Monday, May 28, 2018

Mudlow - Waiting For The Tide To Rise (Extended Edition)

Bitrate: MP3@320K/s
Time: 72:56
Size: 167.0 MB
Styles: Country blues
Year: 2018
Art: Front

[4:43] 1. Down In The Snow
[4:14] 2. Drunken Turkey
[4:12] 3. Damn Your Eyes
[3:43] 4. The Jester
[2:30] 5. Stubb's Yard
[3:08] 6. Snowhill Farm
[3:25] 7. Crackling
[4:44] 8. So Long Lee
[4:56] 9. Minnesota Snow
[4:14] 10. Codename Toad
[4:58] 11. Evol
[4:27] 12. Letter To Louise
[5:04] 13. Mad Mary Lou
[3:23] 14. Good Whiskey
[5:28] 15. Bad Hand
[4:21] 16. Caz
[5:19] 17. Red Ribbon

''This album is a retrospective compilation to celebrate 16 years of the band and it's our first album to be released on 12" Vinyl! (with an accompanying extended 17 track! version available on CD). It features tracks from our studio LP's and from the more recent digital EP releases, which have not been available in physical format before. We hand-picked the tracks for this album to best represent the band's eclectic sound from 2002 up to today. If you are familiar with our music it makes for a blistering 'best-of'. If you stumbled into Mudlow country unwittingly, it's the perfect introduction.

Waiting For The Tide To Rise (Extended Edition) mc
Waiting For The Tide To Rise (Extended Edition) zippy

The Refreshments - 2 albums: Highways And Byways / Best Of The Refreshments: It's Gotta Be Both Rock 'n' Roll

When The Refreshments started out in 1989, very few bands played the mix of rock'n'roll, pop and country they loved. 80´s synth pop was still the flavour of the day, not 50's rock'n'roll or 70's inspired pub rock. The Refreshments didn't seem to care, however. Championing their musical heroes Elvis Presley, Chuck Berry, Rockpile and Mickey Jupp, they entered the stage and locked themselves into a groove that soon would become their trademark.

They knew that they loved their music and they sensed there was an audience out there. In between were only two words: hard work. Seventeen years later, few can challenge The Refreshments for the title "the hardest working rock'n'roll band in Sweden". They've played more than 3 000 gigs on practically every stage with an electric socket and room for an audience, effortlessly bridging the gap between the rock and the traditional "dance band" cultures in the process. Seven gold records and one platinum album say it all. The Refreshments was the band many were waiting for.

Album: Highways And Byways
Bitrate: MP3@320K/s
Time: 42:01
Size: 96.2 MB
Styles: Blues, Rock N Roll
Year: 2012
Art: Front

[3:51] 1. Highways & Byways
[2:19] 2. Wish It Was Me
[3:01] 3. The One You Love
[2:49] 4. Rock´n´roll Bitch
[3:30] 5. Far Away Man
[3:43] 6. El Camino
[4:15] 7. Delicate Flower
[3:32] 8. Burning To The Core
[3:29] 9. Continental
[4:28] 10. Fooled By Love
[3:43] 11. Black & White
[3:15] 12. Twice As Nice

Highways And Byways mc
Highways And Byways zippy

Album: Best Of The Refreshments: It's Gotta Be Both Rock 'n' Roll
Bitrate: MP3@320K/s
Time: 67:33
Size: 154.6 MB
Styles: Blues, Rock N Boll
Year: 2006
Art: Front

[1:54] 1. Go
[3:30] 2. Both Rock'n'roll
[4:23] 3. Miss You Miss Belinda
[4:08] 4. No More Teardrops
[4:42] 5. Dreams Of You
[3:19] 6. One Dance, One Rose, One Kiss
[4:26] 7. 55 Ford
[3:16] 8. We Just Can't Win
[3:08] 9. Lunchtime Kind Of A Guy
[3:49] 10. A Guy Like That
[2:28] 11. I Should Be Lovin' This
[2:52] 12. Easy To Pick Up, Hard To Put Down
[3:31] 13. Veronica
[2:16] 14. 20 Carat Rocker
[2:42] 15. Musical Fun For Everyone
[4:10] 16. Hello Sun, Goodbye Rain
[3:17] 17. Lifetime Of Guilt
[3:01] 18. Here We Are
[3:24] 19. Comin' Home To Stay
[3:06] 20. Would If I Could

Best Of The Refreshments: It's Gotta Be Both Rock 'n' Roll mc
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Ryan Neville & The Midnight Blues Band - Fire On The Tracks

Bitrate: MP3@320K/s
Time: 38:31
Size: 88.2 MB
Styles: Electric blues
Year: 2018
Art: Front

[2:49] 1. The Devil's Gonna Pay
[3:05] 2. Shake Your Boogie
[3:23] 3. Bring On The Flood
[5:05] 4. Fire On The Tracks
[5:59] 5. As The Years Go
[3:14] 6. On A Train To Chicago
[3:23] 7. Going Down
[5:09] 8. Paint The Sky Blue
[3:09] 9. Dog Duck Tail
[3:11] 10. I'm Coming Home

Session Muscians: John White - Piano, Organ; Ben Blackett - Piano, Organ, Harmonica; Nick Jackman - Harmonica; Johnny Rocket - Drums; Sylvia Venom - Backing Vocals. The Midnight Blues Band: Emmalene Rose Sparey - Vocals; Chantelle Rakich - Vocals; Steve Hill - Bass. Fernando Gomez - Drums.

It is always a pleasure writing and creating an album.. Fire on the Tracks was written and recorded over a period of 6 months, starting in late 2017.. Completing an album to me is always like what i imagine a painter would do, clean all the brushes, pack things away and dust yourself off ready for the next master piece. The enjoyment comes from many sources, including finally being able to see the idea in your come to live. Another enjoyment for me is having the opportunity to have your favorite musicians perform on your album..

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Bear Williams - Waters Of Love

Bitrate: MP3@320K/s
Time: 47:53
Size: 109.6 MB
Styles: Chicago blues
Year: 2017
Art: Front

[3:51] 1. Old Fashioned Girl
[4:10] 2. Stay With Me
[3:53] 3. Waters Of Love
[5:06] 4. No Love
[5:07] 5. I Cry
[4:06] 6. Shoulda' Known Better
[4:14] 7. I'll Be The One To Last
[8:12] 8. Dancin' Shoes/Two Of A Kind
[4:37] 9. I'm Your Friend
[4:33] 10. Backyard

Bear Williams: Bass, Lead Vocals; Alton Smith: Keys, Vocals; Bill Brickey: Guitars, Vocals; Chris "Chili" Winters: Lead Guitar; Clyde Davis: Drums, Percussion; Dee Kimpel: Vocals; Dana Buetow: Vocals; Lucas Bauer: Vocals.

Bear Williams is the alter ego of Larry Kimpel who will be a familiar name from his time as bassist/musical director with Maze (featuring Frankie Beverley). The name arises from his wife’s pet name for him and he decided to use it for this project. Using a band of experienced LA session players, Bear has created a solid album that mixes soul and Rn’B influences: Ricky Zahariades (Bill Champlin and many others) is on guitar/BV’s, Billy Steinway (Stevie Wonder, Patti Austin) on keyboards and Herman Matthews (Tower Of Power, Kenny Loggins, Teresa James) on drums; Julie Delgado duets on one track and adds B/V’s on others. Bear plays bass, handles lead vocals and wrote all the material apart from one cover, collaborating with Ricky and Billy on some of the songs.

Bear has a strong voice and uses it well on both uptempo material and ballads. The ballads in particular take us into familiar soul arrangements, Bear emoting well on tracks like “I Cry” and the title song which has some beautifully restrained playing from the band with acoustic guitar, shimmering piano and electric guitar as Bear bares his soul about his love for his partner. On “I’m Your Friend” Ricky’s guitar adds a hint of country over mainly acoustic backing.

Closer to the blues is “Backyard”, a mid-paced groove with the versatile Ricky laying down an extended solo that fits the style well, Bear recognising the merits of a girl who will lend a hand in the garden! Bear’s brooding bass opens the insistent groove of “No Love” in which he sings of having lots of possessions but “what kind of life is it with no love”. Maybe salvation lies in an “Old Fashioned Girl”, a track which builds up a head of steam as Bear celebrates his new love in fine style, Billy’s keys providing a backdrop to some double-tracked guitar work by Ricky that takes us briefly into Allmans territory, a fine start to the album. “Should’a Known Better” is a fast-paced funk/dance tune sure to get the feet moving and mid-tempo soul tune “I’ll Be The One To Last” takes us into Stevie Wonder territory.

The pick of the album for this reviewer was the medley of “Dancin’ Shoes/Two Of A Kind” which across 8 minutes blends funk, soul and catchy hooks to great effect. Ricky’s slide features on both halves of the medley and Julie Delgado duets on the lively “Two Of A Kind”. Both songs are attractive and certainly caught the attention of this listener. The sole cover is Rod Stewart and Ronnie Wood’s “Stay With Me” which seems a strange fit with the rest of the album which mainly celebrates Bear’s new found love but, for all its misogynist lyrics, it is an old favourite and the band plays it fairly straight, albeit without the sort of loose and louche feel of The Faces’ original.Overall an enjoyable album with several high points. ~John Mitchell

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Sunday, May 27, 2018

Tail Dragger & Bob Corritore - Longtime Friends In The Blues

Year: 2012
Bitrate: MP3@320K/s
Time: 53:58
Size: 124,5 MB
Styles: Chicago blues, harmonica blues
Scans: Full

1. I'm Worried (5:02)
2. Sugar Moma (5:25)
3. Birthday Blues (4:55)
4. She's Worryin' Me (6:38)
5. Cold Outdoors (4:31)
6. So Ezee (5:22)
7. Through With You (6:59)
8. Done Got Old (3:47)
9. Boogie Woogie Ball (4:29)
10. Please Mr. Jailer (6:45)

Tail Dragger and Bob Corritore combine forces to deliver a powerful album of heartfelt Chicago Blues. Joining the proceedings are an ensemble of first rate players including piano legend Henry Gray, guitarists Kirk Fletcher & Chris James, and the rhythm section of bassist Patrick Rynn, and drummer Brian Fahey.

Tail Dragger and Bob Corritore first met on January 11, 1976 at the 1815 Club on Chicago’s West Side where they performed at a tribute to Howlin’ Wolf. who had died the day before. This was the symbolic beginning of a lifetime friendship and musical collaboration. Here is an album of raw, intense, emotional blues, performed ferociously and with no apologies.

Personnel: Tail Dragger (vocals); Bob Corritore (harmonica); Henry Gray (piano, vocals track 2); Kirk Fletcher & Chris James (guitar); Patrick Rynn (bass); Brian Fahey (drums).

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Big Creek Slim - Keep My Belly Full

Year: 2016
Bitrate: MP3@320K/s
Time: 54:14
Size: 125,3 MB
Styles: Blues
Scans: Full

1. Bye Bye Blues (3:41)
2. You Don't Love Me (3:35)
3. Precious Memories (5:57)
4. Keep My Belly Full (3:34)
5. Woman Don't Lie (3:55)
6. Alright Baby (5:11)
7. Do Something Wrong (4:07)
8. Tell Me Baby (3:29)
9. Lonesome Day Blues (2:44)
10. Cockfight (3:25)
11. Sink 'Em Low (4:12)
12. Mrs. Headache (4:33)
13. Dry Spell Blues (5:47)

Big Creek Slim, a.k.a. Marc Rune, was born and raised in Ikast, a small town in Central Denmark. He traveled in the United States for a spell around 2008, playing music and writing songs. He now lives with his family in Florianopolis Brazil, in a cabin by the ocean.

And Big Creek Slim is a bluesman, as sure as the day is long. Don't believe it? Listen to Keep My Belly Full. Hear that voice. Feel the passion and intensity that he brings to Tommy Johnson's thumping "Bye Bye Blues". Dig that slippery groove on "Do Somebody Wrong" and the sheer power of the Elmore James-styled "Tell Me Baby", both originals. Bear witness to the gospel vibe threading through the disc, culminating with the traditional "Sink 'Em Low". Hear the effortless, natural command of his guitar work throughout the album. This man has lived with the blues.

(For full personnel details, see artwork included.)

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Saturday, May 26, 2018

Justin Quinn - Crazy Mixed Up World

Bitrate: MP3@320K/s
Time: 43:40
Size: 100.0 MB
Styles: Electric blues
Year: 2008
Art: Front

[3:24] 1. Skip It
[4:18] 2. Well I Done Got Over It
[3:00] 3. Crazy Mixed Up World
[3:49] 4. Whiskey Headed Woman
[3:15] 5. Get Rhythm
[4:13] 6. Cold Chills
[2:55] 7. You Ain't Nothin' But A Hound Dog
[3:46] 8. Stranger Blues
[3:46] 9. T.V.Mama
[3:49] 10. Born Blind
[2:55] 11. Sunday Morning Blues
[4:25] 12. Too Old To Think

You know, I’ve been around awhile and have made a handful of cd’s with some good bands in my time, including the “Blue Hornets” (with guitar player George McCann of James Montgomery Band fame) and three well received efforts with the late, acoustic band “Roll & Tumble” (including slide guitarist extraordinaire, Frank Corso). This one was the most fun and satisfying by far due to the fact that I was the leader on this session, picked all the tunes, and chose the format. The only negative was that I had to pay the bills!

The concept was to get all my favorite players into the studio for one night, grab a handful of hot tunes, fuel up with pizza and Irish Whiskey (not too much, just enough!) and record the whole thing, live, in one or two takes. We got it, captured some great energy, and made a fast and dirty recording we can be proud of! Let me tell you who’s in the band; Jon Ross on guitar. Jon is such a fine player! He plays bass, drums, mandolin, and dobro and can handle jazz, blue grass, and country music as well as the blues. Jon’s been recording and playing these past few years with James Cotton, Kim Wilson, and most recently, Duke Robillard. On drums we have the masterful Per Hanson, one of the top drummers in the blues genre. Among the many artists Per has performed and recorded with are James Cotton and Ronnie Earl. Per is featured on the newest Charlie Musselwhite recording, and the Junior Wells tribute cd. Holding down the bottom is Dave Sag, the versatile bassist and singer has led the raucous party band “Mad House” for many years in the greater Boston area. Catch Dave at the “Rhumb Line” in Gloucester, Ma. every Thurs. night, where he runs his invitational blues jam at one of the best bars I’ve ever visited! Curtis Jerome Haynes is on piano pounding out powerful rhythms, on one tune, and subtle phrases on the next. His keyboard stylings can be heard with the “Chicken Slacks”, every Thurs. night at the Cantab Lounge in Cambridge, Ma., and on their funky new soul cd, which Curtis co-produced. The “Reverand” Curtis, when he’s not “barrel-housing”, finds the time to direct a church choir on Wed. evenings. Guest players, Kate Redgate on vocals, and Mark Hayden on harp wrap up the session. Kate’s gritty vocal on the classic “Hound Dog”, sounds like a chain saw in a velvet wrapper! And we had a great time nailing down Johnny Cash’s “Get Rhythm”. A new name to remember, Kate, who won a song writers award at the prestigious, Kerville Music Conference, will be releasing her first full length cd of original songs in the summer of ’09. Mark was good enough to help me out when I asked him to play a second harp part on the “Big Walter” instrumental “Skip It”. A talented and full time painter,(“Copley Master!”) Mark is in demand for his landscapes and portraits, especially his portraits of the great bluesmen. Enjoy! ~Justin Quinn.

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Big Feet & Lala (Jukka Orma & Marjo Leinonen) - Pet Me!

Bitrate: MP3@320K/s
Time: 43:54
Size: 100.5 MB
Styles: Electric blues
Year: 2018
Art: Front

[3:27] 1. Brother Cain
[3:55] 2. Pet Me
[3:48] 3. Skeleton Trees
[3:12] 4. Wasted
[4:49] 5. Holy (Get A Life)
[3:50] 6. Fly High
[4:46] 7. Feel Good
[2:18] 8. Ground Woman Homesick Blues
[4:08] 9. Funk
[4:11] 10. Dig A Hole (Without You)
[5:26] 11. Biding My Time

Blues and jazz music give the singer or main player a summary of the song's hidden message with their own interpretation. This I notice when Ella or Etta sing, so that the listeners can identify the story of the song with the help of the power of the moon. Or when Trane or Jimi blow their instruments, a heavy blow may almost be felt on the face. The same true blues magic can be expected by Marjo Leinonen and Jukka Ormantähdintie, the BigFeet & LaLa composer of hardcore musicians on the album "Pet Me!".

Marjo Leinonen, who became known for herself until the end of the 80's, began her career as a soloist in the Balls band. That career continued in various compositions with rhythm & blues, soul, and rock & roll music. In addition, Leinonen has participated in, among others, the Stand By Me and Janis musicals, and has performed as a soloist for the legendary tribute nights of the Helsinki Festivals. What makes the singer unique is her ability to shape a simple song into a dramatic story with her voice and phrases. In addition to Leinonen, the band includes a long and successful career by guitarist Jukka Orma, Mikko Murtomaa (bass) and Sande Vettenranta (drums).

"Pet Me!" With a soulful, hypnotic and explosive blues girl. album will cover the personalized interpretation of Orman Leinonen's personalized lyrics and English lyrics.(Translated from Finnish.)

Pet Me! mc
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The Hoodoo Loungers - 2 albums: Hoodoo Lounge / Head & Heart & Hips

The Hoodoo Loungers are a nine-piece East Coast band performing music inspired by the rhythms, sounds, history and spirit of New Orleans. The band's sound encompasses traditional New Orleans Jazz, Brass Band, classic R&B and funk - a blend of original music and re-arranged New Orleans classics. The Hoodoo's high energy and highly entertaining show pleases young and old alike.

Since forming in 2008, the Hoodoos have performed at numerous East Coast music festivals and concerts and at top music venues such as the Paramount Theater (Huntington), The Stephen Talkhouse (The Hamptons) and B.B. Kings Blues Club (NYC).

Album: Hoodoo Lounge
Bitrate: MP3@320K/s
Time: 61:20
Size: 140.4 MB
Styles: New Orleans blues
Year: 2013
Art: Front

[3:52] 1. Hoodoo Lounge
[4:00] 2. Put More Rum In Your Boogie
[4:02] 3. Like It's Fat Tuesday
[3:38] 4. Didn't He Ramble
[5:08] 5. I Put A Spell On You
[4:32] 6. Do The Crawfish
[3:30] 7. When I'm Through With You
[4:30] 8. Let's Mess Around
[3:33] 9. There'll Be Some Changes Made
[4:35] 10. Tootie Ma
[2:23] 11. I Want You To Be My Baby
[3:29] 12. (Everytime I Hear) That Mellow Saxophone
[5:48] 13. St. James Infirmary
[2:51] 14. Stagger Lee
[5:21] 15. Gloryland

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Album: Head & Heart & Hips
Bitrate: MP3@320K/s
Time: 60:39
Size: 138.8 MB
Styles: New Orleans blues
Year: 2018
Art: Front

[4:18] 1. Down, Down, Down
[5:29] 2. Louisiana Lullaby
[2:58] 3. Glutton For Punishment
[7:06] 4. Pallet On The Floor
[4:06] 5. The Silliest Man
[4:47] 6. Down In New Orleans
[4:50] 7. Take It Along The Way
[5:03] 8. Runnin' From The Loup Garou
[4:12] 9. Mademoiselle Madeleine
[4:29] 10. Reverend Lee
[4:23] 11. Pick Of The Pickers
[3:53] 12. A Brand New Day (In New Orleans)
[4:57] 13. Hail To The Raggedy Man

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Cliff Stevens - S/T

Bitrate: MP3@320K/s
Time: 58:36
Size: 134.2 MB
Styles: Rockin blues
Year: 2009
Art: Front

[4:45] 1. Why You So Mean To Me
[4:52] 2. That's What Love Will Make You Do
[3:08] 3. Tell Me
[5:30] 4. Got To Be Some Changes Made
[3:45] 5. I Get Evil
[3:37] 6. Evening
[3:42] 7. Finger Express
[4:21] 8. Don't Do Me No More
[3:38] 9. Blinded By The Sun
[4:09] 10. Since I Met You
[3:28] 11. Don't Walk Away
[3:18] 12. Crying My Heart Out
[3:12] 13. Said The Wrong Thing
[4:10] 14. Change The World
[2:55] 15. I'm Tore Down

Cliff Stevens has been playing guitar professionally for longer than he sometimes cares to admit, around 35 years to be vaguely precise. Like so many blues musicians before him, he spent much of his career displaying his significant talents in relative obscurity as a sideman with various travelling groups. Crowds ranged anywhere from 14,000 at the Montreal International Jazz Festival to 1,400 at the Medley Club in Montreal to 14 drunks in Moose Jaw, Saskatchewan.

Like a moth to a flame, Stevens was drawn irresistibly to the genre. He recalls learning to play at 13 jamming for hours to slow blues in a coffee house in his home town of Montreal that was a hot bed for Canadian guitarists like Frank Marino of Mahogany Rush and being influenced by the foremost British and American blues rock guitarists of the day. “Clapton just jammed all night long and I was blown away,” Stevens says of a Cream concert that he attended in Montreal in 1968. “I then saw Johnny Winter in 1970 and memorized every lick I could.”

The non-stop grind of six-nights a week on the road mixed with alcohol and drugs took its toll. “I was burned out, disillusioned, I badly needed a break,” says Stevens who stepped away from music from 1982 to 1985 to drive taxi in Toronto. He also went back to school earning a Masters Degree in Music and Education from Concordia University in Montreal and explored other musical styles. “I really got into jazz for a while but I kept getting calls for blues gigs and had no real opportunity to master the jazz language,” he says. After 7 years of sobriety, Stevens headed back out on the road but suffered a relapse while performing in Morocco. “It lasted close to 3 years and almost did me in – it was really rough,” he confides.

Alcohol and drug-free since 1998 and with a renewed focus on his forte of the blues, Stevens’ solo career has taken flight. Two songs, Said the Wrong Thing and Crying My Heart Out that he composed in Paris in 1997 appeared to much acclaim on the Preservation Blues Review compilation CD. In 2009, Stevens released his self-titled debut album comprised of 15 tracks, 8 of them original. It spent 18 months on the Top 100 New CD chart and was nominated for Album of the Year by Le Lys Blues. Real Blues Magazine ranked it among the top 10 Canadian blues albums of 2009, Stevens among the top 10 blues guitarists and nominated Don’t Walk Away for Best Original Song.

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Little Milton - Cheatin' Habit

Bitrate: MP3@320K/s
Time: 46:38
Size: 106.8 MB
Styles: Soul/Blues/Funk
Year: 1996/2005
Art: Front

[4:41] 1. Kick My Cheatin' Habits
[5:32] 2. How Does A Cheatin' Woman Feel
[5:23] 3. What Do You Do When You Love Somebody
[4:40] 4. This Time They Told Me The Truth
[3:57] 5. It's Time For The Blues
[5:02] 6. It's Hard To Stumble
[4:11] 7. I Wouldn't Take Nothing For Your Love
[4:09] 8. Shake, Rattle And Roll
[3:51] 9. I Worry About You
[5:08] 10. The Other Man

Having found a suitable home at Malaco, the leading label of the '80s and '90s for Southern soul-blues, Little Milton has settled into a prolific recording schedule; Cheatin' Habit is already his tenth CD for the label (eleventh, if you count a greatest-hits compilation). It contains ingredients to satisfy his core audience, but is not one of his best. The songs are mostly of the cheatin' or leavin' variety (he's cheating or she's cheating, he's leaving or she's leaving). The guitar fills and horn parts are quite formulaic. ~Steve Hoffman

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Michael Osborn - Hangin' On

Size: 100,0 MB
Time: 42:57
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues
Art: Front

01. Hangin' On (4:20)
02. It's Your Move (5:28)
03. Fallin' For You (3:38)
04. Hey Baby (Feat. Mitch Kashmar) (3:31)
05. When The Blues Comes Around (Feat. Karen Lovely) (5:09)
06. Doctor Please (3:34)
07. Say I Do (Feat. Karen Lovely) (3:13)
08. When I Listen To The Blues (4:35)
09. Mint Gin (4:30)
10. Between A Tear And A Good Time (Feat. Mitch Kashmar) (5:05)

Michael Osborn was John Lee Hooker’s lead guitarist for 13 years. After his stint with Mr. Hooker, one of Michael’s songs, “Spellbound”, was featured on John Lee’s 1998 Grammy Award winner for Best Traditional Blues recording, “Don’t Look Back”! Michael has also backed, recorded with, or played with such musical luminaries as Robben Ford (Michael has a song credit on Robben’s “Blue Moon” release), Willie Dixon, Mark Ford, John Hammond, Bonnie Raitt, The Charles Ford Band, Carlos Santana, Elvin Bishop, Buddy Miles, Charlie Musselwhite, James Cotton, Albert Collins, Jimmy Witherspoon, Johnnie Johnson, Brownie McGee, Duke Jethro, Garth Webber, Jim Pugh, Peter Dammann, Patrick Ford, Chris Cain, Vala Cupp, Ken Emerson, Sugar Blue, Jimmy Thackery, Gary Smith, Mark Werner, Frankie Lee, Robert Cray, Guitar Shorty, David Raitt, Marc Hansen, DK Stewart, Bruce Kaphan, Curtis Salgado, Bill Rhoades, Sista Monica, Annie Sampson and so many others. Mike presently resides in the Portland, Oregon area and has been nominated three times by the Cascade Blues Association for best blues guitarist and once for blues best recording for his CD release of “Touch Tone.” As a member of Bill Rhoades and the Party Kings, he taken home 7 awards for best traditional blues band and was inducted into the CBA Hall of Fame as a member of that band!

Michael Osborn released three recording, “Cold Hearted Girl”, “A Case For The Blues” and “A Background In The Blues” on the Blue Rock’It Records Label and two recordings, “Touch Tone” and “What Goes Around” on his own, Checkerboard Records label!

“Michael Osborn is one of the most authentic blues guitarists around today. His style goes straight to the heart of the blues and he’ll steal your show if you don’t watch out!” ~ Robben Ford

Hangin' On MP3
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Totablues, Poyo Moya - Blues And More

Bitrate: MP3@320K/s
Time: 51:40
Size: 118.3 MB
Styles: Blues
Year: 2018
Art: Front

[5:30] 1. Hard To Make A Living
[4:27] 2. I Feel Like A Fool
[2:30] 3. Cherry Pink And Apple Blossom White
[4:26] 4. Blussi
[5:12] 5. You Don't Have To Go
[5:21] 6. Poblenou Town
[4:01] 7. Goodnight Irene
[4:36] 8. Midnight Blues
[2:58] 9. Swanee River Boogie
[4:02] 10. Trouble In Mind
[3:26] 11. Wonderful Time
[5:05] 12. After Hours

Cristian "Poyo" Moya is a great Argentine piano player who plays many styles, all of them with great skill and passion. More than 30 years sittin’ at the front of a piano and more of 20 years like a professional Blues and Jazz piano player support his career.

TotaBlues is an harmonica player and Blues singer too. With more of 20 years of career has taken part in several blues festivals around Spain and Argentina. Besides, it has also been the band of genuine Chicago bluesmen when they are on tour around Spain or Europe. During the latest years, TOTA BLUES BAND has played with artists such as BOB MARGOLIN around Spain, BOB STROGER on his Russian Tour 2015, KENNY “BLUES BOSS” WAYNE, BARRELHOUSE CHUCK, LOUISIANA RED, JAMES WHEELER and others..

Together, they have formed a duo that runs the Blues across the map of the United States and along the time ... A trip from New Orleans, passing through the juke joints of the Mississippi, crossing Memphis, St. Louis, to arrive to the Chicago Blues clubs.. Since Otis Spann, remembering Ray Charles to Johnnie Johnson ... Blues, Gospel, some Jazz and something else....

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Blues And More zippy

King King - 2 albums: Take My Hand / Standing In The Shadows

Formed in 2008 by fellow Glaswegians Alan Nimmo (vocals, guitar), Lindsay Coulson (bass), Dave Raeburn (drums), and Dale Storr (keyboards), King King spent their first few years touring the blues circuit in the U.K., but an impressive live show at the Monahan Blues Festival in 2010 propelled them to a new level. The following year, the band had recorded and released their debut album, Take My Hand. Receiving positive reviews from the press and their ever increasing fan base, the album also earned the four-piece the British Blues Award for Best Album. Continuing to take their powerful live show on the road for the next couple of years, the group returned with their sophomore album in 2013. Standing in the Shadows -- which now featured Wayne Proctor on drums and Bennett Holland on keys -- saw the band's profile expand even more, with gigs coming in from across the globe, including a 34-date tour opening for British blues legend John Mayall. With Holland leaving the band and being replaced by Bob Fridzema, the four-piece set about writing their third album, 2015's Reaching for the Light. Released in the May, the album again received positive reviews from the press and appeared in end-of-year lists for Classic Rock and The Blues magazines.

Album: Take My Hand
Bitrate: MP3@320K/s
Time: 55:35
Size: 127.3 MB
Styles: Blues rock
Year: 2011
Art: Front

[4:15] 1. Lose Control
[3:49] 2. Take My Hand
[3:09] 3. Don’t You Get The Feeling (You’ve Been Had)
[6:27] 4. Feels Like Rain
[5:15] 5. Heart Without A Soul
[4:44] 6. All Your Life
[4:47] 7. I'll Fight My Way
[9:50] 8. Old Love
[3:48] 9. Broken Heal
[4:36] 10. Mr Highway Man
[4:51] 11. Nothing Takes The Place Of You

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Album: Standing In The Shadows
Bitrate: MP3@320K/s
Time: 50:32
Size: 115.7 MB
Styles: Blues rock
Year: 2013
Art: Front

[3:54] 1. More Than I Can Take
[5:20] 2. Taken What's Mine
[7:15] 3. A Long History Of Love
[4:13] 4. Jealousy
[5:37] 5. What Am I Supposed To Do
[4:45] 6. One More Time Around
[3:44] 7. Can't Keep From Trying
[5:29] 8. Coming Home (Rest Your Eyes)
[5:14] 9. Heavy Load
[4:58] 10. Let Love In

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Marjo Leinonen, Huff 'n' Puff - S/T

Bitrate: MP3@320K/s
Time: 36:17
Size: 83.1 MB
Styles: R&B, Electric blues
Year: 2012
Art: Front

[3:16] 1. Drunken Junco
[3:25] 2. Flash Of Heavenly Hope
[3:26] 3. Loudmouth
[2:48] 4. Huff 'n' Puff
[4:22] 5. Young Man
[3:10] 6. Thy Mighty Will
[4:03] 7. Bless My Shoes
[2:56] 8. I Borrowed Your Car
[4:52] 9. Flowers On The Top
[3:55] 10. Palace Of The King

Backing Vocals – Mari Hatakka, Tiina Isohanni; Bass – Matti Vallius; Drums, Percussion – Sami Vettenranta; Guitar – Julius Heikkilä (2); Saxophone – Panu Syrjänen; Trumpet – Antero Priha; Vocals – Marjo Leinonen.

Great, wonderful singer Marjo Leinonen has been influenced by Finland for the rhythm music landscape for about a quarter of a century. The hardest thing to doshe made the Balls band a leading figure. Balls purged a few albums - part they were quite popular - but there are few Leinos albums. For example, Huff 'n' Puff is really welcome.

Marjo has also shown his talent on the big screen (Mika Kaurismäki "Zombie and the Ghost Train") and a musical theater (including Janis Joplin in the role). As a record artist and playwright, she is the ultimate. (Translated from Finnish.)

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Terry Blersh - Play It All Day

Bitrate: MP3@320K/s
Time: 35:21
Size: 80.9 MB
Styles: Rockin blues
Year: 2018
Art: Front

[3:16] 1. Treat Me Right
[3:00] 2. It's All Right
[3:02] 3. Play It All Day
[3:39] 4. It's Just You
[3:37] 5. (Maybe) It Ain't Too Late
[3:33] 6. The Girl Outside My Window
[3:16] 7. King Creole
[3:21] 8. Early Morning Rain
[2:42] 9. Jammin' Ii
[3:30] 10. Only One
[2:20] 11. I'll See You In My Dreams

Terry Blersh is a veteran local guitarist and singer-songwriter who has had his own band on the club scene since 1992. He has also played and recorded with Rita Chiarelli, Cameo Blues Band, Johnny Max among numerous others. He's a roots rocker, basically, with original songs ranging in style from blues to R&B, rock 'n roll and jazz.

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Friday, May 25, 2018

Eddy Clearwater - Two Times Nine

Size: 111,8 MB
Time: 48:28
File: MP3 @ 320K/s
Released: 1981/1991
Styles: Chicago Blues, Rock & Roll
Art: Full

01. A Little Bit Of Blues (4:14)
02. A Little Bit Of Rock N' Roll (4:37)
03. Blast Off (8:39)
04. Came Up The Hard Way (4:08)
05. 2 X 9 (4:29)
06. Chicago Daily Blues (3:18)
07. Nashville Rd (4:44)
08. The World Is In A Bad Situation (4:26)
09. Chuck Berry Medley (9:49)

Recorded originally for Clearwater's own Cleartone label and later leased to Ron Bartolucci's Baron imprint, these late-'70s sides were potent indicators of his maturing blues style. These weren't homemade sessions; all-star sidemen include drummer Casey Jones, guitarist Jimmy Johnson, and saxist Abb Locke. The title cut is a blistering Chuck Berry-styled rocker, "Came Up the Hard Way" displays a firm grasp of the West Side sound, and "A Little Bit of Blues, A Little Bit of Rock & Roll" utilizes a funky groove to foot-stomping advantage. ~Review by Bill Dahl

Two Times Nine

Little Boys Blue - Hard Blue Space (With Kid Memphis)

Size: 116,5 MB
Time: 49:43
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues
Art: Front

01. Six Foot Down (4:30)
02. Loving Kind (5:42)
03. Blues Bug (5:40)
04. Hard Blue Space (4:42)
05. Morning Train (3:57)
06. Cold Inside (5:32)
07. Might As Well (4:08)
08. Got A Mind Of Your Own (5:35)
09. If The Blues Start Calling (6:05)
10. Going Back To Memphis (3:47)

What happens when ace blues guitar player John Holiday (aka Kid Memphis) from Memphis who played the acting role of Carl Perkins in the 2005 major motion picture “Walk The Line,” collaborates with JD Taylor, a Jackson TN native and one that actually played harmonica on gigs with the Rockabilly legend himself? Well, it’s a story to be told and it’s in the songs of the latest release from the LITTLE BOYS BLUE album featuring John Holiday aka Kid Memphis…These 10 original tracks give evidence that some of that Southern Sun Memphis Rockabilly Blues mojo heritage rubbed off in the right places and mainly on this latest release named “Hard Blue Space” to be released on the Vizztone Label. Little Boys Blue is made up of Drummer Mark Brooks, Bass player Dave Mallard, vocalist harmonica player JD Taylor and guitarists John Holiday, and Alex Taylor Also guest guitar and slide players Andrew White, Wes Henley, Brad Webb along with Dave Thomas on keys contribute to the project. This album nails the epitome of southern Blues and Americana. With most of the tracks recorded at Highland House Studios, Jackson TN and the final Mix and Master done by Don Srygley (Gregg Allman, Fame Studios).

LITTLE BOYS BLUE had its origins twenty-something years and many gigs ago, when singer/harp player JD Taylor and guitarist Steve Patterson started the Jackson,Tennessee based band LITTLE BOYS BLUE. Enlisting an array of veteran players, who toured with Nashville country and Sun Records Rockabilly artists, they mixed all their influences from Tennessee and Mississippi Delta Blues styles with flavors of Rockabilly, Rock and Country to create the Little Boys Blue sound.

Sometimes working as a duo, Taylor and Patteson became friendly with Rockabilly legend Carl Perkins, and often backed him up during book signings and events. The group played blues clubs, festivals and competitions throughout the southeast. In 1997 they won third place in the Blues Foundation’s International Blues Competition.

In 2002 Taylor started traveling to Nashville, where he became part of Nashville’s Music Mafia, playing shows with John Rich, Gretchen Wilson, Hank Williams, Jr, and Kid Rock, and recording with Warner Bros. artists including Blake Shelton. After about five years, JD was drawn back to Jackson, Memphis, and his first love – the Blues..

Hard Blue Space

Cliff Grant - Sweet Loven Woman

Size: 143,5 MB
Time: 61:39
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues
Art: Front

01. Sweet Loven Woman (5:56)
02. Stormy Monday (6:02)
03. Texas Flood (7:16)
04. Hey Baby (3:56)
05. Sweet Sixteen (5:59)
06. As The Years Go Passing By (5:10)
07. Night Time Is The Right Time (3:32)
08. Rock Me Baby (5:23)
09. Hold On (4:56)
10. Mountain Top (6:33)
11. You Don't Have To Go (4:02)
12. You Got Me Running (2:49)

Cliff Grant, born February 15, 1946 in Kinston, North Carolina (near Camp Lejeune Army Base) near Snow hill, North Carolina The Tobacco Country! Cliff Grant proud parents are James Grant and Rosetta Williams Grant, of Jones County, North Carolina. He is one of 11 children, each sibling very successful in their own business and in life. This come from the discipline their parents instilled, Cliff Grant graduated from Jones High School in Trenton, North Carolina. As a young man, Cliff Grant enjoyed fishing and hunting to pass the time. Cliff Grant served his country proudly and due to his commitment to his great country, Cliff Grant sacrificed his young adulthood and went to Vietnam.

Cliff Grant owner and CEO of Cliff Cliff Records, A very determined businessman is presently enjoying his fruit of his labor. Single and eligible as Cliff Grant would say, (Good Looking). Cliff Grant at the tender age of 18 experienced a pain we all know and that is a broke heart, and then the King of The Blues was born. His inspiration came from Major Lance, Sam Cooke, B.B. King, Otis Redding, and Soleman Burke. This led, Cliff Grant to where he is today. Cliff Grant favorite thing to do is play his lovable harmonica he calls passionately, (Lucy). Cliff Grant talent is God giving, blessing him with the ability to play several instruments. Cliff Grant dedicated the Rest of his life to Serve God and helping people as well as playing the Blues.

*** Apparently is @128 kbps but is what they sell. Sounds great and deserve to be listened.

Sweet Loven Woman

VA - Hot Stuff & Rare Tracks # 4: Last Buzz Records 1995-2016 Celebrating 40 Years Anniversary!

Size: 183,0 MB
Time: 77:46
File: MP3 @ 320K/s
Released: 2018
Styles: Blues, Soul, Rock
Art: Front

01 The Bluebirds - Walkin' On Thrills (Orig. Promo Version) (2:53)
02 Jenny Bohman - To Ease The Pressure (4:26)
03 Knock-Out Greg & Blue Weather - Okie Dokie Stomp (5:08)
04 Jo' Buddy & Groovy Eyes - Mardi Gras Mambo (3:38)
05 Marino Valle & The Soulmates - Can't Look That Good (4:14)
06 King Biscuit & The Crackers - Heard A Rumour (3:56)
07 Rayburn Anthony - Redneck Blues (2:34)
08 The Young Guns - Happy Go Lucky Boy (3:55)
09 Eva Eastwood - It's You (And Your Sanity) (5:50)
10 Sven Zetterberg & Blue Weather - Reap What You Sow (5:40)
11 Hill Blues Unit - Time Will Tell (3:00)
12 The Blue Juke Lords - Blue Midnight (2:51)
13 Interstate 40 Rhythm Kings - You Got Me Dizzy (2:41)
14 Uncle Jam - My Babe (3:58)
15 Hannah Tolff & Dick Ahlin - Last Night (5:10)
16 Mercury Bluesband - Take A Little Swing With Me (3:25)
17 Lazy Roosters - Better Cut That Out (3:40)
18 The Hightones - Oh Baby, Me Too (3:15)
19 Tom Brave & The Rattle Snakes - Rockabilly Queen (New Version) (2:40)
20 Sue Sergel - I'll Be Thelma You Be Louise (4:42)

Hot Stuff & Rare Tracks # 4

Thursday, May 24, 2018

Van Hunt - Blues At Home 1

Bitrate: MP3@320K/s
Time: 70:35
Size: 161.6 MB
Styles: Acoustic Blues
Year: 2013
Art: Front

[3:39] 1. Sweet Charlene - Sitting Here Drinking
[2:20] 2. Mose Vinson - No More Dogging
[4:33] 3. Van Hunt - Early In The Morning, About The Break Of Day (Take 1)
[2:43] 4. Van Hunt - Early In The Morning, About The Break Of Day (Take 2)
[2:18] 5. Van Hunt - Nobody's Business But Mine
[2:46] 6. Sweet Charlene - That’s All Right
[2:05] 7. Sweet Charlene - Forty-Four Blues
[2:40] 8. Sweet Charlene - Tin Pan Alley
[2:17] 9. Van Hunt - Mississippi River Blues (Take 1)
[2:42] 10. Mose Vinson - Don't The Moon Look Lonesome (Take 2)
[2:13] 11. Van Hunt - Just A Closer Walk With Thee
[2:43] 12. Mose Vinson - You Don't Need Me No More
[3:30] 13. Van Hunt - I Never Knew What Love Would Do
[3:14] 14. Van Hunt - Long Lonesome Road
[1:56] 15. Mose Vinson - Careless Love
[2:31] 16. Van Hunt - Corinna, Corinna
[2:35] 17. Mose Vinson - Old Blue Jumped A Rabbit (Take 1)
[2:57] 18. Mose Vinson - Old Blue Jumped A Rabbit (Take 2)
[2:14] 19. Mose Vinson - Pinetop's Boogie Woogie
[2:06] 20. Van Hunt - The Darktown Strutters' Ball
[1:17] 21. Van Hunt - Crump And Jim Kinnane
[2:28] 22. Van Hunt - Jelly Selling Blues Tk. 2
[3:58] 23. Van Hunt - Troubled World
[3:21] 24. Van Hunt - Sunnyland Special
[1:30] 25. Mose Vinson - Mose Vinson Discusses Old Blue Jumped A Rabbit
[0:33] 26. Van Hunt - Mrs. Van Hunt Discusses Crump And Jim Kinnane
[2:14] 27. Van Hunt - Mrs. Van Hunt Discusses Bottleneck Technique
[0:58] 28. Van Hunt - Mrs. Van Hunt And Mrs. Ruth Ogilvie Discuss Repertoire

Mbirafon presents its new “Blues At Home” CD Collection, with a wide range of artists and documents, that offers research-based, in-depth information to the public worldwide. With a sober and fluent design this new collection answers every demand of the modern blues audience who expect full usability with computers and mobile devices. Every volume has been carefully produced, giving listeners the all important confidence that the material featured is as high-quality as it is authentic.

On December 1972, with the help of the legendary harmonica player Hammie Nixon, using a professional portable equipment, I had the chance to start recording blues in Memphis. The documentary research continued in July 1976, ending in July 1982. A series of informal sessions was held during the course of my five trips through Tennessee, Mississippi, and Louisiana, featuring well known, but also little known, and unknown musicians. A collection of tapes and photographs was created and kept in my private archive. In order to preserve these materials I transferred to digital those I thought were best, and by 2013 the 15-volume “Blues At Home” CD Collection was ready for release.

The first volume of the Mbirafon “Blues At Home” Collection, this CD features one of the most intense voices of the blues, Van Zula Carter Hunt. This central figure in the Memphis blues scene was born in 1901 in Somerville, Tennessee, but spent her whole life in Memphis, where she was living on South 4th Street when I met her in 1976. She started singing and playing at age five, performing with her brother and cousins in a group called Somerville Family Band. Around the late 1910s, she moved to Memphis and began her professional musical activity, traveling for several years with minstrel shows. She played with local blues artists such as Sleepy John Estes, Frank Stokes, Gus Cannon, and Memphis Minnie. In November 1930, she recorded “Selling The Jelly” (issued under the name of the Carolina Peanut Boys) in Memphis for Victor Records. She also recorded some gospel sides as a chorus member with Rev. E.D. Campbell for Victor in 1927. Van Hunt was rediscovered, through the referral of Dewey Corley, by Gene Rosenthal, who recorded her for the Adelphi label in 1969-1970.

Mose Vinson was born in Holly Springs, Mississippi, in 1917. He learned how to play the piano at the age of five from his mother, who played the organ at church. His father, also a musician and a piano player, taught him his first musical elements and some early blues. Vinson started playing in public in 1932 around the age of 15 and was spotted for his talent by some white managers in 1936. He studied and learned to read music, and joined a band in Nashville for six years. He recalled leaving Holly Springs at an early age and traveling in the areas of Mississippi, Tennessee, and Arkansas, reaching Memphis in 1945, where he lived for the rest of his life. While in Memphis, Mose’s piano style was influenced by several musicians, mostly active in local cabarets and nightclubs where he gained some of his musical experience. He also performed during those years with B.B. King for black audiences, recalling Memphis Slim and Walter Davis as well. During the ‘50s, he recorded for several labels, including Sun Records, with Joe Hill Louis and Jimmy De Berry. Mose Vinson stopped playing at clubs around 1962, and in 1969-1970 was rediscovered and recorded by Gene Rosenthal for Adelphi Records. One of the best-known and respected Memphis piano blues players, he performed in the River City and abroad until his death in 2002 at age 85.

Van Hunt’s daughter Sweet Charlene Peeples was born in Memphis, Tennessee, in 1936. She received her musical training mainly in church vocal groups and during the late 1940s and 1950s in local nightclubs. She performed professionally on several Memphis stages. A very reserved person, Charlene stopped her musical activities during the early 1970s, although she made a few public appearances in 1971 at both the River City Blues Festival and the Wolf Trap National Park Festival in Virginia, and at the Beale Street Music Festival in 1979. In 1976 and 1978, I had the chance to record various sessions with Mose Vinson, Van Hunt, and Sweet Charlene. This CD features four examples of Van Hunt on vocal and guitar, and various tracks accompanied by Mose Vinson’s piano. There are also blues and boogie solos by Mose Vinson plus four pieces sung by Sweet Charlene with his piano accompaniment. All tracks have been fully digitally remastered in 2013 from the original tapes. ~Giambattista Marcucci

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The Mighty Bosscats - Gold Fever

Bitrate: MP3@320K/s
Time: 47:23
Size: 108.5 MB
Styles: Electric blues
Year: 2016
Art: Front

[4:54] 1. Seven Long Years
[4:56] 2. Goldfever
[3:47] 3. Do U Miss Me
[5:22] 4. Deliverance Day
[4:21] 5. Love Will Always Find Away
[4:10] 6. The Rain Will Come & Wash Them Away
[3:58] 7. With Help From The Lord Above
[3:40] 8. Sweet Lorretta
[4:28] 9. Batley Boy
[3:54] 10. Wrong Road
[3:50] 11. Closure

U.K. band the Bosscats’ frontman, guitarist and singer/songwriter, Richard Townend, is one of those guys for whom the adjective prolific might well have been invented. Always working on musical projects, he seems to have incredible energy and a wonderful grasp on blues and light-rock based modern music.

With this latest album, Gold Fever, the band has again struck a rich musical seam to deliver a ten track offering that shimmers with U.S. influences, and includes Townend’s fine fretwork on both electric and resonator guitars. Throw in some neat slidework and Townend’s droll, gravelly voice and you have an album that really works well from start to finish. Already a U.K. IBBA (Independent Blues Broadcasters Association) pick of the month for December, Gold Fever is fired by its lead man’s powerful, driving voice, melodic underplay and constantly engaging lyricism. ~Iain Patience

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Daniel Balazs Boogie Woogie Trio - Own Way To Boogie

Bitrate: MP3@320K/s
Time: 51:41
Size: 118.3 MB
Styles: Boogie woogie, Rock N Roll, Piano blues
Year: 2016
Art: Front

[2:57] 1. Own Way To Boogie
[3:38] 2. Hop On The Groove
[4:05] 3. Baby Likes To Rock It
[3:33] 4. Smack Dab In The Middle
[4:29] 5. Finding Your Star
[3:35] 6. Hungarian Folk Song Medley
[4:07] 7. Honky Tonk Train Blues
[4:32] 8. Old Time Rock And Roll & Rock Roll Music
[3:26] 9. Kid Man Blues
[3:43] 10. Boogie Woogie Stomp
[3:31] 11. Early One Morning
[3:24] 12. Jimmy Dorsey's Boogie
[2:51] 13. Keep On Gwine
[3:43] 14. Mr. Firehand's Double Piano Boogie

Balázs Dániel (piano), Barnabás Koch (drums), Ferenc Zink (double bass, bass) Featuring: Écska Pleszkán (lead vocal), Mojo Workings – Tamás Szabó (vocal, harmonica), János Horváth (vocal, acoustic guitar), Imre Olivér Honfi (vocal, guitar).

After many years, the Dániel Balázs Boogie Woogie Trio produced a new album with the title ’Own Way To Boogie’. The CD contains 14 songs, some of them with guest musicians known from the live concerts. On this colorful disc you can hear arranged songs, brand new own compositions, and even some songs that have never been played live before. Featuring: Écska Pleszkán and Mojo Workings band.

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Aldo Banfi & Claudio Bazzari Band - S/T

Bitrate: MP3@320K/s
Time: 23:50
Size: 54.6 MB
Styles: Blues
Year: 2012
Art: Front

[5:59] 1. Don't You Throw That Mojo On Me
[5:37] 2. To Know You Is To Love You
[3:44] 3. Your Mind Is On Vacation
[4:36] 4. Sporting Life Blues
[3:51] 5. I Put A Spell On You

Claudio Bazzari at the guitar and Aldo Banfi at the Hammond organ after many years of precious collaborations with Italian artists (F.De Andrè, Mina, A.Celentano, A.Venditti, C.Baglioni, L.Dalla, G.Nannini, E.Ramazzotti, Milva, R.Cocciante, E.Bennato, R.Zero) and international artists, can finally follow their real passion: the Blues, that they had already played in the past with Brian Auger, the Treves Blues Band, Richie Havens, Baker Street Band, Mike Bloomfield and many others.

In 2011, after meeting the powerful and passionate voice of Isabella Casucci and the outstanding rhythmic support of Marco Mangelli at the bass guitar and Alberto Pavesi at the drums, they go back “On the road” and start the Banfi and Bazzarri Band. They perform in blues events such as Vallemaggia Magic Blues and Caslano Blues Festival in Switzerland, offering an intense and engaging show switching between rarely played covers and original tracks.

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Roosevelt Collier - Exit 16

Bitrate: MP3@320K/s
Time: 69:36
Size: 159.3 MB
Styles: Lap steel guitar blues
Year: 2018
Art: Front

[ 5:26] 1. Sun Up Sun Down
[ 6:02] 2. Happy Feet
[ 6:54] 3. Make It Alright
[ 6:04] 4. Exit 16
[ 8:05] 5. That Could've Been Bad
[ 4:26] 6. Supernatural Encounters
[ 8:35] 7. Spike
[ 7:23] 8. Shuffle (Bonus Track)
[ 4:35] 9. Tailor Made (Bonus Track)
[12:01] 10. Spike (Full Length) [bonus Track]

Pedal and lap steel guitarist Roosevelt Collier has shared details of his debut solo album, Exit 16. “This record is a record about me,” said Collier in a statement. “It’s telling a story of who I am, where I’m from, and where I’m going … My mission is touch and heal people through music. That’s always been my mission, whether it’s in the church or in a club. I think people feel better about themselves after I play. That’s powerful, my man! I’ve been blessed to have that going for me. That’s my gift.”

Remember when pedal-steel and lapsteel guitars provided that sweet sound that made country music sound like it actually came from the country? That is most definitely not what Roosevelt Collier is all about. Exit 16 , the debut release from the Floridian, is some nasty, mean-ass funky business. Affectionately called “The Dr.,” Collier says his music is meant to heal, but that doesn’t mean he treats it delicately: These seven tracks (three more on the digital) scream and grind and kick and bite. Collier shreds, as evidenced by the title track, which goes deep and heavy at the outset before it goes even deeper and heavier. But all that considered, Collier hasn’t left behind his spiritual roots, either. Coming out of the tradition of sacred steel that also gave the world Robert Randolph, to whom comparisons are inevitable but not wholly justified— both got their start at House of God churches, albeit in different parts of the country—Collier’s workouts exude buoyancy, even as he coaxes all sorts of grit from his machines. No song with the title “Church” ever felt this weighty, and while “Happy Feet” sure does make you want to get up and shake ‘em, don’t anticipate some chirpy little ditty. It is no big surprise that Snarky Puppy’s Michael League produced and plays on Exit 16 — digging to the core of any situation is what he does—and the other players, including JT Thomas (drums) and Bobby Sparks (organ), are ideal coconspirators. Collier has been called “the Jimi Hendrix of steel guitar.” That may be overstating things, but his ability to churn things up is the real deal.

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