Friday, February 26, 2021

Alabama Mike - Hip You To My Blues

Alabama Mike - Hip You To My Blues Size: 149.6 MB
Time: 64:03
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues
Art: Full

01. Black Cadillac (2:22)
02. I'm Selfish (3:41)
03. California Blues (6:55)
04. Frustrate My Life (6:01)
05. 20% Alcohol (3:57)
06. Diabetic Man (5:53)
07. Cut That Out (2:56)
08. If You Want Your Rollin' Done (3:54)
09. V-8 Ford Blues (3:28)
10. Hip You To My Blues (3:20)
11. Stop Accusing That Woman (4:23)
12. I'm In Love With A Woman (3:19)
13. Hello Central (5:25)
14. Keep My Grave Clean (4:49)
15. I Feel So Good (3:32)

Michael Benjamin was born in Talladega, Alabama in 1964. At an early age Mike sang gospel. After serving in the Navy he settled in the San Francisco Bay area where he developed his love for the blues. Using the name Alabama Mike he released his 2009 debut album “Day To Day” on his own Jukehouse Records label. His tenor vocals and songwriting began to get noticed and he followed up with 2010’s “Tailor Made Blues” resulting in a 2011 Blues Music Award nomination as Traditional Male Artist of The Year. Mike’s highly successful third album, “Upset The Status Quo”, was produced and recorded by Kid Andersen at Andersen’s Greaseland Studios and released on the Greaseland Records imprint. In 2018 Alabama Mike recorded “Double Strike” with the Andy T Band and toured in support of the album.

Vocalist Mike states “a desire to do a record in the classic style of early electric blues music pioneers, like Muddy Waters, Jimmy Rogers, Sonny Boy Williamson, BB King and others has been churning and burning in me for decades.” That desire was realized by partnering with producer Jon Atkinson at Atkinson’s Bigtone Records studios.

Atkinson records using vintage all analog 1950’s equipment to get that old school sound. An all-star cast of musicians contribute to the recording. Featured are guitarists Atkinson, Danny Michel and Niko Hernandez; bassists Troy Sandow, Kedar Roy, and Joe Kyle; drummers Malachi Johnson, June Core, Ronnie Smith and Marty Dodson; and harmonica aces Kim Wilson, Joe Lempkowski and Sandow (who takes a turn).

Mike becomes a historian on eleven selected covers. “Hello Central”, with Michel, Wilson, and Dodson, was written and first recorded by Lightning Hopkins in 1959. “Black Cadillac” featuring Atkinson and the rhythm section of Sandow and Johnson, was recorded by Hopkins in 1969; Mike’s tenor vocal is absolutely fabulous.

Three songs are from J.B. Hutto. On “20% Alcohol”, guitarist Atkinson is backed by the rhythm section of Roy and Core, the song first appeared on J.B. Hutto & his Hawks 1969 Delmark Records album “Hawk Squat”. The other two songs are “Diabetic Man” and “I Feel So Good”; the latter recorded live in France in 1982.

“Angel Child” was written and first recorded by Jimmy Rogers on his 1984 “Feelin’ Good” album. “Cut That Out” from Junior Wells is from his 1998 album “Blues Hit Big Town” recorded with Muddy Waters. “How You Want Your Rollin’ Done (Tell Me Pretty Baby)” is from Big Joe Turner. “I’m In Love With A Woman (Make My Dreams Come True)” is from Elmore James and His Broomdusters. “V-8 Ford Blues” was written and recorded by Willie Love in 1952. “Keep My Grave Clean” is the 1928 classic recorded by Blind Lemon Jefferson.

Also included are four new songs written by Mike. “I’m Selfish” featuring Sandow on harmonica, and Atkinson on guitar; “Stop Accusing That Woman” with Hernandez on guitar; “Frustrate My Life (Naggin’ Blues)” with Lempkowski on harp; and the title track “Hip You To My Blues” with Robert Welsh featured on piano.

Mike wants to thank the all-star cast and especially producer Atkinson. While recording he could feel the spirit of the blues legends applauding. This is another highly recommended album from Alabama Mike who once again should be a nominee for Traditional Blues Artist of The Year. ~Richard Ludmerer

Hip You To My Blues MP3
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Robert Ealey & His Five Careless Lovers - Live At The New Blue Bird Nite Club

Size: 97.3 MB
Time: 42:01
File: MP3 @ 320K/s
Released: 1973/2021
Styles: Texas Blues
Art: Front

01. Further On Up The Road (Live) (3:21)
02. Got My Mojo Workin' (Live) (3:40)
03. Black Night (Live) (3:58)
04. Turn On Your Lovelight (Live) (5:36)
05. Robert's Little Johnny (Live) (5:14)
06. Dust My Broom (Live) (3:51)
07. Sweet Sixteen (Live) (6:47)
08. Boogie Children (Live) (9:30)

In 1972, a young T-Bone Burnett and Stephen Bruton produced a live album at The New Blue Bird Nite Club in Fort Worth, TX, featuring Robert Ealey and His Five Careless Lovers. Five hundred vinyl records were independently released on Blue Royal Records in 1973. The masters were put into storage at Record Town, the oldest record store in Fort Worth, and forgotten for almost five decades. Record Town is excited to present the reissue of this essential Texas Blues classic as the first release on the new Record Town Records. Born in Texarkana in 1925, Robert Ealey moved to Dallas after serving in WWII. Those lucky enough to live in Fort Worth during the 70's may recall the nondescript blue building on Horne Street that hosted a who's who of blues and jazz artists every Friday and Saturday night. The New Blue Bird Nite Club was the center of Fort Worth Blues for over thirty years. This album let's you jump n' jive with Robert Ealey as if you were there on that hot Texas night. It features a young Mike Buck on drums, with Sumter Bruton and Freddie Cisneros on guitar, and Jackie Newhouse on bass. Fort Worth, Texas has a remarkable musical heritage. From the birth of Western Swing, the child of Milton Brown, Bob Wills and the Light Crust Doughboys, music has been in it's bones. Record Town has been an important part of that history for over 60 years by informing and influencing generations of young Texans while honoring the incredible creativity of the music community in Funkytown. Record Town Records goal is that future generations get a chance to shake some action and jump some jive.

Live At The New Blue Bird Nite Club MP3
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Rick Holmstrom - See That Light

Size: 109.9 MB
Time: 46:40
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Front

01. Take My Hand (3:43)
02. Look Me In The Eye (3:47)
03. Losing My Shit (3:34)
04. Got To Go (4:06)
05. Don't Wake Me (3:59)
06. Lonesome Sound (3:58)
07. I'd Rather Be A Loser (2:57)
08. I'm An Asshole (3:14)
09. Come Along (4:49)
10. Keep It Hid (3:55)
11. Waiting Too Long (3:47)
12. Joyful Eye (4:47)

Holmstrom’s “grown-up” job is serving as bandleader for the peerless Mavis Staples, which involves arranging accompaniment to one of our greatest living singers. Having seen his band perform, I can attest to the fact that Holmstrom’s work is energetic, tasteful, and just plain fun, and his guitar playing stood out, even while on stage with Ms. Staples. In his own setting, though, Holmstrom believes in simple and strong – his band is nothing more than guitar, drums (Steve Mugalian) and bass (Gregory Boaz). Of course, this makes recording an album during a pandemic much simpler and safer, but it also lends a gritty, grimy gusto to Holmstrom’s songs. The topics are pretty straightforward, too – honesty, anger, loneliness and even a moment or two of joy. The Stones-y lead track, “Take My Hand,” asks for what enforced isolation eventually delivered – a chance to slow down for a moment: “Stop this train, conductor, let me off/I’ll take a bus.” “Look Me in the Eye,” full of good old-fashioned reverb, longs for nothing more than a genuine moment or two – “Bring me back to/The way it was before I lost my mind.”

With all of that time and introspection, though, doubt can creep in. “Losing My Sh!t” starts off with a plaintive guitar line before the band kicks in, and Holmstrom reflects a frustrated man’s lonely nadir – “I see no room between some and none/Since how lately I’ve come undone.” And “I’m An A$$hole” (definitely NOT the similarly titled, bragadocious Denis Leary tune) is a cowbell-led, riff-filled stomp through self-loathing – “Another bridge gleefully burned…Another page already turned.” This particular a-hole may not be proud of himself, but he’s not apologizing, either.

The most fun on See That Light comes in “Got to Go,” a syncopated Southern rocker which begins with an aborted proposal at a La Quinta and ends up in a tryst with the motel’s clerk – “I don’t believe in much these days/But I believe that she and I got to go.” Apparently, all of life’s troubles can be cured, or at least forgotten, with a night in Fresno. If that’s not in your immediate future, though, might I suggest the lesson in the record’s final track, “Joyful Eye.” Here, Holmstrom is peppered with innocent questions – “See that light?/What’s its name and how do you know?” – from a young girl and finds himself looking at the night sky with fresh eyes. Accompanied with the best guitar licks on the record, this new perspective gives us a child-like break from all of our adult-world chaos.
Song I Can’t Wait to Hear Live: “I’m An A$$hole” – it may not be the Denis Leary song, but I still want to sing along.

See That Light was produced by Rick Holmstrom and Steve Mugalian, recorded by Kevin Jarvis, mixed by Rob Schnapf and mastered by Mark Chalecki. All songs were written by Holmstrom and arranged by Holmstrom, Mugalian and Gregory Boaz. ~ Andrew Gulden

See That Light MP3
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Elam McKnight & Bob Bogdal - Zombie + Nation

Size: 98.1 MB
Time: 42:10
File: MP3 @ 320K/s
Released: 2011
Styles: Harmonica Blues, Blues Rock
Art: Front

01. Pojo's Place (4:04)
02. Blues Makes Me Happy (5:03)
03. Tomcat Kitten (4:38)
04. Zombification (4:43)
05. Red Wheel Barrow (2:42)
06. 19 Days (2:37)
07. No Hard Feelings (5:58)
08. I Hate You (3:33)
09. Brother To A Stone (4:09)
10. Hocus Pocus (4:39)

Elam McKnight is a singer/songwriter from West Tennessee. He is an artist firmly based in the roots of his region (Blues, Rock, and Country). McKnight’s 2007’s Supa Good earned notoriety when the opening track, “Devil Minded Woman,” was voted by fans as the Best Blues Song in the Musician's Atlas sponsored 7th Annual Independent Music Awards. In 2011 McKnight released Zombie Nation with his newest musical partner Bob Bogdal. The album featured the exceptional musicianship of Grammy award winning Tom Hambridge.

Zombie + Nation MP3
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Carl Caballero - The Wreckage

Size: 89.7 MB
Time: 38:34
File: MP3 @ 320K/s
Released: 2020
Styles: Blues Rock, Harmonica Blues
Art: Front

01. One Summer Night (4:41)
02. Long Time (3:32)
03. The Wreckage (3:40)
04. Wasted Days And Wasted Nights (3:21)
05. Memphis Song (3:33)
06. Little Darlin' (3:59)
07. Can You Hear Me Call’n (3:27)
08. Hurricane (5:06)
09. Look Out (3:12)
10. Two Hours Till Midnight (3:58)

As a native of West Memphis, Arkansas, the harmonica takes on a new meaning as a lead instrument in the hands of Carl Caballero. He is one of the most exciting talents to emerge out of the big city roots and blues scene in some time. His energy has proven to be a potent force for many years along the road house circuit that links Detroit and Chicago. In between Caballero has often headed south on musical sojourns to spend time soaking up musical inspiration on the very soil where blues and country originally fused to give us Rock and Roll half a century ago. Years of touring with Overture Records recording artists the “Sharecroppers of Soul” and Willy Dixon’s long time guitarist, John Watkins, has helped to give Caballero the experience to hold his own with all the important harmonica players, past and present, yet he remains independent and innovative enough to always seek new musical ground. Inspired originally by players like Little Walter and Jerry Portnoy, along the way he has shared the stage with such harp luminaries as Junior Wells and Sugar Blue.

The Wreckage MP3
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Kiko & The Blues Refugees - Threadbare

Size: 87.9 MB
Time: 37:26
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Front

01. If This Is The End Of Me (3:12)
02. Poor Man's Justice (3:36)
03. Giver (4:10)
04. Too Lazy To Be A Nice Guy (3:24)
05. Fake News (4:02)
06. Sugar For Your Instagram (4:25)
07. Say It (To My Face) (3:06)
08. Sittin' And Wishin' (Feat. Marta Ren) (3:33)
09. Deep (2:58)
10. Ain't Gone Yet (3:31)
11. The End, Again (1:24)

Kiko & The Blues Refugees is a supergroup made up of experienced and renowned musicians from the national scene: the musician, composer and producer Kiko Pereira, Portuguese-American who the critic José Duarte chose as the best male voice in jazz in Portugal, joins a team of excellence like António Mão de Ferro (guitars), Jorge Filipe Santos (keyboards), Carl Minnemann (bass) and João Cunha (drums).

Kiko & The Blues Refugees make the Blues a starting point for crossing with different styles: the new old school blues. The single “Giver” is the first sample of the album: composed and recorded shortly before the start of the pandemic, this theme proved to be something premonitory and representative of a new global “normality”. The video by Kiko Pereira and Anabela Trindade, has the collaboration of some famous “hands”: since Rui Reininho, Selma Uamusse, Helder Reis, Peter Eldridge, Fernando Martins, among many others.

On February 13, Kiko & The Blues Refugees will release their debut album “Threadbare”: produced by Mário Barreiros and Kiko Pereira, it is a sound film that exposes the currentness of a universal genre and the countless roads through which it can take us . Kiko Pereira's 11 original themes take us at the starting point, in the deep south of the United States, and take us through the different roads where the blues spread, between the Mississippi Delta and Chicago, passing through Detroit and crossing with other genres such as rock-roll, rhythm and blues, soul or jazz.

The album features the participation of some special guests such as Marta Ren, BJ Cole (with previous works with musicians such as Elton John, Sting, Beck, Bjork or Depeche Mode), Mila Dores, João Andresen and Rafaela Alves.

Threadbare MP3
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Ally Venable - Heart Of Fire

Size: 115.2 MB
Time: 50:19
File: MP3 @ 320K/s
Released: 2021
Styles: Blues Rock
Art: Full

01. Heart Of Fire (4:37)
02. Played The Game (4:45)
03. Hateful Blues (4:07)
04. Road To Nowhere (3:53)
05. Bring On The Pain (3:54)
06. Hard Change (4:23)
07. Do It In Heels (3:35)
08. Sad Situation (4:10)
09. Use Me (4:40)
10. Tribute To SRV (8:52)
11. What Do You Want From Me (3:18)

This is no time for faint hearts. The pandemic might have silenced the music scene, shuttered the live circuit and divided artists from their fans. But with Heart Of Fire, Texas's favourite new gunslinger Ally Venable is coming off the ropes swinging. Defying dark times and rolling up the amps, this fourth release from the acclaimed singer-songwriter is a record to rattle your speakers and signpost better times ahead. "My vision was to really spread a positive message of love," says Venable. "The world needs that right now." If Heart Of Fire finds Venable giving the globe some much-needed love, then the feeling is entirely mutual. Still in her early twenties, the guitarist's breakneck two decades have moved as fast as her fingers, her path winding from childhood church choirs to the teenage influence of local heroes like Stevie Ray Vaughan and Miranda Lambert. Early releases No Glass Shoes (2016) and Puppet Show (2018) earned her international fans, Top 10 chart placings and ETX Awards, but it was 2019's #2 Billboard-charting Texas Honey and house-rocking sets on that year's Blues Caravan tour that sent her stratospheric. Now, with Venable's fanbase snaking further around the block every time she blows into town, Texas roots icon and Texas Honey producer Mike Zito is in no doubt: "Ally is the future of blues and the crossover music of American roots-rock."

Heart Of Fire MP3
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Doug Sahm, Augie Meyers & Assorted Friends - Back To The 'Dillo

Size: 104.4 MB
Time: 44:10
File: MP3 @ 320K/s
Released: 1982/1998
Styles: Blues Rock, Tex-Mex, Country
Art: Full

01. Introduction (3:21)
02. Its Just The Same Old Story (4:01)
03. Get On Up (3:09)
04. I Pity The Fool (3:41)
05. Think About It Baby (2:13)
06. Carol (3:23)
07. Suzie Q (4:39)
08. Crazy Arms (3:16)
09. George Jones Song (3:46)
10. Nuevo Laredo (3:36)
11. Purple Haze (3:50)
12. Outro Song (5:11)

This CD contains the second set of the Doug Sahm, Augie Meyers & friends reunion show at the Armadillo in Austin, Texas on May 10, 1977. The first set was released as "Live Love" by Sir Douglas Quintet. The second set, reviewed here has several SDQ alumni and other friends on board. Great sound quality and audience enthusiasm! The set has several songs unique to Doug's issued work - the only SDQ song is a fun version of Nuevo Laredo. If you are a fan of the late great Dough Sahm you will love this CD. ~M. Johnson

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JB & The Huggeli - Thank You Blues

Size: 97.5 MB
Time: 41:36
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues
Art: Full

01. Will You Be Mine (3:00)
02. Blues Ain't Always Sad (3:41)
03. A Few Things (4:05)
04. Blues House Party (4:41)
05. Love Is On The Move (4:59)
06. Old Trusted Friend (4:14)
07. Show Time Blues (4:00)
08. Smoke Drink And Dance (3:13)
09. Hardboiled (3:10)
10. Can You Hear Me Knocking (3:34)
11. When I'm In Love (2:54)

JB & THE HÜGGELI, the artist formerly known as "Det Hyggelige Blues Band". Chicago and Texas style blues music provided by trio, quartet or quintet.

Jesper Bjarnesen: Singer and guitarist from Horsens. Has sung and played the blues for 35 years, - in the 80s in the White Shirt Blues Band which was part of the Aarhus blues community in that decade. In the 90s I Shotgun Wedding, later Shotgone, which was a nationwide blues-rock band with 2 CD releases, and which also consisted of guitarist Henrik Skriver, who Jesper Bjarnesen has made the 10s join Skriver Bjarnesen Band , who in the usual blues-rocket style has released the CD "Nothing But Love". Jesper Bjarnesen has also recorded and toured with Kluvers Big Band, - the current Aarhus Jazz Orchestra. JB & The Hüggeli cultivates the more pure Chicago and Texas blues, and presents in addition to a distinctive and strong vocal, also an experienced guitarist with a personal expression.

Bass and drums are in the hands of Jais K. Eriksen and Oscar M. Eriksen, respectively. They're both part of the Big O & The Blue Quarters. A hot name on the Danish blues scene, where Oscar M. Eriksen is in the vocal front, with a stack of mouth harps in the back pocket, and Jais K. Eriksen lays the solid foundation on both electric and double bass. But that's another story! Meet "JB & THE HÜGGELI" if you get the chance.

Thank You Blues MP3
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Thursday, February 25, 2021

The Nighthawks (Minus Mark) - Your Name Here

Size: 87.1 MB
Time: 36:25
File: MP3 @ 320K/s
Released: 2014
Styles: Instrumental Blues
Art: Full

01. Medium Shuffle (2:32)
02. Bossy Bounce (2:25)
03. Slow One (3:21)
04. Boogaloo (2:07)
05. Latin Flavor (1:44)
06. Chuck's Rocker (1:22)
07. Jumpin' In Gee (1:20)
08. Boogie Fever (2:12)
09. Mambo (1:49)
10. Hoochie Coochie (2:55)
11. Other Latin (1:50)
12. Just Jimmy (1:54)
13. Still Ready (3:23)
14. Sweet Soul (2:37)
15. Changing Shuffle (4:46)

15 tracks by America's favorite Blues & Roots Rock band to back YOU on blues harp or anything else!

This fun and educational play-along release features a wide variety of blues music styles like shuffles, slow blues, rhumbas, and much more! Relax in the comfort of your own living room and have lots of fun playing along with the legendary Nighthawks! You can also share the fun with friends as you trade licks back and forth!

Your Name Here MP3
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Chicago Red - In This Life

Size: 76.4 MB
Time: 32:45
File: MP3 @ 320K/s
Released: 2002/2021
Styles: Acoustic Blues
Art: Front & Back

01. Corrine Corrina (2:31)
02. Half And Half (3:02)
03. Goin To Heaven? (2:40)
04. Hot Dog With A Beef (2:03)
05. Treat Everybody Right (3:32)
06. Cipro Prescription Blues (2:39)
07. Bad Times Good Friends (4:48)
08. Nobody Knows You When You're Down And Out (2:30)
09. Steady Rollin Man (5:18)
10. In This Life (3:36)

Born in 1955 on Chicago’s Westside, Red began taking piano lessons at the age of six, switching to guitar at 12. By the time he was 15 he was playing and listening to the music of the still heady Windy City blues scene. Seeing Muddy Waters, Howlin’ Wolf and Blind Jim Brewer perform, as well as meeting Louis Armstrong as a nine year old all had a lasting impact on his life and gave him a passion for creating his own music.

In the mid ‘70s, Red moved to Las Vegas for a few years and then hitchhiked across the United States a few times, finally settling in New Orleans for awhile with occasional side trips to Houston. He visits Mexico often—where he recalls lying in the back of a pickup truck in the Mexican desert looking up at the sky on starry nights and listening to the recordings of the old bluesmen he loved such as Big Maceo, Tampa Red and Big Bill Broonzy.

Now based in Los Angeles when he’s not touring, Red enjoys playing occasional “live” radio shows on KPFK FM and KUCI FM as well as performing around Hollywood with friends like Kenny Lee Lewis (Steve Miller Band) or Max Bangwell (Robert Jr.Lockwood, B.B. King). Red is also heard internationally on the radio (BBC) London, Spain, France and Germany and had his original “Cipro Prescription Blues,” from his.

In This Life CD, played on Amy Goodman’s popular, nationally syndicated “Democracy Now” program.

As Red’s father used to say when he would take him both to the fabled Maxwell Street Market (where Red recalls hearing Blind Arvella Gray) as well as the Chicago Symphony Orchestra with Sir Georg Solti conducting— “Music is life and where there’s life there’s hope.” Words to live by.

In This Life MP3
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Joanna Connor - 4801 South Indiana Avenue

Size: 102.7 MB
Time: 43:56
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Front & Back

01. Destination (Feat. Jimmy Hall) (3:32)
02. Come Back Home (4:26)
03. Bad News (6:27)
04. I Feel So Good (3:36)
05. For The Love Of A Man (4:22)
06. Trouble Trouble (3:41)
07. Please Help (4:15)
08. Cut You Loose (4:08)
09. Part Time Love (Feat. Joe Bonamassa) (5:05)
10. It's My Time (Feat. Joe Bonamassa) (4:18)

Singer, songwriter and Blues slide guitarist, Joanna Connors new album is produced by Joe Bonamassa and Josh Smith and sees the Blues mistress pouring emotion and energy into every song found here.

Bonamassa, alongside Smith, keys player Reese Wynans (Stevie Ray Vaughan), bassist Cavin Turner, and drummer Lemar help Connor cast her Blues spell.

Her unique writing and playing style gives Blues music a new and exciting edge.

The album name comes from the legendary Chicago blues club, Theresa’s Lounge, an infamous place where Blues players came from all around to play.

First track, `Destination’ was originally performed by The Assassins, sees Connor raising hell with fiery guitar playing and a powerful, dominant vocal that means business.

Come Back Home’ takes on a real vintage feel, resplendent with honky tonk piano from Wynans and Connors distorted vocal tone and wailing blues lines. This is back to basics Blues at its very best.

As the bell tolls for Luther Allison’s `Bad News’ you just know this track is going to be amazing. Emotional slide guitar playing vies for centre stage against Connors evocative vocal delivery that oozes power and intensity.

A fast paced, rollercoaster boogie pounds along in the shape of `I Feel So Good’ as speedy licks leap off the fretboard only to be followed by zippy bottleneck work. Guitar lover’s heaven sits right here!

Taking a more modern feel onboard comes `For The Love Of A Man’ which drives along like a freight train and showcases just how much talent is contained in this band.

Trouble Trouble’ pours out its soulful blues next as it swings along and encompasses a gritty mean n moody vocal that is oh so good.

A deep bass line pounds out the path for `Cut You Loose’ pushing near to the Blue Rock boundary as everything thickens up and kicks ass. Things clam down as the smooth `Part Time Love’ seduces with tasty Sax parts sweet talking with the Hammond organ and Connor’s blistering vocal.

The album finishes with `It’s My Time’, a totally different track with slightly psychedelic drum patterns, a sixties sounding vocal vibe and slow pace which lets Connor’s slide guitar mastery take centre stage.

Joanna Connor has truly hit the bullseye here. Surrounding herself with world class musicians, she has created a masterpiece which takes the Blues at grassroots level and redefines it into an emotional, powerful monster of an album that confirms Connor’s place in the halls of the Blues elite. This is destined to be a future classic. ~Paul Sabin

4801 South Indiana Avenue MP3
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Otis Rush & Friends - Live At Montreux 1986

Size: 126.1 MB
Time: 53:59
File: MP3 @ 320K/s
Released: 2006
Styles: Chicago Blues
Art: Full

01. Tops (4:39)
02. Natural Ball (5:37)
03. Right Place, Wrong Time (6:09)
04. Mean Old World (5:18)
05. You Don't Love Me (3:45)
06. Crosscut Saw (With Eric Clapton) (7:04)
07. Double Trouble (With Eric Clapton) (5:11)
08. All Your Love (I Missing Loving) (With Eric Clapton) (7:07)
09. Everyday I Have The Blues (With Eric Clapton & Luther Allison) (9:07)

Southpaw guitarist Otis Rush made his debut in 1956 with a cover of Willie Dixon?s "I Can?t Quit You Baby", charting his first Top Ten R&B hit. Over the course of his 50-year career, Rush has established himself as one of the premiere bluesmen on the Chicago circuit.

Often credited with being one of the architects of the West side guitar style, Rush?s esteemed status as a prime Chicago innovator is eternally assured by his trademark sound. Blues fans have said that his combination of ringing, vibrato-enhanced guitar work with an intense vocal delivery is powerful enough to force the hair on the backs of their necks upwards in silent salute.

Otis Rush Live At Montreux 1986 features the Chicago blues legend at his spine-tingling best. For his first appearance at the Montreux Festival, Rush is joined on stage by fellow blues stars Eric Clapton and Luther Allison for a truly special show. The CD features nearly an hour-and-a-half of performances of Rush classics, including "All Your Love (I Miss Loving)", "Double Trouble" and many more.

Live At Montreux 1986 MP3
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Curtis Salgado - Damage Control

Size: 119.7 MB
Time: 51:28
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Full

01. The Longer That I Live (3:51)
02. What Did Me In Did Me Well (4:25)
03. You're Going To Miss My Sorry Ass (4:09)
04. Precious Time (4:02)
05. Count Of Three (3:35)
06. Always Say I Love You (At The End Of Your Goodbyes) (4:03)
07. Hail Mighty Caesar (4:16)
08. I Don't Do That No More (3:43)
09. Oh For The Cry Eye (3:33)
10. Damage Control (4:03)
11. Truth Be Told (3:15)
12. The Fix Is In (5:00)
13. Slow Down (3:26)

Salgado does on Damage Control what Salgado does best. He reaches into into his multi-genre bag of tricks bringing out the best in blues, soul, rock, and more. His vocals weave, bob and soar, at times jabbing with nuance, and then striking with unlimited power; from the singer-songwriter vibe of “Precious Time” to the 50s sock hop feel of “Count to Three.”

Damage Control is no fly-by-night release. The album was well-planned and exceptionally executed. Produced by Salgado it was recorded in three studios with three different groups of musicians, featuring some of the very best players in the business. At Nashville, Tennessee’s Rock House Recording, top-notch support included guitarist George Marinelli (Bonnie Raitt), keyboardist Kevin McKendree (Brian Setzer, Delbert McClinton, Tinsley Ellis), singer Wendy Moton (Buddy Guy, Eric Clapton) and special guest Cajun accordionist and vocalist Wayne Toups. At Studio City, California’s Ultratone Studios, guitarist/bassist Johnny Lee Schell (Otis Rush, B.B. King, Bonnie Raitt), pianists Mike Finnigan (Jimi Hendrix, Paul Simon) and Jim Pugh (B.B. King, Etta James, Robert Cray), drummer Tony Braunagel (B.B. King, Bonnie Raitt) brought the goods. And at Greaseland in San Jose, California, guitarist/bassist Kid Andersen (Rick Estrin, Charlie Musselwhite), bassist Jerry Jemmott (B.B. King, Aretha Franklin) and drummer Kevin Hays (Robert Cray) added their fuel to the fire.

Born in 1954, Salgado grew up in Eugene, Oregon with music all around him. He attended a Count Basie performance when he was 13 and decided then and there that music was his calling. After getting his hands on a harmonica, Curtis began devouring the blues of Little Walter and Paul Butterfield, and taught himself to play.

By his early 20s he was already making a name for himself in Eugene, Oregon’s bar scene, first as the vocalist/harmonica player of The Nighthawks, and later as co-leader of The Robert Cray Band. After Salgado and Cray parted ways in 1982, Curtis went on to front Roomful Of Blues, singing and touring with them from 1984 through 1986. Back home in Oregon, he formed a new band, Curtis Salgado & The Stilettos, and was once again tearing it up on the club scene, and opening for the Steve Miller Band in 1992. In 1995, he spent a short stint as the lead singer for Santana. All the while Curtis was honing his craft, and writing original songs.

Curtis’ passionate and insightful songwriting shines through on 12 of the 13 tracks. The only cover on Damage Control is the diametrically titled “Slow Down,” a Larry Williams hit previously covered by The Beatles. This hard-charger closes the album, leaving the listener breathless and wanting more.

Other standouts on the release include the blues story-telling of “The Fix is In,” the Cajun flavored “Truth Be Told,” the autobiographical “I Don’t Do That No More,” and the mid-paced title track of which Salgado says,”“Life is all about damage control…trouble and then some. It’s about dealing with what gets thrown at you and saying, ‘I ain’t finished yet.’”

For all of his successes, Salgado is no stranger to adversity. During his career, he has overcome multiple health challenges, battling back from liver cancer in 2006 and lung cancer in 2008 and 2012. In March 2017 he underwent quadruple bypass surgery. He’s not only come back stronger, he’s become one of the genre’s most prolific songwriters, shining that brilliant light on this album.

Curtis Salgado is the personification of grace under pressure. Taking everything that life can hand him and throwing it back like a World Series pitcher, he’s powered forward, performing his personal Damage Control. “I want people to relate to the songs,” he says. “You can dance to it but the words have to carry the weight. I know if a song hits me, it’ll hit others just as hard.” ~JD Nash

Damage Control MP3
Damage Control FLAC

Jay McShann - The Last Of The Blue Devils

Size: 108,9 MB
Time: 46:59
File: MP3 @ 320K/s
Released: 1978/2006
Styles: Piano blues, jazzy blues
Art: Full

1. Confessin' The Blues (4:45)
2. 'Tain't Nobody's Bizness If I Do (7:02)
3. Hootie Blues (4:32)
4. Blue Devil Jump (3:28)
5. My Chile (4:18)
6. Jumpin' At The Woodside (4:39)
7. Just For You (5:40)
8. Hot Biscuits (3:29)
9. 'Fore Day Rider (4:10)
10. Kansas City (4:54)

When Charlie Parker first came to New York in 1942, he was a sideman in Jay McShann's big band. Every jazz fan knows what happened after that - Parker changed the world and McShann became a footnote in Parker's biography. That's too bad, and not just for him; if the 1978 session remastered and reissued on this disc is anything to go by, McShann had much more to offer the world than his role as caregiver to the inventor of bebop.

Leading an all-star cast that includes saxophonist Paul Quinichette, the ubiquitous Milt Hinton on bass, and a young, up-and-coming guitarist named John Scofield, McShann teaches an entire course on the history of blues-based jazz, going from his own "Confessin' the Blues" through "Hootie Blues" (which he co-wrote with Parker and Walter Brown) and an intensely swinging version of Count Basie's "Jumpin' at the Woodside." He goes off on a welcome tangent with Pete Johnson's sweet stride ballad "Just for You" and comes on home with the boogie-woogie composition "'Fore Day Rider" and Leiber and Stoller's "Kansas City." Highly recommended. /Rick Anderson, AllMusic

(For personnel details, see artwork included.)

The Last Of The Blue Devils mc
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Veronica Lewis - You Ain't Unlucky

Size: 76,5 MB
Time: 32:55
File: MP3 @ 320K/s
Released: 2021
Styles: Blues, piano blues
Art: Front

1. You Ain't Unlucky (4:50)
2. Clarksdale Sun (4:28)
3. Put Your Wig On Mama (4:36)
4. Is You Is My Baby (5:31)
5. Fool Me Twice (3:25)
6. Whoo Whee Sweet Daddy (3:21)
7. Ode To Jerry Lee (2:36)
8. The Memphis Train (4:04)

It’s not every day, nor even every decade, that the blues world gets churned up by a talented, spirited newcomer such as pianist and singer-songwriter Veronica Lewis. At the frighteningly young age of seventeen, she has already scooped a cabinet-full of awards, including “Blues Artist of The Year” at the Boston Music Awards. Lewis has also toured extensively, performing at packed venues and festivals across the country, featuring in the National Women In Blues Showcase, and opening for the likes of Roomful of Blues and Eric Gales.

You Ain’t Unlucky, her debut album, gives us six Veronica Lewis originals and two covers, most of which showcase Lewis in a trio with drums and sax. “In difficult times, sometimes all you can control is how you look at things,” Lewis is quoted as saying. It’s a remarkably mature sentiment, the wisdom of which makes You Ain’t Unlucky a fascinating prospect.

Even without taking into account how early we are into what will surely be a long and celebrated career, You Ain’t Unlucky delivers a masterful set of high-energy rocking blues, from an artist of prodigious talent. You owe it to yourself to check it out. /Chris Wheatley

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Monday, February 22, 2021

Jose Luis Pardo - As The Years Go Passing By

Size: 163,6 MB
Time: 70:58
File: MP3 @ 320K/s
Released: 2008
Styles: Electric blues
Art: Front

1. Dame Tu Amor (Entonces Puedo Seguir) (3:36)
2. My Eyes Keep Me In Trouble (4:08)
3. Phone Booth (4:25)
4. Crosseyed Cat (4:37)
5. Like A Rolling Stone (4:45)
6. Hey Joe (3:23)
7. If You Love Me Like You Say (3:35)
8. I'll Be Your Baby Tonight (5:14)
9. Mary Had A Little Lamb (2:53)
10. Blues Para Mi Guitarra (4:59)
11. Shake For Me (3:12)
12. Amazing Grace (2:30)
13. Rock Me Baby (5:08)
14. The Hucklebuck (7:02)
15. As The Years Go Passing By (11:24)

Jose Luis Pardo is one of a handful of young artists born and raised outside the standard blues Meccas and who still has proven to be one of the best and most outstanding guitarists of the world scene. He is a living proof that you dont need to be born in North America to understand and feel the blues and make it your own. During the last five years, Argentine guitar blues singer, guitarist and composer Jose Luis Pardo has performed in the most important blues festivals of half of the world, earning a well deserved reputation as one of the most important and attractive blues acts in the international blues circuit.

In April 2007, he played the Jacksonville Blues Festival in USA where, after his set, he was specially asked to sit in with the legendary Muddy Waters Band to close the festival. He was the only non-american act at the festival. In July 2007, he was the great revelation of Blues Cazorla, Spain's most important festival and one of Europes finest. In January 2008, he was the leader of the Southamerican Band, in the Festival de Blues de Santiago de Chile, the most important blues festival of South America. Pardo was the only guitar player of all South America at that Festival, and he would repeat in Cazorla the following year.

The talented 29 year old musician, has already toured Memphis, Chicago, New York, Florida, Argentina, Brazil, Chile, Spain, Portugal, France, Colombia, Mexico and a numoerous other countries. He has three CDs and one DVD pusblished and he is one of the privileged guitar players from South America endorsed by legendary guitar company, Gibson.

Jose Luis Pardo was born in Buenos Aires, March 17, 1981. Altough nobody in his family was a musician, he was always surrounded by music. First influences would be Michael Jackson, The Beatles and Europe. As Pardo says: "One night, I was about ten years old, I found myself playing imaginary guitar with a broomstick to a Brian May solo for about two hours, same solo. It was late at night but it was so intense that I had to wake my mother up. I knew that was it, that was what I wanted". He started studying guitar the following day. However, he would be a self taught musician as he quit guitar lessons one year later. At the age of 16, he started playing in the pubs and blues clubs of his hometown. This was the beginning of a journey that would later take him to the best blues spots in the world.

As The Years Go Passing By mc
As The Years Go Passing By zippy

Various Artists - New Breed R&B: Saturday Night Special

Year: 2020
Bitrate: MP3@320K/s
Time: 55:05
Size: 128,3 MB
Styles: R&B, soul
Scans: Full

1. Aaron Collins & The Teen Queens - Every Saturday Night (2:54)
2. The Corvairs - I'll Never Do It Again (1:58)
3. Prince Conley - Ain't That Good (2:07)
4. Rob Robinson - Compact Baby (1:56)
5. Esko Wallace - Triple Zero (2:18)
6. Freddie Williams - Purty Li'l Mama (2:40)
7. Margaret Lewis - Somethin's Wrong Baby (2:05)
8. Flora D - Way Out Baby (2:34)
9. Slim & The Twilites - Family Man (2:08)
10. Big Charley & The Domans - You're Gonna Need Me (2:03)
11. Johnny 'Guitar' Watson - Wait A Minute Baby (2:05)
12. King Solomon - Almost Midnight (2:52)
13. The Lon-Genes - Show Me How To Shake Like That (3:03)
14. Gay Meadows - Head Doctor (2:09)
15. Pee Wee Foster - You Can Be My Honey (1:48)
16. Pat Garvis - Turn The Lamps Down Low (2:20)
17. The Tren-Teens - Your Yah-Yah Is Gone (2:01)
18. Jarvis Jackson - The Long John (1:30)
19. Sterling Magee - Tighten Up & Pull Yourself Together (2:00)
20. Johnny Talbot - Satisfied (2:41)
21. Tony Clarke - Love Must Be Taboo (2:43)
22. JD Wright & The Metallics - I'll Conquer The World (2:23)
23. Little Macey & The Valiants - Walking The Track (2:32)
24. Curly Mays - I'm Walkin' On (2:03)

New Breed is back with a historical bang. The opening track and title inspiration is Aaron Collins & the Teen Queens’ ‘Every Saturday Night’. Its R&B pedigree is inestimable; Collins was a member of Los Angeles vocal group the Flairs/Flares and wrote songs for Z.Z. Hill, Jackie Day, Cookie Jackson and others. Ray Charles recorded his ‘Every Saturday Night’ for ABC in 1972. The Modern tape vaults have given up this original 1966 R&B take of the song with Collins and his sisters, the Teen Queens, performing at their best – all the more remarkable as Rosie and Betty had not recorded since 1962 and it was to be their last session, both dying tragically a few years later.

More unissued beauties come from East Coast outfit the Corvairs with ‘I’ll Never Do It Again’, ‘Satisfied’ by Oakland’s funky bluesman Johnny Talbot, Gay Meadows’ Atlanta-recorded ‘Head Doctor’, and gems by obscure Ohio R&B outfits Pee Wee Foster, Little Macey & the Valiants and Big Charley & the Domans. Rare 45s come in the shape of Curly Mays’ ‘I’m Walkin’ On’, Pat Garvis’ ‘Turn Your Lamp Down Low’, ‘Triple Zero’ by Esko Wallace and ‘Your Yah-Yah Is Gone’ by New Jersey girl group the Tren-Teens. There are tracks from Ace CDs that went largely undiscovered by the New Breed crowd from Prince Conley, the Lon-Genes and Rob Robinson.

Other highlights include the very recently discovered Freddie Williams track ‘Purty Little Mama’ recorded for Norman Petty in New York, Slim & the Twilights’ New Orleans-sounding ‘Family Man’ and Tony Clarke’s early Detroit rocker ‘Love Must Be Taboo’, all presented digitally from master tape for the first time. The booklet features stunning photos of Margaret Lewis, Flora D, the Metallics, Rob Robinson and Johnny “Guitar” Watson, along with some fax ’n’ info for the serious Breeder. /Ady Croasdell

(For more detailed information, see artwork included.)

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Sandra Hall - American Roots: Blues

Size: 103.6 MB
Time: 43:50
File: MP3 @ 320K/s
Released: 2002
Styles: Electric Blues
Art: Full

01. I Need To Love You (5:24)
02. I Got The Will (3:04)
03. I Miss You So (3:32)
04. Stop Trying To Run My Life (4:45)
05. I Wanna See What You Say (4:23)
06. Pump Up Your Love (3:58)
07. Boogie Woogie Fever (3:26)
08. One Drop Will Do You (2:42)
09. Party At My House (2:56)
10. My Henhouse (3:44)
11. Use What You Got (4:57)
12. Thank You Jesus (0:54)

b. c. 1948, Atlanta, Georgia, USA. Hall sang from very early childhood, singing not only in church but also performing for admiring customers at her grandmother’s fish fry. From the age of 12 she sang in a duo, the Soul Sisters, with her sister Barbara Hall. From the mid-60s she sang and danced with the Exotic, a female group that sometimes opened for touring blues and soul artists visiting Atlanta, in particular at the Royal Peacock, one of the city’s leading nightclubs. Later, Hall worked as a nurse in Atlanta, singing part time, and she also raised her daughter. Reportedly, Hall also performed as a go-go dancer and stripper and if true, this element of her past might account for the emergence in her live performances of vibrant and sensual undercurrents. Unafraid to offer highly charged songs that are replete with innuendo, if not outright sexuality, Hall is perhaps best caught live although her recordings retain some of that same earthy drive.

Hall began recording in the mid-70s and successfully blended earthy blues with soaring soul. Any blues singer who takes as her billing the accolade, ‘Empress of the Blues’, has a lot to live up to and if Hall is no Bessie Smith then she is certainly worthy of a wider audience than has so far been hers although she has visited Europe where she attracted attention from fans and critics alike in Switzerland, where she sang at the Montreux Festival, Germany, the Netherlands and Italy. Songs in her repertoire include ‘Pump Up Your Love’, ‘Ball And Chain’, ‘I Got Everything I Need’, ‘One Drop Will Do You’, ‘Find You A Job’, ‘Use What You Got’ and ‘Big Long Slidin’ Thing’. In 2005 she appeared at the W.C. Handy Blues and Barbecue Festival. Hall is a friend and mentor to newcomers such as Shemekia Copeland. In addition to performing, Hall also visits schools in the south, talking about the culture of the blues and teaching blues singing. ~AMG

American Roots: Blues MP3
American Roots: Blues FLAC

Guitar Shorty - Rare And Live

Size: 210.3 MB
Time: 90:43
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Front

01. Shorty's Theme (Live) ( 7:37)
02. Papa's Got A Brand New Bag (Live) ( 5:20)
03. Billie Jean Blues ( 2:11)
04. Never Make A Move Too Soon (Live) (10:15)
05. Hard Life Blues (Live) ( 2:33)
06. How Blue Can You Get (Live) (10:40)
07. How Come My Dog Don't Bark (When You Come Round) ( 5:15)
08. History Of Jody (Live) (13:36)
09. Bump The Donkey ( 5:27)
10. A Whole Lot Of Lovin' (Live) (10:24)
11. Hey Joe (Live) ( 6:00)
12. Shorty's Theme (Part 2) (Live) (11:20)

Legendary guitarist/vocalist Guitar Shorty is a giant in the blues world. Credited with influencing both Jimi Hendrix and Buddy Guy, Guitar Shorty has been electrifying audiences for five decades with his supercharged live shows and his incendiary recordings.

Like a bare knuckled boxer, Shorty strikes with his blistering, physical guitar playing and his fierce vocals, connecting directly with body and soul. What really sets Shorty apart is his absolutely unpredictable, off-the-wall guitar playing. He reaches for sounds, riffs and licks that other blues players wouldn't even think of. Amazon.com says his guitar work "sounds like a caged tiger before feeding time. His molten guitar pours his psychedelicized solos like lava over anything in his path." The Chicago Reader declares, "Guitar Shorty is a battle-scarred hard-ass. He slices off his phrases and notes with homicidal fury. He is among the highest-energy blues entertainers on the scene."

Through the years, Shorty has performed with blues and R&B luminaries like Ray Charles, Sam Cooke, B.B. King, Guitar Slim and T-Bone Walker. He started playing with these legends while still in his teens and recorded a handful of singles for a variety of labels and an obscure LP during the first 30 years of his career. After decades of paying his dues (like so many unheralded American bluesmen), it took a tour of England to establish Shorty's fame in his home country. His recordings since then all received massive critical acclaim, and his renowned live performances have kept him constantly in demand all over the world. His 2004 Alligator Records debut, Watch Your Back, became his best-received, best-selling album to date. His 2006 follow-up, We The People, won the coveted Blues Music Award for Best Contemporary Blues Album Of The Year.

Rare And Live MP3
Rare And Live FLAC

John Nemeth & The Jacks - The Jack Of Harps

Size: 92.4 MB
Time: 39:31
File: MP3 @ 320K/s
Released: 2002
Styles: Electric Blues, Harmonica Blues
Art: Full

01. Mother In Law Blues (3:14)
02. Nothin's Too Good For My Baby (5:03)
03. Late Night Hour (4:25)
04. Love Zombie (4:17)
05. Up To No Good (3:46)
06. Wake Up Baby (4:31)
07. Time Won't Wait (3:19)
08. Fetch That Wood (4:03)
09. Every Night 'Bout This Time (3:44)
10. Grizzly Bear Blues (3:06)

Born in 1975 in Idaho, John Németh grew up in Boise, where his first exposure to music was singing in the Catholic Church. He branched out from there, though, and was playing in local bands as a teenager. He was 17 when a friend, Tom Moore, exposed him to the blues, and together they formed Fat John & the 3 Slims, which is still regarded as a legendary band in the Boise region. Németh began playing with the Junior Watson Band in 2002 as well as gigging with his own band, the Jacks. A vocalist with great range, ability, and soulfulness, Németh had also developed into a top-notch blues harmonica player, which led to a spot with Anson Funderburgh & the Rockets, where he filled in for the great Sam Myers. A self-released album with the Jacks, The Jack of Harps, appeared in 2002, followed by a second self-release, Come and Get It (which featured the Junior Watson Band) in 2004. That same year, Németh left Boise and relocated to San Francisco. In 2006, he signed with Blind Pig Records, which released Magic Touch (produced by Anson Funderburgh and featuring Junior Watson on guitar) in 2007. Name the Day!, also on Blind Pig, followed in 2010. The Scott Bomar-produced Memphis Grease, recorded in Bomar's Electraphonic Studio in Memphis with the Bo-Keys, arrived early in 2014. In 2017, he returned with his ninth album, the Luther Dickinson-produced Feelin' Freaky, recorded with his backing band the Blue Dreamers. ~Steve LeggettSandra Hall - American Roots: Blues

The Jack Of Harps MP3
The Jack Of Harps FLAC

Uncle Albert - Slip In Time

Size: 83.0 MB
Time: 35:36
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Front

01. No More Roses (3:04)
02. In The Middle Of The Night (3:33)
03. Who's Cryin' Now (3:10)
04. Telephone (3:43)
05. Slip In Time (2:50)
06. Ain't That A... (4:06)
07. That's Why (4:22)
08. Big Town Playboy (2:45)
09. The River (4:39)
10. Time's Too Short (3:19)

Personnel:
Tim Albert - guitar & vocals
Lisa Campbell - keyboards & vocals
Jon Crofton - bass & vocals
Steve Strayhorn - drums

UNCLE ALBERT was started in 1991 by Tim Albert and has steadily grown in popularity in the St.Louis, Mo. region. The band has been busy spreading their music around the world. Playing 150 / 200 shows a year, in the U.S., including two tours of Europe 1997 & 1999. With growing popularity Uncle Albert has steadily ranked among the top blues bands in St. Louis and the tri-state region.

Slip In Time MP3
Slip In Time FLAC

Bruce Maxwell-Smith - Burning Down The Blues

Size: 97.4 MB
Time: 42:04
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Rock
Art: Front

01. Long Long Time (4:18)
02. Same Old Blues (2:57)
03. Roll It Right Back (4:01)
04. Hansome Man (3:38)
05. Make The Poor Boy Cry (3:39)
06. Two More Days (3:16)
07. All The Way Down The Line (5:02)
08. Mean Town Blues (2:55)
09. Call Her Sugar (3:15)
10. Treat You Right (3:48)
11. White House (5:09)

Any info will be welcome.

Burning Down The Blues MP3
Burning Down The Blues FLAC

Friday, February 19, 2021

J.B. Hutto - High & Lonesome

Size: 125,7 MB
Time: 54:29
File: MP3 @ 320K/s
Released: 1992
Styles: Blues
Art: Full

1. High & Lonesome (4:27)
2. J.B.'s Boogie (4:19)
3. Feel So Good (5:28)
4. Too Much Alcohol (4:23)
5. Hide And Seek (5:28)
6. Laundromat Blues (6:47)
7. Coo Coo Baby (4:39)
8. Walking The Dog (9:07)
9. Come Back Baby (5:14)
10. Kansas City (4:33)

J.B. Hutto - along with Hound Dog Taylor - was one of the last great slide guitar disciples of Elmore James to make it into the modern age. Hutto's huge voice, largely incomprehensible diction, and slash-and-burn playing was Chicago blues with a fierce, raw edge all its own. He entered the world of music back home in Augusta, GA, singing in the family-oriented group the Golden Crowns Gospel Singers. He came north to Chicago in the mid-'40s, teaching himself guitar and eventually landing his first paying job as a member of Johnny Ferguson & His Twisters.

His recording career started in 1954 with two sessions for the Chance label supported by his original combo the Hawks (featuring George Mayweather on harmonica, Porkchop Hines on washboard traps, and Joe Custom on rhythm guitar), resulting in six of the nine songs recorded being issued as singles to scant acclaim. After breaking up the original band, Hutto worked outside of music for a good decade, part of it spent sweeping out a funeral parlor! He resurfaced around 1964 with a stripped-down version of the Hawks with two guitars and drums but no bass, working regularly at Turner's Blue Lounge and recording blistering new sides for the first time in as many years.

From there, he never looked back and once again became a full-time bluesman. For the next 12 years Hutto gigged and recorded with various groups of musicians - always billed as the Hawks - working with electric bass players for the first time and recording for small labels, both in the U.S. and overseas. After fellow slide man Hound Dog Taylor's death in 1976, J.B. "inherited" his backup band, the Houserockers. Although never formally recorded in a studio, this short-lived collaboration of Hutto with guitarist Brewer Phillips and drummer Ted Harvey produced live shows that would musically careen in a single performance from smolderingly intense to utter chaos.

Within a year, Hutto would be lured to Boston, where he put together a mixed group of "New Hawks," recording and touring America and Europe right up until his death in the mid-'80s. Hutto was an incredibly dynamic live performer, dressed in hot pink suits with headgear ranging from a shriner's fez to high-plains drifters' hats, snaking through the crowd and dancing on tabletops with his 50-foot guitar cord stretched to the max. And this good-time approach to the music held sway on his recordings as well, giving a loose, barroom feel to almost all of them, regardless of who was backing him. /Biography by Cub Koda, AllMusic

(For personnel details, see artwork included.)

High & Lonesome mc
High & Lonesome zippy

Johnny Copeland - Honky Tonkin'

Size: 108,4 MB
Time: 46:54
File: MP3 @ 320K/s
Released: 1999
Styles: Blues, soul-blues
Art: Full

1. Houston (3:34)
2. Cut Off My Right Arm (4:06)
3. Down On Bended Knee (3:26)
4. Make My Home Where I Hang My Hat (4:05)
5. Don't Stop By The Creek, Son (3:25)
6. Everybody Wants A Piece Of Me (2:56)
7. Devil's Hand (3:07)
8. Texas Party (2:42)
9. Honky Tonkin' (5:06)
10. Blues Ain't Nothin' (3:57)
11. I Wish I Was Single (4:53)
12. Kasavubu (5:32)

Johnny Copeland was one one of the great Texas bluesmen, an accomplished guitarist and grit-voiced singer whose original songs rank among the finest in contemporary blues. This collection, drawn from his six Rounder albums, offers Johnny Copeland at his very best, from big band blues with arrangements by Ken Vangel, to the small group track "Don't Stop By The Creek, Son" (with Stevie Ray Vaughan on guitar), to "Kasavubu", the first recorded collaboration between an American bluesman and African musicians.

(For personnel details, see artwork included.)

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Jimmy Rogers - A Blues Guitar Giant

Size: 73,6 MB
Time: 31:47
File: MP3 @ 320K/s
Released: 2020
Styles: Blues
Art: Front

1. The World Is In A Tangle (2:58)
2. Back Door Friend (3:10)
3. Chicago Bound (2:41)
4. That's All Right (2:47)
5. Walking By Myself (2:48)
6. My Last Meal (3:04)
7. Goin' Away Baby (2:44)
8. Blues All Day Long (3:04)
9. My Baby Don't Love Me No More (2:18)
10. This Has Never Been (2:51)
11. Money, Marbles And Chalk (3:17)

Guitarist Jimmy Rogers was the last living connection to the groundbreaking first Chicago band of Muddy Waters (informally dubbed "the Headhunters" for their penchant of dropping by other musicians' gigs and "cutting their heads" with a superior on-stage performance). Instead of basking in world-wide veneration, he was merely a well-respected Chicago elder boasting a seminal '50s Chess Records catalog, both behind Waters and on his own.

Born James A. Lane (Rogers was his stepdad's surname), the guitarist grew up all over: Mississippi, Atlanta, West Memphis, Memphis, and St. Louis. Actually, Rogers started out on harp as a teenager. Big Bill Broonzy, Joe Willie Wilkins, and Robert Jr. Lockwood all influenced him, the latter two when he passed through Helena. Rogers settled in Chicago during the early '40s and began playing professionally around 1946, gigging with Sonny Boy Williamson, Sunnyland Slim, and Broonzy. Rogers was playing harp with guitarist Blue Smitty when Muddy Waters joined them. When Smitty split, Little Walter was welcomed into the configuration, Rogers switched over to second guitar, and the entire post-war Chicago blues genre felt the stylistic earthquake that directly followed. Rogers made his recorded debut as a leader in 1947 for the tiny Ora-Nelle logo, then saw his efforts for Regal and Apollo go unissued.

Those labels' monumental errors in judgment were the gain of Leonard Chess, who recognized the comparatively smooth-voiced Rogers' potential as a blues star in his own right. (He first played with Muddy Waters on an Aristocrat 78 in 1949 and remained his indispensable rhythm guitarist on wax into 1955.) With Walter and bassist Big Crawford laying down support, Rogers' debut Chess single in 1950, "That's All Right," has earned standard status after countless covers, but his version still reigns supreme. Rogers' artistic quality was remarkably high while at Chess. "The World Is in a Tangle," "Money, Marbles and Chalk," "Back Door Friend," "Left Me with a Broken Heart," "Act Like You Love Me," and the 1954 rockers "Sloppy Drunk" and "Chicago Bound" are essential early-'50s Chicago blues.

In 1955, Rogers left Muddy Waters to venture out as a bandleader, cutting another gem, "You're the One," for Chess. He made his only appearance on Billboard's R&B charts in early 1957 with the driving "Walking by Myself," which boasted a stunning harp solo from Big Walter Horton (a last-second stand-in for no-show Good Rockin' Charles). The tune itself was an adaptation of a T-Bone Walker tune, "Why Not," that Rogers had played rhythm guitar on when Walker cut it for Atlantic. By 1957, blues was losing favor at Chess, the label reaping the rewards of rock via Chuck Berry and Bo Diddley. Rogers' platters slowed to a trickle, though his 1959 Chess farewell, "Rock This House," ranked with his most exciting outings (Reggie Boyd's light-fingered guitar wasn't the least of its charms).

Rogers virtually retired from music for a time during the '60s, operating a Westside clothing shop that burned down in the aftermath of Dr. Martin Luther King's tragic assassination. He returned to the studio in 1972 for Leon Russell's Shelter logo, cutting his first LP, Gold-Tailed Bird (with help from the Aces and Freddie King). There were a few more fine albums - notably Ludella, a 1990 set for Antone's - but Rogers never fattened his discography nearly as much as some of his contemporaries have. Jimmy's son, Jimmy D. Lane, played rhythm guitar in his dad's band and fronts a combo of his own on the side. Rogers died December 19, 1997. At the time of his death, he was working on an all-star project featuring contributions from Eric Clapton, Taj Mahal, Robert Plant, and Jimmy Page, and Mick Jagger and Keith Richards; upon its completion, the disc was issued posthumously in early 1999 under the title Blues, Blues, Blues. /Biography by Bill Dahl, AllMusic

A Blues Guitar Giant mc
A Blues Guitar Giant zippy

Mr. B & J.C. Heard - Partners In Time

Size: 94.5 MB
Time: 40:15
File: MP3 @ 320K/s
Released: 1988
Styles: Blues
Art: Front

01. Down The Road Apiece (2:59)
02. Little Brother (4:12)
03. He May Be Your Man (2:27)
04. J.C.'s Blues (4:18)
05. Thunder & Lightning Boogie (2:16)
06. You Don't Know My Mind (4:14)
07. Texas Stomp (2:43)
08. I Can't Sleep (4:05)
09. Rock Little Baby (2:52)
10. Cow Cow Blues (2:54)
11. Wild Women (2:55)
12. Blues For The Nightowls (4:14)

Personnel: Mr. B (Mark Braun) (piano, vocals on track 8), J.C. Heard (drums, vocals on track 4), Jeanne Carroll (vocals on tracks 3,6,11), Marcus Belgrave (vocal intro on A1, trumpet on track 8), George Bedard (guitar on track 12), George Benson (tenor sax solo on track 9), Louis Barnett (tenor sax solo on tracks 1,6), Curt Kranke (upright bass on track 12), Rick Steiger (baritone sax), Johnny "T-Bone" Paxton (trombone).

Blues and boogie-woogie pianist Mark Lincoln Braun has become one of the premiere purveyors of a vanishing art. Having learned his craft first-hand from the early masters, he is a rare living link to the first generation of blues and boogie pianists. Steeped in the rich legacy of this tremendously exciting music, Mr. B learned directly from blues and boogie legends like Little Brother Montgomery, Boogie Woogie Red, and Blind John Davis. In demand for both educational programs and concert performances, he has performed coast to coast and throughout Europe, Canada, Mexico, and South America. In 2002 he was a guest artist at the Irving S. Gilmore International Keyboard Festival. He is also the organizer of the annual Mr. B's Blues and Boogie Piano Celebration that attracts major figures in the blues and jazz piano world to Ann Arbor for collaborative performances with Mr. B.

Mark Lincoln Braun was born and raised in Flint, Michigan. He gravitated to Ann Arbor in the 70s where the Blind Pig was an important venue for boogie and blues piano. While absorbing the tradition and developing his own approach, Mr. B was also listening to a variety of jazz pianists, especially those with strong blues roots such as Ray Bryant and Horace Silver. This broad range of interests enables him to feel equally at home playing boogie woogie classics with authentic fervor, and expanding the tradition into lively new settings, including jazz orchestra. Today he further promotes his art and breaks down stylistic barriers by frequently collaborating with such world renowned mainstream jazz pianists as Monty Alexander, Henry Butler, Benny Green, Ray Bryant, Sir Charles Thompson, and Junior Mance. He has appeared on numerous National Public Radio broadcasts, including “Mountain Stage,” “Good Evening,” “Our Front Porch,” “The Flea Market,” “At the Bride,” and “All Things Considered.”

Mr. B's many critically acclaimed recordings also demonstrate his breadth and originality. His most recent, for which Mr. B assembled nine noted Ann Arbor-area pianists and benefits youth in the arts and athletics, is “9 Pianists – Our Town, Our Time.” “Live at the Kerrytown Concert House” shows the solo pianist playing original takes on blues and boogie standards while “Joybox” features him stretching out on his own compositions supported by bass and drums. With legendary jazz greats J. C. Heard and Marcus Belgrave, he recorded “Partners in Time.” His recording of trios and duets (“My Sunday Best”) features the renowned be-bop drummer Roy Brooks. Mr. B's collaboration with the 15-piece Bird of Paradise Orchestra (“Hallelujah Train”) has produced an original and explosive blend of boogie, blues, and big band jazz. Most recently he has collaborated in the studio with some of today's premiere blues artists, including John Hammond (“Found True Love”), Duke Robillard (“Dangerous Place”), and Big Bill Morganfield (“Ramblin' Mind”) among many others.

Today there are not many devoted to playing boogie and blues piano. Fortunately, Mr. B's passion for showcasing and extending the tradition makes him a major exponent of an essential form of American music. As noted by Jazz News International, “ the future of blues piano is in good hands with Mr. B.”

Partners In Time (Vinyl) MP3
Partners In Time (Vinyl) FLAC

Misty Blues - None More Blues

Size: 116.0 MB
Time: 49:52
File: MP3 @ 320K/s
Released: 2021
Styles: Blues, Jazz, Funk
Art: Front

01. My One And Only (5:02)
02. I Can't Wait (4:17)
03. These Two Veils (4:10)
04. Bodega Blues (5:47)
05. Change My Luck (6:29)
06. Down In Lenox Town (2:52)
07. Ready To Play (4:12)
08. Listen (5:38)
09. Step Right Up (4:54)
10. Days Gone By (3:12)
11. Nothing To Lose (3:14)

Band founder and lead singer, Gina Coleman, entered the music scene in the early 90’s as the lead singer of the folk/rock group Cole-Connection. It wasn’t until 1999 when she played a gospel singer in the Williamstown Theatre Festival production of A Raisin In The Sun that she was steered down the path of blues. The lead actor in the production, Rubin Santiago-Hudson, told Coleman that he felt her voice was well suited to sing classic blues. This sentiment was echoed by actor/singer, Mandy Patinkin, who sought her out after seeing the opening performance of the production. After actress Gwyneth Paltrow commented on her performance, Coleman knew a musical shift was imminent. Guitarist Jason Webster and bassist Bill Patriquin from Cole-Connection were on board and thus began Misty Blues.
With a deficit of blues music in the Berkshires at the time, they felt the musical change would be well received. Misty Blues pays homage to the older blues made popular by the bold and brassy women of its time, while still paying respect to classic male artists of the 20’s, 30’s and 40’s. The band hasn’t completely abandoned their musical roots; they frequently perform classic rock and folk tunes infused with a healthy dose of the blues. Over the years, Misty Blues has produced four albums, Electric Juke Joint features classic blues renditions, Roadhouse Revival is a dance-able twist on traditional gospel music, Between The Stacks their completely original album with Charles Neville on sax, and With All Due Respect which pays homage to some of the earliest blues music ever written. The core members are Gina Coleman, Jason Webster, Bill Patriquin, Jeff Dudziak, Benny Kohn, Aaron Dean and Rob Tatten. The band has been fortunate enough to perform with some great musicians in the Berkshires and beyond including Charles Neville, of the legendary Neville Brothers, Matt Berger, and Dave Vittone.

None More Blues MP3
None More Blues FLAC

Hubert Sumlin - New York 95

Size: 144.4 MB
Time: 61:55
File: MP3 @ 320K/s
Released: 2021
Styles: Chicago Blues
Art: Front

01. Can't Say No (Feat. S.P. Leary, Calvin 'Fuzz' Jones, Eric Mingus & Elliott Sharp) (3:46)
02. Forty-Four (Feat. Dave Maxwell) (4:02)
03. East Broadway Blues (Feat. S.P. Leary, Calvin 'Fuzz' Jones & Elliott Sharp) (3:48)
04. Rollin' & Tumblin' (4:22)
05. The Soul Of A Man (3:15)
06. Baby I'm Gone (Feat. Dave Maxwell) (5:34)
07. Crawling King Snake (4:24)
08. One For Carl (Feat. S.P. Leary, Calvin 'Fuzz' Jones & Elliott Sharp) (3:48)
09. Did What I Could (Live) (5:11)
10. Everywhere I Go (Live) (5:11)
11. Have You Ever Been Down This Road (Live) (4:00)
12. My Sweet Honey (Live) (2:53)
13. Rock Me (Live) (3:29)
14. Why I'm Here (Live) (5:15)
15. You Can Do It (Live) (2:52)

A true original, the legendary Hubert Sumlin played guitar for 30 years with Howlin' Wolf - Chess Records, Muddy Waters, and others and defined a new strain of electric blues guitar as well as creating iconic hooks for many blues classics. His influence extended to such guitarists as Jimi hendrix, Jeff Beck, Eric Clapton, Jimmy Page Robbie Robertson, and many others. Hubert Sumlin: New York 95 was originally produced for Blues Planet records who released Hubert’s album Wake Up Call. Recorded in 1995 at Seltzer Sound-NYC including duo with Dave Maxwell (piano) on 2 songs; and with S.P. Leary-drums, Fuzz Jones - bass on 3 songs with the rest, Hubert Sumlin'solo' recorded in concert at Terra Blues, NYC. Long thought lost, after restoring some DAT archives, producer Sharp found the sessions and enlisted Eric Mingus to add vocals to an unfinished rhythm track yielding the opening "Can’t Say No" (with added guitar by E# on Can’t Say No, East Broadway Blues, and One For Carl.

New York 95 MP3
New York 95 FLAC

HP & His Hot Take Out Band - Keyport Live

Size: 102.7 MB
Time: 44:21
File: MP3 @ 320K/s
Released: 2021
Styles: New Orleans Blues, Zydeco
Art: Front

01. Mardi Gras In New Orleans (Live) (3:30)
02. Everytime I Turn Around (Live) (4:30)
03. Zydeco Cha Cha (Live) (5:06)
04. Love The One You're With (Live) (4:18)
05. Zydeco Mama (Live) (2:49)
06. Imagine (Live) (6:27)
07. Back In The Woods (Live) (4:41)
08. Mojo Mama (Live) (3:17)
09. I Ve Got A Woman Lovelight (Live) (7:03)
10. Baby Baby (Live) (2:35)

HOWARD PARKER - SONG SUPPLIER:
Singer/Songwriter/Guitarist HP is living proof that the Bayou can inspire a musical state of mind that reaches beyond the boundaries of N'awlins out to every corner of Americana. Together with his Hot Take-out Band HP celebrates Zydeco, Blues, Folk & Bluegrass with one voice through his songs as well as eclectic covers.

Over the years he has performed in NYC at CBGB's, Kenny's Castaways,The Bitter End,Terra Blues, Manny's Carwash and The Bottom Line. Jersey venues include The Jersey Shore Jazz & Blues Festival,The Wonder Bar (LOD), Beach Bar, Trinity & The Pope,Asbury Park Yacht Club, Blue Moon Saloon, The Ark, Bernies Roadside,Gladstone Tavern, Jon & Peters (NHPA), Triumph Brewery....and many more!

STEVE "O" NELSON - SPICERACK:
Used to work @ Nawlins very own Tippatina's!! Steve "O" formerly of SWAMPADELICA is the creator of the "Percussion Board". Has played with THe Neville Brothers, Subdudes, Radiators, Phish, Zachary Richard,and many others. A dynamic frontman and songwriter who can put a cajon spell on the audience at will. His classic edgy vocals will melt the ice in your drink.

BRUCE GASSMAN - Accordion God!:
Accordion 2 BRUCE -his love for the squeeze box began at age 9 and by the time he was 12 earned his first guest appearance as a soloist with a symphony orchestra! Having won The National Boys Club of America Music Scholarship Award he studied with Maestro Joseph Biviano of NYC.

At 15 Bruce became the youngest member of The Accordion Symphony Society of NY performing with the immortal Charles Magnante at The Singer Bowl at the New York Worlds Fair.

As his facial hair began to come in he toured the mid-western US with The Escorts and Doc & The MD's. When he returned to Jersey his hands and feet slipped into a Hammond B3 and Fender Rhodes rippin up the Jersey Shore rock scene at many area clubs including The Pandemonium, The Student Prince and The Upstage...jammin with heroes James Cotton & BB King as well as then locals Bruce Springsteen and Southside Johnny.
After taking important time off to raise a family...fast forward to 2008. Bruce became the first Accordionist ever to perform with Holiday Express; a group of 100 professional musicians and 1500 volunteers who from Thanksgiving till Christmas bring the gift of human kindness to those less fortunate.

After Hurricane Sandy Bruce was a guest performer at "The Restore The Shore" benefit concert, the official charity formed by Nj Governor Chris Christie to help those in need.

In 2013 Bruce joined HP & His Hot Take-out Band bringing every color of his musical rainbow with him. We are proud to call him our brother & friend both on and off the road.

Keyport Live MP3
Keyport Live FLAC