Monday, July 20, 2020

Jimmy Rushing - Blues & Rhythm Series 5085: The Chronological Jimmy Rushing 1946-1953

Size: 265 MB
Time: 55:09
File: FLAC
Released: 2004
Styles: Blues, R&B, Jazz
Art: Full

01. Thursday Blues (2:48)
02. Good Mornin' Blues (3:11)
03. I Gotta Have You That's All (2:57)
04. I-Want-A-Little-Girl (3:07)
05. Lotsa Poppa (2:36)
06. Fool's Blues (2:33)
07. Hey Miss Bessie (2:26)
08. Ain't It Lonesome (3:08)
09. I'm So Lonely (2:44)
10. Go Get Some More You Fool (3:03)
11. Hi-Ho Sylvester (2:23)
12. The Way I Feel (3:01)
13. In The Moonlight (2:29)
14. She's Mine, She's Yours (2:15)
15. Where Were You (2:49)
16. Somebody's Spoiling These Women (2:44)
17. Mr. Five By Five (2:48)
18. Lonesome Daddy Blues (2:45)
19. Clothes Pin Blues (3:05)
20. Wigglin' Blues (2:07)

He was known as "Mister Five-By-Five" -- an affectionate reference to his height and girth -- a blues shouter who defined and then transcended the form. The owner of a booming voice that radiated sheer joy in whatever material he sang, Jimmy Rushing could swing with anyone and dominate even the loudest of big bands. Rushing achieved his greatest fame in front of the Count Basie band from 1935 to 1950, yet unlike many band singers closely associated with one organization, he was able to carry on afterwards with a series of solo recordings that further enhanced his reputation as a first-class jazz singer.

Raised in a musical family, learning violin, piano and music theory in his youth, Rushing began performing in nightspots after a move to California in the mid-'20s. He joined Walter Page's Blue Devils in 1927, then toured with Bennie Moten from 1929 until the leader's death in 1935, going over to Basie when the latter picked up the pieces of the Moten band. The unquenchably swinging Basie rhythm section was a perfect match for Rushing, making their earliest showing together on a 1936 recording of "Boogie Woogie" that stamped not only Rushing's presence onto the national scene but also that of Lester Young. Rushing's recordings with Basie are scattered liberally throughout several reissues on Decca, Columbia and RCA. While with Basie, he also appeared in several film shorts and features.

After the Basie ensemble broke up in 1950, a victim of hard times for big bands, Rushing briefly retired, then formed his own septet. He started a series of solo albums for Vanguard in the mid-'50s, then turned in several distinguished recordings for Columbia in league with such luminaries as Dave Brubeck, Coleman Hawkins and Benny Goodman, the latter of whom he appeared with at the Brussels World's Fair in 1958 as immortalized in "Brussels Blues." He also recorded with Basie alumni such as Buck Clayton and Jo Jones, as well as with the Duke Ellington band on Jazz Party. He appeared on TV in The Sound of Jazz in 1957, was featured in Jon Hendricks' The Evolution of the Blues, and also had a singing and acting role in the 1969 film The Learning Tree. ~Richard S. Ginell

The Chronological Jimmy Rushing 1946-1953

Jo-Jo Adams - Blues & Rhythm Series 5083: The Chronological Jo-Jo Adams 1946-1953

Size: 133 MB
Time: 57:07
File: FLAC
Released: 2004
Styles: Blues, R&B
Art: Full

01. Jo-Jo Blues (Part 1) (2:22)
02. Jo-Jo Blues (Part 2) (2:48)
03. Don't Give It Away (2:57)
04. Corine (3:01)
05. Thursday Evening Blues (2:55)
06. Hard-Headed Woman Blues (2:37)
07. Jo-Jo's Troubles (2:47)
08. Disgusted (3:04)
09. When I'm In My Tea (3:16)
10. Upstairs (2:35)
11. I'm Weak For You (2:38)
12. I Get The Blues Every Morning (3:16)
13. Around The Watch (Part 1) (2:52)
14. Around The Watch (Part 2) (2:09)
15. Floyd's Guitar Blues (3:12)
16. Voodit (3:09)
17. Didn't I Tell You (3:00)
18. I've Got A Crazy Baby (2:53)
19. Call Me Baby (2:40)
20. Rebecca (2:48)

Joel Adams (c.1918 – February 27, 1988), sometimes credited as Doctor Jo-Jo Adams, was an American jump blues singer, comedian, dancer, and MC, who recorded in the 1940s and 1950s.

He was born in a rural area of Alabama, and sang with the Big Four Gospel Jubilee Singers before moving to Chicago in the early 1940s. He then began performing in clubs on the South Side of Chicago, adopting a style derivative of Cab Calloway, wearing a tuxedo with extended tails that would swing around while he danced. He said: "I introduced color to the stage. My tailor-made tails that were 55 inches long - when I spun around you could shoot dice on them!"

In 1946 he made his first recording, "Jo Jo Blues", with bandleader Freddie Williams for the Melody Lane record label, soon to be renamed Hy-Tone. He also recorded for Hy-Tone with guitarist Floyd Smith, including the marijuana-related song "When I'm In My Tea"; and recorded for the Aladdin label in Los Angeles with Maxwell Davis' band. After returning to Chicago, he recorded under Tom Archia's supervision for the Aristocrat label run by Leonard Chess. His recordings there included "Cabbage Head", a version of the folk song "Our Gudeman", also known as "Seven Drunken Nights".

Adams appeared in the 1949 all-African American revue film Burlesque in Harlem, performing a risqué version of "The Hucklebuck". The following year, he began appearing regularly with Memphis Slim and Terry Timmons in clubs in Chicago, and at the end of the year performed at a New Year's Eve show with Lester Young and others. He also performed in his own revue, the "Jo Jo Show", which at various times featured singers Joe Williams, Willie Mabon, Bill Pinkard, and the Melvin Moore Combo. He made his last recordings in 1952 and 1953, for the Chance and Parrot labels; some of the latter recordings were arranged by Sun Ra.

He continued to appear with his revue in Chicago nightclubs through most of the 1950s. His last credited performance was in 1958. After that, he gave up the music business except for occasionally playing in his local neighborhood. He died in Chicago in 1988, aged about 70.

His early recordings were anthologised on CD by the French label, Chronological Classics, in 2004. ~Wikipedia

The Chronological Jo-Jo Adams 1946-1953

Elmore James - Blues & Rhythm Series 5082: The Chronological Elmore James 1951-53

Size: 171 MB
Time: 65:52
File: FLAC
Released: 2004
Styles: Blues, R&B
Art: Full

01. Dust My Broom (I Believe My Time Ain't Long) (2:44)
02. Please Find My Baby (3:09)
03. Hand In Hand (2:52)
04. Long Tall Woman (2:56)
05. Rock My Baby Tonight (2:36)
06. My Baby's Gone (2:22)
07. One More Drink (3:18)
08. Baby What's Wrong (2:56)
09. I Believe (3:16)
10. Sinful Woman (2:54)
11. I Held My Baby Last Night (3:25)
12. Round House Boogie (2:49)
13. Kickin' The Blues Around (3:00)
14. Sax-Ony Boogie (2:39)
15. Dumb Woman Blues (3:16)
16. Country Boogie (Tool Bag Boogie) (2:42)
17. My Best Friend (3:25)
18. I See My Baby (3:06)
19. She Won't Do Right (Dust My Broom) (3:04)
20. Whose Muddy Shoes (3:19)
21. Sweet Little Woman (3:04)
22. I May Be Wrong (2:49)

Radio repairman Elmore James spent a good deal of time re-wiring his amplifiers, giving him a raw, distorted, and urgent sound on electric guitar that, coupled with his killer slide style, made him the Godfather of modern electric guitar, and few gunslingers can match his intensity or powerful, dirty sound (even when armed with a train-load of stomp boxes). This disc collects his earliest sides for Trumpet, Flair and Meteor Records, and includes at least three different versions (James redid this song countless times under varying titles) of his signature tune, a re-working of Robert Johnson's "Dust My Broom." James brought everything to every recording he ever did, and so it is virtually impossible to pick up a bad Elmore James release, but this one, since it contains his very first recordings, has a special urgency. ~Steve Leggett

The Chronological Elmore James 1951-53

King Perry - Blues & Rhythm Series 5081: The Chronological King Perry 1945-1949

Size: 256 MB
Time: 67:15
File: FLAC
Released: 2003
Styles: Blues, R&B
Art: Full

01. The Man I Love (3:20)
02. King Perry Blues (3:12)
03. A Chicken Ain't Nothin' But A Bird (2:44)
04. Song Of The Islands (3:25)
05. Laughing At Life (2:45)
06. Till The Very End Of My Days (2:40)
07. Voot Rock (2:37)
08. Mellow Reeni Riff (2:45)
09. Baby Baby Blues (2:38)
10. Puttin' You Down Blues (2:55)
11. Stardust (2:57)
12. Kilroy Was Here (2:50)
13. Keep A Dollar In Your Pocket (2:42)
14. Rocks In My Bed (2:57)
15. Val-Halla (2:55)
16. I Love Her (2:36)
17. Let 'em Roll Blues (3:01)
18. The Ice Man (2:37)
19. Perry's Wiggle Woogie (2:42)
20. Hold Your Gold (2:33)
21. Wait Now (2:52)
22. Fat Mama (2:02)
23. Going To California Blues (2:40)
24. Sarah, Sarah! (2:37)

b. Oliver King Perry, 1920, Gary, Indiana, USA. Starting with the violin, Perry learned a variety of instruments in his youth, including bass, trumpet, drums, piano and clarinet, before the alto saxophone after seeing Johnny Hodges with Duke Ellington’s Orchestra. Perry ended up in Los Angeles, in 1945, after a tour with his small band and stayed, recording for Melodisc Records in July of that year. They went on to have records released on Excelsior/United Artists (not the well-known label from recent years) - finding success on the R&B charts with his ‘Keep A Dollar In Your Pocket’, which was covered by Roy Milton. He also recorded for DeLuxe, Specialty Records (with whom he had his only other substantial hit, ‘Blue And Lonesome’), Dot Records, RPM, Lucky, Hollywood, Trilyte, Look and Unique through to the late 50s. He turned to selling real estate when work was scarce, but returned to music in 1967 and resumed his recording career on Accent in 1975. He continues to perform around the Bakersfield area and runs his own record company (Octive) and publishing company (Royal Attractions). ~AMG

The Chronological King Perry 1945-1949

Sunday, July 19, 2020

Cherry Casino & The Gamblers - Let's Play Around!

Year: 2006
Bitrate: MP3@320K/s
Time: 37:08
Size: 86,4 MB
Styles: R&B, rock & roll
Scans: Front, back

1. Huh Baby (2:03)
2. Gonna Tear Your Playhouse Down (2:29)
3. Did You Hear That Door Slam (2:30)
4. You're Too High For Me (2:23)
5. A Bar Called Moe's (2:19)
6. Baby Please Come Back (2:12)
7. Night Train (2:46)
8. Five Minutes More (2:01)
9. Headlight Blues (2:59)
10. All Night Long (2:13)
11. Plans Without Me (2:30)
12. Let's Play Around (2:39)
13. Girl Next Door (2:10)
14. Lump In My Throat (3:16)
15. Rockin' And Rollin' (2:31)

Cherry Casino and the Gamblers made their first public appeareance in august 2002 at the famous "Brandenburg-Weekender" in Werder/Berlin and went down very well. The boys have built up a huge following of fans all over Europe. Constant touring and their dynamic live stage show has won Cherry Casino a huge legion of devoted fans. Five funny faces break the ice in less than a second every time they appear with their well blended mix of early R&B and furious rock and roll. 2005 continued in the same vain with one little difference - after all the live shows they were preparing themselves to cut their first album "Let's Play Around". It was released in February 2006 followed by the album "Fat Mama's Daughter" in 2008.

It's a rather tough task to try and categorize the music of Cherry Casino and The Gamblers. It certainly is music to dance to and have fun with, but also music that features a heavy after-beat and a breathless singing style that listeners of all ages can enjoy. This is the mixture that has helped Cherry and the boys zoom to the top and gain their world-wide reputation as one of the hottest bands in the rock and roll genre.

What's so special about the sound of Cherry Casino? The key is that his recordings sound like a mirror image of his stage appearances. When you drop the needle on your Hi-Fi you could almost think Cherry and The Gamblers were performing right in your living room. These songs are as crisp and refreshing as a glass of ice-cold lemonade on a hot summer day. The band plays classic 1950's rock and roll with catchy lyrics and hard driving guitar/sax lead breaks and is trying to come as close as possible to the magic sounds of the era. Cherry loves T-Bone Walker, Wynonie Harris, Big Joe Turner and all kinds of mirrors.

Personnel: Alex Praefcke (vocals, guitar); Michael Kirscht (rhythm guitar); Ike Styoe (saxophone); Lucky Lehmann (bass); Torsten Peukert (drums).

Let's Play Around! mc
Let's Play Around! zippy

Beverly 'Guitar' Watkins - The Spiritual Expressions Of Beverly 'Guitar' Watkins

Year: 2009
Bitrate: MP3@320K/s
Time: 53:08
Size: 122,9 MB
Styles: Blues/Gospel
Scans: Full

1. Blessin' (3:36)
2. The Lord Will Make A Way (4:46)
3. Born On Christmas Day (2:27)
4. Blessed By Thy Name (4:37)
5. Clap Your Hands (3:46)
6. Jesus Is There For You (4:21)
7. Jesus Walked The Water (4:45)
8. Testimonial (6:44)
9. Glory Glory Hallelujah (3:39)
10. Jesus Is On The Main Line (3:37)
11. This Little Light Of Mine (4:56)
12. Can't Nobody Do Me Like Jesus (5:47)

Georgia-based guitarist, singer, and songwriter Beverly "Guitar" Watkins is one part soul singer, one part rockin' roadhouse mama, and one part gifted songwriter. She's also been chronically under-recorded for a woman with her résumé: she spent the early '60s playing rhythm guitar with Piano Red & the Interns. She recorded with Piano Red from 1959 until the mid-'60s, and can be heard on his popular singles "Doctor Feelgood" and "Right String But the Wrong Yo Yo." Watkins learned guitar and got her earliest musical sensibilities from several of her aunts, who had a quartet named the Hayes Family. She also had a banjo playing grandfather, Luke Hayes. On holidays and at family get-togethers, these musicians would assemble and the blues and gospel were passed on in a true folk process to the young Watkins.

Her earliest influences included Rosetta Tharpe, Bessie Smith, Ma Rainey, and Memphis Minnie, and she was exposed to the music because of her grandmother, who would play their recordings on the family Gramophone. She began playing guitar as an eight-year-old, learning by listening to the records her mother would play for her. Later, she was exposed to the records of touring bands, including Louis Jordan's and Count Basie's. She began to model her playing after Charlie Byrd and Basie's rhythm guitarist, Freddie Green. Throughout high school, she participated in a variety of talent shows and played trumpet in the school band. Her high school band master helped broaden her knowledge of jazz and blues guitar, and piano. After a succession of bands in high school, she settled in with playing with Piano Red, who later changed their name and found their widest appeal, as Piano Red & the Houserockers, which led to bookings outside Atlanta and northern Florida in cities like Chicago, Detroit, and Washington, D.C.

In 1965, the band broke up, but not before going through several more name changes. Watkins then hooked up with Eddie Tigner and the Ink Spots and toured extensively with that group, playing for nearly a year with him before he was felled by a stroke. Watkins came off the road and took a break from the brutal touring she had done for much of the '60s. She worked a procession of day jobs as a domestic and in car washes before joining Leroy Redding & the Houserockers. Watkins worked on and off with Redding until the late '80s before striking out on her own and creating a residency for herself at Underground Atlanta, an Atlanta nightclub, often accompanied by a drummer and her son on bass. Here she developed her singing and harmonica-playing skills.

Back in Business, her solo debut album, was released in 2001 as part of the Music Maker Series distributed by Sire Records Group/ Warner Bros. The album showcases Watkins' flexibility and prowess in a wide range of styles: roadhouse blues, jazz-inflected blues, and rockabilly-blues. Now in her sixties, Watkins continues to perform in Atlanta-area blues clubs and at major festivals around the U.S.. She put in a particularly compelling, energetic performance at the 2000 Chicago Blues Festival. /Biography by Richard Skelly, AllMusic

(Note: Beverly "Guitar" Watkins passed away October 1, 2019 due to complications from a stroke.)

The Spiritual Expressions Of Beverly 'Guitar' Watkins mc
The Spiritual Expressions Of Beverly 'Guitar' Watkins zippy

Zora Young & Little Mike And The Tornadoes - Friday Night

Year: 2015
Bitrate: MP3@320K/s
Time: 49:29
Size: 114,5 MB
Styles: Electric blues
Scans: Full

1. I've Been A Fool Too Long (3:14)
2. A Fool's Lament (4:27)
3. 44 Blues (4:51)
4. True Love Is Hard To Find (3:20)
5. I Love Chicago (5:38)
6. Friday Night (5:07)
7. Chains Of Love (6:51)
8. Just Your Fool (3:28)
9. Country Girl (5:46)
10. I'm Good (4:16)
11. Spann's Boogie (2:26)

Over the course of her career, Zora Young has become a mainstay on the Chicago blues scene where she has performed with many of the biggest stars of Chicago royalty. Zora (Howlin’ Wolf’s cousin) is a regular at the Chicago Blues Festival and a frequent headliner in both European and American Blues Festivals. On the recently released, Friday Night, Zora is backed by New York City stalwarts, Little Mike and the Tornadoes, one of the most prolific and veteran blues bands in the world.

Zora covers a range of material that includes originals songs by band leader Little Mike and guitarist Tony O’Mello, as well as covering some of her favorite modern blues classics. The influence of her mentor, Lucille Spann, can be heard on “Country Girl” and she also pays tribute to her very good friend, the late Bonnie Lee, with a tough, gritty version of Lee’s, “I’m Good.” With the help of Little Mike and the Tornadoes, and the great, yet under acclaimed piano player Jim McKaba, Zora delivers a modern Chicago blues sound that only blues veterans can provide.

Little Mike and the Tornadoes started recording and releasing successful recordings on their own after touring and recording with Pinetop Perkins, Hubert Sumlin, Louis Meyers, Jimmy Rogers, Roscoe Gordon and Big Daddy Kinsey all throughout the eighties. It was only natural that 25 years later old friends got together for a collaboration of this sort. We think you will agree that Zora’s soul-drenched vocals put her at the head of the class.

(For personnel details, see artwork included.)

Friday Night mc
Friday Night zippy

Mike Sanchez With Knock-Out Greg & Blue Weather - Women & Cadillacs

Year: 2003
Bitrate: MP3@320K/s
Time: 68:00
Size: 157,6 MB
Styles: R&B, electric blues
Scans: Full

1. Cadillac Baby (3:09)
2. All She Wants To Do Is Rock (3:14)
3. The Voice Within (2:24)
4. Hot Dog (2:53)
5. You Gonna Win (4:24)
6. Strollin' With Bones (2:39)
7. Let This Lovin' Begin (3:39)
8. Women And Cadillacs (3:00)
9. You Got Money (3:05)
10. If Lovin' Is Believing (3:15)
11. Gambling Woman Blues (3:10)
12. Poor Boy (3:57)
13. Easy Boogie (3:51)
14. Drunk (3:24)
15. King Kong (2:13)
16. I Need A Woman (19:34)

The album "Women & Cadillacs" features some of the most authentic recordings yet by rhythm king Mike Sanchez. This exciting release is the globe-trotting British musician's first collaboration with Sweden's top rockin' blues outfit Knock-Out Greg & Blue Weather. All fans of Mike's previous work will rate this his best album yet for sure.

The release of "Women & Cadillacs" celebrates the launch of Mike's new label and on-line mail order store Doopin Music, making this album the start of an ongoing series of recordings for rhythm & blues lovers everywhere. The Doopin Music release of "Women & Cadillacs" features 16 new recordings, including a bonus 20 minutes of 'hidden' too-good-to-waste leftovers. The album's UK release features a quality six-page digi-pack format, lavishly designed by the reputable Chris Wroe at Wacksworks, while also being available in a regular plastic packaging from the Swedish label Last Buzz Records.

"Women & Cadillacs" is a potent cocktail of vintage-style West Coast rhythm & blues, New Orleans rock 'n' roll, Texas blues and Mike Sanchez boogie woogie. It's one of the most authentic-sounding records Mike has ever been involved in, recorded at Real Music Studio, Bromma, Sweden where Greg and the guys regularly record their own music, including the award-winning Sven Zetterberg album "Let Me Get Over It" from 2002.

(For personnel details, see artwork included.)

Originally posted July 10, 2015, by Mat Tiggas. Updated with complete artwork.

Women & Cadillacs mc
Women & Cadillacs zippy

Peter Karp - Magnificent Heart

Year: 2020
Bitrate: MP3@320K/s
Time: 53:42
Size: 123,8 MB
Styles: Electric blues, Americana
Scans: Front

1. Sitting On The Edge Of The World (3:19)
2. The Letter (4:07)
3. She Breaks Her Own Heart (3:37)
4. This World (4:12)
5. The Grave (4:49)
6. Scared (6:02)
7. Chainsaw (3:09)
8. Let It On Out (4:16)
9. Cool Cool Thing (4:17)
10. The Last Heartbeat (3:44)
11. Going Home (2:26)
12. Compassion (5:26)
13. Face The Wind (4:12)

It’s tough for a straight blues player to break through to a wider audience. Even Stevie Ray Vaughan, arguably the most successful at that undertaking, included harder edged rock, soul and funk with his stinging guitar. Other blues loving artists from the Rolling Stones to Eric Clapton, Bob Dylan, Jimi Hendrix, Fleetwood Mac, Bonnie Raitt and many more all expanded out of their blues base to effectively cross over commercially. Most importantly they did it without sacrificing the authentic spirit of the genre, even if some of their music strayed far from its roots. All of this is a roundabout way of saying that Peter Karp is another entry onto that long list.

While he hasn’t cracked the big time yet, multi-instrumentalist Karp has carved out a blues based approach since 2004’s debut. His style can be slotted into the general Americana category, but like Delbert McClinton—whose gritty, grainy, soulful voice is similar to Karp’s—there is a distinct blues thread running through virtually everything Karp records. His new album is a continuation of sorts from 2018’s similarly styled Blue Flame. There are some straight ahead blues selections such as the acoustic, National Steel driven “Going Home,” the folksy picking and gospel harmonies of the humorous “Chainsaw” (“I’m out on a limb/and baby’s got a chainsaw”) and the opening sweet shuffle of “Sitting on the Edge of the World” with veteran blues harpist Kim Wilson’s tough blowing leading the way.

But Karp’s talents are best displayed throughout these 13 originals as he injects blues into geared up, dialed down, and even pop infused roots music. He brings a deep swamp groove to “The Grave,” a slinky New Orleans beat on the sexy “Cool Cool Thing” (name checking Tony Joe White along the way while singing “When two hearts beat as one/it could be hell, it could be fun) and digs into frisky Tex-Mex on “She Breaks Her Own Heart,” the latter adding sly Memphis inspired horns. On “Scared” Karp rides a slow, easy vibe similar to Clapton’s “Old Love” as he laments the loss of a romance with one of this disc’s most affecting and heartfelt vocals.

For the bittersweet ballad “The Last Heartbeat,” Karp instills subtle church overtones, creating a tearful ebb and flow with the essence of what makes blues so universal. Call it Americana/roots/blues if you must pigeonhole his music. But Peter Karp’s seemingly effortless yet always bracing blend dodges easy categorization. It makes this one of the finest albums of his eclectic, yet always blues-based, career. /Hal Horowitz, American Songwriter

Magnificent Heart mc
Magnificent Heart zippy

Saturday, July 18, 2020

Magic Frankie & Kaz Lux - Hearts In Sorrow

Size: 110,7 MB
Time: 47:03
File: MP3 @ 320K/s
Released: 1996
Styles: Acoustic Blues, Blues Folk
Art: Front & Back

01. Comin' Home (2:33)
02. Sweet Pain (3:06)
03. Heart's In Sorrow (2:16)
04. Dentist Blues (2:37)
05. Walk Right In (2:39)
06. Cryin' Over You (4:41)
07. Cruel Train (2:25)
08. Wee Midnight Hour Blues (3:40)
09. Please Don't Bury Me (2:43)
10. I'm A Stranger Here (3:13)
11. Believe To My Soul (3:02)
12. Cannibals (5:28)
13. Downside Up (3:04)
14. Need Somebody On Your Bond (2:48)
15. Louis Collins (2:41)

Personnel:
Magic Frankie - Guitar, Harp & Vocals
Kaz Lux - Acoustic Guitar, Percussion & Vocals
Rens Van Der Zalm - Mandolin, Fiddle & Accordion

Blues gangster Magic Frankie has been the top blues act in the Netherlands for the last few years and performs regularly in Germany, France and Belgium. Frankie's debut album "Are You Listenin' was nominated for the American W.C. Handy award and the legendary B.B. King wrote the liner notes for his second effort. Kaz Lux is definitely one of Holland's best vocalists. And, when he takes the acoustic guitar in hand, special things happen. Harmonica playing is definitely an asset for this CD as well. The songs include a well chosen mix of originals and covers that fit together in a seamless fashion. With a team like this, how can you loose?

Hearts In Sorrow MP3
Hearts In Sorrow FLAC

Paul Gillings - Invisible Prison

Size: 112,6 MB
Time: 48:24
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues, Harmonica Blues
Art: Front

01. Start Over Again (3:32)
02. I Ain't Never Played An English Song With An English Guy (3:55)
03. Are You A Have Or Are You A Have Not (4:06)
04. Kws (3:05)
05. I Don't Know When I'm Beaten (3:50)
06. It Hurts Like Hell (3:36)
07. Passed Me By (4:07)
08. Help You (4:09)
09. 3 Heads Are Better Than 1 (3:46)
10. I'm Never Gonna Change (4:28)
11. It Beats Me Baby (2:57)
12. I Gave Up My Evening For This (3:23)
13. Waiting Blues (3:25)

At the age of 11, Paul heard the harmonica for the very first time whilst sitting round a campfire at a Boy Scout cook-out. The harmonica was being played by his Scoutmaster at the time: Norman Ives. A bunch more of the scouts became interested in the harmonica and pretty soon they had enough for a full harmonica group. Norman Ives met with David Michelsen (AKA Dr Midnight) and between them started 'Harp Start' a free harmonica school for underprivileged children. The kid's harmonica group 'Random Sound' appeared at Glastonbury Festival and appeared on many national and international TV shows including 'Jool's Holland's Happening'. Paul and Random Sound were also invited to appear on Disney's 'Mickey Mouse Club' during a US tour in 1990 to accept a 'Golden Mickey' award for outstanding talent, they also appeared on TNN's 'Nashville Now' and CBS' 'Good Morning America' in New York.

In 1993 Paul won the World Harmonica Championships in the Youth Blues/Rock section. That year Paul received an endorsement from Lee Oskar and became a Lee Oskar Preferred Player, Lee also invited Paul to play 'Why Can't We Be Friends' with the band WAR at the Jazz Cafe in Camden. Paul also appeared on the UK Children's programme 'Blue Peter'. Paul, Norman and David then toured as the harmonica group 'The Midnight Specials'.

In 2016 Paul appeared on BBC's 'The One Show' playing 'House of the Rising Sun' with 'The Harpoon Blues Band'. Paul joined 'The Jamos and Sir Mathew Band' in 2018, an acoustic act that plays at festivals and venues around the east of England. Paul also turned back to Songwriting and has been releasing tracks through Soundcloud with more than 80,000 plays to date. Solo tour dates for 2019 included Jurnet's Bar in Norwich, The Fisher Theatre, Upton Blues Festival, Folk East and The Great British Rhythm and Blues Festival. Paul's solo acoustic album 'You Don't Even Know' was released in 2019 and is on general release through all digital outlets. The album received a large amount of radio play and got to number 9 in the International Blues Broadcasters Association (IBBA) chart. Paul is also a regular tutor at the annual Harpin' by the Sea event in Brighton and Hove.

Paul recently joined the Gypsy Folk outfit Zingaro Blue and was featured on their new album 'A Handful of Songs'. Recent session

work includes playing on Kev Walford's new album 'Americanarama' and Paul Marfleet's new album 'On The Edge' on the song 'Grey Skies'.

2020 brings the birth of another solo album: 'Invisible Prison' an ELECTRIC Blues album, to be released on 13th July to all digital outlets. This self-produced album was recorded at Paul's home in Lowestoft with the guitar, bass, vocals and harmonica all being played by him. Only the drums were left to someone else! In May 2020 Paul became a endorser for Seydel, the world's oldest harmonica company.

Invisible Prison MP3
Invisible Prison FLAC

Rick Berthod - Peripheral Visions

Size: 119,5 MB
Time: 51:16
File: MP3 @ 320K/s
Released: 2020
Styles: Blues Rock
Art: Full

01. Seeing Sideways (5:05)
02. Love Hungry (4:20)
03. One More Chance (3:56)
04. Memories (5:41)
05. Much Love (4:00)
06. Treat Her Right (5:25)
07. Fly On (7:10)
08. High Dollar Girl (5:16)
09. Hard On My Heart (4:38)
10. Broken Middle Finger (5:41)

Rick has shared the stage with B.B. King, Gregg Allman, John Mayall & Savoy Brown on several occasions and with Robben Ford, Etta James and the Yardbirds.

ln 1988, Albert Collins 'The Master of the Telecastet' helped Rick put together a band of the best blues players on the West Coast.

Rick has performed at festivals in Europe, Canada and the USA.

Peripheral Visions MP3
Peripheral Visions FLAC

Daniel De Vita - Lost In Translation

Size: 74,9 MB
Time: 32:04
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues
Art: Front

01. Every Time I'm Close To You (3:17)
02. My Sweetest Regret (2:39)
03. Sand Between Your Fingers (4:13)
04. Black Chicken 37 (4:54)
05. She Claps On The 1 & 3 (3:11)
06. Breaking The Praise (3:10)
07. 6 Years Blues (4:34)
08. California Rocket Fuel (3:15)
09. D / FW (2:47)

Personnel:
Daniel De Vita: vocals, guitar
Nicolàs Raffetta: Hammond, piano
Mariano D´Andrea: bass
Gabriel Cabiaglia: drums
Nicolàs Smoljan: harp

Daniel De Vita is a guitarist and singer-songwriter born in Buenos Aires who has been playing in the Argentine Blues scene for years. He has participated in the main Latin American Blues festivals and has toured throughout Europe four times since 2017.

"Lost In Translation" is his fourth album, but the first one with original material. Even though this is not the most traditional Blues album he has done, you can tell Daniel is a Blues lover and an overall Roots and Americana Music fanatic. This record is a brave effort to put out what goes on inside Daniel's mind and heart, an open wound, a cry for empathy and a fresh take on universal themes such as love, heartbreak, mental illness and human bonding.

Lost In Translation MP3
Lost In Translation FLAC

Thursday, July 16, 2020

Philipp Fankhauser - His Kind Of Blues

Size: 174,5 MB
Time: 75:13
File: MP3 @ 320K/s
Released: 1996
Styles: Electric Blues
Art: Full

01. Ain't Gonna Give It Up (3:33)
02. Talk To Me (Feat. The Memphis Horns) (4:01)
03. Members Only (5:05)
04. Giving Up The Streets For Love (3:37)
05. Excuses (3:42)
06. My Kind Of Blues (5:42)
07. Dedicated (Feat. Walter Liniger) (3:37)
08. Rainy Night In Georgia (4:07)
09. Everything I Do Is Wrong (4:31)
10. If Blues Can Change The World (7:17)
11. Wow, You Must Be Crazy (3:40)
12. 1000 Years From Here (5:34)
13. Blues According To John Lee Hooker (5:16)
14. Thun - San Francisco (Live) (8:11)
15. Black Cat Bone (Live) (7:16)

Philipp Fankhauser is a Swiss blues singer/guitarist who experienced Top Ten success in his homeland after two decades of recording activity. Born in 1964 in Thun, Switzerland, he began playing music during the late '70s after taking an unlikely interest in the blues as a teenager. His interest in the blues was compounded after he attended the 1981 Montreux Jazz Festival, where he witnessed firsthand a performance by Albert Collins. Other American blues legends he saw at the Montreux Jazz Festival during the early '80s included such luminaries as B.B. King, Koko Taylor, Willie Dixon, John Lee Hooker, and Stevie Ray Vaughan. In particular, a 1984 performance by Johnny "Clyde" Copeland left a lasting impression on Fankhauser; in fact, the two became acquainted and the Texas legend became a mentor to the Swiss novice, whose performance career was becoming a full-time occupation around this time period.

In 1987 Fankhauser founded the Checkerboard Blues Band and began touring throughout Switzerland, playing dozens of shows a year. The Checkerboard Blues Band featured vocalist Margie Evans, and made their recording debut in 1989 with Blues for the Lady, which Fankhauser produced and on which he also sang. The Checkerboard Blues Band -- sans Evans -- returned in 1991 with their second album, With a Feeling; two other albums by the band followed -- Dedicated (1992) and the live album Thun-San Francisco (1994), the latter featuring Evans -- before Fankhauser recorded the solo album On Broadway (1995) in Memphis with producer/songwriter Dennis Walker. Beginning in 1994, Fankhauser resided in the United States, where he toured with his mentor, Copeland, until the Texan's death in 1997. In the meantime, a best-of album, His Kind of Blues (1996), was compiled as a gap-filler.

Fankhauser subsequently returned to Switzerland in 2000 and resurrected the Checkerboard Blues Band for a new album, Welcome to the Real World (2000). Following a live album by the Philipp Fankhauser Blues Band, the trio showcase Live -- So Damn Cool (2003), Fankhauser signed a recording contract with Memphis International Records and proceeded to release Talk to Me (2004), a solo album recorded in Memphis with producer David Less. Fankhauser then signed with Funk House Blues, a Sony BMG subsidiary, and released his most commercially successful albums to date: Watching from the Safe Side (2006) and Love Man Riding (2008), the former of which was a Top 20 hit on the Swiss albums chart, the latter a Top Ten hit. ~Jason Birchmeier

His Kind Of Blues MP3
His Kind Of Blues FLAC

Mary Lane - The Real Mary Lane

Size: 169 MB
Time: 25:36
File: FLAC
Released: 2020
Styles: Chicago Blues
Art: Front

01. I Don't Want Nobody Else (3:55)
02. Real Good Bad Feeling (7:06)
03. It Don't Make No Difference (4:11)
04. I Want You Near (5:28)
05. Don't Leave Me (I'm Gonna Leave You) (4:54)

A longtime staple of Chicago's West Side blues circuit, singer Mary Lane was born November 23, 1935 in Clarendon, Arkansas. After honing her skills in local juke joints in the company of Howlin' Wolf, Robert Nighthawk, Little Junior Parker and James Cotton, Lane relocated to Chicago in 1957; backed by Morris Pejoe, she soon cut her debut single "You Don't Want My Lovin' No More" for the Friendly Five label. A favorite among peers for her dulcet tones, she nevertheless did not record again for several decades, remaining virtually unknown outside of the Chicago blues faithful; finally, in the early 1990s, Lane recorded a handful of tracks for the Wolf label, leading to 1997's full-length Appointment with the Blues. ~Jason Ankeny

The Real Mary Lane

Kaz Hawkins - Memories Of

Size: 97,0 MB
Time: 41:43
File: MP3 @ 320K/s
Released: 2020
Styles: Blues Soul
Art: Front

01. Something's Got A Hold On Me (3:45)
02. Miss Pitiful (3:25)
03. Losers Weepers (3:29)
04. Security (3:19)
05. Spoonful (4:44)
06. Tell Mama (3:46)
07. Blind Girl (5:39)
08. St Louis Blues (3:51)
09. I Just Wanna Make Love To You (4:02)
10. At Last (5:40)

This is a special studio album my band recorded in February. An album to honour my touring show Memories of Etta James.

The story of Kaz has many wondering how she ever survived the trauma in her life but she puts it best herself saying ‘Music is the very thing that saved me when I sing I am in the safest place on earth. It replaces all the cruelty, shame and pain in my life so all I want to do now is sing for those still fighting’.

Multi award winning & always looking for different projects & collaborations, Kaz has three different projects running right now. Her hard hitting duo theatre show with special guest Sam York “My Life and I” takes the audience through Kaz’s life story and is her personal mental health mission.

After a two year break from band format, Kaz has returned with a new line up for Kaz Hawkins & her Band of Men who will begin European touring in 2020.

Kaz also launched “Memories of Etta” with nine top session musicians, recreating the life & times on stage of the Matriarch of the Blues, Miss Etta James. Especially created for Cognac Blues Passions in France, the show has had rave reviews and is now in demand across Europe.

An activist for Mental Health, Kaz has worked tirelessly for different charities over the years. She has been an official Ambassador at Aware NI, Northern Ireland’s Depression Charity and has completed library tours, given talks at Boston University, Florence Academy of Fine Arts in Alabama in special sessions where she told her life story using words and song to show how music can be used as a mental health tool. Kaz also visited prisons and schools in Beauvais, France at the invite of Le Blues Autour Du Zinc Festival.

Fans have come to love the many hats that Kaz wears, especially presenting her own radio show “Kaz Hawkins Got The Blues” on BBC Radio Ulster when she isn’t touring. Telling stories from her touring & new talent she comes across from around the world in a genre that has given her so much.

Kaz is an official ambassador of blues after she accepted an honorary membership of the UK Blues Federation whom she represented in the European Blues Challenge of 2017 where the UK won for the first time.

Memories Of MP3
Memories Of FLAC

BillyLee Janey - 20 Dollar Tip

Size: 101,8 MB
Time: 43:27
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues, Blues Rock
Art: Front

01. 20 Dollar Tip (4:46)
02. Way Down In A Mississippi Town (5:14)
03. Good Time Woman (4:23)
04. Love's Gonna Stop The Train (4:20)
05. Let's Get The Party Jumpin' (5:09)
06. Steppin' Out With The Blues (4:55)
07. Little Bird (4:50)
08. This Place On Fire (5:07)
09. Shake My Soul (4:40)

Guitarist, Songwriter, Performer. Billylee has been compared to such greats as Clapton, Beck, and Hendrix. Even though these guitar heros have been an inspiration to him, Billylee's own soulful and passionate love for music clearly and creatively sets him apart, giving him his own unique style and personality.

Billylee picked up his first guitar, a German Framus, at an early age. it was during the "British Invasion" that he was taking his first steps in another direction; a direction that would lead him down paths into the music that would shape his future - the blues, jazz and rock.

Billylee recorded his first record in 1972 and another in 1973 which included "Pontiac Blues" by Sonny Boy Williamson. In 1975 he recorded a full scale album titled "No Rest for the Wicked" with his blues-rock trio, Truth 'N Janey. "No Rest for the Wicked" has achieved near cult status internationally, and has been recognized in the book by Martin Popoff "The Collector's Guide to Heavy Metal Volume I: The Seventies".

Recently, Janey received nominations by the Iowa .. Rock and Roll, and Blue's Halls of Fame. Also, in 2000, Billylee received a Grammy entry mention.

20 Dollar Tip MP3
20 Dollar Tip FLAC

Too Slim & The Taildraggers - The Remedy

Size: 124,7 MB
Time: 53:47
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues, Blues Rock
Art: Front

01. Last Last Chance (3:53)
02. She's Got The Remedy (6:12)
03. Devil's Hostage (5:49)
04. Reckless (3:53)
05. Keep The Party Rollin' (4:59)
06. Sunnyland Train (6:13)
07. Sure Shot (5:31)
08. Platinum Junkie (Feat. Jason Ricci) (4:29)
09. Snake Eyes (3:42)
10. Think About That (4:15)
11. Half A World Away (4:46)

THE REMEDY is the latest from Too Slim and the Taildraggers. Too Slim is a monster guitarist and unabashed Blues-Rocker. This hard driving album is the follow up to the band's acclaimed HIGH DESERT HEAT, which was nominated for a 2019 Blues Music Award in the Blues'Rock Album category. Recorded in Nashville at Taildragger bassist Zach Kasik's Wild Feather Recording studio THE REMEDY, produced by Too Slim and the Taildraggers, features ten new original songs and a cover of the Elmore James classic 'Sunnyland Train.' There's lots of big guitars plus some well-placed banjo, slide guitar, and serious harmony vocals from the band ' the continuing evolution of the Taildragger sound. The new release ranges from straight ahead Blues to Blues Rock and Americana. Also featured are guest appearances from some of the band's favorite harmonica players ' Jason Ricci, Richard 'Rosy' Rosenblatt and Sheldon Ziro.

The Remedy MP3
The Remedy FLAC

Mark May Band - Deep Dark Demon

Size: 148,3 MB
Time: 63:46
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues, Blues Rock
Art: Full

01. Harvey's Dirty Side (6:05)
02. Barbecue And Blues (4:07)
03. Back (6:39)
04. Deep Dark Demon (4:51)
05. Sweet Music (6:03)
06. Rolling Me Down (4:39)
07. My Last Ride (7:26)
08. For Your Love (5:28)
09. Walking Out That Door (6:13)
10. Something Good (5:54)
11. Invisible Man (6:15)

“Mark is one of the best blues-rock artists to come along in years. With great singing/songwriting and guitar playing, he reminds me of everyone from Albert Collins to Stevie Ray to Carlos Santana. Hell, I even heard a couple of my licks in there!” — Dickey Betts

Deep Dark Demon, the 7th cd from Mark May drops on July 17, 2020 on Gulf Coast Records. Mark’s last release the highly acclaimed album Blues Heaven hit #6 on the Billboard Blues Album Chart and remained there for 5 weeks. To describe some artist’s music with one word would be easy but to do that with Mark May’s music would be impossible. But there’s one thing for sure, it’s all dripping with his rich love for the blues. His astonishing live shows featuring dynamic twin leads and dual harmony guitar work are the perfect complement to Mark’s smooth vocals. For over 20 years, Mark has made a name for himself in the Texas blues scene and has been perfecting his craft performing at blues clubs, bars, and festivals. The Mark May Band has performed at numerous festivals across the country including Telluride Blues and Brews, Mississippi Valley Blues Fest, King Biscuit, Tremblant International Blues Festival, Dallas International Guitar Show, Chenango Blues Festival, and many more. Mark May also had the opportunity to be the opening act for The Allman Brothers Band on their 1997/98 Amphitheater tour and went on to join up with ABB guitarist Dickey Betts and his band Great Southern for several tours and an album. He has also been featured in Blues Review, Guitar Player, Guitar World, Vintage Guitar, Tone Quest and other major publications.

Deep Dark Demon MP3
Deep Dark Demon FLAC

Gregg Martinez - MacDaddy Mojeaux

Size: 119,6 MB
Time: 51:03
File: MP3 @ 320K/s
Released: 2020
Styles: Blues Soul
Art: Full

01. I Believe To My Soul (3:40)
02. Same Old Blues (4:08)
03. You Left The Water Running (3:44)
04. Wildflower (4:25)
05. This House (4:17)
06. Starting All Over Again (3:38)
07. Eva Delle (4:02)
08. Just Stay Gone (4:48)
09. Snatching It Back (3:17)
10. Moonlight And Magnolias (4:21)
11. Can I Change My Mind (3:17)
12. Don't Pull Your Love (3:38)
13. Marie (3:39)

Front man, vocalist and trumpeter Gregg Martinez (pronounced MartNEZ - the i is basically silent) earned his moniker “Mac Daddy” early in his five-decade-long career as the leader of the King Fish, The Heat, The Boogie Kings and now Gregg Martinez and the Delta Kings. His sparkling tenor and powerful vocal style were inspired and influenced by the Soul crooners of the 60’s and 70’s including Sam Cooke, Marvin Gaye, Al Green and fellow Louisiana artists G.G. Shinn, Luther Kent, and Johnny Adams. His music combines New Orleans style R&B, with Philly and Memphis Soul and Texas Swing into a churning gumbo sound that traces its roots to the Acadiana region of southern Louisiana and southeast Texas affectionately called Swamp Pop.

Solidifying his role as one of the leading purveyors of the style, Martinez is set to release his 12th album, “MacDaddy Mojeaux,” just in time to fuel a fais do-do on a sizzling summer night. The thirteen fresh tracks are a spectacle of love and devotion recorded by Grammy-winning engineer Tony Daigle together with some of the hottest musicians in the south including a full horn section and special guests Sonny Landreth, Rockin’ Dopsie Jr, and Charlene Howard. The album adds to his mystery as the “maqereau” (a man the Creole believe has an unusual power over women) by conjuring the collection of songs into his “Magic Charm” and then fancifully spelling it out as his “Mojeaux,” eluding to the suave, charmant, and sophistiqué ingredients in this “Le Philtre D’Amour.”

The opening number takes full of advantage of all those elements on an energized reading of the Donny Hathaway arrangement of the Ray Charles’ composition ‘I Believe To My Soul’ paying tribute to both soul legends with equal measure. Martinez confidently steps into the role of Freddie King to present the minor-keyed lament ‘Same Old Blues,’ working the intensity of the grinding gospel infused standard written by Memphis songwriter Don Nix. One would think tackling a Muscle Shoals classic that was a hit for both Otis Redding and Wilson Pickett would be a daunting proposition, but Martinez digs deep into ‘You Left The Water Running,’ with ease, energizing the hot track featuring fine solos from saxophonist Ronnie Eades (Muscle Shoals Horns). He transforms the Canadian A.M. radio hit ‘Wildflower’ into a Neo-Soul showstopper, taking the simple poem written by Dave “The Cop” Richardson to new dramatic heights. Martinez collaborated with Grammy-winning songwriter and guitarist Tony Goulas on the first of three original tunes, ‘This House,’ a four on the floor R&B dance groove about true love. Next The duo shares vocals on the Stax favorite from 1972, ‘Starting All Over Again,’ which is surely a highlight of the live shows. Martinez penned the hard driving shuffle ‘Eva Delle’ as the perfect vehicle to invite Rockin’ Dopsie Jr and his brother Anthony from the Zydeco Twisters to sit in on accordion and rubboard along with Lafayette’s sultan of slide Sonny Landreth for a genuine Swamp Pop Reverie.

Mac Daddy pours his heart into the first single from the album ‘Just Stay Gone,’ another fine composition from Goulas with soaring horn lines supporting the emotive vocals. He quickly lightens the mood by running down the lively Clarence Carter hit from 1969 ‘Snatching It Back,’ before lauding the virtues of his dear southern belle on the sentimental ballad ‘Moonlight & Magnolias.’ The soul party continues with a horn-driven cover of the Tyrone Davis #1 hit ‘Can I Change My Mind.’ Rising star of Louisiana Swamp Pop scene Charlene Howard joins Martinez for a roaring duet of ‘Don’t Pull Your Love,’ adding fire to the Sam & Dave arrangement that builds
to a passionate climax.

Martinez then rounds out the baker’s dozen with ‘Marie,’ a lovely bonus track recorded with just vocal piano and strings, staying true to the Randy Newman original. “MacDaddy Mojeaux” displays all the musical magic that comes out of Louisiana and is a gift to the world. ~Rick J Bowen

MacDaddy Mojeaux MP3
MacDaddy Mojeaux FLAC

The Wacky Jugs - Wired, Wild And Wicked

Size: 94,5 MB
Time: 40:25
File: MP3 @ 320K/s
Released: 2020
Styles: Blues
Art: Front

01. On The Road Again (3:21)
02. True Religion (4:06)
03. Mingle Wood / Cypress Grove Blues (4:22)
04. Fourth Street Mess Around (4:23)
05. Good Morning Little School Girl (4:04)
06. Milk Cow Blues (4:43)
07. Diving Duck Blues (3:58)
08. Come On In (3:11)
09. Big Road Blues (3:48)
10. Stop Dat Thing (4:25)

Imagined ten years ago in order to pay tribute to the jug bands of the 30s in general and more particularly to the Memphis Jug Band, The Wacky Jugs is originally a trio which cultivates with some talent the sound of the Sleepy John Estes and other bluesmen of yesteryear with strong harmonicas, mandolins and other double basses which bring to the combo a very particular color. Accustomed to regional but also national scenes, these Bretons proudly defend an old school blues full of flavor and openly claim a style that is somewhat off the beaten track, and yet. To celebrate a decade of existence and sharing decently, the trio decided to transform themselves into a quintet and to continue to offer a rural blues borrowed from the masters of the genre with songs that they have played since their first lovemaking of course, but also with others, as many titles as The Wacky Jugs had never taken the time to immortalize on a vinyl, an error now repaired. Next to Jack Titley on vocals and guitars, Gurvan Leray on harmonicas and Jonathan Caserta on double bass are now in a hurry Joseph Detailleur on accordion and Rowen Berrou on percussion and it is a very sensitive music that escapes from this extraordinary meeting, music made of classics drawn from Leadbelly, Sonny Boy Williamson, Gus Cannon, Skip James and other Memphis Jug Band or Sleepy John Estes but revisited in spicy sauce with a big dose of jive and zydeco, music from Louisiana which superbly brings a large dose of exoticism to a genre which, if it were content with accents of Chicago or even the Delta, would quickly become boring. We will enjoy the "True Religion", "Cypress Groove Blues", "Good Morning Little School Girl", "Diving Duck Blues" and other "Big Road Blues" offered in very beautiful and very original way on both sides of a book whose release was postponed to June, confinement requires ... "Wired, Wild And Wicked" has not finished delighting fans of roots blues and energetic! ~Fred Delforge

Wired, Wild And Wicked MP3
Wired, Wild And Wicked FLAC

Friday, July 10, 2020

The Alligators - Gimme Some Skin

Size: 133,5 MB
Time: 58:19
File: MP3 @ 320K/s
Released: 1996
Styles: Electric Blues, Detroit Blues
Art: Full

01. 20% Alcohol (4:28)
02. Maggie Campbell (7:04)
03. See Ya Later Alligator (4:20)
04. Too Fat For Rock & Roll (3:48)
05. Gimme Some Skin (2:56)
06. Pocket Full Of Skin (5:11)
07. Bad Man, Good Girl (4:48)
08. 1-900 (3:52)
09. Whisky, Whisky (7:03)
10. You A Bad One (4:27)
11. Heart Attack Woman (4:41)
12. Two Finger Handshake (5:33)

The Alligators have been playing this kind of music, in there own unmistakable way, for twenty eight years.

This “attitude” they bring to the stage each night has everything to do with their respect for the blues and their love of playing it together as a band.

The Alligators have been playing it together for a long time. Lead vocalist Dave Krammer and harmonica player Wailin’ Dale started the band in 1984, The band also consists of three very well respect musicians. Frankie Lee on bass, who joined in 2007. Jon Johnson on drums, joined in 2008. Nick Tabarias, guitar, who joined in 2012, when long time guitarist and friend Steve Schwartz passed away unexpectedly.. Steve had played in The Alligators for 20 years.

This longevity is a testament to the success they have achieved and has helped develop them into one of the tightest and most sought after bands in the Midwest.

The Alligators not only have impressive lasting power as a band but an impressive recording history as well. Beginning in 1994 with their debut CD “Gimme Some Skin” , they have recorded four successful and highly acclaimed CDs to date. They have also had songs included on three compilation CDs as well.

Whether it’s local clubs in the metro Detroit area or premier clubs and festivals throughout the Midwest, The Alligators are longstanding favorites of music lovers that like to have a good time!

Gimme Some Skin MP3
Gimme Some Skin FLAC

Anthony Geraci & Dennis Brennan - Daysreams In Blues

Size: 113,4 MB
Time: 48:27
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues
Art: Full

01. Love Changes Everything (4:52)
02. Tomorrow May Never Come (4:11)
03. No One Hears My Prayers (4:37)
04. Daydreams Of A Broken Fool (3:26)
05. Mister (5:09)
06. Tutti Frutti Booty (3:09)
07. Jelly, Jelly (6:27)
08. Dead Man's Shoes (4:00)
09. Hard To Say I Love You (3:22)
10. Living In The Shadow Of The Blues (3:25)
11. Crazy Blues/Mississippi Woman (4:32)
12. Ode To Todd, Ella And Mike Ledbetter (1:11)

This past Fall, relatively recent in terms of live music shows given this health pandemic, this writer saw Boston-based pianist/composer/bandleader Anthony Geraci deliver a sizzling show with his core band that plays on this, Geraci’s third and best CD as a leader, Daydreams in Blue. Geraci, a long-time sideman in the New England blues scene as a key member of both Sugar Ray & the Blue-Tones and Ronnie Earl and the Broadcasters, has come into his own in recent years as a bandleader. And, he’s been noticed with BMA nominations for Pinetop Perkins Piano Award for five consecutive years in addition to many other nominations from prestigious outlets. Geraci has appeared on over 50 recordings from both vintage and contemporary blues artists.

Geraci’s core band features Boston favorite Dennis Brennan on lead vocals and harmonica (Brennan has several albums under his own name) and Boston-area stalwarts Michael Mudcat Ward (acoustic bass), Troy Gonyea (guitar) and Jeff Armstrong (drums). For this date, Geraci called on special friends – his bandmate with Sugar Ray & the Blue-Tones, the blazing guitarist Monster Mike Welch who graces eight of the dozen tracks, blues-rock icon Walter Trout who ignites “No One Hears My Prayers” along with Peter Ward on rhythm guitar, all abetted by the horn tandem of trumpeter/arranger Scott Arruda and saxophonist Mark Early. Ten are Geraci originals with covers of Earl Hines and Billy Eckstine’s “Jelly, Jelly” and Brennan’s “Dead Man’s Shoes.”

As much as Geraci likes to play a Hammond B-3 organ, he sticks to his core instrument, the acoustic piano, and it’s his exceptional piano playing that stiches consistency throughout. The album opens with “Love Changes Everything,” a smoker marked by Geraci’s bright playing, strong horn parts, Brennan’s passion, and Welch’s incendiary solo. “Tomorrow May Never Come” is an infectious soul tune again with the same cast, and strong horn ensemble parts. Trout blows the roof off on the gutsy, deep “No One Hears My Prayers” against a thick, blaring horns backdrop. The requisite calm follows in Geraci’s wonderful lyrical piano into to “Daydream of a Broken Fool” before the band takes the syncopated tune into raucous territory, making way for both Geraci’s percussive attack and Welch’s searing lines.

”Mister” has Brennan blowing his blues harp as the tune struts along behind Geraci’s barrelhouse piano, a standout pure blues track, setting the stage for an outstanding four song sequence. The blistering boogie, rapid tempo “Tutti Frutti Booty” rather obviously nods to the late Little Richard, who was still alive when the tune was recorded. This is the only turn for Geraci on vocals. Brennan delivers “Jelly, Jelly” in his own style, knowing that it wouldn’t be wise to mimic Eckstine’s vocal, buoyed by Welch’s axe, and Geraci’s spot-on piano, as stellar blues piano as you’ll ever hear. Brennan’s “Dead Man’s Shoes’ is a dramatic tune – “What kind of man would wear those shoes?”- just keeps ringing indelibly.

The mood lightens with the shuffle “Hard to Say I Love You,” a showcase for Geraci, who is the only soloist, spurred on by Brennan’s emotive vocal and Armstrong’s beats. “Living in the Shadow of the Blues” is a piano-driven NOLA influenced tune. “Crazy Blues/Mississippi Women” is an old school approach with Geraci’s piano clearly prominent and rollicking in true blues fashion when Welch makes a rather surprise signature entrance. “Ode to Todd, Ella, and Mike Ledbettter” is Geraci in trio format for a brief nod, remembering family and friends.

Expect Geraci to garner more nominations with this one, and, better yet, a long deserved win. This is clearly in the higher echelon of blues albums this year. ~Jim Hynes

Daysreams In Blues MP3
Daysreams In Blues FLAC

VA - Blues Singles Collection Vol. 7

Size: 300,5 MB
Time: 128:51
File: MP3 @ 320K/s
Released: 2020
Styles: Electric/Acoustic Blues, Blues Rock
Art: Front

01 Arthur 'Big Boy' Crudup - My Mama Don’t Allow Me (Fire & Fury Version) (2:24)
02 Fantastic Negrito - I'm So Happy I Cry (Feat. Tank) (3:24)
03 T.K. Reeve - It Ain't Enough (5:27)
04 Memphis Slim - Kansas City (Live) (2:30)
05 Too Slim & The Taildraggers - Keep The Party Rollin' (4:59)
06 Too Slim & The Taildraggers - Last Last Chance (3:53)
07 Luis Oliart - Love's A Lost Art (2:45)
08 Dani Wilde - Masters Of War (4:56)
09 Daniel De Vita - My Sweetest Regret (2:39)
10 Vintage Trouble - Not Alright By Me (We Can't Wait) (3:09)
11 Anthony Gomes - Nothing Man 2 (3:53)
12 J.D. Simo - One Of Those Days (3:16)
13 Sari Schorr - Ordinary Life (3:54)
14 Funkwrench Blues & Oz Noy - Revolution Blues (2:26)
15 Martin Harley - Roll With The Punches (Acoustic) (2:51)
16 Meg Rilley - Run From Hell (3:44)
17 Janiva Magness - Safe And Sound (3:59)
18 Bettye Lavette - Strange Fruit (4:14)
19 The Cold Stares - The Wicked And The Cursed (4:00)
20 Shemekia Copeland - Uncivil War (4:46)
21 Mantlepiece - Walk Out The Door (2:33)
22 Walter Trout - Wanna Dance (4:29)
23 Allen Toussaint - Whirlaway (2:19)
24 The Record Company - You And Me Now (T Bone Burnett Version) (5:49)
25 Michael Landau - Can't Buy My Way Home (Live) (6:03)
26 Lachy Doley - Gimme Some Lovin' (5:50)
27 Fantastic Negrito - How Long? (4:16)
28 Mantlepiece - Right Up To You (3:13)
29 The Record Company - You And Me Now (5:54)
30 Fantastic Negrito - Chocolate Samurai (4:55)
31 Mantlepiece - Left Me With Nothing (4:00)
32 Marc Amacher - Black Cat (Roadhouse Session Unmastered) (6:05)

A collection of blues singles released in Jun/Jul 2020 compiled by myself.

Blues Singles Collection Vol. 7

Blues Ghetto - Winter Live Session

Size: 179,5 MB
Time: 77:36
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues, Harmonica Blues
Art: Front

01. Ah'w Baby ( 4:36)
02. Boogie Rambler ( 3:47)
03. Don't Boss Me ( 5:59)
04. Sadie (11:08)
05. My Home Is In The Ghetto ( 4:24)
06. I Feel So Good ( 5:54)
07. One More Chance With You ( 6:58)
08. Rollin' And Tumblin' ( 7:53)
09. Honey Bee ( 9:53)
10. Baby Please Don't Go ( 3:52)
11. Wilson Boogie ( 4:19)
12. Who's Been Talkin' ( 8:46)

Personnel:
Marcus "Bold Sound" Tondo - Vocal, Harmonica
Sergio "Juke" Cacopardo - Guitar
Giancarlo "Silver Head" Cova - Drums
Alessandro "Taylor" Porro - Double Bass
Niccolò "Nik" Cattaneo - Piano

A traditional electric blues quartet with an essential, corrosive sound and strong emotional impact. Drawing abundantly from the genre's greats (Little Walter, Muddy Waters, T-Bone Walker, Howlin’ Wolf, Magic Sam, Sonny Boy Williamson..etc), Blues Ghetto's dynamic, high-energy music channels blues classics and reinterprets them in a sharply modern and captivating formula.

The passion of each individual member for African-American music takes the band on a journey through interconnected territories and subgenres, from the essential sounds of the Mississippi Blues to the nervous and torrid ones of the Chicago Urban Blues, in an eclectic mix of urgent rhythms: Boogie, Swing, R&B, "hypnotic" Shuffle and Funk.

Winter Live Session