Showing posts with label T-Bone Walker. Show all posts
Showing posts with label T-Bone Walker. Show all posts

Monday, April 6, 2026

Aaron Thibeaux-"T-Bone Walker" - One of "The 100 Greatest Guitarists of All Time

Size: 302 MB
Time: 62:03
File: Flac
Released: 2020
Styles: Blues
Art: Front

1. Call It Stormy Monday (3:00)
2. That Evening Train (3:07)
3. You'll Never Find Anyone to Be a Slave Like Me (4:24)
4. Glamour Girl (2:47)
5. Louisiana Bayou Drive (3:15)
6. All Night Long (2:59)
7. My Patience Is Running Out (2:28)
8. T-Bone Blues (3:48)
9. Got to Cross the Deep Blue Sea (1:52)
10. Left Home When I Was a Kid (3:13)
11. Don't Go Back To New Orleans (1:21)
12. T-Bone's Way (4:21)
13. T-Bone Shuffle (2:50)
14. You Don't Love Me Blues (2:58)
15. Papa Ain't Salty (2:47)
16. Blues Rock (2:49)
17. Every Day I Have the Blues (4:22)
18. Mean Old World (4:07)
19. Evil Hearted Woman (2:35)
20. Long Skirt Baby Blues (2:50)

Blues guitarist T-Bone Walker is not only one of the most influential musicians to emerge from the fertile soil of Texas, but his impact on the blues guitar cannot be denied. He is one of the first, if not the very first, guitarist to electrically amplify his instrument, thereby unleashing a revolution in the blues and influencing artists from B.B. King and Clarence 'Gatemouth' Brown to Eric Clapton, Stevie Ray Vaughan, and many others.

Aaron Thibeaux Walker was born on May 28, 1910, in rural Linden, Texas. When he was two years old, he moved with his family to Dallas, TX. Little Aaron began performing with his stepfather, who was a bassist with the Dallas String Band. Here, he developed his basic knowledge of various string instruments.

He only truly learned to play the blues from guitarist Blind Lemon Jefferson, with whom he became friends. He accompanied the blind guitarist from time to time when the latter played on street corners and in the bars of Dallas. In return, Jefferson taught him the fundamentals of the blues guitar. Walker was a quick learner, and as a young teenager, he was already touring with the Dr. Breeding Medicine Show and performing at numerous fairs.

By around 1929, Walker's reputation was already so great that he made his first two recordings with Columbia Records under the name Oak Cliff T-Bone: “Wichita Falls Blues” and “Trinity River Blues.” In 1930, he won a talent contest in Dallas, and the prize was the opportunity to perform with Cab Calloway’s big band. Walker played more frequently with jazz bands and artists, and he also became friends with Charlie Christian, one of the “fathers” of the jazz guitar. Walker moved to Los Angeles in 1934, where he played in numerous small combos, and around 1935/1936, he began experimenting with the first electric guitars. It is generally accepted that he was the first to play an electrically amplified guitar during a performance. In 1939, he recorded “T-Bone Blues” while he was part of Les Hite's Cotton Club Orchestra. The immediate success was so great that he left the orchestra and continued with his own band.

Walker began recording for Capitol Records in 1942, releasing songs such as “Mean Old World” and “I Got A Break Baby.” These songs immediately showcased his own style. Sometime in the 1940s, he moved to Chicago, where he played regularly at the Rhumboogie Club and also recorded for the club's label.

T-Bone Walker was a tremendous showman. He played guitar behind his neck, between his legs, and ran and danced across the stage while playing. In doing so, he would influence later artists such as Chuck Berry and Jimi Hendrix.

He returned to Los Angeles in 1946, where he signed with the Black & White label. And it was with this label that his triumphant march truly began. With them, he recorded "Call It Stormy Monday (But Tuesday Is Just As Bad)" and "T-Bone Shuffle," among others. Other singles were released by Capitol when Black & White ceased to exist, but by then Walker had already signed with Imperial. Over the next five years, he recorded "Vida Lee," "Cold Cold Feeling," and "Blue Mood" for them.

In 1955, he signed with Atlantic Records, and his first session for this label featured Junior Wells and Jimmy Rogers, among others. Several more recording sessions followed, but by the end of the fifties, the jazzy blues style was pushed much further into the background by the harder Chicago blues, soul, and rock 'n' roll. In 1962, T-Bone Walker visited Europe as part of the American Folk Blues Festival and performed with artists such as Willie Dixon and Memphis Slim. The European audience appreciated him, and he would return many more times. After 1960, Walker made very few recordings, and those he did make no longer reached the level of those of the 1940s and 1950s. Exceptions to this were the albums “I Want A Little Girl” from 1968 and “Good Feelin'” from 1970, for which he received a Grammy Award.

He also performed only sporadically. He often toured without a band and played with local bands. These performances were often messy, but despite this, he rarely disappointed and managed to enchant the audience with his musical skills.

Stomach problems caused by long-term alcoholism resulted in poor health during those years. T-Bone Walker died on March 16, 1975, in Los Angeles from complications of pneumonia, which he had contracted following a stroke.

In 1980, he was posthumously inducted into the Blues Hall of Fame, and in 1987, into the Rock & Roll Hall of Fame. He is ranked #47 in Rolling Stone magazine's Top 100 Greatest Guitarists of All Time.

One of "The 100 Greatest Guitarists of All Time" FLAC

Friday, August 8, 2025

T-Bone Walker - Everytime: A Proper Introduction To T-Bone Walker

Album: Everytime
Size: 172,6 MB
Time: 74:18
File: MP3 @ 320K/s
Released: 2004
Styles: Blues, jazzy blues
Art: Full

1. Mean Old World (2:56)
2. I'm Still In Love With You (2:59)
3. Bobby Sox Blues (2:42)
4. I'm Gonna Find My Baby (2:59)
5. I Know Your Wig Is Gone (2:47)
6. T-Bone Jumps Again (2:45)
7. Call It Stormy Monday (But Tuesday Is Just As Bad) (3:05)
8. Midnight Blues (2:47)
9. Long Skirt Baby Blues (2:55)
10. I'm Waiting For Your Call (3:05)
11. Hypin' Woman Blues (2:51)
12. Description Blues (3:09)
13. T-Bone Shuffle (3:02)
14. Go Back To The One You Love (3:06)
15. You're My Best Poker Hand (2:58)
16. West Side Baby (2:50)
17. Glamour Girl (2:47)
18. Blue Mood (2:53)
19. Everytime (2:34)
20. Party Girl (2:14)
21. Love Is Just A Gamble (3:00)
22. High Society (2:58)
23. Got No Use For You (2:43)
24. Railroad Station Blues (2:45)
25. Bye, Bye Baby (2:51)
26. Pony Tail (2:26)

T-Bone Walker's elegant and fluid guitar lines helped define the roll of the electric guitar in the modern recording era, and it's as a guitar player that the blues community generally remembers him. But his smooth yet smoky vocals were every bit as classy as his guitar playing, as this random but interesting set of tracks clearly shows.

Highlights here include the fine "Mean Old World," the immortal "Call It Stormy Monday (But Tuesday Is Just as Bad)" from 1947, "Blue Mood," "Love Is Just a Gamble" and 1952's "Railroad Station Blues." Standing at the junction of blues, jazz and R&B, Walker brought a little something to all these genres, and with "Stormy Monday," gave the world a classic. /Steve Leggett, AllMusic

(For personnel and recording info, see artwork included.)

Everytime: A Proper Introduction To T-Bone Walker mc
Everytime: A Proper Introduction To T-Bone Walker gofile

Thursday, April 3, 2025

VA - Blues Avalanche: Recorded Live At The Montreux Jazz Festival, Switzerland

Source: Vinyl
Size: 165.0 MB
Time: 70:35
File: MP3 @ 320K/s
Released: 1972
Styles: Chicago Blues
Art: Full

A1. Bo Diddley - Hear You Knoockin' (3:53)
A2. Bo Diddley - You Can't Judge A Book By The Cover (3:09)
A3. Bo Diddley - Diddley Daddy (2:18)
A4. The Aces & Lafayette Leake - Early In The Morning (5:07)
B1. The Aces & Lafayette Leake - Baby What You Want Me To Do (2:46)
B2. Koko Taylor With Muddy Waters - Wang Dang Doodle (7:10)
B3. Koko Taylor With Muddy Waters - I Got What It Takes (6:19)
C1. Lafayette Leake - Wrinkles (9:12)
C2. Lafayette Leake - Swiss Boogie (6:10)
C3. Muddy Waters - County Jail (6:06)
D1. Muddy Waters With T-Bone Walker - Trouble No More (2:32)
D2. Muddy Waters With T-Bone Walker - Got My Mojo Working (4:39)
D3. Muddy Waters With T-Bone Walker - (They Call It) Stormy Monday (6:45)
D4. Muddy Waters With T-Bone Walker - She Says She Loves Me (4:22)

Recorded live at the Montreux Jazz Festival, Montreux, Switzerland, June 16 & 17, 1972.

Blues Avalanche: Recorded Live At The Montreux Jazz Festival, Switzerland [Vinyl] MP3
Blues Avalanche: Recorded Live At The Montreux Jazz Festival, Switzerland [Vinyl] FLAC 24bit

Monday, January 6, 2025

T-Bone Walker - Stormy Monday Blues (Remaster)

Album: Stormy Monday Blues
Size: 83,3 MB
Time: 35:47
File: MP3 @ 320K/s
Released: 1970/1978/2022
Styles: Blues
Art: Front

1. Stormy Monday Blues (2:51)
2. All Night Long (2:58)
3. My Patience Keeps Running Out (2:24)
4. Glamour Girl (2:44)
5. T-Bone's Way (Instrumental) (4:19)
6. That Evening Train (3:06)
7. Louisiana Bayou Drive (Instrumental) (3:13)
8. When We Were Schoolmates (3:28)
9. Don't Go Back To New Orleans (1:21)
10. Got To Cross The Deep Blue Sea (1:51)
11. (You'll Never Find Anyone) To Be A Slave Like Me (4:19)
12. Left Home When I Was A Kid (3:10)

A great album from the legendary T-Bone Walker – a set issued right on the cusp of the 70s, at a time when Walker was starting to bring a nice current of funk into his music. The record resonates with the same strengths as some of his best from this period – a great groove that's younger than the man himself, but which really shows that his legendary vocals and guitar work are right at home in the funky generation – so much so that even the familiar title track gets a wonderfully wicked reworking with a hell of a groove. The album's one of those many obscure projects from producer Huey P Meaux from around the time, with arrangements credited to Jimmy Hones on titles that include "Glamour Girl", "T-Bone's Way", "Got To Cross The Deep Blue Sea", "Louisiana Bayou Drive", and "When We Were Schoolmates".

Note: Remastered in celebration of the 70th anniversary of Sun Records. Not to be mixed up with T-Bone Walker's 1968 album with the same title.

Stormy Monday Blues mc
Stormy Monday Blues gofile

Friday, March 25, 2022

T-Bone Walker - Stormy Monday (Live 1968)

Size: 152.6 MB
Time: 65:39
File: MP3 @ 320K/s
Released: 1992
Styles: Electric Blues, Texas Blues
Art: Full

01. Every Day I Have The Blues (4:45)
02. I Woke Up This Morning (6:15)
03. When I Grow Up (7:42)
04. Long Lost Lover (9:05)
05. Shake It Baby (4:53)
06. Stormy Monday Blues (4:51)
07. Why My Baby (5:07)
08. Late Blues (8:50)
09. Sail On (5:07)
10. T-Bone Blues Special (4:16)
11. Treat Me So Low Down (4:44)

Personel: T-Bone Walker: Vocals, Guitar
Hartley Severns: Sax, Fiddle
Johnny Summers: Bass
Vinton (Vinnie) Johnson: Drums
Paul Pena: Guitar, Vocals

T-Bone and his ensemble shows us exactly how rock & roll formed in this live album. He is a primary influence for those credited for creating rock & roll, including B.B. King and Chuck Berry.

The recording itself is a bit of an enigma. There's no information whatsoever in the liner notes regarding anything except the track listing. I find one source that suggests it was recorded in 1968 in Paris, yet I found another that flat out states that it was a bootleg recording from the Montreux Jazz Festival in Switzerland in 1972. The latter makes more sense, since Paul Pena (the phenomenal guitarist on this recording) wasn't active with T-Bone Walker's group until that time. None of the sources I used to come up with this information are concrete, so I just have to make the best guess here.

The music is fantastic and full of energy. Paul Pena is brilliant on guitar and really steals the show. The entire ensemble nails it, including the sax and fiddle players. Yes, fiddle player - this adds an element of country to an already eclectic live performance. Due to the nature of the recording, there are some unnatural fades, but they are only slightly noticeable. There's at least one instance where T-Bone is speaking to the crowd, and you have to lean in to the speakers a bit to hear what he's saying - but the music is there in full force. Overall a decent, but not great, remaster - but that's a good thing considering the source of the recording itself.

Presentation:
I have a real issue with albums that provide no information. The disc comes with a single-fold liner. Open it up, and ... there's nothing inside. It's blank. What I'm able to gather I had to sleuth it up online using unscrupulous sources, or obtain from T-Bone's own words on the recording itself.

Overall, I recommend this to anyone who is a blues or early rock & roll enthusiast. ~Daniel Graham

Stormy Monday (Live 1968) MP3
Stormy Monday (Live 1968) FLAC

Tuesday, January 11, 2022

T-Bone Walker - T-Bone's That Way

Album: T-Bone's That Way
Size: 83,7 MB
Time: 35:54
File: MP3 @ 320K/s
Released: 1992
Styles: Blues
Art: Full (front, tray, cd)

1. Stormy Monday Blues (2:52)
2. All Night Long (2:59)
3. My Patience Keeps Running Out (2:25)
4. Glamour Girl (2:46)
5. T-Bone's That Way (4:19)
6. That Evening Train (3:05)
7. Louisiana Bayou Drive (3:13)
8. When We Were Schoolmates (3:28)
9. Don't Go Back To New Orleans (1:20)
10. Got To Cross The Deep Blue Sea (1:51)
11. (You'll Never Find Anyone) To Be A Slave Like Me (4:22)
12. Left Home When I Was A Kid (3:08)

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans. "Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!" /Bill Dahl

Personnel: T-Bone Walker (guitar, vovals); Johnny Copeland (guitar); Jimmy Jones (bass); Willard Burton (piano, organ). Drummer unknown.

Recorded Pasadena, Texas, no later than March 26, 1970.

T-Bone's That Way mc
T-Bone's That Way zippy

Saturday, November 20, 2021

T-Bone Walker - Super Blues Live

Size: 152.2 MB
Time: 65:39
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Texas Blues
Art: Front

01. Stormy Monday Blues (Live) (4:51)
02. When I Grow Up (Live) (7:42)
03. T-Bone Special (Live) (4:16)
04. Every Day I Have The Blues (Live) (4:45)
05. I Woke Up This Morning (Live) (6:15)
06. Sail On (Live) (5:07)
07. Why My Baby (Live) (5:07)
08. Late Blues (Live) (8:50)
09. Treat Me So Low Down (Live) (4:44)
10. Shake It Baby (Live) (4:53)
11. Long Lost Lover (Live) (9:05)

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans. "Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!" ~Bill Dahl

Super Blues Live MP3
Super Blues Live FLAC

Tuesday, September 15, 2020

T-Bone Walker - Blues & Rhythm Series 5152: The Chronological T-Bone Walker 1952-1954

Size: 223 MB
Time: 51:54
File: FLAC
Released: 2005
Styles: Blues
Art: Full

01. Lollie Lou (2:55)
02. Party Girl (2:10)
03. Love Is Just A Gamble (2:55)
04. High Society (2:55)
05. Long Distance Blues (3:03)
06. Got No Use For You (2:40)
07. I'm Still In Love With You (3:06)
08. Railroad Station Blues (2:40)
09. Vida Lee (2:25)
10. My Baby Is Now On My Mind (2:38)
11. Doin' Time (3:02)
12. Bye Bye Baby (2:46)
13. When The Sun Goes Down (2:31)
14. Pony Tail (2:20)
15. Wanderin' Heart (2:31)
16. I'll Always Be In Love With You (2:17)
17. I'll Understand (2:06)
18. Hard Way (2:08)
19. Teen-Age Baby (2:03)
20. Strugglin' Blues (2:33)

By late 1950 T-Bone Walker was singing at times more like an R&B crooner in the manner of Bull Moose Jackson. Everything on this volume in the Classics T-Bone chronology was originally issued on the Imperial label, and legend has it these stylized performances didn't go over as well with the public as had his Black & White recordings from a few years earlier. Here the arrangements call for a trumpet and sax section behind the vocalist. The material recorded in August 1951 is tougher and more in line with tradition. On "Alimony Blues" and "Welcome Blues," Walker uses his guitar and beefed-up band to create a danceable boogie-based blues that rolls like nobody else's business. The slow numbers recognizably form the basis of modern blues theory as epitomized by Otis Rush. "Life Is Too Short," "I Get So Weary," and "You Don't Understand" are ruminative rituals of remarkable substance and depth. The initially cryptic discography begins to divulge a few more verifiable names in addition to the rhythm section of Willard McDaniel, Billy Hadnott, and Oscar Lee Bradley. Alto saxophonist Edward Hale and tenor man Maxwell Davis were particularly resourceful during a fruitful session that took place in December of 1951. A baritone sax is clearly audible on these recordings, although the discography fails to mention the big horn. The last four tracks were cut in March of 1952, and here Jim Wynn is named as the baritone saxophonist, making it quite likely that Wynn was the mystery horn detected on the previous session. "Blue Mood" stands as one of the best variations on Richard M. Jones' "Trouble in Mind" ever devised by anyone. This disc contains a great wealth of historic West Coast blues recordings that definitively inspired the next generation of blues and rock musicians throughout North America and the British Isles. ~arwulf arwulf

The Chronological T-Bone Walker 1952-1954

Friday, August 21, 2020

T-Bone Walker - Sings The Blues/Singing The Blues (2in1)

Year: 1959/1960/1999
Bitrate: MP3@320K/s
Time: 63:12
Size: 147,5 MB
Styles: Electric blues, jazzy blues
Scans: Full

1. Strollin' With Bone (2:29)
2. You Don't Love Me (2:55)
3. You Don't Understand (2:38)
4. Welcome Blues (Say Pretty Baby) (2:25)
5. Tell Me What's The Reason (2:39)
6. Blue Mood (2:49)
7. The Sun Went Down (2:18)
8. Travelin' Blues (2:29)
9. Evil Hearted Woman (2:35)
10. Cold, Cold Feeling (3:10)
11. I Got The Blues Again (3:15)
12. Blues Is A Woman (2:47)
13. Glamour Girl (2:41)
14. The Hustle Is On (2:27)
15. Alimony Blues (2:38)
16. News For My Baby (2:19)
17. Love Is Just A Gamble (2:53)
18. I'm Still In Love With You (3:03)
19. I'm About To Lose My Mind (2:21)
20. I Got The Blues (2:53)
21. Everytime (2:27)
22. Bye Bye Baby (2:44)
23. I'll Understand (2:03)
24. Teen Age Baby (2:03)

This contains straight-up reissues of two of T-Bone's Imperial albums, themselves merely collections of the original 78s. Everything on these 24 sides was recorded between 1950 and 1954 - not as trailblazing a period as the one from 1946 to 1947 on Black and White, but still prime T-Bone by any yardstick. The majority of these sides were cut in Los Angeles, with the exception of the New Orleans-recorded "I'm Still in Love With You" and the Windy City cut of "Bye Bye Baby." Loads of great T-Bone guitar and a cool West Coast sound to most everything on here make this an important addition to anyone's blues collection. /Cub Koda, AllMusic

Tracks 1-12 from "Sings The Blues" (1959).
Tracks 13-24 from "Singing The Blues" (1960).

Sings The Blues/Singing The Blues mc
Sings The Blues/Singing The Blues zippy

Monday, August 17, 2020

T-Bone Walker - Stormy Monday Blues

Year: 1968/1998
Bitrate: MP3@320K/s
Time: 30:11
Size: 70,6 MB
Styles: Electric blues
Scans: Full

1. I'm Gonna Stop This Nite Life (3:25)
2. Little Girl, Don't You Know (4:46)
3. Every Night I Have To Cry (2:48)
4. I'm Still In Love With You (3:31)
5. Cold Hearted Woman (2:32)
6. Treat Me So Low Down (2:36)
7. Stormy Monday Blues (2:27)
8. Confusion Blues (2:52)
9. I Gotta Break Baby (2:28)
10. Flower Blues (2:42)

Who's the father of the electric blues? Very simple: T-Bone Walker. Of course, a handful of blues-based guitarists had already experimented with amplifying their instruments before T-Bone's appearance, but he wrote the vocabulary that everyone who followed him eagerly adopted. In short, T-Bone was the source. The elegant Mean Old World, recorded in Hollywood on July 20, 1942 with pianist Freddie Slack, bassist Jud DeNaut and drummer Dave Coleman as accompanists, was the real starting point for Walker, even though he had made his first record years earlier.

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans. "Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!" /Bill Dahl

(For personnel details, see artwork included.)

Stormy Monday Blues mc
Stormy Monday Blues zippy

Saturday, August 15, 2020

T-Bone Walker - Get These Blues Off Me: As & Bs 1950-1955

Size: 323 MB
Time: 137:50
File: MP3 @ 320K/s
Released: 2015
Styles: Texas Blues, R&B
Art: Front & Back

CD 1:
01. Glamour Girl (2:44)
02. Strollin' With Bones (2:29)
03. The Hustle Is On (2:33)
04. Baby Broke My Heart (2:43)
05. The Sun Went Down (2:19)
06. You Don't Love Me (2:55)
07. Travellin' Blues (2:20)
08. Evil Hearted Woman (2:35)
09. I Walked Away (2:17)
10. Too Lazy (3:27)
11. No Reason (2:30)
12. Look Me In The Eye (2:26)
13. You Don't Understand (2:38)
14. Welcome Home Blues (2:24)
15. Alimony Blues (2:40)
16. Life Is Too Short (2:44)
17. I Get So Weary (2:42)
18. You Just Wanted To Use Me (2:24)
19. Cold Cold Feeling (3:11)
20. News For My Baby (2:20)
21. Get These Blues Off Me (3:03)
22. I Got The Blues Again (3:15)
23. Lollie Lou (2:55)
24. I Got The Blues (2:54)
25. Street Walking Woman (3:04)
26. The Blues Is A Woman (2:47)

CD 2:
01. Blue Mood (2:51)
02. Got No Use For You (2:39)
03. Railroad Station Blues (2:39)
04. Long Distance Blues (3:02)
05. Party Girl (2:09)
06. You're Here In The Dark (3:01)
07. Everytime (2:28)
08. Tell Me What's The Reason (2:38)
09. I'm About To Lose My Mind (2:22)
10. I Miss You Baby (2:53)
11. Pony Tail (2:20)
12. When The Sun Goes Down (2:30)
13. Vida Lee (2:24)
14. My Baby Is Now On My Mind (2:37)
15. Bye Bye Baby (2:45)
16. Wanderin' Heart (2:30)
17. Teenage Baby (2:03)
18. Strugglin' Blues (2:31)
19. Love Is Just A Gamble (2:54)
20. High Society (2:54)
21. I'll Understand (2:05)
22. The Hard Way (2:07)
23. Papa Ain't Salty (2:45)
24. T-Bone Shuffle (2:47)
25. Why Not (2:41)
26. Play On Little Girl (2:31)

T-Bone Walker was one of the 20th Century's most influential musicians. His guitar work inspired B.B. King, Chuck Berry, Little Milton, Freddie King and pretty much any electric blues guitarist who followed in his pioneering wake. A 52 track extravaganza containing the A & B side of every 78 and 45 he released between 1950 and 1955. T-Bone stage performances were the stuff of legend and amongst his antics was the ability to play the guitar with his teeth and behind his head, accomplishments that resonated through the years to profoundly impress a young guitarist by the name of Jimi Hendrix. More hot guitar than you can possibly imagine with over two and a half hours of music.

Originally posted on 23 Jun 2016. Updated with new rip without cuts.

Get These Blues Off Me MP3
Get These Blues Off Me FLAC

T-Bone Walker - I Want A Little Girl

Year: 1973/1992
Bitrate: MP3@320K/s
Time: 39:34
Size: 91,7 MB
Styles: Electric blues, jazzy blues
Scans: Full

1. I Want A Little Girl (5:08)
2. I Hate To See You Go (3:41)
3. Feeling The Blues (6:10)
4. Leaving You Behind (4:02)
5. Someone's Going To Mistreat You (3:27)
6. Baby Ain't I Good To You (4:31)
7. Ain't This Cold, Baby (6:34)
8. Late Hours Blues (5:58)

The first impression made here is surprisingly not from the master's guitar, but from his vocal, the song itself more of a doo wop ballad than a gutbucket blues. The only kind of T-Bone still savored by European blues fans since the mad cow disease scare barely plays guitar at all as the song begins to unfold, casually wrapping his lips around the lines like a saloon singer with a couple of shots under his belt. But when the instrumental section starts and he begins playing guitar, that's when the listener knows for sure this isn't a Johnny Hartman record. I Want a Little Girl was originally recorded in the late '60s for release on another label, and is in some ways like some of the sides Hartman created for Impulse with small combos backing him, sometimes even featuring guitarists, although never with the edge exhibited by Walker.

That is not to say that the knives and swords brandished by the king of the Texas guitarists here are his sharpest and deadliest. The fact is, this is a relatively laid-back session to the point where the comparison to a smooth crooner such as Hartman becomes no joke, as the second side cuddles in with a version of "Gee Baby, Ain't I Good to You" that is probably more delightful than what Hartman himself might have made of the number. The band is tight yet laid-back and never pushy, with a tenor saxophonist and pianist who like to get adventurous in their solos, referencing various jazz points of departure. Tenorman Hal Singer serves something of a full-course meal on his "Feeling the Blues" break. The first musician one notices will inevitably be the drummer, S.P. Leary, whose ability to set the proper rhythmic tone as well as control the group's dynamics is evident from the first moments of the title track.

He plays superbly throughout the entire record. Bassist Jackie Samson works perfectly with both the drummer and the pianist, while the leader himself seems to assume the role of a kind benefactor. It is an image that might work at odds with the notion of a bandleader in sharp control of the happenings. T-Bone Walker is just that, however. The notion is enforced every time he lays down the law with the sudden entrance of chopped chordal patterns, or sets a new number up with a riff that will later become the essence of his guitar solo. The tone of his instrument itself has been better and fans of the guitarist may even rate parts of his work here as chopped steak in comparison with other T-Bones that have been served. /Eugene Chadbourne, AllMusic

(For personnel details, see artwork included.)

I Want A Little Girl mc
I Want A Little Girl zippy

Monday, August 10, 2020

T-Bone Walker - Blues & Rhythm Series 5118: The Chronological T- Bone Walker 1950-52

Size: 293 MB
Time: 66:34
File: FLAC
Released: 2004
Styles: Blues, R&B
Art: Full

01. I Walked Away (2:18)
02. No Reason (2:32)
03. Look Me In The Eye (2:28)
04. Too Lazy (3:05)
05. Alimony Blues (2:42)
06. Life Is Too Short (2:45)
07. You Don't Understand (Alibi) (2:40)
08. Welcome Baby (Say Pretty Baby) (2:26)
09. I Get So Weary (2:44)
10. You Just Wanted To Use Me (2:25)
11. Tell Me What's The Reason (2:40)
12. I'm About To Loose My Mind (2:24)
13. Cold Cold Feeling (3:12)
14. News For My Baby (2:22)
15. Get These Blues Off Me (3:04)
16. I Got The Blues Again (3:17)
17. Through With Women (3:10)
18. Street Walking Woman (3:06)
19. Blues Is A Woman (2:49)
20. I Got The Blues (2:56)
21. Here In The Dark (3:03)
22. Blue Mood (2:53)
23. Everytime (2:30)
24. I Miss You Baby (2:53)

By late 1950 T-Bone Walker was singing at times more like an R&B crooner in the manner of Bull Moose Jackson. Everything on this volume in the Classics T-Bone chronology was originally issued on the Imperial label, and legend has it these stylized performances didn't go over as well with the public as had his Black & White recordings from a few years earlier. Here the arrangements call for a trumpet and sax section behind the vocalist. The material recorded in August 1951 is tougher and more in line with tradition. On "Alimony Blues" and "Welcome Blues," Walker uses his guitar and beefed-up band to create a danceable boogie-based blues that rolls like nobody else's business. The slow numbers recognizably form the basis of modern blues theory as epitomized by Otis Rush. "Life Is Too Short," "I Get So Weary," and "You Don't Understand" are ruminative rituals of remarkable substance and depth. The initially cryptic discography begins to divulge a few more verifiable names in addition to the rhythm section of Willard McDaniel, Billy Hadnott, and Oscar Lee Bradley. Alto saxophonist Edward Hale and tenor man Maxwell Davis were particularly resourceful during a fruitful session that took place in December of 1951. A baritone sax is clearly audible on these recordings, although the discography fails to mention the big horn. The last four tracks were cut in March of 1952, and here Jim Wynn is named as the baritone saxophonist, making it quite likely that Wynn was the mystery horn detected on the previous session. "Blue Mood" stands as one of the best variations on Richard M. Jones' "Trouble in Mind" ever devised by anyone. This disc contains a great wealth of historic West Coast blues recordings that definitively inspired the next generation of blues and rock musicians throughout North America and the British Isles. ~arwulf arwulf

The Chronological T- Bone Walker 1950-52

Monday, June 29, 2020

T-Bone Walker - Blues & Rhythm Series 5074: The Chronological T-Bone Walker 1947-50

Size: 147 MB
Time: 68:31
File: FLAC
Released: 2003
Styles: Blues, R&B
Art: Full

01. That Old Feeling Is Gone (2:54)
02. The Time Seems So Long (2:48)
03. Prison Blues (2:51)
04. Home Town Blues (2:58)
05. Wise Man Blues (3:01)
06. Misfortune Blues (3:02)
07. I Wish You Were Mine (2:55)
08. I'm Gonna Move You Out And Get Somebody Else (3:00)
09. She's The No Sleepin'est Woman (3:07)
10. Plain Old Down Home Blues (3:08)
11. Born To Be No Good (3:14)
12. Go Back To The One You Love (3:06)
13. I Want A Little Girl (2:49)
14. I'm Still In Love With You (2:58)
15. You're My Best Poker Hand (2:57)
16. West Side Baby (2:48)
17. Glamour Girl (2:45)
18. Strollin' With Bones (2:31)
19. The Sun Went Down (2:21)
20. You Don't Love Me (2:56)
21. Travelin' Blues (2:22)
22. The Hustle Is On (2:34)
23. Baby You Broke My Heart (2:45)
24. Evil Hearted Woman (2:31)

This is the third volume in Classic Records' attempt to chronologically present the complete recorded works of Texas guitarist T-Bone Walker, this time concentrating on Walker's 1947 recordings for the Black & White and Comet labels, with his early 1950 work for Imperial Records tacked on at the end. The high level of creativity in play here isn't obvious on a cursory listen, since a lot of the tracks favor the same sort of mid-tempo blues shuffle, but a closer listen reveals a stunning guitarist who plays the blues with a jazzman's soul, and while Walker isn't a flashy singer, he gets the job done with enough conviction that you can feel the country dust settling in behind his urbane delivery. Check out the guitar and sax interplay on "The Time Seems So Long," or the big band boogie swing of "Strollin' With Bones" to catch a glimpse of the subtle range of this guitar player, who used the blues as a base, but refused to let it restrict him. Walker even strays into pop territory here, singing "I Want a Little Girl" with the assured ease of a crooner, only it still comes out all blue, and wonderfully so. Another highlight on this solid collection is "Plain Old Down Home Blues," which features odd percussion behind an inspired and interesting arrangement. This isn't an ideal introduction to Walker (mostly because his signature tunes, "Stormy Monday" and "Mean Old World," aren't here) but it makes a fine second purchase, and is a must for Walker fans and electric guitarists everywhere. ~Steve Leggett

The Chronological T-Bone Walker 1947-50

Thursday, June 11, 2020

T Bone Walker - Blues & Rhythm Series Classics 5033: The Chronological T-Bone Walker 1947

Size: 246 MB
Time: 70:11
File: FLAC
Released: 2002
Styles: Blues, R&B
Art: Full

01. I Know Your Wig Is Gone (2:44)
02. T-Bone Jumps Again (2:43)
03. Call It Stormy Monday (3:02)
04. She Had To Let Me Down (3:11)
05. She's My Old Time Used To Be (2:41)
06. Dream Girl Blues (2:41)
07. Midnight Blues (2:45)
08. Long Lost Lover Blues (2:57)
09. Triflin' Woman Blues (3:05)
10. Long Skirt Baby Blues (2:52)
11. Goodbye Blues (3:11)
12. Too Much Trouble Blues (2:45)
13. I'm Waiting For Your Call (3:03)
14. Hypin' Woman Blues (2:48)
15. So Blue Blues (3:10)
16. On Your Way Blues (2:54)
17. The Natural Blues (3:05)
18. That's Better For Me (2:39)
19. First Love Blues (3:10)
20. Lonesome Woman Blues (2:40)
21. Vacation Blues (2:56)
22. Inspiration Blues (2:49)
23. Description Blues (3:08)
24. T-Bone Shuffle (3:00)

Volume two in the complete recordings of T-Bone Walker as reissued on the Classics Chronological Series is loaded up with two dozen fine West Coast blues recordings cut for the Black & White, Capitol, and Comet labels over the span of exactly two months' time, from September 13 to November 13, 1947. Billed only as "T-Bone Walker & His Guitar," the group responsible for the fine music captured on this compilation consisted of various session men from all over the musical map. Teddy Buckner, George Orendorff, and Bumps Myers were all seasoned jazz players whose professional careers had taproots reaching back to the '20s and '30s. Oscar Lee Bradley was one of the most sought-after drummers in the business. The band provides excellent backing for T-Bone's smoky voice and irresistible electric guitar. The general sensation throughout is one of relaxed dignity and poignant truthfulness. Listeners are advised to beware of T-Bone Walker. Exercise caution! This man's music might grow on you. A full-blown dependence may develop, requiring the purchase of every volume in the complete chronological recordings of T-Bone Walker. ~arwulf arwulf

The Chronological T-Bone Walker 1947

Monday, June 1, 2020

T-Bone Walker - Blues & Rhythm Series Classics 5007: The Chronological T-Bone Walker 1929-1946

Size: 144 MB
Time: 68:37
File: FLAC
Released: 2001
Styles: Blues, R&B
Art: Full

01. Trinity River Blues (3:03)
02. Wichita Falls Blues (3:12)
03. T-Bone Blues (3:17)
04. I Got A Break Baby (3:17)
05. Mean Old World (2:54)
06. Sail On Boogie (2:40)
07. I'm Still In Love With You (2:55)
08. You Don't Love Me Blues (2:38)
09. T-Bone Boogie (3:05)
10. Mean Old World Blues (2:53)
11. Evening (3:30)
12. My Baby Left Me (2:54)
13. Come Back To Me Baby (3:08)
14. She Is Going To Ruin Me (Fast Woman) (2:57)
15. I Can't Stand Being Away From You (3:11)
16. No Worry Blues (2:44)
17. Don't Leave Me Baby (2:49)
18. Bobby Sox Blues (2:40)
19. I'm Gonna Find My Baby (2:55)
20. I'm In An Awful Mood (2:45)
21. It's A Low Down Dirty Deal (2:55)
22. Don't Give Me The Runaround (3:04)
23. Hard Pain Blues (3:01)

Texas guitarist T-Bone Walker's best work was done for Imperial Records in the early '50s, but as this disc of his earliest sides shows, the evolution of his elegant guitar style and urbane vocal skills is a fascinating one. Opening with his first recorded pieces, "Wichita Falls Blues" and "Trinity River Blues," released in 1929 on Columbia, and moving chronologically through his recordings for Capitol Records and his yearlong stay with Black & White Records in 1946, this collection show the jazzy, jump blues roots of a guitar legend. Novice listeners should check out his Imperial years first, but this anthology makes a nice second purchase. ~Steve Leggett

The Chronological T-Bone Walker 1929-1946

Thursday, February 27, 2020

T-Bone Walker - T-Bone Jumps Again (1947-1950): More Singles As & Bs

Size: 180,2 MB
Time: 76:41
File: MP3 @ 320K/s
Released: 2020
Styles: Texas Blues, R&B
Art: Front

01. Bobby Sox Blues (2:42)
02. I'm Gonna Find My Baby (2:58)
03. No Worry Blues (2:47)
04. Don't Leave Me Baby (2:51)
05. It's A Low Down Dirty Deal (2:58)
06. Don't Give Me The Runaround (3:06)
07. I'm In An Awful Mood (2:48)
08. Hard Pain Blues (3:05)
09. Call It Stormy Monday But Tuesday Is Just As Bad (3:05)
10. I Know Your Wig Is Gone (2:47)
11. Long Skirt Baby Blues (2:55)
12. Goodbye Blues (3:13)
13. I Want A Little Girl (2:50)
14. T-Bone Jumps Again (2:46)
15. That's Better For Me (2:41)
16. I'm Waiting For Your Call (3:06)
17. Plain Old Down Home Blues (3:09)
18. Midnight Blues (2:47)
19. Lonesome Woman Blues (2:42)
20. West Side Baby (2:49)
21. Description Blues (3:10)
22. That Old Feelin' Is Gone (2:57)
23. First Love Blues (3:12)
24. T-Bone Shuffle (3:02)
25. On Your Way Blues (2:56)
26. Go Back To The One You Love (3:07)

This is Jasmine's second look at the influential career of Aaron T-Bone Walker. The first volume covered all of his single releases on Imperial and Atlantic records between 1950 and 1955. Volume 2 is therefore more of a prequel backtracking into his recording career on the independent labels Black & White and Comet. There are several R&B chart hits herein including his greatest - the exceptional "Call It Stormy Monday But Tuesday Is Just As Bad" a song so prolific it has gone on to become on of the most popular blues standards. One of, if not the most innovative of all of the electric blues guitar players. Chuck Berry named Walker as one of his main influences. B.B. King cited hearing Walker's recording of "Stormy Monday" as his inspiration for getting an electric guitar. He was admired by Jimi Hendrix, who imitated Walker's trick of playing the guitar with his teeth and Steve Miller stated that in 1952, Walker taught him how to play his guitar behind his back and also with his teeth and considers him a major influence on his career. Fans of electric guitar in particular blues guitars can't fail to be swept up in the excitement of these 26 classic recordings.

T-Bone Jumps Again

Thursday, October 24, 2019

VA - Mighty Instrumentals R&B Style 1957

Size: 563 MB
Time: 3:57:19
File: MP3 @ 320K/s
Released: 2019
Styles: Blues, R&B
Art: Front

CD 1:
01 Little Jesse - Geechi (2:07)
02 T-Bone Walker - Two Bones And A Pick (2:52)
03 Irving Ashby - Big Guitar (2:37)
04 Little Walter - Shake Dancer (2:45)
05 Googie Rene - Side-Track (2:45)
06 Roy Gaines - Night Beat (3:05)
07 The Nite Riders - Tank Town (2:40)
08 Magic Sam - Magic Rocker (2:30)
09 Harold & Dimples - Mystery (2:47)
10 Duke Jenkins Orchestra - The Duke Walks (2:56)
11 Chuck Berry - Deep Feeling (2:19)
12 Louis Carpenter's All Stars - Cha Cha Boogie (2:51)
13 Elmore James - Elmore's Contribution To Jazz (2:18)
14 Crawford Brothers - Midnight Happenins (2:33)
15 Bill Doggett - Leaps And Bounds, Pts. 1 & 2 (5:29)
16 Piano Red - Wild Fire (2:23)
17 Jimmy Nolen - Jimmy's Jive (3:09)
18 Red Prysock - Satellite (2:41)
19 Bill Jennings-Willis Jackson - Wishbone (2:38)
20 Rene Hall's Orchestra - Flippin' (2:30)
21 Al Smith - Road House (2:35)
22 Little Willie Littlefield - Easy Go (3:07)
23 Doc Bagby - Muscle Tough (2:26)
24 Abe Moore - Bingo (2:16)
25 Bob Reed - Malibu (2:05)
26 Martini & His Orchestra - One O'Clock Jump (1:58)
27 Johnnie Pate - Muskeeta (2:22)
28 Johnny Otis - Wa Wa, Pt. 1 (1:52)
29 Johnny Otis - Wa Wa, Pt. 2 (3:04)
30 J.J. Jones - Darkness (1:58)

CD 2:
01 Johnny Heartsman & The Gaylarks - Johnny's Thunderbird (2:35)
02 Cliff Driver & His Drivers - Changing Times (2:28)
03 Jimmie Tolliver - Rolling (3:15)
04 Eddie Chamblee - Back Up (2:31)
05 R Bland - Good News (2:05)
06 Joe Houston & his Combo - Shuckin' (2:36)
07 Jody Williams - Lucky Lou (3:49)
08 Jon Thomas - Hard Head, Pts. 1 & 2 (4:09)
09 Paul Gayten - Tough Enough (2:00)
10 The Trilyters - Two-O-Five Jump (2:07)
11 Guitar Slim - Guitar Slim Boogie (3:01)
12 The Tazman - Easy Pickin' (2:19)
13 Kid King's Combo - Hob Nob (2:19)
14 Lafayette Thomas - Cockroach Run (2:38)
15 Plas Johnson - Downstairs (2:03)
16 Paul 'Hucklebuck' Williams - Give It Up (2:37)
17 Buddy Johnson - Minglin' (3:01)
18 Harold 'Pop Pop' Rollins - Wow, Pt. 1 (2:29)
19 Harold 'Pop Pop' Rollins - Wow, Pt. 2 (2:43)
20 Louis Jordan - The Slop (2:30)
21 Noble 'Thin Man' Watts - Midnite Flight (2:50)
22 Eddie Lockjaw Davis - Speak Low (2:41)
23 Jimmy Reed - Ends & Odds (2:24)
24 Clifton Chenier - Sloppy (3:05)
25 Sammy Franklin's Orchestra - Chicken Scratch, Pts. 1 & 2 (4:13)
26 Johnny Otis & The Jayos - The Blooper (2:09)
27 Fats Domino - Twistin' The Spots (1:44)
28 Ike Turner - Rock-A-Bucket (2:23)
29 Preston Brown - Walk On (2:15)
30 Preston Brown - Walk Off (2:37)

CD 3:
01 Gus Jenkins - Pay Day Shuffle, Pt. 1 (2:25)
02 Gus Jenkins - Pay Day Shuffle, Pt. 2 (2:59)
03 Rene Hall's Orchestra With Willie Joe - Twitchy (2:25)
04 Jack Constanzo - Cat Walk (2:12)
05 Johnny Heartsman - Johnny's Blue Mood (2:29)
06 Louis Jordan - The Jam (2:32)
07 Choker Campbell & His Orchestra - Frankie And Johnnie (3:08)
08 Little Jesse - Huggin' (2:38)
09 Bill Hendricks Orchestra - Spinnin' Rock Boogie (2:16)
10 Lafayette Leake - Slow Leake (3:00)
11 Roland Mitchell - Irma Special (2:43)
12 Johnny Otis - Wiggle Walk (2:37)
13 Jesse Stone - Tall And Short (1:55)
14 Crawford Brothers - Midnight Mover Groover (2:06)
15 Wild Jimmy Spruill - Honky Tonk Hucklebuck (2:35)
16 Floyd Dixon - Two Piano Blues (2:51)
17 Irving Ashby - Motatin' (2:00)
18 Googie Rene - Sunrise (2:17)
19 Louis Brooks & His Hi-Toppers - X-Cello Rock (2:15)
20 Chris Columbo - Oh Yeah, Pt. 1 (2:24)
21 Chris Columbo - Oh Yeah, Pt. 2 (2:38)
22 Sticks Evans & The House Rockers - Zulu's Court (2:29)
23 Duke Jenkins - Something Else (2:42)
24 Chico Chism & Jerry & Garland - Romp & Stomp (2:14)
25 Gus Jenkins - Road Runner (2:49)
26 Big Jay McNeely - Havana Hop (5:04)
27 The Big Beats - Big Boy (2:30)
28 Lonesome Sundown - Lonesome Whistler (2:41)
29 Roy Gaines - Gainesville (3:01)
30 J.J. Jones - Sock Dance (2:12)

This set brings together the finest R&B instrumentals recorded in 1957, putting the spotlight both on long-forgotten records by established artists and fabulous obscurities by long-forgotten ones! It's a cracking compilation from start to finish: Mid-West electric blues, Southern swamp rock, spicy New Orleans rhythms, sophisticated West-Coast productions and East Coast city blues, dominated by guitarists and saxophonists but interspersed with a few organists, accordionists, pianists and harmonicists .

Mighty Instrumentals R&B Style 1957 Part 1
Mighty Instrumentals R&B Style 1957 Part 2

Wednesday, August 14, 2019

T-Bone Walker - Goodbye Blues (4 CD)

Album: Goodbye Blues
Year: 2005
Bitrate: MP3@320K/s
Time: 71:01+69:15+69:45+61:34
Size: 164,2+160,1+161,3+142,3 MB
Styles: Blues, jazzy blues
Scans: Full

CD 1:
1. Trinity River Blues (3:09)
2. Wichita Falls Blues (3:10)
3. T-Bone Blues (3:17)
4. I Got A Break Baby (3:18)
5. Mean Old World (2:55)
6. Low Down Dirty Shame (Married Woman Blues) (2:37)
7. Sail On Boogie (2:39)
8. Mean Old World Blues (2:52)
9. You Don't Love Me Blues (2:37)
10. T-Bone Boogie (3:03)
11. I'm Still In Love With You (2:54)
12. Evening (3:29)
13. My Baby Left Me (Blues) (2:54)
14. Come Back To Me Baby (Blues) (3:07)
15. She's Going To Ruin Me (Blues) (2:56)
16. I Can't Stand Being Away From You (3:10)
17. No Worry Blues (2:43)
18. Don't Leave Me Baby (2:49)
19. Bobby Sox Blues (2:39)
20. I'm Gonna Find My Baby (2:55)
21. I Know Your Wig Is Gone (2:45)
22. T-Bone Jumps Again (2:43)
23. Call It Stormy Monday But Tuesday Is Just As Bad (3:01)
24. She Had To Let Me Down (3:08)

CD 2:
1. She's My Old Time Used-To-Be (2:39)
2. Dream Girl Blues (2:40)
3. Midnight Blues (2:45)
4. Long Lost Lover Blues (2:55)
5. Triflin' Woman Blues (3:04)
6. Long Skirt Baby Blues (2:52)
7. Goodbye-Blues (3:09)
8. Too Much Trouble Blues (2:44)
9. I'm Waiting For Your Call (3:01)
10. Hypin' Woman Blues (2:48)
11. So Blue Blues (3:08)
12. On Your Way Blues (2:53)
13. The Natural Blues (3:05)
14. That's Better For Me (2:38)
15. First Love Blues (3:09)
16. Lonesome Woman Blues (2:39)
17. Vacation Blues (2:55)
18. Inspiration Blues (2:48)
19. Description Blues (3:06)
20. T-Bone Shuffle (2:59)
21. No Worry Blues (2:43)
22. Don't Leave Me Baby (2:49)
23. Bobby Sox Baby (2:40)
24. I'm Gonna Find My Baby (2:54)

CD 3:
1. I'm In An Awful Mood (2:44)
2. It's A Lowdown Dirty Deal (2:55)
3. Don't Give Me The Runaround (3:03)
4. Hard Pain Blues (3:02)
5. I Know Your Wig Is Gone (2:45)
6. T-Bone Jumps Again (2:43)
7. Call It Stormy Monday But Tuesday Is Just As Bad (3:02)
8. She Had To Let Me Down (3:10)
9. She's My Old Time Used To Be (2:40)
10. Dream Girl Blues (2:40)
11. Midnight Blues (2:45)
12. Long Lost Lover Blues (2:56)
13. Triflin' Woman Blues (3:04)
14. Long Skirt Baby Blues (2:50)
15. Goodbye Blues (3:10)
16. Too Much Trouble Blues (2:44)
17. I'm Waiting For Your Call (3:02)
18. Hypin' Woman Blues (2:48)
19. So Blue Blues (3:08)
20. On Your Way Blues (2:53)
21. Natural Blues (3:05)
22. That's Better For Me (2:39)
23. First Love Blues (3:09)
24. Lonesome Woman Blues (2:37)

CD 4:
1. Vacation Blues (2:54)
2. Inspiration Blues (2:48)
3. Description Blues (3:07)
4. T-Bone Shuffle (2:59)
5. That Old Feelin' Is Gone (2:54)
6. The Time Seems So Long (2:46)
7. Prison Blues (2:50)
8. Hometown Blues (2:57)
9. Wise Man Blues (3:00)
10. Misfortune Blues (3:00)
11. I Wish You Were Mine (2:54)
12. I'm Gonna Move You Out And Get Somebody Else (2:58)
13. She's The No-Sleepin'est Woman (3:05)
14. Plain Old Down Home Blues (3:05)
15. Born To Be No Good (3:12)
16. Go Back To The One You Love (Old) (2:28)
17. Go Back To The One You Love (3:04)
18. I Want A Little Girl (2:46)
19. I'm Still In Love With You (2:56)
20. You're My Best Poker Hand (2:55)
21. West Side Baby (2:45)

T-Bone Walker was the Charlie Christian of the blues. A fluent guitarist who was one of the first important electric guitarists in the blues, Walker had the facility of a jazz musician and often recorded with jazz-oriented combos while sticking largely to the blues. His influence was so strong that in some of his 1940s recordings, he plays phrases that would be picked up and popularized by Chuck Berry a decade later.

Born in Texas in 1910, Walker first recorded two selections in 1929 and cut a few titles during 1940-44 but did not really get going as a recording artist until 1945. This Quadromania release is a four-CD set that begins with the 1929 numbers and the early performances before mostly concentrating on the 1945-54 period.

While only one of Walker's originals became a hit (Stormy Monday which is heard here in its original version), his performances with his sextet (which usually included tenor-saxophonist Bumps Myers) are infectious and joyful. The blues was never a downbeat music when T-Bone Walker was playing. This four-CD set shows why T-Bone Walker is considered an influential blues giant even today. /Scott Yanow, AllMusic

(Note: The booklet included for this release isn't that detailed, but it provides some info on personnel and/or recording dates for most of the tracks.)

Goodbye Blues (4 CD) Part 1 mc
Goodbye Blues (4 CD) Part 1 zippy

Goodbye Blues (4 CD) Part 2 mc
Goodbye Blues (4 CD) Part 2 zippy

Thursday, September 27, 2018

VA - Play: Blues Ballads

Size: 312,7 MB
Time: 134:03
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues
Art: Front

01 ZZ Top - Blue Jeans Blues (4:40)
02 T-Bone Walker - How Long Blues (5:16)
03 Fats Domino - Wait Till It Happens To You (Version 2) (2:30)
04 Freddie King - Ain't Nobody's Business What We Do (3:38)
05 Joe Turner - Still In Love (2:56)
06 Aretha Franklin - Good To Me As I Am To You (3:55)
07 Ray Charles - I Believe To My Soul (3:01)
08 Ivory Joe Hunter - Can't Explain How It Happened (2:41)
09 Lonnie Mack - What Kind Of World Is This (4:03)
10 Wilbur De Paris - Trouble In Mind (3:02)
11 Judy Henske - Every Night When The Sun Goes Down (4:02)
12 Little Milton - You're Gonna Make Me Cry (5:34)
13 Judy Clay - I Got To Love Somebody's Baby (3:28)
14 Paul Butterfield's Better Days - Please Send Me Someone To Love (Live At Winterland Ballroom) (5:21)
15 Jerry Lee Lewis - Who Will The Next Fool Be (5:47)
16 Johnnie Taylor - Little Bluebird (2:59)
17 Mem Shannon - Old Men (4:56)
18 Doug Sahm & Band - Betty Jo (Bonus Track) (4:06)
19 Low Budget Blues Band Feat. Sanne Salomonsen - Need Your Love So Bad (Feat. Sanne Salomonsen) (4:35)
20 Emmy Rossum - Nobody Knows You When You're Down And Out (3:18)
21 Junior Mance - I Believe To My Soul (Single Version) (3:09)
22 The Watts 103rd. Street Rhythm Band - Stormy Monday (Mono Version) (4:56)
23 Billy Eckstine - Blues In The Night (3:05)
24 Delta Cross Band - Key To Highway (7:50)
25 Bobby Darin - Drown In My Own Tears (3:20)
26 Kelly Joe Phelps - Without The Light (4:47)
27 Lavern Baker - St. Louis Blues (Live In Hollywood, 1991) (8:02)
28 Robert Cray - Out Of Eden (9:18)
29 Daddy's Cash - You See Me (5:28)
30 Dr. John - In A Sentimental Mood (4:04)

Play: Blues Ballads