Wednesday, January 31, 2018

John O'Leary, Dr. Project Point Blank Blues Band - As Blue As I Can Be

Bitrate: MP3@320K/s
Time: 52:54
Size: 121.1 MB
Styles: Electric blues, Harmonica blues
Year: 2002
Art: Front

[3:37] 1. Give Me A Reason
[4:02] 2. Ain't Gonna Call
[8:07] 3. 19 Years Old
[3:41] 4. Roadhouse Man
[2:44] 5. Downtown Walk
[3:35] 6. Say What You Mean
[9:39] 7. Drinkin' Again
[5:35] 8. Blues Train
[5:53] 9. Freedom Road
[5:45] 10. Divin' Duck
[0:10] 11. Ha, Ha

Finally it happened! One of the true blue blues legends recorded a CD in Yugoslavia, in our studio, with our backing band and released it on our label. That legend is Mr. John O’Leary of Savoy Brown, The John Dummer Blues Band, Sweet Pain, and Mainsqueeze fame; the CD is “As Blue As I Can Be”, the band is Pointblank, the studio is Focus and the label is ITMM. In the middle of March, John and the band played two promotional gigs in our country during John’s all to brief visit. In Belgrade, he played The Bitef Art Café and in Senta, a city near the Hungarian border, he played The Mojo Club. I was lucky on both occasions to share the energy, the emotion and a lot of great blues moments which were exchanged between the musicians and audiences in these packed clubs. John and the band took advantage of not having too many rehearsals, they were relaxed, they improvised, but at the same time we all had the impression that they had known each other for a long time. The evening’s programme was based on their CD material, John’s and Dr’s (Pointblank’s guitar player and leader) originals which were carefully mixed with inspired covers of some great blues standards (among them, I would like to mention Sleepy John Estes’s “Divin’ Duck Blues”).

The greatest news brought to us by the CD was, of course, John’s singing. He had spent many years with great vocalists ( Dave & Joanne Kelly, Tony McPhee, Victor Brow, etc) which is probably why it took so long for him to decide to start singing. From what we have heard on the CD and at gigs, it seems that he has picked the right moment. Great emotional delivery is the main characteristic of John’s voice and it is perfectly suited to his powerful and colourful harp playing. Pointblank backed him with respect and feeling, but John gave them enough spaceto prove themselves as the seasoned blues musicians they are.

The audiences at both gigs showed great enthusiasm, and at all times were willing participants in the events, which I am sure, inspired and willed the band to finish these gigs in triumph. When the stage lights finally went dark, all of us had the feeling that we had been part of something really big and were hoping it will not be long before we see John and Pointblank together again!…. ~Valdislav Pejak, Radio Index, Belgrade

As Blue As I Can Be mc
As Blue As I Can Be zippy

Millertime Boogie Band - 2 albums: California Nights / Hands Off!

Album: California Nights
Bitrate: MP3@320K/s
Time: 39:51
Size: 91.2 MB
Styles: Urban blues, R&B, Retro soul
Year: 2016
Art: Front

[4:11] 1. Somebody To Love
[4:08] 2. Once You Got It
[4:52] 3. Pushing Me On
[3:12] 4. Loretta
[5:17] 5. She's A Lover
[3:45] 6. Be With You
[3:18] 7. One Fine Day
[3:18] 8. Faking
[3:18] 9. Get The Feeling
[4:27] 10. Computer Girl

Rockin' Robin with his brother Curt, laying down that distinct soulful/rasta west coast groove.

California Nights mc
California Nights zippy

Album: Hands Off!
Bitrate: MP3@320K/s
Time: 42:55
Size: 98.3 MB
Styles: Electric blues
Year: 1998/2011
Art: Front

[4:12] 1. Hands Off Her
[3:48] 2. Baby Why
[3:29] 3. Another Man
[5:03] 4. Everybody's Got The Blues
[3:55] 5. Boogie All Night
[4:03] 6. One Step Ahead
[5:05] 7. Highway Home
[5:05] 8. Small Town Blues
[4:07] 9. Big Trucks
[4:03] 10. Hustle Is On

Introducing Millertime Boogie, a Southern California based band with considerable experience providing live music in various formats.

Robin Miller - Guitar & Vocals: Robin formed the Original Millertime Boogie as a band that loves to please the crowd. Robin is versatile in many styles: Rock, R&B, blues, surf, country and latin; Brian Cram - Bass, Vocals & Guitar: Brian is known for melodic bass lines, vocals and his comedic approach to music; Greg Mendoza - Drums: Playing drums has always been Greg's biggest passion, and he is still expanding his musical horizons. Solid timing and infectious groove are his hallmarks. Steve Long - Keyboards & Vocals: Comfortable in many styles, a very nice complement to Millertime Boogie; Tom Dennigan - Trumpet, Vocals & Percussion: His trumpet brings the party to the Blues, R&B and Latin jazz shows.

Hands Off! mc
Hands Off! zippy

Tuesday, January 30, 2018

Th' Legendary Shack-Shakers - Swampblood

Bitrate: MP3@320K/s
Time: 32:42
Size: 74.9 MB
Styles: Swamp blues
Year: 2007
Art: Front

[0:34] 1. Dawn
[3:47] 2. Old Spur Line
[2:13] 3. Hellwater
[2:15] 4. Eastern Flesh
[3:10] 5. Swampblood
[0:16] 6. Dusk
[1:36] 7. Cheat The Hangman
[2:18] 8. Born Again Again
[2:47] 9. The Deadenin'
[3:11] 10. Down And Out
[2:39] 11. Jimblyleg Man
[2:10] 12. He Ain't Right
[1:55] 13. Angel Lust
[1:38] 14. Preachin' At Traffic
[1:15] 15. When I Die
[0:52] 16. Bright And Sunny South

Th' Legendary Shack*Shakers southern gothic epic has its latest chapter. With Swampblood the Colonel JD Wilkes takes the muddled influence of his new home in western Kentucky, pours it through the funnel of eerie south Louisiana bayou culture, and shakes it up 'til it explodes with the thick swamp blues of Slim Harpo. With this new offering the band plays with Wilkes' idea that, "The world needs a new Creedence Clearwater Revival." But don't think "Have You Ever Seen the Rain," Swampblood is all "Run Through the Jungle" with its heavy but accessible chug-like the sound of a pirogue's plodding diesel outboard moving past the fire-breathing refineries of Port Sulfur. Though treading new ground, Swampblood holds true to the Shackshakers' signature aesthetic, resting on the dark fringes of American culture, more interested in the sinister nuances behind a frequently Rockwellian facade. Musically, straight swamp blues swirls with rockabilly, minor key polkas, and industrial rock all draped over Bo Diddly's primal thumping heartbeat.

Swampblood mc
Swampblood zippy

Seth Walker - Time Can Change

Bitrate: MP3@320K/s
Time: 45:17
Size: 103.7 MB
Styles: Roots, Blues
Year: 2012
Art: Front

[3:31] 1. Love Is Through With Me
[3:53] 2. Stronger Than You Need To Be
[3:18] 3. Found Myself Lost
[4:39] 4. In The Meantime
[3:17] 5. Before It Breaks
[3:28] 6. I've Got A Thing For You
[4:00] 7. Wait A Minute
[3:38] 8. All This Love
[3:42] 9. Rosalie
[3:52] 10. Something's Come Over Me
[3:42] 11. What Now
[4:11] 12. More Days Like This

In the three years since his last album, Seth Walker moved to Nashville from Austin, wrote songs with friends new and old, and played many, many shows. And just like most people, he thought about life, about love, and about the changes you experience if you move away (both geographically and philosophically) to try your hand at something new. Indeed, Time Can Change Walker's seventh studio album is the sound of an artist moving beyond his comfort zone and challenging himself to walk fresh creative ground. Fans will still recognize the familiar rich tenor and down home blues guitar work, but this latest effort trades the studio sophistication of its more polished predecessor (2009's Leap of Faith) for a grittier sound and more intimate approach to songwriting. 'I never know what will be on the other side of a song or a session, but I sure do like what I have found in the corners of this album: a stripped down, intimate version of what I am as an artist at this point in my life,' says Walker. Songs like 'Stronger Than You Need to Be set the relaxed, organic tone of the album, featuring Steve Mackey's supple bass and Derrek Phillips spare percussion. Matched by Seth s acoustic guitar groove, this configuration is at the core of the album's warm, loose vibe. With all the makings of a classic soul ballad, 'In the Meantime' is a plea for a temporary stay to the inevitable heartache of incompatible love. And with Grammy Award-winner Gary Nicholson in the co-writer chair, the rollicking, light-hearted 'More Days Like This,'with its catchy refrain, is an instant crowd pleaser. 'This is the purest, most honest recording I have ever done as a singer. I just sang and played,' maintains Seth. 'Time can definitely change, and this album is a case in point for me.'

Time Can Change mc
Time Can Change zippy

A.B. Skhy - A.B. Skhy

Year: 1969/1994
Bitrate: MP3@320K/s
Time: 36:42
Size: 84,8 MB
Styles: Electric blues
Scans: Full

1. You Upset Me Baby (7:11)
2. Just What I Need (3:32)
3. It's Love Baby, 24 Hours A Day (2:33)
4. Camel Back (5:09)
5. Understand (5:40)
6. Love Isn't (4:13)
7. Of All Sad Words (3:12)
8. Love May Cure That (5:09)

Formed in Milwaukee in the late 1960s as New Blues, the band comprised Dennis Geyer (guitar, vocals), Jim Marcotte (bass guitar), Terry Anderson (drums), and Howard Wales (keyboards). Wales had previously played with artists such as James Brown and Freddie King. They relocated to San Francisco and changed the band name to A.B. Skhy, building a following with live performances. They were signed by MGM Records and worked with producer Richard Delvy on their self-titled debut album, released in 1969. The album featured contributions from guitarist Russell DaShiell, harmonica player Jim Liban, and flautist Otis Hale and spawned the single "Camel Back", which reached number 100 on the Billboard Hot 100.

The group then split, with Andersen and Wales leaving, the latter going on to play with Harvey Mandel, Jerry Garcia, and The Grateful Dead. Geyer and Marcotte recruited drummer Rick Jaeger and guitarist James "Curley" Cooke (formerly of The Versitones and The Steve Miller Band), and the new lineup recorded a second album, Ramblin' On, in March 1970 with Kim Fowley and Michael Lloyd producing. The album included a mixture of cover versions and original songs by Cooke. A third album was started but the band split up before it was completed. Cooke went on to play in Cat and the Fiddle and with Boz Scaggs and Ben Sidran (who had played harpsichord on Ramblin' On), and released the solo album Gingerman in 1980. Jaeger joined DaShiell in Crowfoot and recorded with several artists as a session player. /Wikipedia

A.B. Skhy mc
A.B. Skhy zippy

David Gogo - Different Views

Year: 2010
Bitrate: MP3@320K/s
Time: 43:48
Size: 101,1 MB
Styles: Blues-rock, rock
Scans: Full

1. Too Late To Stop Now (2:37)
2. Don't Bring Me Down (3:17)
3. Lies (3:54)
4. Erase Any Trace (4:18)
5. I'll Get Over It (3:02)
6. Gold (3:47)
7. Where The Devil Won't Go (3:22)
8. Gunslinger (2:57)
9. Relax (4:23)
10. Over And Over (4:13)
11. Since You've Gone (4:06)
12. I'll Do It Myself (3:47)

For his 10th album, Different Views, blues rocker David Gogo definitely had some unique sights to inspire him during the recording process. Instead of the usual confines of your typical recording studio, the bulk of the album was recorded at his home - overlooking the 160-acre Christmas tree farm and forest that make up the Gogo family compound. The keyboard tracks were recorded at Rick Hopkins’ (Colin James, Barney Bentall) home overlooking breath-taking Lions Bay, British Columbia.

The album is produced by Russell Broom (Jann Arden, Sam Roberts, The Dudes, Wil) with guests Shaun Verrault (Wide Mouth Mason), roots diva Carolyn Mark, and jazz great Phil Dwyer popping in at various times. With the drums set up in the foyer and guitar amps in the laundry room, the Gogo house was filled with music and good food. At times, Gogo wasn’t sure if he was a musician or a caterer! The fact that the clock wasn’t ticking, along with Gogo’s vast collection of vinyl albums, vintage guitars and pop culture memorabilia at their fingertips encouraged a stimulating creative environment. This combination has added variety and spice unlike previous Gogo efforts without losing focus of what he’s all about.

Different Views mc
Different Views zippy

Sugar Ray & The Bluetones - My Life, My Friends, My Music

Size: 142,0 MB
Time: 60:17
File: MP3 @ 320K/s
Released: 2007
Styles: Harmonica Blues, Modern Electric Blues
Art: Front & Back

01. Oh, Babe (3:06)
02. Little Green Talking Frog (4:19)
03. I Want To Be With Her (4:36)
04. You Better Change Your Ways (2:49)
05. Money Talking Mama (4:54)
06. Shut Your Face (5:42)
07. I Don't Know (2:56)
08. No Sorrow No More (3:11)
09. The Last Words Of A Fool (4:06)
10. Oh, Oh, Oh, Pretty Baby (3:56)
11. Do Your Remember (3:41)
12. Think It Over Again (5:46)
13. I Like My Baby's Pudding (3:41)
14. My Last Affair (3:43)
15. Until The Real Thing Come Along (3:46)

Sugar Ray Norcia is well respected on the blues circuit for his contributions to electric Chicago blues, but he has had a fondness for jump blues for some time -- and on My Life, My Friends, My Music, the singer/harmonica player pleasantly surprises us by making jump blues and early R&B (of the jazz-influenced, pre-soul, pre-James Brown variety) the main course. Norcia doesn't stay away from Chicago blues altogether on this 60-minute CD; he is in fine form on Big Maceo Merriweather's "Do You Remember?" and Sonny Boy Williamson's "I Don't Know," both of which were written by singers who epitomized blues in the Windy City. Nonetheless, jump blues and early R&B certainly dominate the album. Norcia and his skillful Bluetones open My Life, My Friends, My Music with a passionate, hard-swinging performance of Louis Prima's "Oh, Babe," which sets the tone of the disc -- and Norcia's celebration of jump blues and early R&B continues with inspired originals such as "The Last Words of a Fool," "Shut Your Face," the Charles Brown-ish "Think It Over Again," and the goofy "Little Green Talking Frog." Another memorable, jazz-influenced highlight of My Life, My Friends, My Music is Norcia's version of "Until the Real Thing Comes Along"; the expressive Norcia has no problem giving this well-known standard the type of earnestness it needs, and his obvious awareness of the influence that jazz (especially swing) had on early R&B in the mid- to late '40s and early '50s (just before the dawn of rock & roll) is a definite plus. My Life, My Friends, My Music is an excellent addition to Norcia's catalog and is among his best releases. ~Review by Alex Henderson

My Life, My Friends, My Music

Backtrack Blues Band - Make My Home In Florida

Size: 116,1 MB
Time: 49:33
File: MP3 @ 320K/s
Released: 2017
Styles: Chicago Blues, Texas Blues
Art: Full

01. Checkin' On My Baby (4:34)
02. Woke Up This Morning (5:05)
03. Make My Home In Florida (7:53)
04. T-Bone Shuffle (6:30)
05. Nobody But You (2:57)
06. Your Funeral And My Trial (5:51)
07. Heavy Built Woman (5:44)
08. Shoot My Rooster (5:12)
09. Tell Your Daddy (5:42)

The Backtrack Blues Band is one of Florida's longest running and most accomplished blues bands. The quintet's latest masterpiece of an album, "Make My Home in Florida," captures a high-energy performance featuring the stellar blues harp and vocals of Sonny Charles, and the impressive Texas guitar sounds of Kid Royal, layered over a seamless Chicago-style rhythm section.

The aptly titled "Make My Home in Florida" captures the band lighting up the stage at the Palladium Theater. Sonny summons nails-tough vocals and boiling harp solos. Kid Royal stretches out on guitar that would have amazed even TBone Walker. The originals are a distinguished lot. Whether they're cooking up a dynamic original or reviving a hallowed classic, the Backtrack Blues Band has a sound all its own. This exciting in-concert recording is the next best thing to experiencing them in the flesh!" - Bill Dahl, author "The Art of the Blues"

Make My Home In Florida

Robbert Fossen Band - Get Off On It!

Size: 156,8 MB
Time: 67:25
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues, Blues Soul
Art: Front

01. Don't Ever Let Nobody Drag Your Spirit Down (4:52)
02. All Those Evil Words (4:25)
03. Katrina (4:24)
04. Woman Across The River (4:12)
05. Did Somebody Make A Fool Outta You (4:48)
06. All That Bluesmen (4:02)
07. I Feel So Bad (4:28)
08. Make It Rain (6:51)
09. Still Called The Blues (3:38)
10. Believe To My Soul (3:39)
11. Can't No Grave Hold My Body Down (5:04)
12. Get Off On It (5:38)
13. Midlife (7:52)
14. Thirty Years (3:26)

The Robbert Fossen (Blues) Band has existed since 2006 and has had various line ups.
The style and repertoire were mostly based on the Chicago Blues, but the band is now doing a broader variety of styles. Where the Fossen & Struijk Band is a pure Chicago Blues band, there are also soul, gospel and rhythm & blues influences in the Robbert Fossen Band.
Basically the band is 6-person, but can be expanded to 12 male / female for the live shows. Also on the new album 'Get off on it' a horn section can be heard and three top female singers have been added for the backing parts.
With the new style selection, the band has taken a different route and is much more employable than just within the blues National and International circuit. Company parties, private parties, theater shows, trade fairs, in / outdoor events, anywhere Robbert Fossen Band can take 'the audience' on a musical journey past the hearths of American music history. A journey from Chicago to New Orleans and back...
The album contains a clever mix of roots music.
Soul, blues, gospel and rhythm & blues come along in 14 songs, over 65 minutes of playing time and in a great audio quality.

... This Internationally highly acclaimed new album 'Get Off On It' proofs that this Dutch band really understands, feels and lives this music! ...

... Truly everything is right on this album. So I can only come to one conclusion: the Robbert Fossen Band has delivered a brilliant blues album! ... ~Peter Marinus, Bluesmagazine.nl (the Netherlands)

... 'Get Off On It!' from the Robbert Fossen Band is an excellent blues & soul album ... ~Eric Schuurmans, Rootstime.be (Belgium)

... Incredible strong blues! A high quality album. Thanks to 'Mannish Boy' Robbert Fossen, his choice of excellent musicians and of course those 'damn' backing vocals. Damn girls you're great! Please in Belgium with full band live soon! RESPECT! ~Rootsville.eu (Belgium)

Get Off On It!

Big Fat Mama - Let Us... Live!

Size: 180,9 MB
Time: 78:19
File: MP3 @ 320K/s
Released: 1990/2018
Styles: Electric Blues, Blues Rock
Art: Front

01. Proud Mary (Feat. Zora Young) (Live) (3:52)
02. Strongest Whiskey (Feat. Zora Young) (Live) (4:34)
03. Last Night (Feat. Zora Young) (Live) (5:36)
04. 634-5789 (Feat. Zora Young) (Live) (3:26)
05. Say What! (Live) (5:02)
06. Born In Chicago (Live) (5:46)
07. Let Me In (Live) (5:03)
08. Supermarket Lady (Live) (4:51)
09. You Knocked Me Down (Live) (5:45)
10. Route One (Live) (5:34)
11. Baby, What You Want Me To Do (Live) (6:55)
12. Don't Start Me Talkin' (Live) (3:18)
13. Born Under A Bad Sign (Live) (6:45)
14. Apologies To Anson (Live) (5:28)
15. Reelin' And Rocking (Live) (6:18)

The band born from an idea of Piero De Luca, (bass player and singer), in the distant 1979, together with Giampiero Esposito (what group shoulder drums), Fiorenzo Bodellini (harp), Elio Arlandi (guitar): the band shows during a concert of Roberto Ciotti and Fabio Treves in Genova 1982; in 1982 it plays also in Cergy, near Paris, on invitation of a cultural circle.
After different changes, from 1985 the band acquires a stable order with Peter De Luca (bas), Paolo Bonfanti (guitar and voice), Mauro Mura (drums) and Maurizio Renda (guitar and voice).
From this moment BIG FAT MAMA is considered one of the most important band of the Italian scene; besides the concerts in the main italian clubs, they collaborated and shared the stage with famous blues artists (opening act for the concert of Johnny Winter in the Milan Blues Festival, for Stevie Ray Vaughan and Los Lobos to the Palatrussardi Arena, tour with Louisiana Red, Eddie C. Campbell, Johnny Mars, Zora Young, and opening act for Screamin ' Jay Hawkins, Clifton Chenier Jr, Honeboy Edwards, Legendary Blues Band, Jimmy Rogers): the band is also mentioned on "Italian music Encyclopedia" by Renzo Arbore. The band, for Cobra Records label , print three Lp: "Good Hand Feelin", "West Of where" and the double one live "Let Us Live" which marks the end of the collaboration with Paolo Bonfanti that will undertake soloist career: he will be replaced by Carlo Ratto (soloist voice) and Fabrizio Moroni (keyboards).
To remember with this formation the exhibition to the "Courmayeur Blues Festival" nearby to "Albert Collins and the Icebreakers." After the great success of the switzerland/italian tour, the band in 1992 begins a collaboration with the American harper Johnny Mars; in the same year Maurizio Renda leaves the band and is replaced by Alessio Menconi (now with Paolo Conte).
With this new formation the band participates in numerous European festivals sharing the stage with James Cotton, Magic Slim, Sherman Robertson, Little Willie Littlefield and with Johnny Mars and Robert Plant (ex Led Zeppelin) the band has participated to the "Pistoia Blues Festival".
From 1994 to the 2001 Piero De Luca and Maurizio Renda are devoted to other musical experiences:
Piero De Luca creates together with Carlo Ratto the "Burnin' Tubes" with whom has recorded two albums: "The Road" and "New Orleans Bound" together with the harper of Louisiana Jay Monque D
Maurizio Renda creates "Blackberries Trouble Band" with whom participates to the recording of the cd "For you-Tribute to Bruce Springsteen"/ In 2002 Piero De Luca and Maurizio Renda decided together with Carlo Ratto and Giampiero Esposito to take back the project Big Fat Mama realizing the album of the return "Goin ' Back Home" that it is the logical continuation and evolution of the precedents jobs of the band.

Let Us... Live!

Chicken & Dumpling - Live From The Delta

Size: 124,0 MB
Time: 53:43
File: MP3 @ 320K/s
Released: 2017
Styles: Acoustic Delta Blues
Art: Front

01. I Feel So Good (Live) (3:43)
02. One Hour Mama (Live) (4:47)
03. I Cant Be Satisfied (Live) (4:00)
04. In My Girlish Days (Live) (3:12)
05. Before You Accuse Me (Live) (3:41)
06. Richland Women Blues (Live) (3:14)
07. She Moves Me (Live) (4:42)
08. Taint Nobodys Business If I Do (Live) (5:12)
09. 32-20 Blues (Live) (5:01)
10. Give It Up Or Let Me Go (Live) (3:50)
11. How Long How Long Blues (Live) (5:14)
12. Walking By Myself (Live) (2:54)
13. Walking Blues (Live) (4:07)

Chicken & Dumpling is an acoustic blues duo featuring Charles "Chicken" Oriel on guitar and vocals and Julia "Dumpling" Simon on bass and vocals. Chicken & Dumpling bring to life the down-home, delta styles of artists such as Muddy Waters and Robert Johnson. They also cover women's classic blues, as well as some contemporary incarnations of the traditional form.

Live From The Delta

The Blues Queen - Lady In Blues

Size: 177 MB
Time: 30:56
File: FLAC
Released: 2018
Styles: Electric Blues
Art: Front

01. Down By The Riverside (4:41)
02. Me And My Gin (4:05)
03. Up Above My Head (2:41)
04. Nobody Knows You When You're Down And Out (2:49)
05. Everybody Loves My Baby (2:46)
06. Trouble In Mind (2:58)
07. Weepin' Woman Blues (4:22)
08. Deep Elem Blues (3:48)
09. Strange Fruit (2:41)

"Initially we were born as an acoustic trio formed by Alessandra Bene (voice and percussion), Mario Federico (guitar and dobro), Marco Cattolico (bass); in 2016 we decided to enrich the artistic proposal by adding the electric set with the battery. First of all Gianpaolo Feola collaborated with us, subsequently replaced by Maurizio Conte, who is the current drummer of the band ».

«The project The Blues Queen was born in the summer of 2013 when together with my voice and the guitar of Mario, already returning from the experience together with the blues group Downtown Gang, we decided to give life to a new acoustic project focused on the genre that we love, also proposing original songs. Shortly after the start of the project, chatting and almost for fun we involved the bass player Marco Cattolico with whom we had already collaborated in the past ».

"Our latest record is titled" Lady in Blues ", and is a tribute to the blues women who made the history of this genre. The record was produced by the label "Il Popolo Del Blues" and will be on the market at the beginning of 2018 distributed by Audioglobe, the most important Italian distribution ».

Lady In Blues

Cisco Herzhaft - 2 albums: The Cisco's System / Cisco's Cooking

Cisco started guitar when he was 17. However, he had a singular approach to the instrument as he was more interested by playing music than by just playing guitar. So it took only a few guitar lessons and a lot of practice (8 hours a day everyday for over a year) before the lady who taught the instrument told him he had no more to learn from her. A whole year passed. Though originally a brilliant pupil, Cisco was now too obsessed and rebellious to carry on studying if he could play music instead. After being expelled from two different colleges, he left his family and went on travelling around Europe with his guitar on his back.

Cisco's travels took him to Wales where he met John James. The Welshman was immediately captivated by the young virtuoso and his playing and took him under his wing. With John James, Cisco not only learnt finger-picking techniques. He was also taught that this very style was especially difficult to master, as it required more than just authenticity and feel. In order to avoid becoming an academical musician, James told his student that the most important was to drown himself into to the reality of the Blues. Hence, the young Blues apprentice carried on with his journey. Inevitably, it took him where everything began, that is on the banks of the Mississippi River. There, were the genuine players, playing the Real Thing. Cisco drenched himself into the music and made a pivotal encounter: Fred Mc Dowell. Cisco learnt many tricks and techniques from him, including the bottleneck techniques that made him one of the best slide players to this day.

When he returned to France, he became one of first French Bluesmen in the country. And even though his style was very innovative, he was broadcast several times on the French national radio (he did the « ORTF Cabaret » 3 times). Then, he was quickly taken on board by Breton bard Glenmor for one of his tours. Cisco then recorded with famous French Ragtime Jazz combo « Les Haricots Rouges » for the Pathé Marconi label. The recording was followed up by a tour. It was during that tour that Cisco experienced another unexpected twist of fate: John Lee Hooker was opening for them. Both guitarists instantly digged each other and when John Lee offered him to be his second guitar on his tour, Cisco could only accept. These were hard times for Blues music and France was an especially hard place to be a Blues musician. Except for a few buffs, no one really seemed to care about this style of music. Cisco decided it was time to take a break. He went back studying, successfully graduating both in Psychology and Economics. During that period, he wrote numerous columns and created psycho-technical tests still in use today. He also got married, raising three beautiful children while still actively working for the recognition of the Blues with his brother Gérard Herzhaft, internationally linking their name with this music.

Then, Cisco went back to Memphis and came face to face with Moses Vinson, one of the last ragtime and boogie-woogie piano pioneers still alive. The man was once well known in the 1930s, playing with Albert Ammons, a experienced Barrel Houses performer. Vinson, way into his nineties, still had to play for a few dimes in souvenirs shops as part of tourism folklore to make his living. Cisco decided it was time to get back on the saddle for the glory of the Blues. He flew straight back to France to record with his brother Gérard the first Herzhaft Blues album, a musical eulogy dedicated to all blues musicians in and out of History.

Album: The Cisco's System
Bitrate: MP3@320K/s
Time: 47:02
Size: 107.7 MB
Styles: Acoustic blues
Year: 2010
Art: Front

[4:32] 1. Feel Like A Warrior
[3:27] 2. The Cisco's System
[3:42] 3. Apache
[4:45] 4. Mean Dirty Street
[3:17] 5. The Joggin' Boogie
[3:58] 6. Summertime
[3:18] 7. Sixteen Tons
[2:23] 8. Raggin' Bluegrass
[4:18] 9. Slidin' Out My Soul
[2:27] 10. Raggin' Guitar Man
[2:38] 11. Walkin' Down My Lonesome Road
[3:50] 12. Can The Circle Be Unbroken
[4:22] 13. Feel Like A Warrior (Group)

The Cisco's System mc
The Cisco's System zippy

Album: Cisco's Cooking
Bitrate: MP3@320K/s
Time: 52:30
Size: 120.2 MB
Styles: Acoustic blues
Year: 2007
Art: Front

[3:43] 1. Cookin' The Boogie
[4:26] 2. John Henry The Irishman
[2:23] 3. Sweet And Spicy Rag
[3:39] 4. J'ai Du Bon..
[4:09] 5. Schnorer's Blues
[3:27] 6. Pease Don't Try To Make Me
[4:20] 7. Handworking Blues
[1:28] 8. Rock (Rag) Around The Clock
[3:29] 9. A Quoi Penses-Tu
[3:43] 10. Long Lonesome Blues
[4:15] 11. Indian Whisky Blues
[3:35] 12. La Valse Du Xxème Siècle
[6:05] 13. Baby Please Don't Go
[3:43] 14. Rollin' And Tumblin'

Cisco's Cooking mc
Cisco's Cooking zippy

Charlie Musselwhite - I Ain't Lyin'

Bitrate: MP3@320K/s
Time: 57:53
Size: 132.5 MB
Styles: Harmonica blues
Year: 2015
Art: Front

[4:03] 1. Good Blues Tonight
[4:16] 2. Done Somebody Wrong
[4:51] 3. Long Lean Lanky Mama
[3:29] 4. Always Been Your Friend
[5:59] 5. If I Should Have Bad Luck
[7:39] 6. My Kinda Gal
[4:58] 7. Blues, Why Do You Worry Me
[4:49] 8. 300 Miles To Go
[6:18] 9. Long Leg Woman
[5:55] 10. Cristo Redentor
[5:32] 11. Good Blues Tonight (Unedited)

Bass – Steve Froberg; Drums – June Core; Guitar – Matt Stubbs; Vocals, Harmonica – Charlie Musselwhite. Recorded live September 28, 2014 at the Valley of the Moon Vintage Festival, Sonoma, CA and December 12, 2014 at the Clarksdale Soundstage, Clarksdale, MS.

Charlie’s riveting Sonoma County show brought his unstoppable, hard hitting, tone heavy sound to the audience who couldn’t get enough. Luckily someone had turned on the tape and Charlie knew just what to do – he took the tapes down to Clarksdale MS and delivered them into the capable mixing and mastering hands of Gary Vincent who in collaboration with Charlie, brought Mississippi mud to this exceptional live recording.

I AIN’T LYIN’ is all Charlie. The cd is a group of painstakingly crafted original tunes penned by the hand of this Mississippi master that resonate with the land of Mississippi itself. Charlie’s music rises from the river, crosses the levy, dances through the streets and cuts straight to the heart of what it is to be alive. Fifty years of nonstop touring, performing and recording have reaped huge rewards. Charlie Musselwhite is living proof that great music only gets better with age. This man cut his (musical) teeth alongside Muddy Waters, Howling Wolf and everyone on the south side of Chicago in the early 1960’s – thank your lucky stars he is still with us telling the truth with a voice and harp tone like no other.

I Ain't Lyin' mc
I Ain't Lyin' zippy

Monday, January 29, 2018

Artur Menezes - Drive Me

Size: 100,0 MB
Time: 35:18
File: MP3 @ 320K/s
Released: 2015
Styles: Electric Blues, Blues Rock
Art: Front

01. Drive Me (2:35)
02. I Have Screwed Up (3:25)
03. Bitterness (4:15)
04. Getting Cold (4:10)
05. Novos Ares (4:18)
06. More Than You Know (4:43)
07. Nosso Shuffle (3:41)
08. Too Soon (4:19)
09. Cartao Postal (3:47)

Artur Menezes is a high-energetic guitarist and plays with such a feeling that impresses the crowds. Because of this has become known as “the new rising star of the blues in Latin America and beyond” and one of the most requested blues artists in Brazil.

In addition to performing the traditional blues with expertise and respect, he also plays modern blues, mixing with other styles.

Now based in LA, he's making his name playing around California. He won for the second year in a row the Santa Clarita Valley Blues Society Challenge and he's gonna perform also for the second year in a row at the International Blues Challenge in Memphis in 2018, among over 250 bands from all over the world.

Recently, Artur shared the stage with Joe Satriani in a festival in Brazil for a 20 thousand people audience. He also opened for the grammy winner Bobby Rush in Los Angeles.

Last year he was the headline of inumerous festivals in Brazil. In 2014, headline at Augustibluus Festival in Estonia and played in clubs in UK. In 2015, he had a tour in Mexico and in 2013 in Argentina.

In 2012, Artur played the openings for Buddy Guy's South American tour in Brazil. Artur lived in Chicago years ago and played in many blues clubs with great artists and also jammed with Buddy Guy.

In 2016, he was the headline of inumerous blues festivals in Brazil and he has been consolidated as one of the best musicians of his generation there. Artur was also the headline at Augusti Bluus Festival in Estonia and played in blues clubs in England in 2014. In 2015, Artur was on tour in Mexico twice and in 2013 he was on tour in Argentina. In 2012, Artur Menezes played the open acts for Buddy Guy's South American tour.

In 2013 Artur led the contest – tied with a band from Los Angeles – among more than 2000 artists from around the world for a place to play with Eric Clapton at the Crossroads Guitar Festival, one of the largest and busiest guitar festivals in the world, held at Madison Square Garden in NY.

Artur lived in Chicago for short periods of time in 2006, 2007 and 2011 and he had the opportunity to play in JAM Sessions with Buddy Guy, John Primer, Charlie Love & The Silky Smooth Band, Linsey Alexander, Phil Guy, Brother John, Jimmi Burns, Big Ray, among others, and in bars of great importance to the blues, like Kingston Mines, Smokey Daddy, Rosa’s, Vine Tastings and Katherina’s.

Concerned about disseminating and expanding access to blues in Brazil, Artur was one of the founders of the society “Casa do Blues” (House Of Blues), which promotes weekly shows with free entrance, remaining on the board of the project until early 2013.

He has three studio albums with original songs, one of the albums was pre-selected to the Brazilian Music Awards in the category of "best album in foreign language".

Drive Me

Miss Freddye - Lady Of The Blues

Size: 99,9 MB
Time: 38:43
File: MP3 @ 320K/s
Released: 2017
Styles: Electric Blues
Art: Front

01. Miss Freddyes Gonna Fix Ya (2:48)
02. Luv Ya Baby (Feat. John Blues Boyd) (4:02)
03. Lady Of The Blues (3:19)
04. Dont Apologize Recognize (Feat. John Blues Boyd) (3:40)
05. Home Improvement (Feat. Andy Santana, Kid Andersen, Lisa Andersen, Robby Yamilov) (2:42)
06. Use The Back Door (3:45)
07. Chain Breaker (3:39)
08. Doorway To The Blues (3:59)
09. These Are My Blues (4:01)
10. Freight Train Blues (2:25)
11. A Losing Battle (4:16)

Miss Freddye comes from the Pittsburgh area but for this debut release she headed West to Kid Andersen’s Greaseland studios where Kid and Andy Santana co-produced the album; indeed Andy had a hand in nine of the eleven songs. Kid plays all guitars with June Core on drums, Endre Tarczy on bass and Jim Pugh on keys; horns are added to most tracks by Eric Spaulding (sax) and John Halbleib (trumpet).

There are no fewer than four harmonica players involved with John Nemeth, Aki Kumar and Brandon G Bentz joining Andy across the album; John Blues Boyd sings two duets with Miss Freddye and Lisa Andersen, Robby Yamilov and Andy provide backing vocals. Miss Freddye emerges as a fine singer in the Etta James tradition, equally at home on uptempo belters as sensitive ballads and this is a fine debut.

Opener “Miss Freddye’s Gonna Fix Ya” is a naggingly catchy tune with John Nemeth’s harp and a strong horn arrangement as Freddye offers comfort both physical and spiritual to those in need. The songwriting credit here is Mike Sweeney who also co-wrote two other songs with Andy: “Home Improvement” is a standout with great sax and piano behind the double entendre lyrics which Freddye sings with ribald enthusiasm; “Chain Breaker” has latin rhythms as Freddye describes her life as like being in prison.

Steve Nestor is the co-writer with Andy of the title track which races along over a guitar riff that recalls Otis Rush’s “Homework” as the horns punctuate Freddye’s impassioned vocals, clearly a song written with her stage persona in mind. Steve and Andy also contribute “Use The Back Door”, a really strong shuffle with more excellent horn work as Freddye gets rid of a lover who is encouraged to leave via the back door so that her friends do not see him. John Blues Boyd joins Freddye on vocals on “Don’t Apologize, Recognize”, a slow late-night blues with breathy sax, jazzy guitar chords and lovely piano and “Luv Ya Baby”, a more uptempo stomper with Kid’s guitar featured, Andy taking harp solos on both tracks.

Freddye is credited as co-writer on three tracks which appear later on the album, each containing ‘blues’ in the title. “Doorway To The Blues” has Freddye in relaxed vocal mood and John’s muted trumpet adding to the jazzy feel with Kid’s fine acoustic plucking; “These Are My Blues” is clearly an autobiographical song with Andy the featured soloist on harp; mind you “Freight Train Blues” goes one better with both Aki and Brandon featured, even though the song is only 2.24, including some brief studio chatter at the end! The album closes with Dr John’s “A Losing Battle”, a slow blues once recorded by Johnny Adams and here brilliantly interpreted by Freddye.

This reviewer has not heard from Andy Santana since his 2015 album Watch Your Step and it is great to see his key involvement in this project. As always with material recorded with Kid Andersen at Greaseland the sound is authentic Rn’B and the musicians right on the money throughout.

But the star of the show is definitely Miss Freddye who has a great voice for the material on this album. A new name on the scene and one to look out for but meanwhile this album can be highly recommended. ~by John Mitchell

Thanks to Maple Blues.
Lady Of The Blues

Chuck Beattie - Natural Man

Size: 102,8 MB
Time: 43:53
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues
Art: Front

01. Call Of The Wild (3:08)
02. Girl I Miss You (3:41)
03. Short Changed (2:10)
04. You'd Be Pleased (5:23)
05. Never Get Rich (3:35)
06. I'm On My Way (2:50)
07. Don't Call It Love (4:33)
08. Roll Call (4:21)
09. Blues Man Till The End (6:00)
10. I'm Guilty (4:40)
11. Never Get Rich (Reprise) (3:26)

Long time blues aficionado and music historian, Chuck Beattie (aka Dr. Blues) fronts a Chicago-Style Blues band based in Western North Carolina. Originally from Rocky Mount, NC, Beattie grew up in a household filled with music. He credits his mother, a piano player and teacher, for the inate talent and musical appreciation that has driven him all his life. As a young man, Beattie was influenced by James Brown, Marvin Gaye, and a host of other important African American musicians performing in the segregated clubs of his hometown. It was Chuck and his beloved brother, Gerald, who played pickup gigs for some artists while they were off contract in the south such as Mel and Tim, Otis Clay, The Kelly Brothers and many more. This gave him his first chance to play in a real band. Still in high school, Chuck recognized that music was his true calling.

A member of the North Carolina Jazz Ensemble, Chuck utilizes his knowledge of gospel, jazz, and the sounds of the Delta to draw out the best of Chicago Style Blues. The result is music as rich as Muddy Waters, and as down and dirty as Howling Wolf. Backed by some of the best in Blues musicians, Beattie commands the stage with his booming voice and classic old school charm. Dr. Blues preaches that "the music must come first", and has worked tirelessly to preserve the culture and integrity of true American Blues. Due to his knowledge, background, and talent, Dr. Blues was asked to headline The Bury Blues Festival in England. He has shared the stage with many top musicians, among them the great Blues siren Shamekia Copeland. Some well respected contemporaries and friends include Cephus and Wiggins, Nneena Freelon, and numerous others. Beattie is dedicated to educating and inspiring young musicians by hosting Blues jams throughout the area, giving new talent a chance to carve out their own place in the Blues. The Chuck Beattie Band has appeared at private parties, festivals, clubs, and music halls, compelling folks of all ages and backgrounds to get up and dance.

Chuck resides in the beautiful mountains of Asheville, NC, where he continues to keep the Blues alive..

Natural Man

VA - The Rough Guide To Ragtime Blues

Size: 171,4 MB
Time: 73:14
File: MP3 @ 320K/s
Released: 2017
Styles: Ragtime Blues
Art: Front

01 Blind Willie McTell - Southern Can Is Mine (3:10)
02 Willie Walker - South Carolina Rag (Take 2) (3:06)
03 Blind Boy Fuller - Piccolo Rag (2:48)
04 Luke Jordan - Cocaine Blues (3:14)
05 Robert Wilkins - Old Jim Canan's (2:56)
06 Blind Blake - Blind Arthur's Breakdown (2:59)
07 Papa Charlie Jackson - Drop That Sack (2:28)
08 Bo Carter - Your Biscuits Are Big Enough For Me (2:06)
09 Memphis Minnie - Can I Do It For You (Part 1) (3:06)
10 Dick Justice - Old Black Dog (2:57)
11 Beale Street Sheiks - Mr. Crump Don't Like It (2:40)
12 William Moore - Ragtime Millionaire (3:07)
13 Pillie Bolling - Shake Me Like A Dog (3:01)
14 Charlie McCoy - I've Been Blue Ever Since You Went Away (3:17)
15 Allen Brothers - Salty Dog Blues (3:05)
16 Blind Lemon Jefferson - Beggin' Back (2:49)
17 Big Bill Broonzy - Guitar Rag (2:54)
18 The Two Charlies - Pork Chop Blues (3:02)
19 Mississippi John Hurt - Got The Blues Can't Be Satisfied (2:49)
20 Charley Patton - Shake It And Break It (But Don't Let It Fall Mama) (3:04)
21 Troy Ferguson - You Better Keep It At Home (3:02)
22 Reverend Gary Davis - Have More Faith In Jesus (3:02)
23 Buddy Boy Hawkins - Raggin' The Blues (2:26)
24 Geeshie Wiley - Pick Poor Robin Clean (3:12)
25 Cannon's Jug Stompers - Money Never Runs Out (2:44)

Ragtime had a profound influence on many early blues performers who strived to reproduce its complicated piano sounds on the guitar. With its faster rhythm and good-time feel, this danceable style was performed with mesmerizing skill by blues greats such as Blind Blake, Reverend Gary Davis and Blind Boy Fuller.

Made famous by the legendary Scott Joplin, ragtime developed in African-American communities throughout the southern part of the Midwest during the last decade of the nineteenth century and had a profound influence on many early blues performers. Combining the structure of marches with African-American songs and dances such as the cakewalk, ragtime’s syncopated or ‘ragged’ rhythm was initially performed as dance music for the seedier side of society in areas where bars, dancehalls and brothels were located. Many blues guitarists attempted to reproduce the complicated piano sounds, as its faster rhythm created a more upbeat and lively feel, far removed from the typical intensity of early country blues. So, when ragtime went out of favour as jazz claimed the public's imagination, it had already entered the folk consciousness through the playing of blues greats such as Blind Blake, Reverend Gary Davis and Blind Boy Fuller.

Blind Blake was the first commercially successful performer of this style, whose intricate fingerstyle technique and diverse repertoire ranging from upbeat rags and hokum tunes to slow blues numbers influenced all who followed, including the likes of Blind Boy Fuller and Reverend Gary Davis, and modern-day guitarists Ry Cooder, John Fahey and Jorma Kaukonen.

Many of the featured artists hailed from the Eastern States where the influence of ragtime was instrumental in creating the unique and much loved ‘Piedmont’ guitar style. Typically, the Piedmont guitarist would create an alternating rhythmic bass accompaniment by moving the thumb of the picking hand between the different bass strings of the guitar, whilst one or more fingers of the same hand would pick out the melody on the higher strings. Essentially this approach gives the impression that the guitar is being played like a piano.

Little is known about many of these artists, none more so than Willie Walker who only ever recorded two sides in 1930, with ‘South Carolina Rag’ being one of the absolute masterpieces of ragtime guitar playing. Other highlights to listen out for include ‘Ragtime Millionaire’ by the barbershop owner William Moore which harks back to the glory years of ragtime as well as the cakewalk inspired ‘Money Never Runs Out’ by Gus Cannon’s Jug Stompers.

The Rough Guide To Ragtime Blues

VA - S.F. Blues Guitar Summit Vol. 1, Vol. 2 & Vol.3

Album: S.F. Blues Guitar Summit Vol. 1 (Kevin Russell, Craig Erickson, T.J. Parker)
Size: 128,7 MB
Time: 55:19
File: MP3 @ 320K/s
Released: 1993
Styles: Electric Blues, Blues Rock
Art: Full

01. Roadhouse Stomp! (6:03)
02. She's Dangerous (5:32)
03. Down The Line (5:01)
04. Train Tonight (5:02)
05. Love You Too Much (4:58)
06. Seeds Of Soul (4:33)
07. Too Many Miles (6:03)
08. Bottom Line (4:45)
09. Better Days (7:39)
10. Train Pumpin' (5:39)

S.F. Blues Guitar Summit Vol. 1

Album: S.F. Blues Guitar Summit Vol. 2 (Garth Weber, Chris Cobb, Dave Goodman)
Size: 129,0 MB
Time: 55:31
File: MP3 @ 320K/s
Released: 1993
Styles: Electric Blues, Blues Rock
Art: Full

01. Overdrawn On Luck (4:50)
02. You Saved Me (4:54)
03. Albert's Blues (6:40)
04. First Come, First Served (6:23)
05. Looks Ain't Everything (6:04)
06. Turning Your Love Away (5:46)
07. Wish You Were Mine (4:36)
08. King Of The Hill (5:41)
09. Worried About You (4:24)
10. Hurtin' Again (6:10)

S.F. Blues Guitar Summit Vol. 2

Album: S.F. Blues Guitar Summit Vol. 3 (Tom Castro, Johnny Nitro, Kevin Russell)
Size: 146,2 MB
Time: 63:07
File: MP3 @ 320K/s
Released: 1993
Styles: Electric Blues, Blues Rock
Art: Full

01. Train Conductor (4:34)
02. You Know I Love Ya (5:18)
03. Nobody Else's Arms (6:49)
04. Alligator Alley (5:34)
05. I Tried (9:36)
06. Runnin' On Fumes (6:46)
07. Take It Like A Man (5:39)
08. You Got Something (5:29)
09. The Wrong Bed (8:03)
10. You Gotta Bell (5:15)

S.F. Blues Guitar Summit Vol. 3

Chuck Leavell - Back to the Woods

Year : 2012
Bitrate : 320K/s
Total Time : 56:11
Total Size : 128,8 MB
Styles: Piano Blues, Modern Blues
Scans: Full covers

1. No Special Rider (3:04)
2. Evening Train (4:11)
3. Wish Me Well (2:46)
4. Low Down Dirty Dog (4:26)
5. Losing Hand (3:49)
6. Naptown Blues (3:40)
7. Back To the Woods(5:22)
8. I Got to Go Blues (3:03)
9. Boots And Shoes(4:04)
10. Mean Mistreater (5:11)
11. Southern Casey Jones (3:38)
12. If You Haven't Any Hay (2:54)
13. Memphis Town (3:44)
14. The Blues Is All Wrong (2:49)
15. Vicksburg Blues (3:24)

If you're a fan of Blues piano, you'll do more that just 'like' this one.
Back to the Woods: A Tribute to the Pioneers of Blues Piano is a fine collection of 15 standards from the greats of the blues piano canon, with tunes by Leroy Carr, Little Brother Montgomery, Otis Spann, Memphis Slim, Charlie Spand, and Charlie Calhoun, among others.
Leavell is backed by Chris Enghauser on upright bass and Louis Romanos on drums throughout, but there is a slew of well-known guests on the session to boot: Danny Barnes plays loads of guitar and banjo, Keith Richards and John Mayer each appear on a couple of tracks (both on Spann's "Boots and Shoes"), and Randall Bramblett plays saxophone on a few more.
Carr is obviously the muse here; five of his tunes are included in this mix, including "Mean Mistreater." Other highlights include Barrelhouse Buck McFarland's "I Got to Go Blues," the title track authored by Spand, and the reimagined Skip James number "If You Haven't Any Hay." This is a spirited collection, played and recorded beautifully. If anything, perhaps it's a bit too clean, but that's a trifling.

Back to the Woods

Billy Boy Arnold, Tony McPhee & The Groundhogs - Chicago Blues

Bitrate: MP3@320K/s
Time: 59:08
Size: 135.4 MB
Styles: Chicago blues, Harmonica blues
Year: 2013
Art: Front

[2:44] 1. Riding The El
[4:22] 2. Mary Bernice
[3:48] 3. Just Got To Know
[3:13] 4. Just A Dream
[4:08] 5. It's Great To Be Rich
[3:08] 6. I Wish You Would
[2:03] 7. Eldorado Cadillac
[6:16] 8. Blues And Lonesome
[3:14] 9. Don't Stay Out All Night
[6:52] 10. Dirty Mother Fuyer
[4:18] 11. 1-2-99
[3:43] 12. Catfish
[4:24] 13. Sweet Miss Bea
[3:20] 14. Christmas Time
[3:28] 15. Ah'w Baby

Bass – Alan Fish; Drums – Wilgar Campbell; Guitar – Tony TS McPhee; Vocals, Harmonica – Billy Boy Arnold.

Born in Chicago rather than in Mississippi (as many of his musical forefathers were), young Arnold gravitated right to the source in 1948. He summoned up the courage to knock on the front door of his idol, harmonica great John Lee "Sonny Boy" Williamson, who resided nearby. Sonny Boy kindly gave the lad a couple of harp lessons, but their relationship was quickly severed when Williamson was tragically murdered. Still in his teens, Arnold cut his debut 78 for the extremely obscure Cool logo in 1952. "Hello Stranger" went nowhere but gave him his nickname when its label unexpectedly read "Billy Boy Arnold."

Arnold made an auspicious connection when he joined forces with Bo Diddley and played on the shave-and-a-haircut beat specialist's two-sided 1955 debut smash "Bo Diddley"/"I'm a Man" for Checker. That led, in a roundabout way, to Billy Boy's signing with rival Vee-Jay Records (the harpist mistakenly believed Leonard Chess didn't like him). Arnold's "I Wish You Would," utilizing that familiar Bo Diddley beat, sold well and inspired a later famous cover by the Yardbirds. That renowned British blues-rock group also took a liking to another Arnold classic on Vee-Jay, "I Ain't Got You." Other Vee-Jay standouts by Arnold included "Prisoner's Plea" and "Rockinitis," but by 1958, his tenure at the label was over.

Other than an excellent Samuel Charters-produced 1963 album for Prestige, More Blues on the South Side, Arnold's profile diminished over the years in his hometown (though European audiences enjoyed him regularly) and he first ended up driving a bus in his hometown of Chicago, then working as a parole officer for the state of Illinois. Fortunately, that changed: Back Where I Belong restored this Chicago harp master to prominence, and Eldorado Cadillac drove him into the winner's circle a second time. After a six year lull between recordings, 2001's Boogie 'n' Shuffle on Stony Plain found Arnold still in fine form, backed by Duke Robillard and his band on a set of rough and ready blues.~ Bill Dahl

Chicago Blues mc
Chicago Blues zippy

Mudcat - 2 albums: Reynoldstown / While You Were Away

Album: Reynoldstown
Bitrate: MP3@320K/s
Time: 63:17
Size: 144.9 MB
Styles: Folk blues
Year: 2015
Art: Front

[4:52] 1. Get Your House In Order
[3:36] 2. The Mess Is On
[3:22] 3. I'll Be Young Once Too
[2:22] 4. Mario's Song
[2:22] 5. Garden Mouse
[2:24] 6. Liquor And Sin
[4:26] 7. Don't Let Nobody Drag Your Spirit Down
[3:11] 8. Drinkin' Woman
[2:25] 9. Pressure
[3:01] 10. More Than One
[2:26] 11. When The Veil Is Lifted
[3:48] 12. Te Amo Loco
[3:33] 13. Heaven Is Mine
[0:54] 14. Mudcat - Joe Testifies
[2:59] 15. Hell Hath No Fury
[2:54] 16. Tamuratta
[2:21] 17. Whiskey Angel
[3:45] 18. My Feet Hurt
[3:05] 19. Nina
[2:21] 20. The Wind
[2:59] 21. I Will Be With You

mUD: Guitar, Vocal, WurliTzer, Banjo, Piano; Eskil Wetterqvist: Drums, Harmonies; Snave: Flute, Bass ( 3,4,6,13,20), Harmonies; Dave Roth: Bass, Harmonies; Joe Burton: Trombone , Horn Arrangements, Harmonies; Randy Skinner: Trumpet; Eddie Boyd: Saxophone; Lola: Hammond Organ; Eddie Tigner: Piano, Organ for 'Feet'; Lori Beth Edgeman: Vocals ‘Hell Hath No Fury’; Evan Frayer: Accordion, Percussion, Washboard, Harmonies; Dan Francis: Rubboard, Percussion; John Pascoff: Guitar (1,7,17); Matt Wauchope: Wulitzer, Percussion, Organ for 'I will Be'. Captured live on analog tape August 3-5 2004, September 4 -7 2005, and September 10-12 2006 at Zero Return Studio, Atlanta GA by Jim Merrer and mastered by Rodney Mills.

[Mudcat is] a tremendous slide guitarist, and most of all a God-gifted entertainer. I have witnessed him light up packed houses at the Great American Music Hall in San Francisco, at the Irving Plaza in New York, to open air concerts in front of 10,000 folks in Lugano, Switzerland, to sitting on a curb in San Jose, Costa Rica entertaining dozens of young kids. Mud is born to make people smile and enjoy life. ~ Tim Duffy

Reynoldstown mc
Reynoldstown zippy

Album: Mudcat, The Atlanta Horns - While You Were Away
Bitrate: MP3@320K/s
Time: 43:03
Size: 98.6 MB
Styles: Folk blues
Year: 2015
Art: Front

[3:14] 1. Sarah
[4:54] 2. While You Were Away
[4:39] 3. If I Could Drink Myself Sober
[3:53] 4. Divine The Fight
[4:42] 5. Toodle Oo
[4:13] 6. Let It Be Me
[4:36] 7. The Devil Is Real
[4:03] 8. So Far
[4:17] 9. End Of The Night
[4:28] 10. Wake

Born on the banks of the Mississippi and raised in Georgia, Mudcat dropped out of acting school in New York to pursue a Blues major on the streets. Eventually he graduated to Atlanta where he converted the Northside Tavern into his school of music. His tutelage continues under Cootie Stark, Frank Edwards, Eddie Tigner and Cora Mae Bryant. A world-class slide guitarist with a voice so rich it feels fattening, Mudcat's education is something you can feel right to your bones.

While You Were Away mc
While You Were Away zippy

Black Patti - Red Tape

Bitrate: MP3@320K/s
Time: 39:42
Size: 90.9 MB
Styles: Acoustic blues
Year: 2017
Art: Front

[3:26] 1. Ask Your Mama
[3:53] 2. Evil Queen Of Diamonds
[3:12] 3. Good Bye Little Baby
[3:36] 4. Red Tape Blues
[4:07] 5. A Little Bit Friday
[3:36] 6. I Shouldn't Have Done It
[2:45] 7. Wooten Stomp
[2:33] 8. Frenchmen Street Rag
[1:59] 9. That's My Sugar
[2:59] 10. I'll Never Come Back Home
[2:51] 11. A Stroll With Mr. Roll
[2:31] 12. The One That Is Always True
[2:08] 13. Nagging Blues

Black Patti, named after a short-lived Jazz/Blues record label in 1927, has dedicated themselves to the early roots of acoustic blues. The German duo consists of professional musicians Peter Crow C. (guitar, slide, harmonica, vocals) and Ferdinand Kraemer (a.k.a. Mr. Jelly Roll, guitar, mandolin, vocals).

Taking the road typically less travelled by today’s performers of this genre, Black Patti draws upon inspiration provided by early Blues artists to write and arrange their own music. With a two-voiced harmony, impressive instrument mastery and a capturing stage presence, Black Patti has taken the European Blues scene by storm, with their own nuanced version of early American Blues. Black Patti is not a Blues cover band. Black Patti writes and plays their own innovative Songs, arrangements and interpretations of early, traditional American Blues.

Red Tape mc
Red Tape zippy

Eric Steckel - 2 albums: Black Gold / Dismantle The Sun

In an era where pedalboards, laptops and samples have become commonplace, Eric Steckel goes against the grain and harkens his listeners back to the days when great guitars were played loudly through great amps. Hailed by many as the top rising star of Blues/Rock, Eric delivers a powerhouse performance that has left audiences in 22 countries (and counting) mesmerized. He brings an energy and passion to the stage that never disappoints and is a must see for fans of vintage guitar rock.

On Eric's latest studio album, "Black Gold," he takes listeners on a musical roller-coaster ride that embodies the human spirit and captures the emotions of daily life. His most diverse album to date, fans of vintage guitar rock will immediately fall in love with Black Gold. From soft, dynamic Blues ballads to heavy, low-tuned Rock anthems, Eric’s signature guitar style is front and center. No pedals, samples or drum machines. No apologies for turning it up to 11. This is rock the way they used to make it.

In 2012, after years on the road, Eric entered the studio to record a powerful modern Blues record. "Dismantle The Sun" emerged. Road-tested and seasoned from 19 years on stage and in the studio, yet young enough to deliver the passion and feeling of the Blues to a wider audience, Eric is a skilled player with a powerful voice and a winning personality.

Album: Black Gold
Bitrate: MP3@320K/s
Time: 43:52
Size: 100.4 MB
Styles: Blues rock
Year: 2015
Art: Front

[4:36] 1. Holding On
[3:25] 2. Juke Joint
[3:55] 3. El Camino
[3:36] 4. Fugitive
[5:40] 5. My Darkest Hour
[3:09] 6. Speed Of Light
[2:33] 7. Texas 1983
[3:03] 8. Outta My Mind
[4:17] 9. What It Means (To Be Alone)
[3:54] 10. Rocket Fuel
[5:38] 11. If I Ain't Got You

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Album: Dismantle The Sun
Bitrate: MP3@320K/s
Time: 49:14
Size: 112.7 MB
Styles: Blues rock
Year: 2012
Art: Front

[4:06] 1. Mississippi River
[4:00] 2. Day Drinkin'
[8:38] 3. Empty Promises
[3:34] 4. Love Me Or Leave Me
[5:15] 5. Last Night
[4:00] 6. Outlaw
[4:13] 7. Highway Bound
[5:12] 8. Found Out The Hard Way
[4:31] 9. Sugar Sweet
[5:41] 10. From Your Blue Eyes To Mine

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Sunday, January 28, 2018

Willie Dixon & Jimmy Reed - Big Boss Men

Year: 2001
Bitrate: MP3@320K/s
Time: 63:53
Size: 147,3 MB
Styles: Electric blues, Chicago blues
Scans: Full

1. Sittin' And Cryin' The Blues (4:33)
2. Spoonful (4:49)
3. I Just Want To Make Love To You (5:57)
4. Chicago Here I Come (2:36)
5. Tore Down (3:53)
6. Roach Stew (5:39)
7. Big Boss Man (12:59)
8. Stop Light (7:02)
9. You Don't Have To Go (Down The Road I Go) (9:35)
10. Bright Lights, Big City (6:45)

The six live 1971 tracks by Dixon on this disc comprise only about half of the CD; the remainder consists of live 1972 material by Jimmy Reed, recorded at the same venue (Liberty Hall in Houston). Although Dixon offers strong vocal performances (as well as playing bass) on these cuts, the sound quality isn't so hot, and adequate at best. The band's okay, the name sideman being Walter Horton on harmonica. In addition to the familiar classics "Spoonful" and "I Just Want to Make Love to You," there's also the much lesser-known emotional, minor-key slow burner "Sitting and Crying the Blues," with uncredited piano, and the instrumental "Chicago Here I Come."

On the final two songs, it might be hard to even consider Dixon as the featured artist, since Johnny Winter (credited as "John Winter") takes the vocal and guitar on "Tore Down," and then lead guitar on an instrumental, the Winter composition "Roach Stew." If this was longer and in decent fidelity, it would be a good record, but its shortcomings limit its attraction to severely dedicated Chicago blues fans. And, unfortunately, the four Jimmy Reed tracks drag the album's worth to a lower level, with sluggish performances (featuring Winter on guitar throughout) and sadly past-his-peak vocalizing by Reed. /Richie Unterberger, AllMusic

Tracks 1-6 credited to Willie Dixon
Tracks 7-10 credited to Jimmy Reed

(For details on featured musicians, see booklet information.)

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Zora Young - Travelin' Light

Year: 1992
Bitrate: MP3@320K/s
Time: 37:54
Size: 87,9 MB
Styles: Electric blues, Chicago blues
Scans: Full

1. Daughter Of A Son-Of-A Gun (2:13)
2. Travelin' Light (5:38)
3. Girlfriend (3:25)
4. Queen Bee (5:07)
5. Key To The Highway (3:24)
6. Stumbling Blocks And Stepping Stones (3:04)
7. Country Girl Returns (5:17)
8. Football Widow (2:55)
9. Brain Damage (4:29)
10. Dirty Mama Jama (2:18)

"The Princess of the Blues," Zora Young shows off her great ability at interpreting the heaviest of Chicago Blues and a couple acoustic numbers as well. Her all-star backing unit on Travelin' Light includes Pinetop Perkins, Jerry Portnoy and Willie "Big Eyes" Smith (Muddy Waters Band alumni), Michael "Mudcat" Ward and the contemporary roots guitar of Colin Linden. Zora is also joined by label-mate Little Anthony Geraci on three songs.

The critically acclaimed Travelin' Light proves that Zora Young is poised to grab one of the top spots in blues.

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Various - I Got Woman

Bitrate: MP3@320K/s
Time: 72:44
Size: 166.5 MB
Styles: Assorted blues styles
Year: 2015
Art: Front

[3:56] 1. Brownie McGhee - I Got A Woman
[2:49] 2. The Blues Caravan - Train Train Blues
[3:17] 3. Sonny Boy Williamson II - Insurance Man Blues
[2:55] 4. Good Lewis - Pelican Jump
[3:13] 5. Lonnie Johnson - Another Woman Booked Out And Bound To Go
[2:49] 6. Charles Brown - Groovy
[2:30] 7. Tiny Davis - How About That Jive
[3:12] 8. Washboard Walter - Narrow Face Blues
[2:48] 9. Sonny Boy Williamson II - Rainy Day Blues
[2:39] 10. Freddie Mitchell - Mr Freddie's Boogie
[3:31] 11. Brownie McGhee - Hold Me In Your Arms
[2:52] 12. Harold Burrage - Hi-Yo Silver
[3:22] 13. Washboard Walter - Insurance Man Blues
[2:55] 14. Lonnie Johnson - Wrong Woman Blues
[2:58] 15. Charles Brown - Googie's Boogie
[2:46] 16. Sunnyland Slim - She Ain't Nowhere
[2:56] 17. Slim Barton - It’s Tight Like That
[2:24] 18. Jessie Allen - Let's Party
[3:20] 19. Sonny Boy Williamson II - The Right Kind Of Life
[3:17] 20. Lonnie Johnson - When You Fall For Some One That’s Not Your Own
[2:21] 21. Charles Brown - Peek A Boo
[2:34] 22. Willie Mabon - I'm Mad
[4:29] 23. Brownie McGhee - The C.C.& O.Blues
[2:40] 24. Eddie Boyd - Five Long Years

Song History: "I Got a Woman" (originally titled "I've Got a Woman") is a song co-written and recorded by American R&B and soul musician Ray Charles. Atlantic Records released the song as a single in December 1954, with "Come Back Baby" as the B-side. Both songs later appeared on the 1957 album Ray Charles (subsequently reissued as Hallelujah I Love Her So).

The song builds on "It Must Be Jesus" by the Southern Tones, which Ray Charles was listening to on the radio while on the road with his band in the summer of 1954. He and a member of his band, trumpeter Renald Richard, penned a song that was built along a gospel-frenetic pace with secular lyrics and a jazz-inspired rhythm and blues (R&B) background. The song would be one of the prototypes for what later became termed as "soul music" after Charles released "What'd I Say" nearly five years later.

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Max Meazza & Pueblo - Race Against Destiny

Bitrate: MP3@320K/s
Time: 50:36
Size: 115.8 MB
Styles: Rockin blues
Year: 2010
Art: Front

[6:34] 1. Solid Air (Feat.Gigi Cifarelli )
[4:36] 2. Down And Dirty (Feat. Rob Tognoni )
[3:18] 3. Gamblin ' City Blues
[2:41] 4. Nightime Call
[4:16] 5. Something Special
[3:46] 6. Crime Scene
[4:26] 7. That's The Way You Act (Radio Edit)
[2:54] 8. No One Cares
[3:44] 9. American Revolver
[3:36] 10. As A Falling Leaf ( Nick Drake )
[2:46] 11. Big Knife (Live )
[4:12] 12. Desert Ride
[3:40] 13. Rock Steady

Singer/ songwriter Max Meazza, leader of legendary mid seventes band PUEBLO returns with his brand new album "Race Against Destiny", 13 songs in the best rock blues and ballads‘ vein. Special guests includes ROB TOGNONI / TIM JONES / GIGI CIFARELLI / WALTER CALLONI and more.

“Rage Against Destiny” presents a unique rendition of JOHN MARTYN‘s immortal anthem "SOLID AIR", ready to the bone versions of "DOWN AND DIRTY " and "ROCK STEADY" by BAD COMPANY plus a touching original wonderful ballad called "AS A FALLING LEAF" dedicated to the Late Great NICK DRAKE.

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Greg Sover - Jubilee EP

Bitrate: MP3@320K/s
Time: 32:48
Size: 75.1 MB
Styles: Electric blues
Year: 2018
Art: Front

[4:21] 1. Emotional
[3:40] 2. Jubilee
[5:57] 3. Hand On My Heart
[4:39] 4. As The Years Go Passing By
[4:07] 5. I Give My Love
[5:32] 6. Temptation
[4:28] 7. Hand On My Heart (Short Edit)

Greg Sover is starting out 2018 on all cylinders! Greg’s new EP Jubilee was released on January 8th. And the Greg Sover Band will be competing at the International Blues Challenge in Memphis, representing the Steel City Blues Society of Phoenixville, PA.

Jubilee is the follow-up to the critically acclaimed Songs of a Renegade, Sover’s 2016 debut album, which put him on the map and announced that he is one of the top emerging blues artists in Philadelphia and beyond. Sover has gotten airplay not only on his hometown station, WXPN in Philadelphia, but on blues radio around the country and around the world.

Sover’s success is due in large part to his band of three Philly veterans with extensive resumes – bassist, musical director and co-producer Garry Lee, guitarist Allen James and drummer Tom Walling. The three are best known as Deb Callahan’s solid backing band. So if you haven’t heard Greg Sover, what are you waiting for?

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