Size: 133,4 MB
Time: 57:46
File: MP3 @ 320K/s
Released: 2026
Styles: Harmonica blues, roots
Art: Front
1. Sick Of This Shit (8:29)
2. Tired Of Tryin’ (4:18)
3. The Big DisEasey (7:07)
4. Leo Watkins Rag (4:27)
5. Long Twisted Night (4:24)
6. Bubble Gum Pop (4:26)
7. River’s Invitation (5:49)
8. Renegade (3:54)
9. Nuit Waltz (2:51)
10. 13 Hours (11:56)
13 Hours is not an album that tries to impress. Instead, it confronts and Jason Ricci & The Bad Kind deliver a record that feels more like an unfiltered confession than a polished artistic statement. Ricci places the listener in the uneasy space between exhaustion and defiance. Frustration with the world, the music business, relationships, and oneself collide throughout the album. There is no search for comfort here - only an honest documentation of what it means to stay present when optimism wears thin and survival itself becomes an act of resistance.
At its core, 13 Hours is about endurance - emotional, physical, and spiritual. The songs move between fury and fatigue, between dark humor and brutal self-reflection. Sharp social commentary sits comfortably alongside deeply personal moments, capturing the pressure of modern life without softening the edges. The album confronts burnout, addiction, grief, and the absurdity of the systems that shape our daily lives. Rather than offering solutions, Ricci chooses truth over resolution and tension over release.
Despite its raw nature, 13 Hours is not a hopeless record. Moments of intimacy and clarity emerge, enhanced by the interplay between Ricci, The Bad Kind, and featured vocalist Kaitlin Dibble. These passages provide breathing room without breaking the album’s emotional honesty. Ultimately, 13 Hours asks a simple but unsettling question: how long can you keep going - and what does it mean to keep going anyway? It is a record about staying awake, staying alive, and telling the truth while the clock keeps ticking. /The Blues Magazine
At its core, 13 Hours is about endurance - emotional, physical, and spiritual. The songs move between fury and fatigue, between dark humor and brutal self-reflection. Sharp social commentary sits comfortably alongside deeply personal moments, capturing the pressure of modern life without softening the edges. The album confronts burnout, addiction, grief, and the absurdity of the systems that shape our daily lives. Rather than offering solutions, Ricci chooses truth over resolution and tension over release.
Despite its raw nature, 13 Hours is not a hopeless record. Moments of intimacy and clarity emerge, enhanced by the interplay between Ricci, The Bad Kind, and featured vocalist Kaitlin Dibble. These passages provide breathing room without breaking the album’s emotional honesty. Ultimately, 13 Hours asks a simple but unsettling question: how long can you keep going - and what does it mean to keep going anyway? It is a record about staying awake, staying alive, and telling the truth while the clock keeps ticking. /The Blues Magazine
13 Hours mc
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