Bitrate: MP3@320K/s
Time: 47:25
Size: 109,7 MB
Styles: Electric blues
Scans: Front
1. Don't Be Angry (2:39)
2. Karla (3:23)
3. Gotta Get Next To You (4:25)
4. Can't Help Myself (4:25)
5. Every Time I Hear That Mellow Saxophone (2:28)
6. Someday (3:13)
7. Since I Found You (2:45)
8. Blow Wind Blow (4:01)
9. Hurry On Back (3:29)
10. Get Out Of Here (2:55)
11. Ken's Boogie (3:31)
12. You Upsets Me (3:20)
13. Ain't Nobody Here But Us Chickens (2:38)
14. Any Other Way (4:08)
The story of the R&B Bombers starts long ago, in the 1980's, at a time that music was starting to become unhinged. Electronics were being brought into the human produced order of sounds and many were tempted by the newness. Larry Nass, a guitar virtuoso from Ventura CA, along with another pair of Southern California natives Steve Nelson on bass and Joe Wilson, a vocalist whose influences are almost forgotten (but revived by Wilson in a brand new way,) wanted to form a band with a raw, human emotional feeling that captured the essence of what music is, and what made all of us start to play music in the first place.
And so players in the area were recruited one by one. The immensely talented keyboardist Ken Stange, the wonderful multi-instrumentalist and writer arranger Jim Hochanadel on tenor saxophone. Craig Thomas switching on alto and tenor sax and providing added vocals, Dave Tolegian on his booming yet intricate baritone and alto saxes, Craig Woods on trombone extraordinaire, and local favorite on drums Tom Lackner were all recruited by Nelson, Wilson and Nass. After much planning, arranging, and rehearsals, the band made it's debut in Santa Barbara, CA. at the Head of the Wolf for a packed house, the first of many that the band and venue was treated to.
From there it was all up hill, as clubs, festivals, and concerts were queuing up in droves to get the R&B Bombers to play for them, opening concerts for groups as diverse as Toto, the Pointer Sisters, and the Count Basie Band with Cab Calloway. Sellout crowds, with lines down the block waiting to get into see the group on WEEKDAY nights were common in places like Sundays at Andy's Barbecue Heaven in Ventura, Mondays at the Central(now known as the Viper Room) in Hollywood sharing the bill with the renowned Chuck E. Weiss, and the Tuesday night patio parties at the 1129 club in Santa Barbara. The group even headlined at the Ventura Theater.
This newfound fame was not lost on promoter Michael Kaufer, who instituted the long running Bowlful of Blues in Ojai with the R&B Bombers as the house band for the first three years of it's existence, playing their own sets and backing up such artists as Charlie Musselwhite, Eddie Cleanhead Vinson, Pee Wee Crayton, Margie Evans, Cash McCall, Johnny Copeland, and many others. These appearances, coupled with the release of the self-titled R&B Bombers vinyl LP, described by the late legendary record producer Terry Melcher as a "complete and well-produced work," catapulted the band into one of the top acts in the Southern California area.
And so players in the area were recruited one by one. The immensely talented keyboardist Ken Stange, the wonderful multi-instrumentalist and writer arranger Jim Hochanadel on tenor saxophone. Craig Thomas switching on alto and tenor sax and providing added vocals, Dave Tolegian on his booming yet intricate baritone and alto saxes, Craig Woods on trombone extraordinaire, and local favorite on drums Tom Lackner were all recruited by Nelson, Wilson and Nass. After much planning, arranging, and rehearsals, the band made it's debut in Santa Barbara, CA. at the Head of the Wolf for a packed house, the first of many that the band and venue was treated to.
From there it was all up hill, as clubs, festivals, and concerts were queuing up in droves to get the R&B Bombers to play for them, opening concerts for groups as diverse as Toto, the Pointer Sisters, and the Count Basie Band with Cab Calloway. Sellout crowds, with lines down the block waiting to get into see the group on WEEKDAY nights were common in places like Sundays at Andy's Barbecue Heaven in Ventura, Mondays at the Central(now known as the Viper Room) in Hollywood sharing the bill with the renowned Chuck E. Weiss, and the Tuesday night patio parties at the 1129 club in Santa Barbara. The group even headlined at the Ventura Theater.
This newfound fame was not lost on promoter Michael Kaufer, who instituted the long running Bowlful of Blues in Ojai with the R&B Bombers as the house band for the first three years of it's existence, playing their own sets and backing up such artists as Charlie Musselwhite, Eddie Cleanhead Vinson, Pee Wee Crayton, Margie Evans, Cash McCall, Johnny Copeland, and many others. These appearances, coupled with the release of the self-titled R&B Bombers vinyl LP, described by the late legendary record producer Terry Melcher as a "complete and well-produced work," catapulted the band into one of the top acts in the Southern California area.
The R&B Bombers mc
The R&B Bombers zippy
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