Sunday, June 26, 2016

Andrew 'Big Voice' Odom - Going To California

Year: 1995
Bitrate: MP3@320K/s
Time: 58:14
Size: 134,2 MB
Styles: Electric blues
Scans: Full

1. Going To California (7:45)
2. I Don't Know (7:42)
3. Thrill Is Gone (5:27)
4. Stormy Monday Blues (5:51)
5. All For Business (5:21)
6. Rock Me Baby (4:48)
7. Wonder Why (4:34)
8. Sitting Here Wondering (6:48)
9. I Can't Go On The Way (7:00)
10. Mojo Working (2:53)

Recorded live at "Ma Bea's", 3001 W. Madison, October 28, 1976. Last two tracks previously unissued! Blues fans may already feel they know Andrew "Big Voice" Odom from the records he cut with Black & Blue and Delmark, or through his European tour with The Chicago Blues Festival in 1974. But to really gel to know him, you'd have had to have heard him at the "Checkerboard", "Pepper's", the "South Louise Lounge" - or as is the case here, "Ma Bea's" - the various ghetto clubs in Chicago, where he spent most of his evenings. For this recording, "Big Voice" is surrounded, supported and urged on by Jimmy Dawkin's band. He is a heart gripping, dramatic guitarist. The wonderful lyrical second guitarist, Jimmy Johnson, accompanies most of the tunes on this fine live album.

Andrew "Big Voice" Odom (vo): Jimmy Dawkins (g); Jimmy Johnson (g); Sylvester Boines (b); Tyrone Centuray (dr); Carey Bell (Harmonica on 9).

Going To California mc
Going To California zippy

Dicky James And The Blue Flames - Hard Rain

Bitrate: MP3@320K/s
Time: 63:03
Size: 144.3 MB
Styles: Electric blues
Year: 2011
Art: Front

[4:30] 1. A Real Good Blues
[4:49] 2. Hard Rain
[5:31] 3. Rock Me
[4:45] 4. Bulldog Talkin'
[5:39] 5. It's All True
[4:24] 6. Born Under A Bad Sign
[6:12] 7. Low Down Dirty Dog Blues
[3:19] 8. Icehouse Shuffle
[5:32] 9. Game On
[5:10] 10. Special To Me
[5:56] 11. We Git To Play
[7:13] 12. Roll The Credits

Richard Wagster is better known in the blues world as Dicky James, and he and his Indiana-based band, The Blue Flames, have been tearin’ it up in the Midwest since their formation in 2008. With their second album, “Hard Rain,” they have taken a major step forward in the heady playing field of contemporary blues. It consists of nine originals and two covers, and showcases Dicky’s maturity both as a writer and guitarist. He’s joined by Bob Freeze on harp, Johnny Beeson on B-3, Mark Ford on bass, and Will Cox on drums, who handles some tricky arrangements throughout the set, all without missing a beat!!

This set is dedicated to the memory of the late Pinetop Perkins, and fittingly so. Like Pinetop’s music, “Hard Rain” keeps the soul and history of the blues intact while simultaneously looking ahead to the future!! Until next time… ~Sheryl and Don Crow

Hard Rain

Johnny & The Mongrels - You Ain't Ready

Bitrate: MP3@320K/s
Time: 24:05
Size: 55.1 MB
Styles: Swamp blues
Year: 2016
Art: Front

[3:39] 1. You Ain't Ready
[2:46] 2. Sweet Suga Mama
[3:28] 3. My Only Friend
[3:00] 4. Treme' Woman
[5:08] 5. Funky From The Top To The Bottom
[6:01] 6. Creole Skies

Johnny & The Mongrels is a high powered, New Orleans infused, "Swamp Blues" collaboration from Fort Collins, Colorado. The project was developed in April of 2015, via the mutual musical admiration between singer songwriter Johnny Ryan, incomparable bassist/singer songwriter Jeff Bostic & Louisiana raised, accomplished guitarist Jeff Mere. All Three artists have always been heavily influenced by the blues and funk genres and had all admired one another from a far for years. It took an impromptu Thursday night open blues jam they were all serendipitously attending, to begin the journey they now find themselves on together as The Mongrels. Remarkably, Within 6 months of development, the band was invited to become part of the new groundbreaking SpokesBuzz Springboard Program, directed by Dani Grant (Owner of the world famous Mishawaka Amphitheater). Since accepting that invitation, the band literally "Spring-boarded" into playing highly attended live shows and successfully recorded their debut album entitled "You Ain't Ready", that dropped in early 2016.

You Ain't Ready

Francine Reed - Shades Of Blue

Bitrate: MP3@320K/s
Time: 53:03
Size: 121.4 MB
Styles: Blues vocals
Year: 1999
Art: Front

[5:21] 1. The Man That Got Away
[4:04] 2. I Gotta Right To Sing The Blues
[7:29] 3. When Love Was New
[5:08] 4. What Do I Do
[6:22] 5. Beyond My Wildest Dreams
[5:41] 6. I Have A Right To Know
[4:37] 7. I'm A Handful
[4:35] 8. Wrong Man For The Job
[4:24] 9. A Touch Of Love
[5:17] 10. 455 Rocket

Though she's a relative newcomer to recording (Shades of Blue is her third album), Francine Reed has the pipes of an experienced vocalist. Her voice has richness and depth, not to mention versatility; she handles everything from classic jazz ("I Gotta Right to Sing the Blues") to up-tempo blues ("Wrong Man for the Job") to sensual ballads ("A Touch of Love"). She's even got a little bit of rock & roll in "455 Rocket." But it's when she's delivering those shivery, heated love songs that Reed really shines, whether her subject is love lost in "When Love Was New" or love found in "Beyond My Wildest Dreams." There's no doubt that Reed, who toured as part of Lyle Lovett's band for a decade, can carry herself as a solo act, and we can look forward to much more from this fine vocalist. ~Genevieve Williams

Shades Of Blue

Alain Berkes & Blues Heritage - The Blues Rocked My Soul

Bitrate: MP3@320K/s
Time: 36:26
Size: 83.4 MB
Styles: Rockin blues
Year: 1993/2011
Art: Front

[4:37] 1. Pourquoi C'est Comme Ça
[3:21] 2. Matchbox
[2:04] 3. Blues For Pat
[3:58] 4. Hear Me Woman
[6:42] 5. 6-35
[3:58] 6. Makin' Me So
[4:38] 7. Crimson And Clover
[1:18] 8. Amazing Grace
[4:21] 9. Annie
[1:24] 10. Pourquoi C'est Comme Ça (Reprise)

Alain Berkes : Guitars, Vocals & ad.?keyboards on “Hear me woman”; Amaury Blanchard : Drums. Jean-Michel Lemoine : Bass; Bob Boisadan & Pascal Simoni : Keyboards. Mimi Félixine : Backing vocals; Pat Boudot : Guitar on “Pourquoi c’est comme ça”; Laurent de Gasperis : Programming on “Hear me woman”.

Guitariste reconnu dans le monde du jazz - son association avec le saxophoniste américain Bobby Rangell a fait les beaux jours des clubs parisiens - musicien de studio officiant auprès d’artistes tels que Renaud ou sollicité par le monde de la publicité, Alain Berquez décide, en 1988, de revenir au Blues, la musique de ses débuts. “Parce que Jimi Hendrix, Johnny Winter, Peter Green, Michael Bloomfield, Roy Buchanan... et bien d’autres furent, sans le savoir, les professeurs de mes années d’apprentissage, j’ai aujourd’hui un besoin de “payer mes dettes” en leur rendant hommage, j’ai besoin de retrouver ces racines un peu oubliées au cours d’évolutions musicales diverses.”

Recréant, à sa façon, les standards du blues, de la country ou du rhythm & blues, le trio d’Alain Berkes s'augmente tout naturellement d'un pianiste, au fur et à mesure des concerts et des tournées qui font, peu à peu, de Blues Héritage un groupe de premier plan. Si, aujourd’hui, la musique est toujours très bluesy et fait la part belle au traditionnel “douze mesures”, les influences soul, gospel et rhythm & blues se font de plus en plus présentes, de même que les “grooves” chaloupés de la Nouvelle Orléans, chers au guitariste Ry Cooder.

Les compositions originales d’Alain Berquez enrichissent désormais le répertoire de Blues Héritage et lui permettent d’exprimer toute sa maîtrise du bottleneck, du finger picking ou de l’open tuning. Son autorité musicale et sa vitalité scénique ne relèguent pourtant pas ses musiciens au rôle de simples accompagnateurs. Martin, originaire de San Francisco et Pascal assurent non seulement les harmonies vocales qui soutiennent à merveille la voix du leader, mais sont également capables de lui voler la vedette... une saine émulation qui n’est pas finalement pour lui déplaire ! Décédé subitement en pleine force de l’âge, ses enregistrements nous font regretter l’ami et son talent. “Alain Berquez... l’un des guitaristes les plus intéressants que vous puissiez entendre en France” (Gérald Arnaud - JAZZ HOT)... Un héritage riche de promesses.

The Blues Rocked My Soul

Jimmy Liggins : Jimmy Liggins and His Drops of Joy / Vol. 2 Rough Weather Blues

Jimmy Liggins moved with his family to California in 1932. As a teenager he fought as a professionel boxer and at 18 he began as a driver for his elder brother Joe's band, The Honeydrippers. Jimmy started his own recording career as a singer and leader of The Drops of Joy in 1947, on Art Rupe's Specialty label. His recordings, his wild stage presence and manic delivery made him one of the most succesful bandleaders in the Jump Blues period of the late 1940s and early 1950s.

Album: Jimmy Liggins and His Drops of Joy
File: MP3 @ 320K/s
Source: LL (from CD)
Released: 1978
Styles: Early R&B;Jump Blues
Time: 65:18
Size: 152,2 MB
Art: Full (20 page booklet)

(2:55) 1. I Can't Stop It
(2:40) 2. Troubles Goodbye
(2:57) 3. Teardrop Blues
(2:37) 4. Cadillac Boogie
(2:04) 5. Move Out Baby
(2:32) 6. Careful Love
(2:31) 7. Homecoming Blues
(2:43) 8. Baby I Can't Forget You
(2:55) 9. Don't Put Me Down
(2:55) 10. Nite Life Boogie
(2:41) 11. Mississippi Boogie
(2:50) 12. Come Back Baby
(2:36) 13. Answer to Teardrop Blues
(2:55) 14. That Song Is Gone
(2:57) 15. Saturday Night Boogie Woogie Man
(2:32) 16. Shuffle Shuck
(2:31) 17. The Washboard Special
(2:07) 18. That's What's Knockin' Me Out
(2:15) 19. Hep Cat Boogie
(2:40) 20. I Want My Baby for Christmas
(2:25) 21. Train Blues
(2:45) 22. Baby's Boogie
(2:31) 23. Drunk
(2:26) 24. Going Away
(2:07) 25. Come Back Home

The music of Jimmy Liggins differs greatly from his elder brother Joe's in many respects. Whereas Joe was a more schooled musician, Jimmy was harder, brasher and altogether from the rougher and cruder side of the street. This 25-track collection brings together all the notable tracks Jimmy recorded for Art Rupe's Specialty label between 1947 and 1954. The music Liggins made during his stay at the label produced several R&B hits, most notably the jump-blues perennial "Drunk" (complete with crudely overdubbed lead vocal) and the proto-rock & roll classic "Cadillac Boogie," which in turn provided the basis for Jackie Brenston's "Rocket 88." -- Almusic.

Jimmy Liggins and His Drops of Joy

Album: Vol. 2 Rough Weather Blues
File: MP3 @ 320K/s
Source: LL (from CD)
Released: 1992
Styles: Early R&B;Jump Blues
Time: 72:53
Size: 169,5 MB
Art: Full (12 page booklet)

(2:35) 1. Bye Bye Baby Good-Bye
(2:29) 2. Lookin' for My Baby
(2:29) 3. Rough Weather Blues
(3:04) 4. Misery Blues
(2:32) 5. Give Up Little Girl
(2:49) 6. Lonely Nights Blues
(2:38) 7. Saturday Night Boogie-Woogie Man
(3:02) 8. Lover's Prayer
(5:15) 9. Now's the Time
(3:06) 10. Sincere Lover's Blues
(2:59) 11. Down and Out Blues
(3:44) 12. Unidentified Instrumental
(2:57) 13. Blues for Love
(2:22) 14. Brown Skin Baby
(2:37) 15. Stolen Love
(2:24) 16. Jumpin' and Stompin'
(2:33) 17. Low Down Blues
(2:53) 18. Cloudy Day Blues
(3:08) 19. Goin' Down With the Sun
(3:00) 20. Dark Hour Blues
(2:56) 21. Pleading My Cause
(2:26) 22. I'll Never Let You Go
(2:44) 23. Railroad Blues
(3:04) 24. Drunk
(2:57) 25. I'll Always Love You

Twenty-five more Specialty cookers, including an undubbed version of "Drunk," plenty of horn-leavened jump blues outings, and several unissued artifacts (including a rare example of the Drops of Joy getting jazzy on "Now's the Time"). -- Allmusic.

Rough Weather Blues Volume 2

Foghat - Under The Influence

Released: 2016
Size: 123.7 MB
Time: 53:33
File: MP3 @ 320K/s
Styles: Hard Rock, Blues Rock
Art: Front & Back

1. Under the Influence [4:29]
2. Knock it Off [4:14]
3. Ghost [3:19]
4. She's Got a Ring in His Nose [3:57]
5. Upside of Lonely [4:30]
6. Heard it Through the Grapevine [4:21]
7. Made Up My Mind [3:13]
8. Hot Mama [3:34]
9. Heart Gone Cold [4:26]
10. Honey Do List [4:44]
11. All Because of You [4:57]
12. Slow Ride [7:43]

On June 24, Foghat will release a new album, Under the Influence. It is their 17th studio record and first since 2010’s Last Train Home.

The project, which took three years to come to fruition, brings together the current lineup — founding drummer Roger Earl, singer/guitarist Charlie Huhn, lead guitarist Bryan Bassett and bassist Craig MacGregor, who has played on and off with them since 1976 — with some important names from their past. Kim Simmonds, the guitarist of Savoy Brown, which Earl and two other men left to form Foghat, makes an appearance. Also, Nick Jameson, who played bass on “Slow Ride,” sat it on a new version of their biggest hit, which celebrates the 40th anniversary of “Slow Ride.”

Under the Influence was produced by Grammy-nominated Tom Hambridge, known for his work with Buddy Guy, Lynyrd Skynyrd and George Thorogood. Work began in 2013 at the band’s Boogie Motel South studio in Florida, but eventually moved to Nashville’s Dark Horse Studios. According to Earl, Hambridge lobbied for the gig.

“I met Tom when presenting three awards to Buddy Guy and Tom (his producer) at the Memphis Blues Awards,” he said in a press release. “Tom said that he was a fan, and would love to produce a Foghat record. Putting that in the back of my mind, this was the perfect opportunity. Tom came down to Boogie Motel South to meet the band and we clicked and started writing together immediately. Working with him was inspirational!”

Under The Influence

Saturday, June 25, 2016

Duke Robillard & The Pleasure Kings - Rockin' Blues

Year: 1988
Bitrate: MP3@320K/s
Time: 67:37
Size: 155,6 MB
Styles: Electric blues
Scans: Full

1. If This Is Love (4:35)
2. Too Hot To Handle (4:26)
3. Rockin' Blues (5:53)
4. Tore Up (3:20)
5. Let Me Love You (4:19)
6. Baby Please Come Home (2:24)
7. She's Sweet (4:21)
8. Duke's Mood (6:30)
9. One More Time (2:34)
10. Someone (2:18)
11. She Made My Mind (3:12)
12. Anything It Takes (4:00)
13. My Plea (3:10)
14. It's My Own Business (3:11)
15. Give Me All The Love You Got (4:00)
16. Just Kiss Me (5:13)
17. Give Me Your Attention (4:02)

Robillard, both a good blues guitarist and knowledgeable swing player, displays his rocking side on this '88 date. There are flashier solos, more uptempo cuts, and an aggressive, frenetic quality that's missing on Robillard's jazz-oriented releases. /Ron Wynn, AllMusic

Personnel: Duke Robillard (vocals, guitar), Thomas Enright (bass, backing vocals), Tom DeQuattro (drums)

Additional musicians: Doug James (saxophone on track 10), Anthony Geraci (piano on track 2), Scott Billington (space piano on track 11, percussion)

Rockin' Blues

Duke Robillard Band - Independently Blue (Feat. Monster Mike Welch)

Year: 2013
Bitrate: MP3@320K/s
Time: 52:39
Size: 123,2 MB
Styles: Electric blues
Scans: Full

1. I Wouldn't-a Done That (4:04)
2. Below Zero (3:53)
3. Stapled To The Chicken's Back (4:08)
4. Patrol Wagon Blues (5:24)
5. Laurene (2:52)
6. Moongate (5:56)
7. I'm Still Laughing (3:25)
8. Strollin With Lowell And BB (3:46)
9. You Won't Ever (3:19)
10. This Man, This Monster (5:03)
11. Groovin' Slow (5:55)
12. If This Is Love (4:48)

For over four decades, Duke Robillard has been one of the most respected blues and roots music guitarists working today. This release shows endless creativity in bringing new ideas to blues forms. Fellow New England guitar hero Monster Mike Welch is an important contributor providing Duke with a daredevil foil on all tracks.

Personnel: Duke Robillard (guitar, vocals, banjo), Bruce Bears (piano, Hammond organ, synth), Brad Hallen (acoustic & electric bass), Mark Teixeira (drums)

Special guests: Monster Mike Welch (electric & acoustic guitar), Doug Woolverton (trumpet), Billy Novick (clarinet)

Independently Blue mc
Independently Blue zippy

Chicago Beau - My Ancestors

Size: 172,0 MB
Time: 74:15
File: MP3 @ 320K/s
Released: 1991
Styles: Chicago Blues
Art: Full

01. Be Careful How You Vote ( 4:05)
02. My Ancestors ( 8:17)
03. Jumpin' The Broom ( 3:37)
04. Stop Breaking Down ( 3:48)
05. Darling You Got All Of Me ( 4:35)
06. I'll Never Do You Wrong ( 6:17)
07. The First Thing On My Mind Is You ( 4:44)
08. One More Time ( 3:44)
09. Black Names ( 4:55)
10. Beauty Shop Blues ( 6:09)
11. Chi-Griot Chanson #1 (23:58)

Chicago Beau (L Beauchamp), was born on the southside of Chicago on 13 February 1949, into a house of music. The recordings of Dinah Washington, Coleman Hawkins, Miles Davis, Billie Holiday, Duke Ellington, Ella Fitzgerald, Ivory Joe Hunter, Ruth Brown and others, were a part of his childhood world from the beginning.

From the age of 10 until 15, Beau studied tap-dancing with the great Afro-Cuban dancer and choreographer, Jimmy Payne. He participated in many Cabaret-type shows that were popular during that era. A show could consist of performances by Afro-Cuban dancers, magicians, tap dancers, Jazz and Blues performers, and drill teams. These shows gave young people the opportunity to participate with professionals in a community setting. There was little distinction in the taste of the audience, people of all ages appreciated the same talent.

Beau was becoming quite a tap-dancer (sometimes still used in his shows), but it was the Blues and Jazz elements of these shows that really held his interest. He became so interested in Blues that he began sneaking around to Blues clubs after school to listen to Blues bands rehearse. On famous 47th street, he would slip into the 708 Club that sizzled at night with artists like Muddy Waters, Howling Wolf, Sonny Boy Williamson, Big Mama Thornton, Little Walter, and Billy Boy Arnold. Up the street from there was the Sutherland Lounge which featured Jazz and Blues acts such as Ella Fitzgerald,Joe Williams, Esther Philips, Louis Armstrong, Von Freeman, E Parker McDougal, Louis Armstrong, Dexter Gordon, Dizzy Gillespie, Chico Hamilton, Philly Joe Jones, and many more.

Little did Beau know at the time that some of these performers he watched and listened would have a permanent impact on his life: Billy Boy Arnold gave him harmonica lessons (they later recorded together), and Muddy Waters gave him his name, 'Chicago Beau.'

After spending three years from the age of 17 playing harmonica and singing in small clubs, mining and logging camps, and on street corners from Chicago, to Boston, to Nova Scotia, to Amsterdam, he moved to Paris where he met, performed and recorded with Archie Shepp in August, 1969, at age 20, on the Shepp album, Blasé. Beau considers the first recording with Shepp to be the beginning of his professional career. Two months later, Beau and Shepp would collaborate on another recording project with compositions by Beau and others tittled, Black Gypsy, on the America Records label.

Chicago Beau received the CLIO Award along with Halldor Bragason, the American advertising industry's highest honor, for their music that was used in the 1991-92 National Basketball Association Champions, Chicago Bulls, cable television campaign. On March 19, 2016, Beau was made an Honorary Member of The Reykjavik Blues Society. Because of the interest and enthusiasm of Icelandic guitarist, and organizer, Halldor Bragason, Beau introduced The Chicago Blues in Iceland in 1991. Beau and Bragason collaborated on numerous projects including recordings of Jimmy Dawkins, Pinetop Perkins, Billy Boy Arnold, Dietra Farr, and others; and the production and performance of concerts in Sardegna with Italian promoter, Isio Saba.

For nearly 50 years Chicago Beau has recorded and performed with some of the most respected names in music including Memphis Slim, Roosevelt Sykes, Art Ensemble of Chicago, Cal Massey, Anthony Braxton, Sunny Maurry, Pinetop Perkins, Anthony Braxton, Jimmy Dawkins, Johnny Shines, Billy Boy Arnold, Fontella Bass, Habib Koite, James Carter, Lester Bowie,Philly Joe Jones, Famoudou Don Moye, Jeanne Lee, Willie Kent, E. Parker McDougal, Amina Claudine Meyers, Zulu Chorus of Soweto, Frank Zappa, Sunnyland Slim, George Freeman, Jean François Fabiano, Clarence Wheeler, Sam Kelly, Spy Austin, Jonas Blues Band, Harold Bradley, Herb Walker, Larry Burton, Guðmunder Pétursson, Tito Capaccioni, Gavino Parreto, Bobby Parker, Philadelphia Jerry Ricks, Jim Conley, Thomas Harris, Clifford Thornton, Dave Burrell, Ari Brown, Tommy McCracken, 'Little Henry' Lipparini, and others.

Beau has produced CDs for Valerie Wellington, Junior Wells, Kay Reed, Burnin' Chicago Blues Machine (Koko Taylor's former band), Billy Branch, and himself for GBW Records, a division of Jazz label, DIW, Tokyo.

Chicago Beau is committed to the literary side of Blues culture. In 1988 he founded Literati Internazionale, a publishing company dedicated to multi-culturalism. To date his company has published fifteen journals, books, and magazines that include the works of over 100 writers and artists. Among them: Pulitzer Prize Poet Gwendolyn Brooks, Alejo Carpentier, Kalamu Ya Salaam,Eugene B. Redmond, Deitra Farr, Hart Leroy Bibbs, Amiri Baraka, Beauford Delaney, Henry Miller, Margaret Walker, J. P. Donleavey, and Quincy Troupe.

As a writer, Chicago Beau has written numerous articles and published three books:Great Black Music-The Art Ensemble of Chicago; Blues Stories; and recently;BluesSpeak, The Best of The Original Chicago Blues Annual, published by University of Illinois Press.

Beau recently completed Book One of his Autobiography: TOO MUCH UNCONVENIENCE - Reflections of a Blues Gypsy.

Beau lectures at universities, schools, and music festivals on various topics including, The Evolution of Blues as Music, Language, Literature, and Lifestyle. He is currently teaching Creative Non-fiction, at Harper College in Palatine, Illinois; and touring with his BLUZ-MULTI-GROOVE CONFIGURATION: CHICAGO BEAU AND HIS WONDERFUL TIME BAND.

Chicago Beau is co-founder of The Chicago Blues Experience, a world-class cultural attraction for the City of Chicago.

MC
Ziddu

Frankie Lee Sims - Walking With Frankie

Size: 183,4 MB
Time: 77:01
File: MP3 @ 320K/s
Released: 2016
Styles: Texas Blues
Art: Front

01. Cadillac Blues (2:48)
02. Home Again Blues (2:45)
03. Don't Forget Me Baby (2:49)
04. Single Man Blues (2:50)
05. Lucy Mae Blues (2:29)
06. Don't Take It Out On Me (2:47)
07. Long Gone (2:42)
08. Yeh, Baby! (2:33)
09. Rhumba My Boogie (2:16)
10. I'll Get Along Somehow (2:42)
11. Misery Blues (2:37)
12. What Will Lucy Do (2:19)
13. Hey Little Girl (2:36)
14. Walkin' With Frankie (3:28)
15. My Talk Didn't Do No Good (2:14)
16. I Warned You Baby (2:22)
17. She Like To Boogie Real Low (Blue Light Boogie) (2:04)
18. Well Goodbye Baby (3:13)
19. Married Woman (3:02)
20. Wine And Gin Bounce (2:34)
21. Boogie 'cross The Country (2:31)
22. Jelly Roll Baker (2:57)
23. I'm So Glad (2:52)
24. Raggedy And Dirty (2:34)
25. No Good Woman (2:56)
26. Walking Boogie (Take 4) (2:35)
27. Cryin' Won't Help You (2:41)
28. Hawk Shuffle (2:30)
29. How Long (2:01)

Frankie Lee Sims is certainly not amongst the greatest innovators of rhythm and blues and certainly not very famous. He did however have a very original sound which did help to sell enough records, particularly in America's south to ensure he was signed to four record labels during his brief career. This collection of his very limited recorded legacy is the most complete attempted and the first to gather together all 18 of his original released recordings in one place along with a further 11 tracks which were not issued at the time. Standout tracks include "Lucy Mae Blues", "Walking With Frankie" and "She Likes To Boogie Real Low". Frankie's music was powered by an undisputed approach to the blues. His vocals are similar in delivery to Brownie McGhee and his guitar technique certainly brings Lightening Hopkins and Smokey Hogg to mind.

MC
Ziddu

Rose City Kings - A Love So Strong

Size: 126,2 MB
Time: 54:07
File: MP3 @ 320K/s
Released: 2016
Styles: Rockin' Blues
Art: Front

01. One Lonely Morning (5:02)
02. A Love So Strong (4:41)
03. Just Like I Treat You (3:39)
04. Working Girl Blues (5:33)
05. My People (6:03)
06. Superbee (4:18)
07. All Your Love (4:13)
08. Love Karate Chop (4:10)
09. Rumba All Night (3:40)
10. Sight To See (3:49)
11. No Justice (4:41)
12. Nah Nah Nah (4:13)

Personnel:
Dan Berkery: Guitar, Lead Vocals
Steve Kerin: Keyboards
Gary Keeney: Percussion
David Lipkind: Harmonica
Katy Oberg: Vocals
Tim Shaughnessy: Bass

Rose City Kings’ newly released album, “A Love So Strong,” is an homage to music, love and life. The album takes the listener on a tour of 12 original songs flavored with traditional and contemporary Blues, propulsive Latin rhythms, and down-home swampy grooves.

Established in Portland, OR in 2002, Rose City Kings is a well respected musical ensemble in the Pacific NW. They have performed seven times at the Safeway Waterfront Blues Festival (the second largest in the nation) and at some of the premier West Coast Blues venues such as Biscuit & Blues (San Francisco), Cafe Boogaloo (Los Angeles), Torch Club (Sacramento) and Highway 99 (Seattle).

Rose City Kings has received Real Blues Magazine’s awards for Best Pacific Northwest Blues Band, Best West Coast Blues/Rock Band. They were the Cascade Blues Association’s Muddy Award winner for Best Contemporary Act 2004 & Best New Act 2003; and were finalists for Best Contemporary Act in 2007 & 2008.

MC
Ziddu

Brother Sun Sister Moon - Liberty

Size: 148,1 MB
Time: 63:22
File: MP3 @ 320K/s
Released: 2016
Styles: Delta Blues, Blues Rock
Art: Front

01. Bentonia Blues (4:05)
02. Ain't Got No Money (3:27)
03. St Paul Woman (4:14)
04. Old Negro Spiritual (3:55)
05. Slavery Blues (7:58)
06. Preachin' Blues (5:33)
07. Can't Push The River (3:21)
08. Darkness Coming On (3:07)
09. Everlasting Love (2:35)
10. Liberty (4:37)
11. Soldier's Prayer (3:52)
12. Changing Times (3:20)
13. Wish You Were Here (4:14)
14. Too Much Worry (8:56)

Liberty, the sophomore album from Dave Lambert and Donna Dahl, a.k.a. Brother Sun Sister Moon are twain, like minded musically and spiritually in that they share a common goal of giving what has so generously been given to them in talent and opportunity.

Speaking in terms of blues, funk and electric guitar grooves, the two songwriters have effectively reached out to new levels with Liberty. Laced with vocal harmonies and musicianship which excels in the blues roots genre, it surpasses the duo’s own previous exploits.

Their magic is alive and kicking …a treat for all music lovers and blues aficionados. Liberty incorporates performances from Big George Jackson and lyrical content from Pulitzer Prize winner Maurice Manning.

MC
Ziddu

Noah Wall - Down Home Blues

Size: 129,1 MB
Time: 55:07
File: MP3 @ 320K/s
Released: 2016
Styles: Acoustic Blues Folk, Americana
Art: Front

01. Down Home Blues (3:20)
02. Sittin’ On Top Of The World (3:40)
03. Parchman Farm (3:29)
04. Blow Top Blues (3:20)
05. Nobody’s Fault But Mine (3:06)
06. St. Louis Blues (4:12)
07. Down By The Riverside (2:42)
08. Crazy Blues (2:52)
09. Swimming In The Blues (3:52)
10. Death Don’t Have No Mercy (5:10)
11. Mama Doo Shee (2:29)
12. Red Hot (2:49)
13. St. James Infirmary (4:02)
14. Battle Of Jericho (3:39)
15. Nobody Knows You (3:05)
16. Trouble In Mind (3:13)

Personnel:
Noah Wall - Vocals
Tommy Norris - Mandolin, Guitar
Ariel de la Portilla - Upright Bass
Ed Snodderly - Guitar, Banjo, Resonator, Dobro, Vocals, Lead Vocals on 'Trouble in Mind'
Chuck Palmer - Percussion

Raised in rural North Carolina, Noah Wall is a multi-talented performer. As a musician, actress, and radio personality, she has carved an established career from her various artistic endeavors.

Noah is the lead singer, fiddler, and founding member of the award winning acoustic band “The Barefoot Movement.” Now based in Nashville, TN, the group continues to wrack up the miles, touring both domestically and internationally. Wall’s songwriting skills can be heard in the majority of the band’s original material, which has been compiled onto three full length albums. The group’s notoriety continues to grow through features in such publications as Country Weekly Magazine, RollingStone.com, CMT Edge, and Billboard.com. In 2014, they were presented with the Momentum Award for Band of the Year by the International Bluegrass Music Association. Declared “one of the most promising bands on the bluegrass scene” by CMT, the band is still going strong, bringing shoe-less excitement to every performance.

While The Barefoot Movement remains at the center of her musical focus, Noah has also recorded independently for the Grammy winning label Chesky Records. In 2015, she was a featured performer on the collaborative traditional folk album “From the Mountaintop.” Her work on that project lead the producers to suggest she do an album of her own! Entitled, “Down Home Blues,” Noah’s first solo record is a collection of classic American blues numbers, and is set to be released in June 2016.

MC
Ziddu

Kevin Waide Project - Almost The Marrying Kind

Size: 98,3 MB
Time: 42:15
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Funk
Art: Front

01. Just My Luck (3:59)
02. Drankin' Blues (4:39)
03. Blame It On You (4:28)
04. I Don't Care (4:13)
05. Hypnotized (4:31)
06. Kevin's Blues (6:00)
07. I Moan (Feat. Lightnin' Malcolm) (5:23)
08. Woman I Love (5:04)
09. A Little Piece Of Heaven (3:55)

Kevin Waide is a guitarist and singer-songwriter with a passion for the blues. A native of Tupelo, Mississippi, Kevin was raised on the sounds of blues greats like Albert King, Muddy Waters, and John Lee Hooker. Coming from a musical family, it was only natural that he would pick up an instrument. Kevin started on harmonica and mimicked the sounds heard on the front porches in rural Mississippi.

Next was the guitar, and he quickly learned by listening to albums by B. B. King, Buddy Guy, and Howlin’ Wolf. Playing semi-professionally since the age of 16, Kevin has “lived the blues” both on and off stage. A purist in the sense that every performance is unique, his unconventional, sometimes irreverent approach to the blues is to just let it flow.

The Kevin Waide Project:
The Kevin Waide Project is the brainchild of Kevin and drummer Chris “Foosh” Fooshee and celebrates its sixth anniversary in 2013. The duo lives by its motto: “If we know it, we’ll do it, and if we don’t, hum a few bars and we’ll try it anyway!”
The project blends the blues with classic rock and country, and even a little funk and soul to help it all gel.

The Project has a large catalog of original material at the ready for those who want to hear something new. Sit for a spell, let it flow with the Project, and you’ll be entertained.

MC
Ziddu

Stewart Lindsey - Spitballin'

Size: 105,9 MB
Time: 40:23
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Rock
Art: Front

01. Leave This Town (3:07)
02. Another Lie (3:16)
03. Friend Zone (4:33)
04. Lonely (3:08)
05. When Dogs Run Away (2:56)
06. Look At Those Flames (3:47)
07. Two People (3:28)
08. Run From You (3:44)
09. Confidence (3:39)
10. Alcohol (2:01)
11. Crocodile (3:19)
12. Dear God (3:19)

The DAVE STEWART-produced SPITBALLIN’ would never have happened if not for one Twitter message that turned STEWART’s world upside down. STEWART has seen and done it all, but none of it prepared him for what he would hear from THOMAS LINDSEY. “I read it and clicked on the link,” STEWART recalls. “And there he was, singing something on a YouTube video. I don’t remember what it was but there was no music. He was singing a cappella. And I went, ‘Holy crap!’” STEWART got in touch with his young admirer and invited him to send examples of his original material.

“It was really amazing stuff. So I asked if he wanted to come out to Los Angeles and sing three songs unaccompanied before my show at the Troubadour,” STEWART says. Following their live debut, STEWART and LINDSEY began writing together by sending audio files back and forth between L.A. and Louisiana. Working long distance seemed to bring them closer as they built a catalog of songs.

Their common ground proved as lush as Delta marshland. A down-and-dirty delta guitar riff. A thumping drum beat. And a stunning vocal intro, urgent, haunted, earthy and spiritual, with blues-drenched filigrees, a vibrato that shocks like an electric current, a range that defies not just convention but gravity itself. Backed by STEWART’s distorted voodoo guitar licks, LINDSEY opens “Leave This Town” in free tempo and then a swampy groove kicks in--just guitar and drums, raw and wild. “Two People” unfolds over a stomping beat that leads to a long vamp over which Lindsey improvises with hair-raising intensity and finesse. Churchy echoes permeate “When Dogs Run,” with a mournful organ providing the backdrop to STEWART’s Pop Staples-style guitar tremolo. “Alcohol” boils down to organ and LINDSEY’s voice recounting a riveting elegy for someone who was “lost to alcohol.”

Some of the stories behind the lyrics on these songs are sad, but true and some more fanciful. To write “Crocodile,” for instance, LINDSEY admits “I tried to write a song that would seem like something from a shoe commercial! I had this image of a woman in bad-ass crocodile boots, walking down the street. That’s how that song formed.”

MC
Ziddu

Ike Turner - King Cobra The Chicago Sessions

File: MP3 @ 320K/s
Source: LL (from CD)
Released: 2004
Styles: R&B
Time: 42:40
Size: 98,8 MB
Art: Full

(2:10) 1. (I Know) You Don't Love Me
(3:06) 2. Down and Out (AKA How Long Will It Last)
(2:23) 3. Matchbox (AKA I'm Gonna Forget About You)
(2:23) 4. You Keep on Worrying Me
(2:21) 5. You've Got to Lose
(2:12) 6. Walking Down the Aisle
(1:55) 7. Box Top
(2:50) 8. I'll Weep No More
(2:03) 9. Tell Me Darling
(2:24) 10. Matchbox (AKA I'm Gonna Forget About You)
(2:10) 11. (I Know) You Don't Love Me
(2:29) 12. You Keep on Worrying Me
(2:19) 13. You've Got to Lose
(2:11) 14. Walking Down the Aisle
(2:46) 15. I'll Weep No More
(2:06) 16. Tell Me Darling
(2:21) 17. I'm Gonna Forget About You (AKA Matchbox)
(2:24) 18. Matchbox (AKA I'm Gonna Forget About You)

King Cobra: The Chicago Sessions is a solid reissue of Ike Turner & His Kings of Rhythm turning out the R&B in Chicago in 1958 and 1959. Containing 18 tracks, there are no less than five alternate takes and eight unissued tracks. This is bold, scorching R&B that has more than a modicum of rollicking rock & roll in its marrow. Betty Everett sings on four tacks and the standouts include "You Got to Lose," "I'll Weep No More (Matchbox)," and "Box Top." -- Allmusic.

King Cobra The Chicago Sessions

R.L. Burnside - Burnside on Burnside

File: MP3 @ 320K/s
Source: LL (from CD)
Released: 2001
Styles: Modern Electric Blues
Time: 52:57
Size: 122,0 MB
Art: Full

(4:35) 1. Shake 'Em on Down
(2:41) 2. Skinny Woman
(3:16) 3. Miss Maybelle
(4:44) 4. Rollin' and Tumblin'
(4:01) 5. Long Haired Doney
(4:28) 6. Walkin' Blues
(2:43) 7. He Ain't Your Daddy
(3:55) 8. Bad Luck and Trouble
(5:16) 9. Jumper on the Line
(5:44) 10. Goin' Down South
(4:12) 11. Alice Mae
(7:16) 12. Snake Drive

Like jazz, blues music has faced a problem of attrition, with its major names dying off and younger artists having trouble establishing themselves at anything like an equal level of recognition. One way out of this dilemma has been the discovery of new-old bluesmen, musicians who have reached an advanced age without becoming stars, who can now be trotted out as performers in the tradition of the lost heroes. Of course, the practice of discovering or rediscovering old bluesmen dates back at least to the folk boom, but it is given impetus by the dire state of blues music. R.L. Burnside owes his breakthrough to the 1992 documentary Deep Blues, which led to his signing to Fat Possum Records when he was already in his sixties. Since then, he has been taken up by such hip figures as Jon Spencer and Beck producer Tom Rothrock, resulting in albums that have broadened his popularity but irritated purists with their contemporary gimmicks. The purists should be pleased by the live album Burnside on Burnside, recorded on a West Coast tour in the winter of 2001, which finds the Mississippi musician in Portland and San Francisco, backed only by second guitarist Kenny Brown and drummer Cedric Burnside, Burnside's grandson. The 74-year-old singer/guitarist rocks out furiously for the better part of the set, evoking obvious predecessors such as Muddy Waters and John Lee Hooker. He's no match for them, of course, not only because he lacks their distinctiveness, but because of his ingratiating attitude, complete with corny jokes. But that has its appeal, too. Has there ever been a Delta bluesman as friendly as R.L. Burnside? Probably not, but if your hobby suddenly became a paying profession just as you hit retirement age, you'd be happy about it, too. -- Allmusic.

Burnside on Burnside

R.L. Burnside - Come on In

File: MP3 @ 320K/s
Source: LL (from CD)
Released: 1998
Styles: Modern Electric Blues
Time: 43:02
Size: 99,2 MB
Art: Full

(1:06) 1. Been Mistreated
(3:26) 2. Come on In
(2:59) 3. Let My Baby Ride
(4:12) 4. Don't Stop Honey
(4:58) 5. It's Bad You Know
(3:32) 6. Just Like a Woman
(3:11) 7. Come on In, Pt. 2
(4:13) 8. Rollin' Tumblin'
(2:58) 9. Please Don't Stay
(4:28) 10. Shuck Dub
(2:46) 11. Come on In, Pt. 3
(5:07) 12. Heat

You have to give a guy credit for trying. In an age when most of the old blues players are either dead or too old to play, R.L. Burnside, the 71-year-old Mississippi native, can still rip dirty juke-joint blues in convincing fashion. Come On In attempts, with some success, to bring one of America's oldest musical forms into the 21st century by adding sampling and looping techniques to Delta blues. Come On In is a collaboration with Beck mixmaster Tom Rothrock and Alec Empire of Digital Hardcore. Seldom does one see the words "dub," "remix" and "programming" on a Delta blues album, but R.L. Burnside is no ordinary bluesman. Come On In is a risky move to say the least, and unfortunately, it doesn't always pay off. The best tracks in the album are the least techno-fied. "Come On In," a solo shot, and the down-and-dirty "Just Like a Woman" has a non-trip-hopped Burnside mining tough riffs for all their emotion. "Let My Baby Ride" with a stomping, looped beat, is still recognizable as Burnside and works well. On the other hand, "Don't Stop Honey" and "It's Bad You Know" take the techno tampering too far, and the results are feckless shells of what were once gritty blues. Next time out, if Burnside gets his ass pocket o' whiskey, turns down the techno a bit and cranks those amps up, he could be onto something. -- Allmusic.

Come on In

Duster Bennett - The Complete Blue Horizon Sessions (2-Disc Set)

It turns out that Britain's best bluesman in the so-called white blues boom of the 1960s wasn't Eric Clapton, Peter Green, John Mayall, Eric Burden, Stevie Winwood or any of the other obvious contenders. It was Tony Bennett, or Tony "Duster" Bennett to be exact, a one-man band who combined a ragged and raw punk energy with sly songwriting skills to produce a body of work unlike any other in Europe or anywhere else. Bennett played seemingly every instrument imaginable, from kazoo to piano (sometimes all at once), and his voice, although technically not impressive, was uniquely his own and he somehow made it a completely expressive vehicle. Duster released a handful of albums and some scattered singles in his lifetime (he died in a car accident in 1976 when he was just 28 years old), most of them for Mike Vernon's Blue Horizon Records, and although his recorded work was critically well received, he never enjoyed commercial success.

This two-disc package includes all three of Bennett's LPs for Blue Horizon (Smiling Like I'm Happy, the live set Bright Lights and 12dbs) plus the various singles he released for the label between 1968 and 1970, and it makes for a steady delight, full of propulsive songs that continually take sudden, quirky turns. Keeping time on a kick drum and hi-hat while churning out a ragged, arresting rhythm on guitar and interjecting wild, horn-like harmonica figures between his vocal lines, Bennett projects an immediate, combustible energy that is impossible to ignore. His shuffle rhythms may be drawn from Jimmy Reed and Slim Harpo (he covers songs by both men here), but he amps things up from swampy laconic to extremely urgent and creates a very real kinetic tension in the process. But his hidden strength is in his songwriting, which is full of wry humor and surprisingly sly phrasal turns that mark him as a true original. Songs like "I'm Gonna Wind Up Ending Up Or I'm Gonna End Up Winding Up with You" and "If You Could Hang Your Washing Like You Can Hang Your Lines" are unlike anything else in the blues world, and for all their apparent syntactic complexity, they unwind naturally and easily. "Jumping at Shadows," which was covered by the Peter Green-era Fleetwood Mac, may well be the best original blues song to ever come out of Britain, while "Trying to Paint It in the Sky" is simply a great song by any standards. Other highlights on this wonderful collection include the racing "Worried Mind," the punk-paced and raw "Jumpin' for Joy," the country-tinged "Slim's Tune," and the blistering attack of "40 Minutes from Town." This guy was really something special. Bennett had his own home studio and turned out scores of demo recordings, many of which have been compiled on several fascinating albums from Indigo Records (I Choose to Sing the Blues, Comin' Home, Blue Inside, Jumpin' at Shadows and Shady Little Baby). He also recorded an album of funk, soul and blues for the Australian label Toadstool called Fingertips. Released in 1975, Fingertips turned out to be Bennett's last official studio album. Castle/Sanctuary's double-disc Bright Lights Big City from 2003 draws highlights from all of these sources and makes a good introduction to the full range and all too brief career of this amazing musician. ~Steve Leggett

Album: The Complete Blue Horizon Sessions (Disc 1)
Bitrate: MP3@320K/s
Time: 75:33
Size: 173.0 MB
Styles: Electric blues
Year: 2007

[2:22] 1. Hard To Resist
[2:47] 2. It's A Man Down There
[3:21] 3. Things Are Changing
[3:00] 4. Worried Mind
[3:58] 5. Life Is A Dirty Deal
[2:28] 6. Country Jam
[3:36] 7. Trying To Paint It In The Sky
[3:37] 8. Times Like These
[2:40] 9. My Lucky Day
[3:17] 10. Got A Tongue In Your Head!
[3:25] 11. Jumping At Shadows
[3:32] 12. 40 Minutes From Town
[2:37] 13. Shame, Shame, Shame
[4:13] 14. My Love Is Your Love
[4:03] 15. Shady Little Baby
[2:34] 16. Raining In My Heart
[3:01] 17. Jumpin' For Joy
[3:29] 18. God Save The Queen Introductions She Lived Her Life Too Fast
[4:19] 19. Just Like A Fish
[4:21] 20. What A Dream
[4:43] 21. Just Like I Treat You
[3:59] 22. Talk To Me

The Complete Blue Horizon Sessions (Disc 1)

Album: The Complete Blue Horizon Sessions (Disc 2)
Bitrate: MP3@320K/s
Time: 78:23
Size: 179.4 MB
Styles: Electric blues
Year: 2007
Art: Front

[3:16] 1. I'm The One
[5:55] 2. I Wonder If You Know (How It Is)
[6:04] 3. My Babe She's My Baby
[3:34] 4. Honest I Do
[4:45] 5. Bright Lights Big City
[4:51] 6. Fresh Country Jam
[2:53] 7. I'm Gonna Wind Up Ending Up Or I'm Gonna End Up Winding You Up With You
[4:11] 8. Rock Of Ages Cleft For Me
[3:26] 9. Slim's Tune
[2:55] 10. I Choose To Sing The Blues
[2:57] 11. Sugar Beet
[3:04] 12. I Love My Baby
[2:47] 13. Vitamin Pills
[3:50] 14. Everyday
[2:27] 15. Act Nice And Gentle
[2:53] 16. Woman Without Love
[2:16] 17. That Mean Old Look
[2:43] 18. Sweeter Than Sugar
[4:07] 19. On Reconsideration
[3:21] 20. Hill St. Rag
[2:25] 21. If You Could Hang Your Washing Like You Can Hang Your Lines
[3:32] 22. I Want You To Love Me

The Complete Blue Horizon Sessions (Disc 2)

Parker Millsap - The Very Last Day

Bitrate: MP3@320K/s
Time: 35:47
Size: 82.0 MB
Styles: Americana
Year: 2016
Art: Front

[2:35] 1. Hades Pleads
[2:43] 2. Pining
[3:39] 3. Morning Blues
[3:52] 4. Heaven Sent
[2:57] 5. The Very Last Day
[2:40] 6. Hands Up
[2:38] 7. Jealous Sun
[3:02] 8. Wherever You Are
[4:19] 9. You Gotta Move
[4:25] 10. A Little Fire
[2:53] 11. Tribulation Hymn

"It's not the end of the world" is a thing people say to place inconveniences in perspective, a reminder that a rush-hour fender bender doesn't belong to the same category of catastrophe as nuclear or biblical apocalypse. Doomsday scenarios seem so far removed from the day-to-day that pop culture treatments of Armageddon — from Earth-atomizing special effects in big screen blockbusters like War of the Worlds, The Day After Tomorrow and, yes, Armageddon to end-times visions unfurled in the ominous Christian fundamentalist fiction of the Left Behind series — can make for violent, alien spectacles.

Leave it to Parker Millsap, one of the most arresting and puckish young singer-songwriters to emerge in the Americana scene this decade, to turn the jarring nature of apocalypticism on itself in the most enthralling way. The story goes that he started writing for his new album, The Very Last Day, in the midst of a bleak Oklahoma winter and, instead of seeking sunny diversion from his surroundings, embraced the grimness, binge-watching The Walking Dead and reading Cormac McCarthy's The Road. But Millsap didn't emerge from that season with quite the cataclysmic song cycle you'd expect.

By the end of these 11 tracks (which he recorded with his agile, rockabilly-redefining outfit and coproduced with Gary Paczosa), Millsap has pulled off a downright remarkable feat. He's confronted the power of collective belief and orienting myth, an endeavor made all the more affecting by his subversive use of language learned in his Holiness-Pentecostal past and his willingness to engage worldviews that provoke postmodern discomfort. He also brings ultimate and everyday concerns into conversation with each other. It's an apocalyptic thriller, all right — but one of an entirely different breed. ~Jewly Hight

The Very Last Day

Joe Hutchinson - Daylight In The Swamps

Bitrate: MP3@320K/s
Time: 36:43
Size: 84.1 MB
Styles: Contemporary blues
Year: 2004
Art: Front

[3:36] 1. Daylight In The Swamps
[1:50] 2. Rockin' Pneumonia
[3:48] 3. I'm A Guitar King
[3:08] 4. 900 Kisses
[2:22] 5. Ridin' In The Country
[4:06] 6. Tinkle's Cave
[3:20] 7. Kind Hearted Woman
[2:13] 8. Hatred Sun
[2:28] 9. Hello Josephine
[2:49] 10. Dog Tale
[3:19] 11. Casa Blanca
[3:38] 12. Martha Jean

Joe Hutchinson: Born in 1943 in Lasalle, Illinois, Joe started playing piano, guitar and 5-string banjo at age 14. Early influences started with tuning in to radio station WWVA in Wheeling, WV and hearing Flat & Scruggs, Jimmy Martin & Bill Monroe. His mother was an airline stewardess for American Airlines on the run from Memphis to Chicago and would hang out on Beale St. listening to B.B. King and in Chicago to Maceo Merriweather & Albert Ammons, her favorite song being “Cow Cow Boogie” by Cow Cow Davenport . She passed her love of blues on to Joe.

At college, Joe formed a duo with Eric Anderson, playing as house band for the Ballad & Banjo in Hyannis Port, MA the summer of 1962. The following year Joe teamed up with Eddie Mottau as Two Guys From Boston, playing ragtime, blues & folk music. Joe also began writing music, and with Paul Stookey (Peter, Paul & Mary) as producer they recorded an album for Scepter Records with John Sebastian, Felix Pappalardi, N.D. Smart & Sticks Evans. Two Guys From Boston toured the U.S. and Canada and played regularly at the Gaslight on MacDougle St. in Greenwich Village along with Mississippi John Hurt, John Hammond, Ritchie Havens, Chuck and Joni Mitchel, Johnny Cash and Son House. In 1967 Joe & Eddie moved to New York and along with Jim Colegrove on bass and Ronnie Blake on drums became BoGrumpus. They recorded the album “Before The War” for Atco records produced by Felix Pappalardi and assisted on drums by N.D. Smart. In 1968 The group became Jolliver Arkansaw and recorded the album “Home” for Bell records also produced by Felix Pappalardi.

In the early 70’s Joe retired from the limelight to live another dream, and moved to Alaska to raise a family with his wife Jean. He continued to play music as a solo act and write songs. After moving to Apalachicola, Florida in 1995, Joe got back into recording and produced two albums of mostly original material, “Daylight In The Swamps” and “Beyond Your Best Behavior”. In 2006 he formed Smackwater Retrievers, playing slide guitar and singing traditional blues and roots music with his 19 year old son John on drums and son-in-law Jereme Neill on upright bass. Their first CD “Shake ‘Em On Down” was released in 2007 to critical acclaim.

Daylight In The Swamps

Bryce Janey - 2 albums: Game Of Life / Bare Wire

Album: Game Of Life
Bitrate: MP3@320K/s
Time: 55:15
Size: 126.5 MB
Styles: Blues rock
Year: 2011
Art: Front

[5:17] 1. Down Home Blues
[5:35] 2. Kicked Like A Dog
[4:14] 3. Waitin' For The Bus
[5:05] 4. In Your Kitchen
[6:16] 5. Game Of Life
[5:48] 6. Come And Go Blues
[3:07] 7. Goin' Down To The River
[3:45] 8. Stone Cold & Crazy
[5:17] 9. In The Mood
[4:14] 10. Flyin' High On Your Love
[6:31] 11. Faithfully

Bryce Janey has been playing professionally since 13 as a member of The Janey’s which also featured his father on guitar and mother on drums. This is his 8th solo disc. Though his albums run the gamut from straight up acoustic blues to blues rock. Game of Life delivers 11 tracks that land squarely in the blues rock territory.

Even though he’s a young man from whom we should see many more albums, Game of Life gives the impression of a man who has been around a lot longer. His world class guitar skills and the unique timber of his voice just serve to reinforce that impression. ~Kevin O'Rourke

Game Of Life

Album: Bare Wire
Bitrate: MP3@320K/s
Time: 51:55
Size: 118.9 MB
Styles: Blues rock
Year: 1999
Art: Front

[4:01] 1. Hold On
[5:12] 2. Dangerous Cool
[5:33] 3. She's Nowhere
[5:39] 4. Drinkin' Dirty Water
[4:25] 5. Bare Wire
[4:48] 6. Stop The Rain
[3:49] 7. Under The Sun
[4:59] 8. Sugar Hill
[5:45] 9. Strat Blues
[3:38] 10. Trick Bag
[4:01] 11. Workin' Fool

Bryce Janey began his career in his hometown of Marion, IA at the age of 13 in a blues trio called The Janey’s. With his mother on drums and his father BillyLee on guitar, The Janey’s played throughout the Midwest from Chicago (Buddy Guy's Legends, Kansas City,St. Louis, Minneapolis, Memphis (Hall of Blues), Louisville, Minneapolis, Phoenix and Los Angeles. Bryce has played many festivals including:Buddy Guy's Legends during Chicago Blues Fest, Kansas City Blues Fest (w/BlueBand) Bluesmore,(Cedar Rapids, Ia) The Janeys have shared the stage with several national acts including: Buddy Guy, Delbert McClinton, Blues Traveler, Elvin Bishop, John Mayall, Rick Derringer, Foghat, Edgar Winter and Johnny Winter. Bryce has also been invited onstage to perform with Blues greats like Koko Tayler, Tab Benoit, Lamont Cranston, Kenny Neal, among others. Bryce lives and performs mainly in Eastern Iowa. He Has 7 cd's to his credit and "5 Star" reviews from "Blues Revue Magazine" and rave reviews from "Blues Access" and "Living Blues" Magazines. Bryce's guitar work with The Blue Band earned him an induction into the Iowa Rock-n-Roll Hall of Fame in 2007.

Bare Wire

Big Frank & The Healers - Sparky's Lounge

Bitrate: MP3@320K/s
Time: 49:51
Size: 114.1 MB
Styles: Electric blues
Year: 2012
Art: Front

[3:15] 1. Tell Me How You Feel
[4:36] 2. I Love You Baby
[4:40] 3. Simple Man
[3:51] 4. Ride This Bus
[7:34] 5. Sparky's Lounge
[4:08] 6. Ferryboat Blues
[3:37] 7. Sparky's Stomp
[4:57] 8. Oh Yeah Oh Yeah
[3:54] 9. Mary's Horns
[4:22] 10. Your Red Wagon
[4:53] 11. Toll Booth Woman

Rocking electric blues; original songs; hot slide guitar!

"As soon as you start playing SPARKY'S LOUNGE, you will start saying to yourself, "who are these guys?" They are no big names that you will recognize but that old feel of '60's Chicago Blues is there. Frank Mirra plays his guitar in a manner that is not flash, like what you would expect from "white-boy blues." There is no Clapton, Beck or Page flash guitar. Rather, Big Frank & The Healers are a tight unit that you would expect and discover in juke joints of Chicago and Memphis, or down in the Delta. There is no Joe Bonnamassa or Kenny Wayne Shapherd on SPARKY'S LOUNGE. Big Frank & The Healers did all right without any "big names." It may be some time before I put this album away." ~Ray Corey

Sparky's Lounge

Justin Terrell - Born In The Blues

Bitrate: MP3@320K/s
Time: 38:12
Size: 87.5 MB
Styles: Rockin blues
Year: 2016
Art: Front

[3:23] 1. Dejavu
[5:43] 2. Born In The Blues
[4:51] 3. Hold On
[4:10] 4. Someday
[5:33] 5. The River
[6:19] 6. Help Me
[2:58] 7. Sunshine
[5:12] 8. Tired

Justin Terrell - Vocals, Guitars, Drums, Keyboard (I play everything you hear).

Alternative Rock with blues influence. I've been writing songs for over 15 years, and finally i'm ready to share them, I only hope that people can listen and be inspired or have enjoyment through my music.

Born In The Blues