Sonny Boy Williamson II - Do It If You Wanta: The Best Trumpet & Checker A-Sides 1951-62

Album: Do It If You Wanta
Size: 97,3 MB
Time: 41:29
File: MP3 @ 320K/s
Released: 2025
Styles: Blues, harmonica blues
Art: Front

1. Eyesight For The Blind (3:01)
2. Do It If You Wanta (2:28)
3. Stop Crying (2:53)
4. I Cross My Heart (2:42)
5. Nine Below Zero (2:50)
6. Too Close Together (2:33)
7. She Brought Life Back To The Dead (2:29)
8. Going In Your Direction (2:36)
9. Don't Start Me Talkin' (2:35)
10. Let Me Explain (2:54)
11. Fattening Frogs For Snakes (2:21)
12. Born Blind (2:32)
13. Let Your Conscience Be Your Guide (2:18)
14. The Goat (2:45)
15. Stop Right Now (2:26)
16. One Way Out (2:00)

Perhaps one of the most enigmatic performers in the history of the blues, Sonny Boy Williamson II was not only a supremely talented musician, but also a man of mystery. Where did he come from? What was his real name and birthdate? How and where did he hone his considerable skills? And who really was the first and only Sonny Boy Williamson? Blues historians remain stumped.

But one thing is certain, the man who became Sonny Boy Williamson II was a pioneer of the genre, and influenced the British Blues explosion of the late 1960s to such an extent that one cannot imagine it ever happening without him. This carefully curated collection puts together the very best sides of his work for Trumpet and Checker, music that cemented his role as blues royalty.

Do It If You Wanta: The Best Trumpet & Checker A-Sides 1951-62 mc
Do It If You Wanta: The Best Trumpet & Checker A-Sides 1951-62 gofile

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Page, Williamson and Auger - Don't Send Me No Flowers

Size: 66,6 MB - 178,7 MB
Time: 29:02
File: MP3 @ 320K/s - Flac
Released: 65
Styles: blues, harp blues
Art: Front and back
Vinyl Rip

1. Don't Send Me No Flowers (5:51)
2. I See A Man Downstairs (3:17)
3. She Was So Dumb (4:24)
4. The Goat (2:08)
5. Walking (3:18)
6. Little Girl, How Old Are You (3:20)
7. It's A Bloody Life (3:24)
8. Getting Out Of Town (3:17)

Of the many obscure projects Jimmy Page was associated with prior to Led Zeppelin, one of the most notable was a studio session he recorded live alongside noted keyboardist Brian Auger, and famed bluesman, Sonny Boy Williamson. The session took place at IBC Studios on January 28, 1965. Those present at the session included, Jimmy Page on guitar, Brian Auger on organ, Ricky Brown on bass Mickey Waller on drums along with Joe Harriot & Alan Skidmore on saxophone, and Sonny Boy taking up vocal and harmonica. While doing press for the documentary film "It Might Get Loud" Jimmy Page also recalled the session with Sonny Boy Williamson: "The one that was done live with The Yardbirds hadn’t come out. It was our manager who called me. I was a studio musician, at the time, and Sonny Boy was living in his flat. Somebody told me once that they went to the house and they heard Sonny Boy plucking a live chicken. I don’t know how true that was. That didn’t happen when I was there. Sonny Boy and myself rehearsed these numbers in the manager’s flat and, by the time we got into the studio a couple days later, Sonny Boy had forgotten all of the arrangements of what we were going to do. It was cool. Good music comes out of that."

Don't Send Me No Flowers MP3
Don't Send Me No Flowers FLAC

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Sonny Boy Williamson - Blues & Rhythm Series 5188: The Chronological Sonny Boy Williamson 1953-1956

Size: 286 MB
Time: 66:01
File: FLAC
Released: 2008
Styles: Blues, R&B
Art: Full

01. Gettin' Out Of Town (2:22)
02. Keep It To Yourself (2:35)
03. Red Hot Kisses (2:36)
04. Going In Your Direction (2:35)
05. Empty Bedroom (2:39)
06. No Nights By Myself (3:02)
07. Boppin' With Sonny (Clowning With The World) (2:31)
08. I'm Not Beggin' Nobody (2:45)
09. Shuckin' Mama (2:23)
10. From The Bottom (2:40)
11. Work With Me (2:56)
12. Don't Start Me Talkin' (2:37)
13. All My Love In Vain (2:50)
14. Good Evening Everybody (2:36)
15. You Killing Me (3:30)
16. Let Me Explain (2:55)
17. I Know What Love Is All About (2:41)
18. I Wonder Why (1:38)
19. Your Imagination (3:02)
20. Don't Lose Your Eye (3:04)
21. Keep It To Yourself (2:52)
22. Please Forgive (Keep It To Yourself) (2:51)
23. The Key (3:17)
24. Have You Ever Been In Love (2:53)

Sonny Boy Williamson was, in many ways, the ultimate blues legend. By the time of his death in 1965, he had been around long enough to have played with Robert Johnson at the start of his career and Eric Clapton, Jimmy Page and Robbie Robertson at the end of it. In between, he drank a lot of whiskey, hoboed around the country, had a successful radio show for 15 years, toured Europe to great acclaim and simply wrote, played and sang some of the greatest blues ever etched into black phonograph records. His delivery was sly, evil and world-weary, while his harp-playing was full of short, rhythmic bursts one minute and powerful, impassioned blowing the next. His songs were chock-full of mordant wit, with largely autobiographical lyrics that hold up to the scrutiny of the printed page. Though he took his namesake from another well-known harmonica player, no one really sounded like him.

A moody, bitter, and suspicious man, no one wove such a confusing web of misinformation as Sonny Boy Williamson II. Even his birth date (stated as December 5, 1899 in most reference books, but some sources claim his birth may have been in either 1897 or 1909) and real name (Aleck or Alex or Willie "Rice" -- which may or may not be a nickname -- Miller or Ford) cannot be verified with absolute certainty. Of his childhood days in Mississippi, absolutely nothing is known. What is known is that by the mid-'30s, he was traveling the Delta working under the alias of Little Boy Blue. With blues legends like Robert Johnson, Robert Nighthawk, Robert Jr. Lockwood, and Elmore James as interchangeable playing partners, he worked the juke joints, fish fries, country suppers and ballgames of the era. By the early '40s, he was the star of KFFA's King Biscuit Time, the first live blues radio show to hit the American airwaves. As one of the major ruses to occur in blues history, his sponsor -- the Interstate Grocery Company -- felt they could push more sacks of their King Biscuit Flour with Miller posing as Chicago harmonica star John Lee "Sonny Boy" Williamson. In today's everybody-knows-everything video age, it's hard to think that such an idea would work, much less prosper. After all, the real Sonny Boy was a national recording star, and Miller's vocal and harmonica style was in no way derivative of him. But Williamson had no desire to tour in the South, so prosper it did, and when John Lee was murdered in Chicago, Miller became -- in his own words -- "the original Sonny Boy." Among his fellow musicians, he was usually still referred to as Rice Miller, but to the rest of the world he did, indeed, become the Sonny Boy Williamson.

The show was an immediate hit, prompting IGC to introduce Sonny Boy Corn Meal, complete with a likeness of Williamson on the front of the package. With all this local success, however, Sonny Boy was not particularly anxious to record. Though he often claimed in his twilight years that he had recorded in the '30s, no evidence of that appears to have existed. Lillian McMurray, the owner of Trumpet Records in Jackson, MS, had literally tracked him down to a boarding house in nearby Belzoni and enticed him to record for her. The music Sonny Boy made for her between 1951 to 1954 show him in peak form, his vocal, instrumental, and songwriting skills honed to perfection. Williamson struck paydirt on his first Trumpet release, "Eyesight to the Blind" and though the later production on his Chess records would make the Trumpet sides seem woefully under-recorded by comparison, they nonetheless stand today as classic performances, capturing juke joint blues in one of its finest hours. Another major contribution to the history of the blues occurred when Sonny Boy brought King Biscuit Time guest star Elmore James into the studio for a session. With Williamson blowing harp, a drummer keeping time, and the tape machine running surreptitiously, Elmore recorded the first version of what would become his signature tune, Robert Johnson's "Dust My Broom." By this time Sonny Boy had divorced his first wife (who also happened to be Howlin' Wolf's sister) and married Mattie Gordon. This would prove to be the longest and most enduring relationship of his life outside of music, with Mattie putting up with the man's rambling ways, and living a life of general rootlessness in the bargain. On two different occasions Sonny Boy moved to Detroit, taking up residence in the Baby Boy Warren band for brief periods, and contributed earth-shattering solos on Warren sides for Blue Lake and Excello in 1954.

By early 1955, after leasing a single to Johnny Vincent's Ace label, McMurray had sold Williamson's contract to Buster Williams in Memphis, who in turn sold it to Leonard Chess in Chicago. All the pieces were finally tumbling into place, and Sonny Boy finally had a reason to take up permanent residence north of the Mason-Dixon line; he now was officially a Chess recording artist. His first session for Chess took place on August 12, 1955, and the single pulled from it, "Don't Start Me to Talkin'," started doing brisk business on the R&B charts. By his second session for the label, he was reunited with longtime musical partner Robert Jr. Lockwood. Lockwood -- who had been one of the original King Biscuit Boys -- had become de facto house guitarist for Chess, as well as moonlighting for other Chicago labels. With Lockwood's combination of Robert Johnson rhythms and jazz chord embellishments, Williamson's harp and parched vocals sounded fresher than ever and Lockwood's contributions to the success of Sonny Boy's Chess recordings cannot be overestimated.

For a national recording artist, Williamson had a remarkable penchant for pulling a disappearing act for months at a time. Sometimes, when Chicago bookings got too lean, he would head back to Arkansas, fronting the King Biscuit radio show for brief periods. But in 1963 he was headed to Europe for the first time, as part of the American Folk Blues Festival. The folk music boom was in full swing and Europeans were bringing over blues artists, both in and past their prime, to face wildly appreciative white audiences for the first time. Sonny Boy unleashed his bag of tricks and stole the show every night. He loved Europe and stayed behind in Britain when the tour headed home. He started working the teenage beat club circuit, touring and recording with the Yardbirds and Eric Burdon's band, whom he always referred to as "de Mammimals." On the folk-blues tours, Sonny Boy would be very dignified and laid-back. But in the beat club setting, with young, white bands playing on eleven behind him, he'd pull out every juke joint trick he used with the King Biscuit Boys and drive the kids nuts. "Help Me" became a surprise hit in Britain and across Europe. Then in his mid-'60s (or possibly older), Williamson was truly appreciative of all the attention, and contemplated moving to Europe permanently. But after getting a harlequin, two-tone, city gentleman's suit (complete with bowler hat, rolled umbrella and attaché case full of harmonicas) made up for himself, he headed back to the States -- and the Chess studios -- for some final sessions. When he returned to England in 1964, it was as a conquering hero. One of his final recordings, with Jimmy Page on guitar, was entitled "I'm Trying to Make London My Home."

In 1965, he headed home, back to Mississippi one last time, and took over the King Biscuit show again. Still wearing his custom-made suit, he regaled the locals with stories of his travels across Europe. Some were impressed, others who had known him for years felt he could have just as well substituted the name "Mars" for Europe in explaining his exploits, so used were they to Sonny Boy's tall tales. But after hoboing his way around the United States for thirty-odd years, and playing to appreciative audiences throughout Europe, Sonny Boy had a perfectly good reason for returning to the Delta; he had come home to die. He would enlist the help of old friends like Houston Stackhouse and Peck Curtis to take him around to all the back-road spots he had seen as a boy, sometimes paying his respects to old friends, other days just whiling away an afternoon on the banks of a river fishing.

When Ronnie Hawkins' ex-bandmates, the Hawks, were playing in the area, they made a special point of seeking out Sonny Boy and spent an entire evening backing him up in a juke joint. All through the night, Williamson kept spitting into a coffee can beside him. When Robbie Robertson got up to leave the bandstand during a break, he noticed the can was filled with blood. On May 25, 1965, Curtis and Stackhouse were waiting at the KFFA studios for Sonny Boy to do the daily King Biscuit broadcast. When Williamson didn't show, Curtis left the station and headed to the rooming house where Sonny Boy was staying, only to find him lying in bed, dead of an apparent heart attack. He was buried in the Whitfield Cemetery in Tutwiler, MS, and his funeral was well-attended. As Houston Stackhouse said, "He was well thought of through that country." He was elected to the Blues Foundation Hall of Fame in 1980. ~Cub Koda

The Chronological Sonny Boy Williamson 1953-1956

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Sonny Boy Williamson - Blues & Rhythm Series 5094: The Chronological Sonny Boy Williamson 1951-1953

Size: 271 MB
Time: 57:46
File: FLAC
Released: 2004
Styles: Blues
Art: Full

01. Eyesight To The Blind (3:04)
02. Crazy About You Baby (3:04)
03. Stop Crying (2:56)
04. Do It You Wanta (2:32)
05. Cool, Cool Blues (2:45)
06. Comme On Back Home (2:47)
07. I Cross My Heart (2:45)
08. West Memphis Blues (2:51)
09. Sonny Boy's Christmas (2:38)
10. Pontiac Blues (2:44)
11. Mighty Long Time (3:00)
12. Nine Below Zero (2:53)
13. She Brought Life Back To The Dead (2:31)
14. Too Close Together (2:36)
15. Stop Now Baby (2:44)
16. Mr. Down Child (2:31)
17. Cat Hop (2:57)
18. She's Crazy (2:48)
19. 309 (2:44)
20. Sonny's Rythm (2:21)
21. City Of New Orleans (2:28)

If legend grows out of mystery, then Rice Miller could be its poster boy, since even his name is an uncertainty (he was most likely born as Alec or Alex Miller), and given that he assumed the name of another harmonica player, thus becoming the second Sonny Boy Williamson, he seemed to approach life like it was a hall of mirrors. What keeps him from being a completely self-invented illusion is that he was a remarkable musician, and the music he recorded is as solid as bedrock, an impressive counterweight to the vague and watery details that pass for his personal biography. Like the first Williamson, he was a harmonica player, but he really sounded nothing like his adopted namesake, favoring a light, soaring, almost horn-like sound on the instrument. He was also a natural songwriter, and his blues-based compositions show a sharp attention to detail unusual in a genre built largely on cliché and a handful of repeated patterns. This collection brings together his first recordings, done for Trumpet Records, a tiny Mississippi label that issued Williamson's sides from 1951 until 1955, at which time his contract was bought out by Chicago's Chess Records, who then began issuing his sides on the Checker imprint. From the first track here, the sparse and urgent "Eyesight to the Blind," it is obvious that Williamson was something special, with a clear vision of what he wanted to do, and song after song here exhibits a rough and wild joy, walking the blues side of the street with a loose-limbed swagger. Particularly striking is "Mighty Long Time," a duet of sorts featuring Williamson on vocals and harmonica, and Cliff Givens of the Southern Sons Gospel Quartet on vocal bass. Givens' sung bassline gives the tune an odd, eerie, and atmospheric edge, and it is simply a remarkable recording. The great slide guitarist Elmore James also shows up on several cuts, including the delightfully realized "Pontiac Blues." Williamson's later Checker sides were better recorded, but the ramshackle skill at work on these Trumpet recordings really shouldn't be missed. He may have been an enigma with an unverifiable past and an ever-shifting public identity, but Rice Miller knew what to do in front of a microphone. There's no mystery about that. ~Steve Leggett

The Chronological Sonny Boy Williamson 1951-1953

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Sonny Boy Williamson - The Chess Years (4 CD)

Aleck Ford/Little Boy Blue/Rice Miller/Sonny Boy II lived and worked with his sharecropper family until the early 1930s. Then he travelled around Mississippi and Arkansas and encountered several itinerant musicians (Big Joe, Robert Johnson, Robert Lockwood). In 1941 he had a more or less permanent home in Helena, Arkansas. He played on the King Biscuit Time radio show, advertising King Biscuit Flour. It was at this point that the radio program's sponsor, Max Moore, began billing Miller as Sonny Boy Williamson, apparently in an attempt to capitalize on the fame of the well-known Chicago-based harmonica player and singer Sonny Boy Williamson (birth name John Lee Williamson).

In 1949, Williamson relocated to West Memphis, Arkansas and lived with his sister and her husband, Howlin' Wolf. He started his own KWEM radio show from 1948 to 1950 selling the elixir Hadacol. He brought his former King Biscuit musician friends and others to West Memphis to perform on KWEM Radio. Williamson's first recording session took place in 1951 for Lillian McMurry of Jackson, Mississippi's Trumpet Records. Sonny Boy already had begun developing a following in Chicago beginning in 1953, when he appeared there as a member of Elmore James's band. And when Trumpet went bankrupt in 1955, Sonny Boy moved to Chicago. From 1955 to 1964 he recorded about 70 songs for Chess subsidiary Checker Records.

In the early 1960s he toured Europe several times during the height of the British blues craze and he recorded with The Yardbirds and The Animals. He appeared on several TV broadcasts throughout Europe. Upon his return to the U.S., he resumed playing the King Biscuit Time show on KFFA, and performed in the Helena, Arkansas area. As fellow musicians Houston Stackhouse and Peck Curtis waited at the KFFA studios for Williamson on May 25, 1965, the 12:15 broadcast time was closing in and Sonny Boy was nowhere in sight. Peck left the radio station to locate Williamson, and discovered his body in bed at the rooming house where he had been staying, dead of an apparent heart attack suffered in his sleep the night before.

Album: The Chess Years
Year: 1991
Bitrate: MP3@320K/s
Time: 66:40+63:29+64:59+64:49
Size: 155,3+148,0+151,3+150,5 MB
Styles: Harmonica blues
Scans: Full

CD 1:
1. Work With Me (2:53)
2. Don't Start Me Talkin' (2:36)
3. All My Love In Vain (2:50)
4. Good Evening Everybody (2:35)
5. You Killing Me (On My Feet) (3:24)
6. Let Me Explain (2:55)
7. I Know What Love Is All About (2:40)
8. I Wonder Why (1:32)
9. Your Imagination (3:01)
10. Don't Lose Your Eye (3:03)
11. Keep It To Yourself (2:50)
12. Please Forgive (2:51)
13. The Key (To Your Door) (3:16)
14. Have You Ever Been In Love (2:54)
15. Hurts Me So Much (2:38)
16. Fattening Frogs For Snakes (2:22)
17. I Don't Know (2:26)
18. Like Wolf (2:50)
19. This Is My Apartment (2:38)
20. Cross My Heart (3:23)
21. Born Blind (2:33)
22. Ninety Nine (2:39)
23. Dissatisfied (2:43)
24. Unseen Eye (2:57)

CD 2:
1. Your Funeral And My Trial (2:30)
2. She Got Next To Me (2:34)
3. Wake Up Baby (2:57)
4. Keep Your Hand Out Of My Pocket (2:49)
5. Let Your Conscience Be Your Guide (2:19)
6. Unseeing Eye (3:08)
7. The Goat (2:45)
8. Cool Disposition (2:43)
9. I Never Do Wrong (2:55)
10. It's Sad To Be Alone (2:55)
11. Open Road (2:54)
12. Santa Claus (2:44)
13. I Can't Do Without You (2:48)
14. Checkin' Up On My Baby (1:57)
15. Temperature 110 (2:17)
16. Peach Tree (2:32)
17. Lonesome Cabin (3:04)
18. Somebody Help Me (2:20)
19. Down Child (2:33)
20. Trust Me Baby (2:44)
21. This Old Life (2:36)
22. Too Close Together (2:13)
23. Too Young To Die (2:54)
24. She's My Baby (2:08)

CD 3:
1. Stop Right Now (2:26)
2. The Hunt (2:46)
3. Too Old To Think (2:50)
4. That's All I Want (2:16)
5. One Way Out (2:01)
6. Nine Below Zero (3:29)
7. Got To Move (2:27)
8. Bye Bye Bird (2:37)
9. Help Me (3:10)
10. Bring It On Home (2:35)
11. One Way Out (2:27)
12. My Younger Days (3:20)
13. Tryin' To Get Back On My Feet (2:06)
14. Decoration Day (3:25)
15. Stop Cryin' (2:32)
16. I Want You Close To Me (2:59)
17. One Way Out (2:45)
18. I Can't Be Alone (3:17)
19. Don't Make A Mistake (3:32)
20. Understand My Life (2:25)
21. Find Another Woman (4:34)
22. My Name Is Sonny Boy (4:48)

CD 4:
1. The Key (To Your Door) (2:36)
2. Hurts Me So Much (Take 3) (2:50)
3. Cool Disposition (Take 1) (2:51)
4. Dissatsified (Take 3) (2:59)
5. Cross My Heart (Take 3) (2:57)
6. Ninety Nine (4:08)
7. She Got Next To Me (2:32)
8. Fattening Frogs For Snakes (2:59)
9. Nine Below Zero (4:17)
10. Your Funeral And My Trial (Take 5) (2:17)
11. Cool Disposition (Take 3) (3:13)
12. The Goat (Take 1) (2:44)
13. Ninety Nine (Take 1) (3:01)
14. Cross My Heart (Take 2) (2:21)
15. Hurts Me So Much (Take 4) (2:43)
16. Nine Below Zero (Take 3) (3:32)
17. Your Funeral And My Trial (Take 2) (2:07)
18. Checkin' Up On My Baby (2:35)
19. Little Village (12:01)

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The Chess Years (4 CD) Part 1 zippy

The Chess Years (4 CD) Part 2 mc
The Chess Years (4 CD) Part 2 zippy

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Sonny Boy Williamson - Little Boy Blue

Year: 1991
Bitrate: MP3@320K/s
Time: 53:29
Size: 124,2 MB
Styles: Harmonica blues
Scans: Full

1. Born Blind (2:34)
2. Work With Me (2:56)
3. You Killing Me (3:31)
4. Keep It To Yourself (2:51)
5. Don't Lose Your Eye (3:03)
6. Good Evening Everybody (2:37)
7. Too Close Together (2:13)
8. Let Your Conscience Be Your Guide (2:21)
9. I Wonder Why (1:35)
10. This Is My Apartment (2:40)
11. One Way Out (2:02)
12. Like Wolf (2:52)
13. She Got Next To Me (2:33)
14. Keep Your Hand Out Of My Pocket (2:51)
15. Open Road (2:56)
16. Too Young To Die (2:54)
17. The Hunt (2:47)
18. That's All I Want (2:17)
19. Got To Move (2:27)
20. My Younger Days (3:20)

From the galaxy of stars in the history of blues music, there are few who have shone so brightly as Sonny Boy Williamson. He was born Aleck "Rice" Miller into a large family on December 5, 1899 in Tallahatchie County, Mississippi. At the age of five he taught himself to play the harmonica and was soon giving concerts wherever he could, billed as "Little Boy Blue".

Williamson was the author of such well-known blues classics as "One Way Out" and "Help Me". His rich voice and virtuoso harmonica playing were to make him one of the best known bluesmen of all time. This Sonny Boy Williamson collection demonstrates the greatness and timelessness of his talent. It is a collection that will enthrall the uninitiated as much as the fans that have known and enjoyed the magic of Sonny Boy Williamson throughout the years. (From the liner notes.)

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Sonny Boy Williamson - Down And Out Blues (2 CD Ed.)

Sonny Boy Williamson #2 was already an established performer by the time his contract was acquired by Chess Records in 1955. Beginning in 1948 he was featured on "King Biscuit Time," a radio show broadcast every day at 12:15 PM by KFFA out of Helena, Arkansas. The program was popular with the field hands working the cotton plantations of the Mississippi Delta. The program allowed Williamson to advertise local gigs which were always well attended. His popularity led to a recording contract with the Jackson, Mississippi, based Trumpet Records in 1951; all of his singles for that label are collected on one of the 2 discs here, remastered for increased fidelity. Several of his most enduring blues ("Nine Below Zero," "Eyesight to the Blind," "Mighty Long Time") are included.

The Trumpet operation foundered in 1954; Williamson's contract was sold to a creditor and purchased by Chess Records. That label's higher standards of fidelity, musicianship, and promotional muscle increased Williamson's profile in the R&B marketplace. "Down and Out Blues" was the first LP issued under his name. A collection of singles released in 1959 (Chess was slow to pick up on the LP craze) it was also a best seller. Williamson's downhome harmonica stylings married well with the big-city sophistication of Chess' pool of seasoned session musicians, creating some of the finest Chicago blues ever heard. This is a stellar collection of downhome blues and R&B. If you do not have any of this legendary bluesman's work in your music library "Down and Out Blues" is a good place to start. /Amazon

Album: Down And Out Blues - CD 1: Down And Out Blues
Year: 1959/2010
Bitrate: MP3@320K/s
Time: 44:33
Size: 103,2 MB
Styles: Harmonica blues
Scans: Full

1. All My Love In Vain (2:51)
2. The Key (To Your Door) (3:17)
3. Keep It To Yourself (2:51)
4. Dissatisfied (2:45)
5. Fattening Frogs And Snakes (2:22)
6. Wake Up Baby (2:58)
7. Your Funeral And My Trial (2:32)
8. 99 (2:39)
9. Cross My Heart (3:23)
10. Let Me Explain (2:55)
11. Don't Start Me Talkin' (2:35)
12. I Don't Know (2:26)
13. Your Imagination (Bonus) (3:00)
14. Born Blind (Bonus) (2:33)
15. Let Your Conscience Be Your Guide (Bonus) (2:19)
16. Unseeing Eye (Bonus) (3:00)

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Down And Out Blues - CD 1: Down And Out Blues zippy

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Album: Down And Out Blues - CD 2: The Trumpet Singles
Year: 1951-1955/2010
Bitrate: MP3@320K/s
Time: 60:04
Size: 139,2 MB
Styles: Harmonica blues
Scans: Full

1. Crazy 'Bout You, Baby (3:03)
2. Eyesight To The Blind (3:03)
3. Cool, Cool Blues (2:45)
4. Do It If You Wanta (2:30)
5. Come On Back Home (2:47)
6. Stop Crying (2:56)
7. I Cross My Heart (2:45)
8. West Memphis Blues (2:50)
9. Pontiac Blues (2:42)
10. Sonny Boys' Christmas Blues (2:38)
11. Mighty Long Time (2:59)
12. Nine Below Zero (2:52)
13. Mr Down Child (2:30)
14. Stop Now Baby (2:43)
15. Cat Hop (2:56)
16. Too Close Together (2:35)
17. Gettin' Out Of Town (2:22)
18. She Brought Life Back To The Dead (2:30)
19. Going In Your Direction (2:35)
20. Red Hot Kisses (2:36)
21. Empty Bedroom (2:39)
22. From The Bottom (2:39)

Down And Out Blues - CD 2: The Trumpet Singles mc
Down And Out Blues - CD 2: The Trumpet Singles zippy

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Sonny Boy Williamson & The Yardbirds - Live In London

Bitrate: MP3@320K/s
Time: 42:16
Size: 96.8 MB
Styles: Chicago blues
Year: 1980
Art: Front

[3:33] 1. Bye, Bye Bird
[4:00] 2. Mister Downchild
[5:24] 3. The River Rhine
[5:08] 4. 23 Hours Too Long
[2:16] 5. A Lost Care
[3:48] 6. Pontiac Blues
[5:42] 7. Take It Easy Babe
[3:08] 8. Out On The Water Coast
[3:45] 9. I Don't Care No More
[2:27] 10. Honey In Your Hips
[3:02] 11. Western Arizona

Sonny Boy Williamson & the Yardbirds is a live album by Chicago blues veteran Sonny Boy Williamson II backed by English rock band the Yardbirds. It was recorded at the Crawdaddy Club in Richmond, Surrey on December 8, 1963, although a second date and location has been given for two songs. Williamson sings and/or plays harmonica on all of the songs. Although they are in a supporting role, the album also presents some of the earliest recording by the Yardbirds, whose members included Eric Clapton on lead guitar. Numerous reissues have appeared over the years, sometimes with additional tracks recorded around the same time.

German music impresarios Horst Lippmann and Fritz Rau organized the first annual American Folk Blues Festival in 1962. They arranged for several well-known American blues artists to perform in concert in several European cities. Sonny Boy Williamson participated during the second festival tour in 1963 and his performances are identified as some of the most memorable of the festival. At the conclusion of the festival, he returned to England for a more extensive club tour.

The Yardbirds' manager, Giorgio Gomelsky, who promoted some of the early American Folk Blues Festivals in England, persuaded Lippmann to attend one of the group's shows (by another account, Williamson also saw one of their performances). A deal was struck and the Yardbirds backed Williamson for several English dates between December 1963 and February 1964. Part of the arrangement included that Lippmann and Rau record some live performances (as they had done for the festival tour) and finance a solo studio demo by the group.

Live In London mc
Live In London zippy

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Various Artists - Harp Blues

Year: 1999
Bitrate: MP3@320K/s
Time: 68:15
Size: 161,2 MB
Styles: Harmonica blues
Scans: Full

1. Papa George Lightfoot - Wine, Women, Whiskey (2:15)
2. Jimmy Rogers w. Big Walter Horton - Walking By Myself (2:49)
3. Doctor Ross - Chicago Breakdown (2:56)
4. Sonny Boy Williamson - Ninety Nine (2:40)
5. Jerry 'Boogie' McCain - Steady (1:57)
6. Cousin Leroy - Up The River (2:45)
7. Little Junior Parker - Sweet Home Chicago (2:47)
8. Sammy Myers - Sleeping In The Ground (2:38)
9. Shy Guy Douglas - Monkey Doin' Woman (2:38)
10. Jimmy Reed - Found Love (2:22)
11. Little Walter & His Jukes - Roller Coaster (2:55)
12. Frank Frost - Ride With Your Daddy Tonight (2:40)
13. Junior Wells - All Night Long (Rock Me Baby) (3:48)
14. Eddie Hope & The Manish Boys - A Fool No More (2:23)
15. Howlin' Wolf - Howlin' Wolf Boogie (2:39)
16. Shakey Horton - Need My Baby (2:18)
17. Little Willie Foster - Little Girl (2:33)
18. Sonny Boy Williamson - Bring Another Half Pint (3:06)
19. Billy Boy - I Ain't Got You (2:15)
20. Jimmy & Walter - Easy (I Almost Lost My Mind) (3:01)
21. Chicago Sunny Boy (Joe Hill Louis) - Western Union Man (3:10)
22. Shy Guy Douglas - What's This I Hear? (2:59)
23. James Cotton - Rocket 88 (2:05)
24. George 'Harmonica' Smith - West Helena Blues (3:37)
25. Snooky Pryor - Boogie Twist (2:46)

It's hard to think of another musical instrument that is so closely associated with the blues as the humble harmonica or "harp". Since the 1920s - one hundred years after its invention - blues musicians have taken advantage of its low cost, volume and portability and have made some of the most influential of 20th century music. In the hands of early masters like DeFord Bailey and Jaybird Coleman the harp rose above its earlier status of a simple novelty instrument, while Jazz Gillum and John Lee "Sonny Boy #1" Williamson helped to define the sound of post-war blues bands. From the early 1950s, the harmonica became a key component of the blues almost entirely due to the recordings of the musicians on this compilation.

A quick glance at the track listing reveals that just about every post-war harmonica player of note is here together with some rather more (undeservedly) obscure names. (No Sonny Terry, you say? Well, he's blowing on Cousin Leroy's "Up The River"). Legendary figures rub shoulders with rather less familiar names. To the initiated, however, Eddie Hope's "A Fool No More", Papa Lightfoot's "Wine, Women And Whiskey" and Little Willy Foster's "Little Girl" are long-time classics. Legendary Sun recordings like Jimmy (de Berry) & Walter (Horton)'s "Easy" and Dr Ross' "Chicago Breakdown" are interspersed with masterpieces from the Chess studios by Little Walter ("Juke") and Jimmy Rogers ("If It Ain't Me") and Muddy Waters, Otis Spann, Champion Jack Dupree, Willie Dixon, Bo Diddley and Eddie Taylor are among the accompanists. Recorded between 1947 and 1968, this collection includes several of the greatest examples of harp blues ever recorded.

Harp Blues mc
Harp Blues zippy

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Sonny Boy Williamson - His Best

Year: 2001
Bitrate: MP3@320K/s
Time: 54:50
Size: 125,7 MB
Styles: Harmonica blues
Scans: Full

1. Good Evening Everybody (2:35)
2. Don't Start Me To Talkin' (2:34)
3. All My Love In Vain (2:48)
4. Keep It To Yourself (2:48)
5. Fattening Frogs For Snakes (2:20)
6. I Don't Know (2:25)
7. Cross My Heart (3:22)
8. Born Blind (2:32)
9. Ninety Nine (2:38)
10. Your Funeral And My Trial (2:30)
11. Keep Your Hands Out Of My Pocket (2:49)
12. Sad To Be Alone (2:56)
13. Checkin' Up On My Baby (1:56)
14. Down Child (2:34)
15. Nine Below Zero (3:28)
16. Bye Bye Bird (2:33)
17. Help Me (3:08)
18. Bring It On Home (2:36)
19. My Younger Days (3:20)
20. One Way Out (2:48)

While some hardliners will point to his early 1950s Trumpet recordings as his most undiluted work, Sonny Boy's tenure at Chess Records was his longest and most successful and therefore deserves first look for the novice coming to this remarkable bluesman at ground level. This 20-track collection takes 17 tracks from the excellent two-disc Essential Sonny Boy Williamson collection and adds "Sad To Be Alone," "My Younger Days" and an alternate session-second version of "One Way Out" with Buddy Guy on guitar (yes, this is the version that the Allman Brothers used as the blueprint for their cover version) to the final mix.

This is another entry into MCA's Chess 50th Anniversary Series and the digital transfers here are exemplary, making this an automatic audio upgrade for those who already have this material in their collection. Because his output for the label was of such a uniformly high quality, virtually everything Williamson put down on tape at the Chess studios could make a final cut on any best of package you'd want to put together on the man. So bemoaning the absence of any track here would be minor critical carping, especially in light of no less than five other Sonny Boy Chess packages still being in print at press time. But if you're only going to own one of them and your wallet tends to shy away from two-disc anthologies, this makes an excellent first purchase. /AllMusic

His Best mc
His Best zippy

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Various - Blues People: Good Morning Little Schoolgirl 1936-1937

Bitrate: MP3@320K/s
Time: 43:52
Size: 100.5 MB
Styles: Delta blues, Country blues
Year: 2005
Art: Front

[2:48] 1. Falcon Trio - Raise Your Window
[2:42] 2. Walter Vinson - Rats Been On My Cheese
[2:49] 3. Bo Carter - Ride My Mule
[3:02] 4. Lil Johnson - Sam-The Hot Dog Man
[3:00] 5. Jazz Gillum - Sarah Jane
[3:16] 6. Casey Bill Weldon - W.P.A. Blues
[2:51] 7. Robert Hill - You Gonna Look Like A Monkey When You Get Old
[2:45] 8. Black Ace - Black Ace
[3:10] 9. Bo Carter - Bo Carter's Advice
[2:29] 10. Buddy Woods - Don't Sell It (Don't Give It Away)
[3:32] 11. Andy Boy - Evil Blues
[2:57] 12. Sonny Boy Williamson I - Good Morning Little Schoolgirl
[2:53] 13. Sleepy John Estes - Hobo Jungle Blues
[2:23] 14. Black Boy Shine - Ice Pick And Pistol Woman Blues
[3:08] 15. Rosetta Howard - If You're A Viper

Blues People: Good Morning Little Schoolgirl 1936-1937 mc
Blues People: Good Morning Little Schoolgirl 1936-1937 zippy

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Various - A Mess Of Blues

Bitrate: MP3@320K/s
Time: 38:55
Size: 89.1 MB
Styles: Chicago blues
Year: 2006
Art: Front

[2:56] 1. Buddy Guy - This Is The End
[3:37] 2. Otis Rush - I Can't Quit You Baby
[6:54] 3. Lightnin' Hopkins - Blues For Gamblers
[2:34] 4. Elmore James - Knockin' At Your Door
[3:06] 5. Mississippi John Hurt - Candy Man
[2:18] 6. Albert Collins - Collins Shuffle
[2:34] 7. Robert Lockwood, Jr. - Aw Aw Baby
[2:52] 8. Magic Sam - All Your Love 2
[4:07] 9. Sonny Boy Williamson With The Animals - Night Time Is The Right Time
[2:33] 10. Big Bill Broonzy - Black, Brown And White
[3:05] 11. Ike Turner - Down And Out
[2:13] 12. Junior Wells - Messin' With The Kid

A Mess Of Blues

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Various - Blues From The Checker Vaults (2-CD set)

The Checker label was founded by brothers Leonard and Philip Chess in 1952, along with the famous Chess label that would prove a driving force in the rise of the blues in the Fifties. One of the reasons for opening another label was to maximise the chance of radio airplay, so Checkers, a board game similar to chess, was the logical choice of name. With the likes of Elmore James, Jimmy Witherspoon and Bo Diddley there s a treasure trove of music to be found on these discs. Checkers is a board game...you ll be anything but!

Album: Blues From The Checker Vaults CD 1
Bitrate: 320K/s
Time: 54:41
Size: 125.2 MB
Styles: Assorted blues
Year: 2014
Art: Front

[2:50] 1. Sonny Boy Williamson - All My Love In Vain
[2:37] 2. Memphis Minnie - Broken Heart
[2:52] 3. Willie Dixon - Crazy For My Baby
[2:41] 4. Elmore James - Country Boogie
[2:58] 5. Bo Diddley - I'm A Man
[3:01] 6. Lowell Fulson - I Believe I'll Give It Up
[2:40] 7. Otis Spann - Five Spot
[2:14] 8. J.B. Lenoir - Let Me Die With The One I Love
[2:45] 9. Little Walter - Lights Out
[2:30] 10. Big Ed & His Combo - Biscuit Baking Woman
[2:35] 11. Joe Williams & King Kolax - Everyday I Have The Blues
[2:49] 12. Sonny Boy Williamson - Keep It To Yourself
[3:00] 13. John Brim - It Was A Dream
[2:08] 14. Joe Hill Louis - Dorothy Mae
[2:47] 15. Morris Pejoe - Can't Get Along
[3:10] 16. Danny Overbea - Forty Cups Of Coffee
[2:37] 17. Rocky Fuller - Come On Baby
[2:55] 18. Sonny Boy Williamson - Let Me Explain
[2:34] 19. Lowell Fulson - If I Give My Love To You
[2:49] 20. Little Walter - Off The Wall

thank you mrwalker.
Blues From The Checker Vaults CD 1 mc
Blues From The Checker Vaults CD 1 zippy

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Album: Blues From The Checker Vaults CD 2
Bitrate: 320K/s
Time: 59:50
Size: 137.0 MB
Styles: Assorted blues
Year: 2014
Art: Front

[3:02] 1. Elmore James - She Just Won't Do It Right
[2:52] 2. Jimmy Witherspoon - When The Lights Go Out
[2:45] 3. Bo Diddley - Pretty Thing
[2:41] 4. Otis Spann - It Must Have Been The Devil
[3:06] 5. Little Walter - Rocker
[3:03] 6. Willie Dixon - Walkin' The Blues
[2:45] 7. Percy Lee Crudup - Tears In My Eyes
[2:53] 8. Lowell Fulson - Trouble Trouble
[2:48] 9. Memphis Minnie - Me And My Chauffeur
[3:37] 10. Big Boy Spires - One Of These Days
[3:13] 11. John Brim - Rattlesnake
[2:50] 12. Lowell Fulson - Lonely Hours
[3:15] 13. Rocky Fuller - Soon One Morning
[2:28] 14. Morris Pejoe - Tired Of Crying Over You
[2:42] 15. Percy Lee Crudup - Open Your Book
[3:44] 16. Joe Hill Louis - When I'm Gone (She Treats Me Mean And Evil)
[3:01] 17. Sonny Boy Williamson - Your Imagination
[2:54] 18. Little Walter - Mean Old World
[2:51] 19. Jimmy Witherspoon - Time Brings About A Change
[3:09] 20. Lowell Fulson - Loving You (Is All I Crave)

thank you mrwalker.
Blues From The Checker Vaults CD 2 mc
Blues From The Checker Vaults CD 2 zippy

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Various - Willie Dixon's Blues Dixonary Vols. 1 - 5

Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others. His double bass playing was of a high standard. He appears on many of Chuck Berry's early recordings, further proving his linkage between the blues and the birth of rock and roll.

Dixon is remembered mainly as a songwriter; his most enduring gift to the blues lay in refurbishing archaic Southern motifs, often of magic and country folkways and often derived from earlier records such as those by Charlie Patton, in contemporary arrangements, to produce songs with both the sinew of the blues, and the agility of pop. British R&B bands of the 1960s constantly drew on the Dixon songbook for inspiration. In December 1964, The Rolling Stones reached No. 1 in the UK Singles Chart with their cover version of Dixon's "Little Red Rooster". By the late sixties, Dixon's songwriting and production work began to take a back seat to his organizational abilities, which were utilised to assemble all-star, Chicago-based blues ensembles for work in Europe

Album: Willie Dixon's Blues Dixonary Vol. 1
Bitrate: 320K/s
Time: 68:36
Size: 164.4 MB
Styles: Chicago blues
Year: 1993
Art: Full

[2:58] 1. Muddy Waters - Walking Blues
[2:21] 2. Big Three Trio - Violent Love
[3:19] 3. Willie Dixon - Pain In My Heart
[3:16] 4. Eddie Boyd - Third Degree
[2:41] 5. Little Walter - Too Late
[2:49] 6. Willie Dixon - Crazy For My Baby
[2:48] 7. Muddy Waters - (I'm Your) Hoochie Coochie Man
[2:46] 8. Little Walter - Oh Baby
[2:46] 9. Muddy Waters - Just Make Love To Me (I Just Want)
[2:55] 10. Howlin' Wolf - Evil (Is Goin On)
[2:47] 11. Jimmy Witherspoon - Live So Easy
[2:11] 12. Jimmy Witherspoon - I Can Make It Without You
[3:01] 13. Jimmy Witherspoon - When the Lights Go Out
[3:01] 14. Muddy Waters - I'm Ready
[2:43] 15. Little Walter - Mellow Down Easy
[2:56] 16. Lowell Fulson - Do Me Right
[3:02] 17. Lowell Fulson - Loving You
[2:42] 18. Little Walter - My Babe
[2:58] 19. Muddy Waters - Young Fashioned Way
[3:04] 20. Willie Dixon - Walking The Blues
[2:32] 21. Bo Diddley - Diddy Wah Diddy
[2:50] 22. Bo Diddley - Pretty Thing
[2:53] 23. Willie Mabon - Seventh Son
[3:05] 24. Lowell Fusion - Tollin' Bells

thank you kamane.
Willie Dixon's Blues Dixonary Vol. 1

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Album: Willie Dixon's Blues Dixonary Vol. 2
Bitrate: 320K/s
Time: 71:55
Size: 164.7 MB
Styles: Chicago blues
Year: 1993
Art: Full

[2:57] 1. Muddy Waters - Don't Go No Further
[2:51] 2. Muddy Waters - I Love The Life I Live, I Live The Life I Love
[2:10] 3. Willie Dixon - 29 Ways
[3:06] 4. Muddy Waters - Close To You
[4:05] 5. Jimmy Witherspoon - Everything But You
[2:00] 6. Little Walter - Crazy Mixed Up World
[2:30] 7. Little Walter - My Baby's Sweeter
[2:33] 8. Howlin' Wolf - Howlin' For My Darling
[3:20] 9. Buddy Guy - Broken-Hearted Blues
[2:21] 10. Buddy Guy - I Got My Eyes On You
[2:08] 11. Buddy Guy - Slop Around
[2:17] 12. Elmore James - Talk To Me Baby (I Can't Hold Out)
[3:07] 13. Etta James - I Just Want To Make Love To You
[2:50] 14. Howlin' Wolf - Back Door Man
[4:45] 15. Muddy Waters - I Got My Brand On You
[2:58] 16. Muddy Waters - I'm Your Hoochie Coochie Man
[4:37] 17. Muddy Waters - Tiger In Your Tank
[2:15] 18. Otis Rush - I Can't Stop Baby
[2:41] 19. Otis Rush - You Know My Love
[2:19] 20. Little Walter - I Don't Play
[2:39] 21. Little Walter - As Long As I Have You
[3:08] 22. Buddy Guy - I Got A Strange Feeling
[2:56] 23. Buddy Guy - Let Me Love You Baby
[2:50] 24. Etta James - Spoonful
[2:19] 25. Etta James - Nobody But You

thank you mrwalker.
Willie Dixon's Blues Dixonary Vol. 2

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Album: Willie Dixon's Blues Dixonary Vol. 3
Bitrate: 320K/s
Time: 70:57
Size: 162.5 MB
Styles: Chicago blues
Year: 1993
Art: Full

[2:45] 1. Howlin' Wolf - Spoonful
[2:25] 2. Howlin' Wolf - Wang Dang Doodle
[3:05] 3. Albert King - Howlin' For My Darling
[2:10] 4. Howlin' Wolf - Down In The Bottom
[2:45] 5. Howlin' Wolf - Little Baby
[2:16] 6. Howlin' Wolf - Shake For Me
[2:28] 7. Howlin' Wolf - The Red Rooster
[2:53] 8. Howlin' Wolf - I Ain't Superstitious
[2:29] 9. Howlin' Wolf - You'll Be Mine
[2:17] 10. Sonny Boy Williamson - That's All I Want
[2:46] 11. Muddy Waters - You Shook Me
[3:56] 12. Buddy Guy - When My Left Eye Jumps
[2:25] 13. Buddy Guy - Hard But It's Fair
[2:14] 14. Howlin' Wolf - Do The Do
[2:59] 15. Howlin' Wolf - Tail Dragger
[2:03] 16. Buddy Guy - The Treasure Untold
[3:09] 17. Bo Diddley - You Can't Judge A Book By Its Cover
[2:43] 18. Muddy Waters - You Need Love
[2:36] 19. Sonny Boy Williamson - Bring It On Home
[2:46] 20. Little Walter - Dead Presidents
[2:04] 21. Buddy Guy - American Bandstand
[2:13] 22. Buddy Guy - Hundred Dollar Bill
[5:18] 23. Buddy Guy - Don't Know Which Way To Go
[2:39] 24. Howlin' Wolf - Built For Comfort
[2:58] 25. Howlin' Wolf - Three Hundred Pounds Of Joy
[2:21] 26. Howlin' Wolf - Hidden Charms

thank you mrwalker.
Willie Dixon's Blues Dixonary Vol. 3

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Album: Willie Dixon's Blues Dixonary Vol. 4
Bitrate: 320K/s
Time: 68:06
Size: 155.9 MB
Styles: Chicago blues
Year: 1993
Art: Full

[5:13] 1. Muddy Waters - My Captain
[2:40] 2. Muddy Waters - Same Thing
[2:30] 3. Buddy Guy - I Dig Your Wig (Unedited)
[3:05] 4. Koko Taylor - I Got What It Takes
[4:27] 5. Willie Dixon - Weak Brain, Narrow Mind
[2:24] 6. Koko Taylor - Whatever I Am, You Made Me
[2:44] 7. Koko Taylor - Don't Mess With The Messer
[2:23] 8. Buddy Guy - Crazy Love (Crazy Music)
[3:42] 9. Buddy Guy - Every Girl I See
[2:14] 10. Buddy Guy - Too Many Ways
[5:56] 11. Muddy Waters - Same Thing
[2:20] 12. Koko Taylor - Blue Heaven
[2:14] 13. Koko Taylor - (I Got) All You Need
[3:00] 14. Koko Taylor & Willie Dixon - Wang Dang Doodle
[2:45] 15. Little Milton - Country Style
[2:26] 16. Koko Taylor - What Came First, The Egg Or The Hen
[2:39] 17. Buddy Guy - Goin' Home
[3:15] 18. Buddy Guy - I Cry And Sing The Blues
[2:29] 19. Koko Taylor & Willie Dixon - Fire
[4:19] 20. Koko Taylor & Willie Dixon - Insane Asylum
[2:47] 21. Muddy Waters - When The Eagle Flies
[2:21] 22. Etta James - Fire

thank you mrwalker.
Willie Dixon's Blues Dixonary Vol. 4

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Album: Willie Dixon's Blues Dixonary Vol. 5
Bitrate: 320K/s
Time: 68:17
Size: 156.3 MB
Styles: Chicago blues
Year: 1993
Art: Full

[2:11] 1. Koko Taylor - I Don't Care Who Knows
[3:06] 2. Koko Taylor - Separate Or Integrate
[2:41] 3. Koko Taylor - Yes, It's Good For You
[6:42] 4. Little Milton - I Can't Quit You Baby
[3:12] 5. Koko Taylor - Twenty-Nine Ways
[2:11] 6. Howlin' Wolf - Built For Comfort
[2:22] 7. Howlin' Wolf - Do The Do
[3:33] 8. Howlin' Wolf - I Ain't Superstitious
[3:48] 9. Howlin' Wolf - The Red Rooster
[4:33] 10. Howlin' Wolf - Wang Dang Doodle
[3:53] 11. Koko Taylor - Um Huh My Baby
[2:44] 12. Koko Taylor - I Need More And More
[2:53] 13. Koko Taylor - Bills, Bills & More Bills
[2:49] 14. Koko Taylor - Let Me Love You Baby
[4:24] 15. Muddy Waters -Young Fashioned Ways
[3:37] 16. Muddy Waters -I'm Ready
[3:03] 17. Muddy Waters -Walking Blues
[3:59] 18. Muddy Waters -I Don't Know Why
[6:25] 19. Koko Taylor & Muddy Waters - I Got What It Takes

thank you mrwalker.
Willie Dixon's Blues Dixonary Vol. 5

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