Micky Moody & Paul Williams - Smokestacks, Broom Dusters & Hoochie Coochie Men

Size: 119,7 MB
Time: 49:59
File: MP3 @ 320K/s
Released: 2002
Styles: Acoustic Blues
Art: Front & Back

01. Look On Yonder's Wall (2:22)
02. Down In The Bottom (3:09)
03. Who's Been Talkin' (2:39)
04. I'm Ready (3:46)
05. Honey Bee (4:11)
06. Dust My Broom (2:52)
07. Down On Maxwell Street (2:02)
08. Built For Comfort (4:03)
09. It Hurts Me Too (3:45)
10. Baby Please Don't Go (3:02)
11. Little Red Rooster (3:21)
12. Shake Your Moneymaker (3:01)
13. I Can't Be Satisfied (3:55)
14. Mississippi Lightning (1:33)
15. Done Somebody Wrong (3:07)
16. Shake For Me (3:07)

Guitarist Micky Moody needs little introduction. He first came to prominence in the early seventies as the youngest member, of the highly acclaimed, Juicy Lucy. Afterwards, he co-founded Snafu and enjoyed similar success. A telephone call from Deep Purple’s David Coverdale resulted in a performer or writing partnership on the superstar’s two solo LP’s. This led to the formation of Whitesnake, and yes the rest really is history.

Micky’s first solo album I Eat Them For Breakfast was released by Armadillo Music in 2000, following this his collaboration with ex-Juicy Lucy member Paul Williams came about in 2002 Smokestacks, Broom Dusters & Hoochie Coochie Men.

Paul’s phenomenal vocal style was nurtured during the great blues boom of the sixties working alongside Alexis Korner, Zoot Money and John Mayall, before joining Micky in Juicy Lucy.

Smokestacks, Broom Dusters & Hoochie Coochie Men is their 16 track celebration of the music of Elmore James, Muddy Waters and Howling Wolf.

Smokestacks, Broom Dusters & Hoochie Coochie Men

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Paul Williams & Friends - In Memory Of Robert Johnson

Size: 78,1 MB
Time: 33:28
File: MP3 @ 320K/s
Released: 1973/2015
Styles: Delta Blues
Art: Front

01. Spoken Introduction (0:26)
02. Terraplane Blues (Version #1) (3:53)
03. Crossroads Blues (5:42)
04. Kind Hearted Woman Blues (4:00)
05. If I Had Possession Over Judgement Day (3:41)
06. Rambling Blues (4:22)
07. When You Got A Good Friend (2:41)
08. Come On In My Kitchen (4:03)
09. Terraplane Blues (Version #2) (4:35)

Recorded over 40 years ago, In Memory of Robert Johnson, remains a timeless tribute to its namesake. Although the production quality of the original 1973 release was remarkable even by today's standards, the music has taken on an additional level of eloquence and brilliance in this artfully re-mastered version.

The life of Robert Johnson is shrouded in mystery. Some say the legendary blues artist went to the crossroads and made a deal with the devil to be able to play with such emotional power. In any case, his music never relieved his personal sufferings. Most of his recordings were made in the back rooms of Texas hotels and office buildings. Only Terraplane Blues came close to being a hit, even in the restricted race market of the time. Johnson's difficult life finally ended in 1938 under violent circumstances, yet his music became immortal. During the blues revival of the 60s and early 70s, his songs were resurrected by Captain Beefheart, Cream, The Rolling Stones, and others.

English singer, blues guitarist and harmonica player, Paul Williams, was impressed when he heard some of Johnson's original recordings, which were made available to the public in the late 60s. Williams was so moved, in fact, that he gathered together some of England's most prominent blues musicians and went into London's Trident Studios. The resulting sessions faithfully captured the essence of Johnson's style while providing a showcase from some of the finest musicians of the English blues revival.

"What we found in Robert Johnson's music was the authenticity of a man's life," stresses the album's producer and acoustic guitarist Jon Mark, who was highly regarded for his work with blues legend John Mayall. "You have to understand that before the blues revival, we'd had Frank Sinatra singing slick, middle of the road material. Then all of a sudden young people became aware of the blues. We were really impressed with the ability of these black blues musicians to convey a pure sense of the truth. The blues was the most direct way of communicating the pain and the suffering of life, and Robert Johnson really lived it. So you can see why on this session there was a real concern of being purists, of not adulterating the music for our own purposes, but trying to recreate it or interpret it with great respect for the original source."

Williams and Mark were joined on this recording by steel guitarist Glenn Campbell, pianist Bob Hall, bassists Keith Ellis and Pat Donaldson, lead guitarist Eddie Yarlett, and guitarists Alun Davies and Spencer Davis.

In Memory Of Robert Johnson

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