Time: 51:30
Size: 117.9 MB
Styles: Slide guitar blues, Roots
Year: 2015
Art: Front
[3:39] 1. Bought And Sold
[2:11] 2. Ashtray Alleyway
[3:05] 3. Cornerstone Blues
[2:51] 4. Chicken On The Bone Rag
[2:30] 5. Paper Plane Blues
[2:44] 6. Hop In The Line
[3:34] 7. Electric Mainline
[3:58] 8. Highway Time
[4:37] 9. Touch Me Don't Love Me
[3:19] 10. Mary Anne's In Love
[2:28] 11. Sugar Bowl Blues
[4:09] 12. Beehive Blues
[4:33] 13. Bloodshot Moon
[4:30] 14. Shake What Your Mother Gave You
[3:16] 15. Let You Down Gently
Bubbles Brown - Guitar, Vox; Washboard Ben - Percussion, Vox.
Bubbles Brown is a two-piece early blues outfit from Chicago, IL. Bubbles (Guitar, Vocals) and Washboard Ben (Percussion, Vocals) cut their teeth on the blues deep in the subways of Chicago, busking for change and the occasional dollar. Using only a guitar, washboard, sock cymbal, assorted percussion and a suitcase bass drum -the duo and their lean, archaic setup evoke the home-spun, kitchen-sink aesthetic of rural, pre-war blues and country, while blending into it an aggressive and modern electricity to create a sound at-once both nostalgic and distinctly progressive. The Bubbles Brown sound defies expectations, and their rich and reverent brand of the blues, country and jazz of the 20s and 30s greatly exceeds the sum of its parts, transforming stages of any size into roadside juke joints and skeptics into believers.
Bubbles Brown is a two-piece early blues outfit from Chicago, IL. Bubbles (Guitar, Vocals) and Washboard Ben (Percussion, Vocals) cut their teeth on the blues deep in the subways of Chicago, busking for change and the occasional dollar. Using only a guitar, washboard, sock cymbal, assorted percussion and a suitcase bass drum -the duo and their lean, archaic setup evoke the home-spun, kitchen-sink aesthetic of rural, pre-war blues and country, while blending into it an aggressive and modern electricity to create a sound at-once both nostalgic and distinctly progressive. The Bubbles Brown sound defies expectations, and their rich and reverent brand of the blues, country and jazz of the 20s and 30s greatly exceeds the sum of its parts, transforming stages of any size into roadside juke joints and skeptics into believers.
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