during the jam session after a concert at the Pilatos bar in Seville, an American student climbed on stage to sing but he soon returned to the USA. But he sent his brother, George Michael Lindner, who became the lead singer of the band since September of that year. However, in March of 1996 Michael Lindner decided to return to the United States and that meant the end of the band's history.

Personnel: Mike Lindner (vocals); Lolo Ortega (guitar); Mingo Balaguer (harmonica); Paco Martinez (bass); Rama (drums).

Blues For The Mother mc
Blues For The Mother gofile