Monday, July 27, 2020

Terry 'Big T' Williams & Wesley 'Junebug' Jefferson - Meet Me In The Cotton Field

Year: 2007
Bitrate: MP3@320K/s
Time: 45:33
Size: 106,2 MB
Styles: Delta blues, juke joint blues
Scans: Full

1. Meet Me In The Bottom (1:43)
2. Pocketful Of Money (4:30)
3. CC Rider (3:19)
4. Incarcerated Blues (3:33)
5. The Wreck (7:12)
6. The Wolves Are Howling (3:50)
7. Let's Go Down To Red's (4:07)
8. Catfish Blues (7:24)
9. Meet In The Cotton Field (3:39)
10. Can't Be Satisfied (2:16)
11. Blues Is Like The River (3:55)

Clarksdale blues veterans Terry "Big T" Williams and Wesley "Junebug" Jefferson team up for CD of raw Delta Blues. Meet Me in the Cotton Field features a mix of a cappella field hollers, acoustic country blues and searing electric juke joint workouts.

The disc features tracks from two recording sessions held a year apart. The first session, held in late December 2005 at Jimbo Mathus’ Clarksdale recording studio (now located in Como, Mississippi), found the duo performing acoustic numbers ranging from harrowing originals, such as "Meet Me in the Cotton Field" and "The Wolves Are Howling", to blues standards like "Can’t Be Satisfied" and "Meet Me in the Bottom". The latter session, held New Year’s Day 2007, features Williams and Jefferson in raucous electric mode, ably supported by young Delta drumming phenom Lee Williams (no relation). Songs from this session approximate the ragged-but-right, heavily amplified style that the musicians bring to their live shows at Clarksdale jukes. Not coincidentally, the session took place at Red’s Lounge, a funky downhome juke where Williams and Jefferson frequently perform.

Meet Me in the Cotton Field represents the first widely available CD for either of Jefferson or Williams, but over the past several decades both men have developed reputations as must-see live acts in and around Clarksdale. Jefferson, the older of the two at 62, has been a mainstay of the Clarksdale blues scene since the 1960s. As a child, blues was a constant presence in his life. Born in rural Coahoma County, he was the son of sharecroppers who supplemented their income by running a country juke joint filled with gambling, whiskey, food and ­ always ­ blues. Growing up, he experimented with a homemade diddley bow constructed of broom wire nailed to a wall, but he eventually graduated to guitar, then drums and, eventually, bass. From the mid-1960s through today, Jefferson has played with nearly every major figure on the Clarksdale scene: Big Jack Johnson, Frank Frost, Sam Carr, Robert "Bilbo" Walker and James "Super Chikan" Johnson.

Beginning in the early 1970s, he also began occasionally collaborating with a young musician named Terry Williams, who had yet to acquire the nickname "Big T". Jefferson and his bandmates would frequently see the teenaged Williams peeking through the windows of Clarksdale’s famed Smitty’s Red Top Lounge. Although still a kid at the time, Jefferson says Williams was already "the baddest bass player around" when the two began playing together. Eventually Big T would become better known as a guitarist thanks to his lengthy apprenticeship in the band of the legendary Big Jack Johnson. Williams can be seen on film in Johnson’s band in the classic Robert Mugge film Deep Blues. Later he became a principal member of the now-defunct Stone Gas Blues Band. In the past decade, Williams has emerged as one of most fiery bandleaders in the Delta, known for his searing guitar playing and fierce vocals.

Meet Me In The Cotton Field mc
Meet Me In The Cotton Field zippy

Darrell Mansfield Band - People Get Ready

Year: 2009
Bitrate: MP3@320K/s
Time: 78:59
Size: 182,1 MB
Styles: Electric blues, harmonica blues
Scans: Front

1. The Mission (5:08)
2. Got To Be A Change (4:43)
3. Walk With Me Jesus (6:10)
4. Stand By Me (Feat. Mike Stoller) (10:59)
5. Tell The Truth (5:28)
6. Jerusalem (4:13)
7. Million Dollar Feeling (6:32)
8. Born To Be Wild (4:34)
9. Walkin Blues (5:43)
10. Crossroads (7:03)
11. People Get Ready (5:27)
12. All Along The Watchtower (12:54)

Darrell Mansfield's soulful voice and harmonica have amazed and inspired audiences worldwide for over 30 years. A renown musician and songwriter, he has released more than 30 albums and is recognized as one of the world's greatest harmonica players. Over the years Darrell has recorded and toured heavily in the US and Europe as well as the Middle East, Asia and Australia. Mansfield's live performance is a must see and hear for blues, rock and harmonica players worldwide. Darrell excels in every genre from delta blues to hard rock and southern rock, and has been a forerunner in gospel blues and rock for more than three decades.

Some of the most inspiring people that Darrell Mansfield has met in his career are Paul McCartney, Les Paul, B.B. King, Big Joe Turner, Richie Sambora, Paul Dean and Jon Bon Jovi. Mansfield was a close friend of Seth Lover, inventor of the Humbucking Pickup, who taught him about electronics, amplifiers and microphones. Darrell Mansfield has toured and performed on multiple occasions with Arthur Blessit, Andre Crouch and Larry Norman. In February 2009 Darrell Mansfield was inducted into the BLUES HALL OF FAME, Ambassador to California. As a promoter of the blues genre, Mansfield hosts and performs in blues festivals and jams in southern, coastal and central California.

People Get Ready mc
People Get Ready zippy

MFC Chicken - Goin' Chicken Crazy

Year: 2016
Bitrate: MP3@320K/s
Time: 32:18
Size: 76,0 MB
Styles: R&B, rock & roll
Scans: Front

1. Chicken In A Hurry (2:14)
2. New Socks (2:07)
3. Hooch Party (2:07)
4. Take It Or Lose It (1:37)
5. Big Cluckin' Mistake (1:44)
6. Goin' Chicken Crazy (1:50)
7. I Ain't Crying (That's Just Pomade In My Eyes) (3:08)
8. Baby Let Me Bang Your Box (2:35)
9. Blackout Drunk (2:32)
10. Women Who Jog (2:56)
11. Roast Potato Time (2:43)
12. Beach Party (2:10)
13. Losing My Mind (2:34)
14. Working Girlfriend (1:54)

MFC Chicken is back in action with Colonel Spencer back from spending another well-dressed summer hidden deep within the Canadian Wilderness. The Chickens are ready to take Europe by storm with a new album and extended tour of Spain and the UK.

After debuting an expanded all-star DeLuxe line up at Spring 2016's Hipsville Festival to great acclaim and significant excitement, MFC Chicken have taken this new and improved recipe into the studio for their latest and greatest album to date, Goin' Chicken Crazy. It keeps that same raw Chicken energy, humour and party vibe that you fans have all come to know and love while adding extra punch and power with a load of special guest talent.

In addition to the core line up of Spencer Evoy (Tenor Sax and Lead Vocals), Alberto Zioli (Lead guitar and vocals) Zig Criscuolo (Bass) and Ravi-Low Beer (Drums), the Deluxe line up includes Chuchi Malapersona (Oh! Gunquit) on baritone sax, Dan Criscuolo (The Fuzillis) on baritone guitar, Tim Harrison (The Caezars) on piano, as well as veteran Chickens The Reverend Parsley on guest keys and Fernando Terror sharing double lead vocals with Spencer on one of the albums' most lyrically inappropriate tunes.

Goin' Chicken Crazy mc
Goin' Chicken Crazy zippy

Saturday, July 25, 2020

Various Artists - Live At Lou's

Year: 1993
Bitrate: MP3@320K/s
Time: 60:04
Size: 138,9 MB
Styles: Electric blues
Scans: Front

1. Nikki James - Phone Call (5:54)
2. James Glass & Get To Gettin' - Spoonful (3:13)
3. Garfield Blues Band - High Temperature (4:07)
4. City Limits Blues Band - Don't Take Advantage Of Me (4:41)
5. Steve Gornall & The Blue Collar Blues Band - Turnpikin' (3:55)
6. Share Croppers Of Soul - You Don't Love Me (3:50)
7. Howling Diablos - Nobody In Detroit (4:32)
8. The Chisel Brothers w. Thornetta Davis - Yesterday I Sang A Love Song, Today I Sing The Blues (6:58)
9. Square Business Blues Band - I Wish You Would (5:15)
10. 3 Of Us - In Love For Keeps (4:40)
11. Jeff Grand - I'm Diggin' You Baby (4:12)
12. The Alligators - Two Fingered Handshake (4:19)
13. Motor City Bluez Project - Back To The Street (4:21)

Live At Lou's is a collection of songs by the artists who participated in an ASM fund-raiser at Mr. Lou's Rhythm & Blues Cafe on July 25, 1993. This album captures the spirit of community present and felt that day by all who attended. It was recorded just down the street at Roscoe's Recording Studio, in most cases, immediately after live performances at the fund-raiser.

Live At Lou's mc
Live At Lou's zippy

Benny & The Fly By Niters - Hey Now!

Year: 2007
Bitrate: MP3@320K/s
Time: 40:03
Size: 93,1 MB
Styles: Jump blues, R&B
Scans: Full

1. Hey Now (2:33)
2. Tell Me Pretty Baby (2:16)
3. Let's Rock And Roll (3:11)
4. Atom Bomb (2:50)
5. Tall Skinny Mama (2:39)
6. Why'd You Lie To Me (3:28)
7. Hammerhead (2:45)
8. Loosen Up (3:09)
9. Daybreak (3:33)
10. Big Black Train (3:08)
11. I've Got A Woman (2:29)
12. Babyface Shuffle (3:29)
13. RM Blues (4:27)

Benny is the leader of The Fly By Niters, an Australian retro jump band. Benny flew to Austin, Texas to record the new album at Fort Horton studios (a perfect choice). The album has that certain, authentic feel. When first dropped in the slot, you'll have to do a double-take to make sure you're not listening to Gatemouth Brown or Pee Wee Crayton or ... something like that. This is the third CD release from Benny and The Fly By Niters and you won't be disappointed. Included are some absolute rockers, along with some solid bluesy numbers. The sound is so real, you can practically hear the record crackle and the needle pop on this joyride. It's sensational! /Amazon

(For personnel details, see artwork included.)

Hey Now! mc
Hey Now! zippy

MFC Chicken - Fast Food & Broken Hearts

Year: 2020
Bitrate: MP3@320K/s
Time: 31:48
Size: 74,0 MB
Styles: R&B, rock & roll
Scans: Front

1. Always, Always, Always (2:09)
2. KFC Called The Cops On Me (1:55)
3. Who Gave What To Who (2:22)
4. Shell Of A Man (2:10)
5. I'm Lost (2:04)
6. I Couldn't Say No (2:54)
7. Fresh Chicken, Straight From The Trash (1:56)
8. Spy Wail (1:53)
9. Spontaneous Combust (2:09)
10. Breakfast Taters (2:08)
11. Fuck You, Me (2:01)
12. Free Range Man (3:06)
13. Tipi Tapa (2:31)
14. Waste Of Space (2:22)

10 years after Spencer Evoy used saxophonic alchemy to resurrect Sonics-style northwest rock & roll on top of a deceased chicken shop on Holloway Road, the Chicken-men are proud to present their 5th long playing piece for peckish patrons. Recorded in Barcelona with the legendary Mike Mariconda, it’s the essence of the chicken sound stripped down to it’s rock & roll bones.

Fourteen finely crafted nuggets from the dark depths of Spencer Evoy’s troubled psyche – each song will make you want to laugh, cry, lather yourself up with chicken grease and find the nearest dance floor. Never has despair sounded so exciting; never has fast food felt so poetic. With all original tracks this album just might be their best yet!

Personnel: Spencer Evoy (vocals, saxophone); Alberto Zioli (guitar); Bret Bolton (bass); Ravi Low-Beer (drums); Reverend Parsley (keyboards).

Fast Food & Broken Hearts mc
Fast Food & Broken Hearts zippy

Thursday, July 23, 2020

VA - Blues Singles Collection Vol. 8

Size: 266,1 MB
Time: 114:18
File: MP3 @ 320K/s
Released: 2020
Art: Front

01 JW-Jones - Snatchin' It Back (3:17)
02 Marc Amacher - Early In The Morning (Roadhouse Session Unmastered) (4:16)
03 The Cold Stares - My City (3:10)
04 Mike Elrington - Don't Give Me A Dime (3:21)
05 Forrest Hill - Nomads in Love (3:53)
06 Starlite Campbell Band - Lay It Out On Me (4:56)
07 Dom Martin - Could've Had Religion (5:12)
08 Jo Harman & Redtenbacher's Funkestra - The Angel Leaves Her Watermark (5:49)
09 Elise Legrow - Evan (3:40)
10 Joe Bonamassa - Colour And Shape (4:30)
11 Walter Trout - All Out Of Tears (6:31)
12 Homesick James - Gotta Move - Live (3:46)
13 Superdownhome - Homework (Feat. Nine Below Zero) (3:20)
14 Susan Santos - Dirty Money (3:19)
15 Bror Gunnar Jansson - Breathe (4:03)
16 Johnny & The Mongrels - Louisiana Girl (4:51)
17 Bobby Rush - Shake It For Me (3:42)
18 Jon Amor - Peppercorn (3:13)
19 Krissy Matthews - Happiness Is The Key (3:06)
20 Billy Walton Band - Can't Love No One (3:35)
21 Bettye Lavette - One More Song (5:22)
22 Mick Clarke - Hip-Shakin' (2:56)
23 Savoy Brown - All Gone Wrong (4:12)
24 Lightnin' Hopkins - Baby Please Don’t Go - Live (2:54)
25 The Allman Betts Band - Magnolia Road (5:17)
26 Katie Knipp - Chamomile And Cocaine (3:48)
27 Greyhounds - Tune In (3:35)
28 The Immediate Family - Cruel Twist (4:33)

A collection of blues singles released in Jul 2020 compiled by myself.

Blues Singles Collection Vol. 8

VA - Boss Black Rockers Vol. 5: Just Rockin' & Rollin'

Size: 154,6 MB
Time: 64:56
File: MP3 @ 320K/s
Released: 2020
Styles: Rock & Roll
Art: Front & Back

01 Eddie Clearwater - A Real Good Time (2:15)
02 Frankie Lucas - I Want To Rock You Baby (2:14)
03 Bobby Flare - Variety (2:11)
04 Count Yates - Chimpanzee (1:58)
05 Slick Gipson & The Sliders - Foot Loose & Fancy Free (2:27)
06 The Ray Ellington Quartet - Giddy Up A Ding Dong (2:10)
07 Brook Benton - Hurtin Inside (2:09)
08 Larry Birdsong - Little School Girl (2:05)
09 Luther & Little Eva - Aint Got No Home (2:12)
10 Davey Jones - The Chase (2:18)
11 Harvey - Da Da Goo Goo (1:43)
12 Bobby & Buddy - Whats The Word Thunderbird (1:42)
13 Leonard Carbo - Pig Tails And Blue Jeans (2:15)
14 Cornell Blakely - Dont You Do It (2:04)
15 The Blue Dots - Saturday Night Fish Fry (2:13)
16 Buster Brown - Fannie Mae (2:56)
17 Eddie Bo - Im Wise (2:11)
18 Dave Baby Cortez - You Give Me Heebie Jeebies (2:11)
19 Joe Shepard - A Thousand Times (2:27)
20 Shirley & Lee - Rockin' With The Clock (2:36)
21 Roy Gaines - Right Now Baby (2:31)
22 The Gentlemen - Something To Remember You By (2:38)
23 Preston Epps - Bongo Rock (2:06)
24 Bobby Freeman - (I Do The) Shimmy Shimmy (2:35)
25 Professor Longhair - Look What Youre Doing To Me (2:29)
26 V & BB - They Just Rocking And Rolling (2:09)
27 The Corvairs - Hey Sally Mae (2:45)
28 Ike Haley & The Red Blazers - Lucille (3:12)

Dear Cats and Kittens, dig this cool array of killer black Rock and Roll from the 'Golden Age' of American music. So many similar projects were devoted through the years to white rock and rollers (even the most obscure and unknown) and very little to the people that not only 'originated' this music and played it long before white musicians started to fool around with it.

Boss Black Rockers Vol. 5 MP3
Boss Black Rockers Vol. 5 FLAC

Smokey Wilson - Push

Size: 146,2 MB
Time: 63:52
File: MP3 @ 320K/s
Released: 1999
Styles: Electric Blues
Art: Full

01. Deuce & Quarter (Low Ride) (5:37)
02. You Don't Love Me Yes I Know (4:43)
03. Disco Woman (6:53)
04. Baby Please Don't Go (4:09)
05. Happy Home (3:59)
06. I'll Be Holding On To You (4:46)
07. I'm Leaving Now (5:15)
08. Goin' Away Baby Round Like An Apple (4:54)
09. I've Got The Key To Your Heart (4:30)
10. Don't Make Me Pay For Your Mistakes (6:20)
11. High Time (4:30)
12. Push (4:15)
13. Jungle Woman (3:55)

Downhome Mississippi Blues guitarist Smokey relocated to LA in his mid-thirties and opened the Pioneer Club in Watts, where he fronted the house band and booked the hottest Blues acts around. Smokey was born in the Mississippi Delta where he played with Big Jack Johnson and Frank Frost before taking his juke-joint boogie style Westwards. Smokey’s voice had a strong resemblance to Howlin’ Wolf, and he played loud guitar, cutting an album in 1977 which has only recently come to light. Appearing on stage with many Blues Legends, he played at several Blues festivals in California before his 1993 album, ‘Smoke’n’Fire’ brought him to wider attention, following up with ‘The Real Deal’ two years later and four more albums since then. Smokey’s two earlier albums ‘Push’ and ’88th Street Blues’ have been re-issued in the light of his new popularity, he died in his sleep on September 8th 2015. Smokey took a long time to burst into flames, but talent doesn’t care how old you are!

Push MP3
Push FLAC

Simon Kinny-Lewis - Another Day In San Jose

Size: 103,2 MB
Time: 44:12
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues, Blues Rock
Art: Front

01. Black Cat Moan (4:24)
02. Dagger Eyes (Feat. Robben Ford) (4:25)
03. Trouble Making Woman (4:38)
04. It Hurts Me Too (4:00)
05. Devil On My Trail (5:15)
06. I Just Want To Make Love To You (3:25)
07. Everyday I Have The Blues (5:23)
08. Blue And Lonesome (3:02)
09. Evil Girl (4:05)
10. I Can't Be Satisfied (5:31)

Personnel:
Simon Kinny-Lewis - Vocals/Guitar
Robben Ford - Guitar on "Dagger Eyes"
Tony Boyd - Drums
Nate Ginsberg - Keys
Dewayne Pate - Bass
Andy Just - Harmonica
Walter Jebe - Slide Guitar

I had the great pleasure of being on the same bill as Simon a little while ago and he sounded amazing and his new album is fantastic. He has great command on the guitar and vocals. His songs are wonderful. Simon teamed up with my friend Robben Ford to make a great contemporary blues record ” ~Kirk Fletcher (USA Blues Master/Guitarist for Joe Bonamassa, Fabulous Thunderbirds)

Simons new CD “Another Day In San Jose” Is a Gem! Thank You Simon and everyone that worked on it Top Shelf! " ~Andy Just (Harmonica for B.B. King, John Lee Hooker, Buddy Guy, Albert King, Ford Blues Brothers and many more)

Really diggin what Simon Kinny-Lewis has just released. “Another Day in San Jose.” Great songs and a great production with some of the very finest musicians in the business. Robben Ford also makes a guest appearance. Well worth checking out folks. Love your work Simon. " ~Darren Jack (Multiple award-winning Australian Blues musician)

Another Day In San Jose MP3
Another Day In San Jose FLAC

Guy Verlinde - Unreleased Acoustic Recordings

Size: 145 MB
Time: 28:56
File: FLAC
Released: 2020
Styles: Acoustic Blues
Art: Front

01. Pursuit Of Happiness (Bluesland Studio, Helsinki (FI), November 22nd, 2014) (3:48)
02. I'm Your Man (TivoliVredenburg, Utrecht (NL), December 18th, 2019) (2:41)
03. Take These Roots (CSR Studio, Roeselare (B), August 22nd, 2018) (4:00)
04. 99% (Live Bij Sint-Jacobs, Gent (B), July 23rd, 2013) (3:39)
05. Voodoo Child (Heavy Return) (Live Tele Lyon Metropole, Lyon (FR), October 19th, 2018) (6:20)
06. A Whole Lot Of Lovin' (Live Tele Lyon Metropole, Lyon (FR), October 19th, 2018) (4:24)
07. Alabama Blues (Focus-WTV, Roeselare (B), February 4th, 2016) (4:01)

During the Corona crisis, all concerts were canceled. And this gave Guy Verlinde the opportunity to listen to the many live recordings and recording sessions he made over the years. For this album, he collected 7 acoustic recordings that were made on the road, during radio or television performances, that were previously never released.

Unreleased Acoustic Recordings

Seasick Steve - Love & Peace

Size: 133,4 MB
Time: 56:57
File: MP3 @ 320K/s
Released: 2020
Styles: Blues Rock
Art: Front

01. Love & Peace (5:59)
02. Regular Man (4:17)
03. I Will Do For You (4:41)
04. Clock Is Running (4:34)
05. Carni Days (3:37)
06. Church Of Me (6:08)
07. Toes In The Mud (4:43)
08. My Woman (5:51)
09. Ain't Nothing Like The Boogie (5:19)
10. Travelling Man (4:58)
11. Ready Or Not (3:11)
12. Mercy (3:35)

‘Love & Peace’ sees Steve mixing up all of his much-loved ingredients to deliver a fresh new record that offers the perfect antidote for the troubled times in which we live. Full of hope for the future, it’s a great mix of boogie, blues, rock, Americana and folk – all delivered in Seasick Steve’s unique style. It’s a sizzler of an album that he can’t wait to release.

“In these crazy times seems to me there just ain’t enough love and peace to go around,” says Steve. “I ain’t exactly sure what this here record got to do with love and peace, but I figured I’d call it that anyways!”

Steve’s long-term drummer Dan Magnusson (a.k.a. Crazy Dan) is of course featured on the record, along with some amazing contributions from guitarist Luther Dickinson (North Mississippi Allstars) and harmonica player Malcolm Arison (The BossHoss).

Love & Peace MP3
Love & Peace FLAC

Fats Domino - Blues & Rhythm Series 5095: The Chronological Fats Domino 1953

Size: 154 MB
Time: 49:12
File: FLAC
Released: 2004
Styles: Blues, R&B, Rock
Art: Full

01. Goodbye (2:14)
02. Swanee River Hop (2:48)
03. Rose Mary (2:02)
04. Please Don't Leave Me (2:36)
05. Domino Stomp (Twistin' The Stomp) (1:57)
06. You Said You Loved Me (2:36)
07. Rose Mary (2:16)
08. Fats Domino Blues (2:26)
09. Ain't It Good (2:38)
10. The Girl I Love (2:08)
11. Don't Leave Me This Way (2:19)
12. Something's Wrong (2:42)
13. Fats' Frenzy (2:25)
14. Goin' Back Home (1:55)
15. You Left Me (2:05)
16. "44" (2:31)
17. Barrelhouse (2:30)
18. Hey Little School Girl (2:40)
19. If You Need Me (2:04)
20. You Done Me Wrong (2:05)
21. Thinking Of You (2:05)

The most popular exponent of the classic New Orleans R&B sound, Fats Domino sold more records than any other black rock & roll star of the 1950s. His relaxed, lolling boogie-woogie piano style and easygoing, warm vocals anchored a long series of national hits from the mid-'50s to the early '60s. Through it all, his basic approach rarely changed. He may not have been one of early rock's most charismatic, innovative, or threatening figures, but he was certainly one of its most consistent.

Domino's first single, "The Fat Man" (1949), is one of the dozens of tracks that have been consistently singled out as a candidate for the first rock & roll record. As far as Fats was concerned, he was just playing what he'd already been doing in New Orleans for years, and would continue to play and sing in pretty much the same fashion even after his music was dubbed "rock & roll."

The record made number two on the R&B charts, and sold a million copies. Just as important, it established a vital partnership between Fats and Imperial A&R man Dave Bartholomew. Bartholomew, himself a trumpeter, would produce Domino's big hits, co-writing many of them with Fats. He would also usually employ New Orleans session greats like Alvin Tyler on sax and Earl Palmer on drums -- musicians who were vital in establishing New Orleans R&B as a distinct entity, playing on many other local recordings as well (including hits made in New Orleans by Georgia native Little Richard).

Domino didn't cross over into the pop charts in a big way until 1955, when "Ain't That a Shame" made the Top Ten. Pat Boone's cover of the song stole some of Fats' thunder, going all the way to number one (Boone was also bowdlerizing Little Richard's early singles for pop hits during this time). Domino's long-range prospects weren't damaged, however; between 1955 and 1963, he racked up an astonishing 35 Top 40 singles. "Blueberry Hill" (1956) was probably his best (and best-remembered) single; "Walking to New Orleans," "Whole Lotta Loving," "I'm Walking," "Blue Monday," and "I'm in Love Again" were also huge successes.

After Fats left Imperial for ABC-Paramount in 1963, he would only enter the Top 40 one more time. The surprise was not that Fats fell out of fashion, but that he'd maintained his popularity so long while the essentials of his style remained unchanged. This was during an era, remember, when most of rock's biggest stars had their careers derailed by death or scandal, or were made to soften up their sound for mainstream consumption. Although an active performer in the ensuing decades, his career as an important artist was essentially over in the mid-'60s. He did stir up a bit of attention in 1968 when he covered the Beatles' "Lady Madonna" single, which had been an obvious homage to Fats' style. Fats Domino died at his home in Harvey, Louisiana in October 2017; he was 89 years old. ~Richie Unterberger

The Chronological Fats Domino 1953

Sonny Boy Williamson - Blues & Rhythm Series 5094: The Chronological Sonny Boy Williamson 1951-1953

Size: 271 MB
Time: 57:46
File: FLAC
Released: 2004
Styles: Blues
Art: Full

01. Eyesight To The Blind (3:04)
02. Crazy About You Baby (3:04)
03. Stop Crying (2:56)
04. Do It You Wanta (2:32)
05. Cool, Cool Blues (2:45)
06. Comme On Back Home (2:47)
07. I Cross My Heart (2:45)
08. West Memphis Blues (2:51)
09. Sonny Boy's Christmas (2:38)
10. Pontiac Blues (2:44)
11. Mighty Long Time (3:00)
12. Nine Below Zero (2:53)
13. She Brought Life Back To The Dead (2:31)
14. Too Close Together (2:36)
15. Stop Now Baby (2:44)
16. Mr. Down Child (2:31)
17. Cat Hop (2:57)
18. She's Crazy (2:48)
19. 309 (2:44)
20. Sonny's Rythm (2:21)
21. City Of New Orleans (2:28)

If legend grows out of mystery, then Rice Miller could be its poster boy, since even his name is an uncertainty (he was most likely born as Alec or Alex Miller), and given that he assumed the name of another harmonica player, thus becoming the second Sonny Boy Williamson, he seemed to approach life like it was a hall of mirrors. What keeps him from being a completely self-invented illusion is that he was a remarkable musician, and the music he recorded is as solid as bedrock, an impressive counterweight to the vague and watery details that pass for his personal biography. Like the first Williamson, he was a harmonica player, but he really sounded nothing like his adopted namesake, favoring a light, soaring, almost horn-like sound on the instrument. He was also a natural songwriter, and his blues-based compositions show a sharp attention to detail unusual in a genre built largely on cliché and a handful of repeated patterns. This collection brings together his first recordings, done for Trumpet Records, a tiny Mississippi label that issued Williamson's sides from 1951 until 1955, at which time his contract was bought out by Chicago's Chess Records, who then began issuing his sides on the Checker imprint. From the first track here, the sparse and urgent "Eyesight to the Blind," it is obvious that Williamson was something special, with a clear vision of what he wanted to do, and song after song here exhibits a rough and wild joy, walking the blues side of the street with a loose-limbed swagger. Particularly striking is "Mighty Long Time," a duet of sorts featuring Williamson on vocals and harmonica, and Cliff Givens of the Southern Sons Gospel Quartet on vocal bass. Givens' sung bassline gives the tune an odd, eerie, and atmospheric edge, and it is simply a remarkable recording. The great slide guitarist Elmore James also shows up on several cuts, including the delightfully realized "Pontiac Blues." Williamson's later Checker sides were better recorded, but the ramshackle skill at work on these Trumpet recordings really shouldn't be missed. He may have been an enigma with an unverifiable past and an ever-shifting public identity, but Rice Miller knew what to do in front of a microphone. There's no mystery about that. ~Steve Leggett

The Chronological Sonny Boy Williamson 1951-1953

Earl Bostic - Blues & Rhythm Series 5093: The Chronological Earl Bostic 1952-1953

Size: 295 MB
Time: 57:54
File: FLAC
Released: 2004
Styles: Blues, R&B, Jazz
Art: Full

01. You Go To My Head (3:14)
02. The Hour Of Parting (2:27)
03. Smoke Gets In Your Eyes (2:30)
04. For You (2:19)
05. Sheik Of Araby (2:48)
06. Cherokee (3:02)
07. Steram Whistle Jump (3:01)
08. The Song Is Ended (3:01)
09. Melancholy Serenade (2:33)
10. The Very Thought Of You (2:40)
11. Memories (3:01)
12. What, No Pearls? (2:48)
13. Smike Rings (2:58)
14. Deep Purple (2:28)
15. Jungle Drums (2:51)
16. Cracked Ice (2:40)
17. Danube Waves (2:33)
18. Poeme (2:48)
19. My Heart At Thy Sweet Voice (2:42)
20. O Sole Mio (2:28)
21. Off Shore (2:51)

Sultry, swaggering alto saxophonist Earl Bostic had his roots in swing and bop, but was and continues to be closely associated with the popular instrumental Rhythm & Blues sound of the 1950s. In 2004, the Classics label released a fourth volume of vintage Bostic, assembling 25 records he cut for the King label between April 1952 and October 1953. After spending years in the reed sections of bands led by such heavyweights as Lionel Hampton and Hot Lips Page, Bostic started recording under his own name in 1945 and had hit upon a terrifically successful production formula by December 1951 when he was badly injured in an automobile accident that occurred while he was passing through Georgia, and had to spend the next two months recuperating in a hospital. This installment in the Classics Earl Bostic chronology documents his return to professional activity as he and his band picked up where they'd left off by making lots of records while gigging at the Hi Hat in Boston, touring the West Coast, playing the Apollo Theater in Harlem and the Earle Theater in Philly, swinging through the Carolinas, rebounding to Los Angeles and then heading back to Chicago. So much for rest and recuperation! The alto sax & vibe equation was a staple of Bostic's patented '50s sound. One of his key players was trumpeter and vibraphonist Gene Redd; a glance through the rest of the lineup reveals the presence of up-and-coming modern musicians such as trumpeter Tommy Turrentine and his brother, tenor saxophonist Stanley Turrentine, as well as 26-year-old John Coltrane. But the main feature on every one of these tunes is the guy in front with the alto. This collection offers a particularly thrilling slice of full force Bostic performances. He is credited as the composer of "Velvet Sunset" (a sensuous ballad with backing vocals by the Ike Isaacs Trio); "What, No Pearls?" "Cracked Ice," and the "Steamwhistle Jump," an over the top set of variations on a theme clearly recognizable as Billy Strayhorn's "Take the 'A' Train." There is a Billy Eckstine-inspired vocal by one Bill Williams on "The Song Is Ended." Points of extra interest are Bostic adaptations of Camille Saint-Saëns "My Heart at Thy Sweet Voice" from Samson and Delilah and a "Poème" by Czech composer Zdenek Fibich. Bostic could and did play just about anything that appealed to his fancy. Everything he touched became sensual in ways that appealed to the record-buying public -- including, it was noted, white folks throughout the South -- ballads took on a copulative intensity and every tune had the potential to become approachably, accessibly exciting. You expect "Cherokee" to kick a little, but Bostic had a way of making tunes like "Linger Awhile" and "O Sole Mio" sit up and rock. If you want to know what Earl Bostic was all about, go directly to his "Steamwhistle Jump." ~arwulf arwulf

The Chronological Earl Bostic 1952-1953

Terry Timmons - Blues & Rhythm Series 5092: The Chronological Terry Timmons 1950-1953

Size: 168 MB
Time: 64:45
File: FLAC
Released: 2004
Styles: Blues, R&B
Art: Full

01. Eating My Heart Out For You (3:19)
02. Worried Woman Blues (3:04)
03. Ain't Supposed To Be Like That (2:33)
04. Your Key Won't Fit My Door (2:22)
05. You Foolish Thing (3:01)
06. What You Bet (2:26)
07. I'm Crying (Memphis Slim - Vocals, Piano) (3:21)
08. The Question (Memphis Slim - Vocals, Piano) (2:56)
09. Drivin' Me Mad (Memphis Slim - Vocals, Piano) (2:47)
10. Blue Evening (Memphis Slim - Vocals, Piano) (2:31)
11. I Could Make You Care (2:44)
12. Mr. Low Love (2:35)
13. I Shouldn't Have To Cry Over You (3:08)
14. Got Nobody To Love (2:41)
15. All Night Long (2:47)
16. The Same Old Thrill (2:48)
17. Daddy Be Good To Me (2:56)
18. How Long Must I Wait (2:55)
19. Midnight (3:03)
20. My Heart Belongs To Only You (2:50)
21. Please Don't Leave Me Now (2:33)
22. Evil Eyed Woman (2:34)
23. He's The Best In The Business (2:41)

Terry Timmons was one of those vocalists of the late '40s and early 1950s whose work, like that of her musical role model, Dinah Washington, helped bridge the gap between big-band-style blues and the leaner R&B sounds that followed. She was born in Charleston, WV, in 1927, but the family moved to Ohio soon after, and she spent her childhood in Cleveland. She began singing professionally while still in her mid-teens, and while playing the Cafe Tio Juana she was spotted by no less a figure than Paul Gayten, who engaged her as a replacement for Annie Laurie, who had lately departed his stable of artists. She moved to Chicago in the late '40s and crossed paths with Memphis Slim, through whom she was signed to Premium Records, the label for which Slim was recording at the time. She was a featured performer at Slim's shows at the end of the 1940s and the start of the 1950s, around the time of her first recording sessions, which yielded "Eating My Heart Out for You" and "Worried Woman Blues." Those were very traditional-sounding, '40s-style big-band vocal blues, but the other two songs from those sessions, "Ain't Supposed to Be Like That" and "Your Key Won't Fit My Door," offered leaner, smaller-scale accompaniment with a harder beat.

She was back cutting more sides for Premium in 1951, but when the label -- which was seriously underfinanced from the get-go -- went belly-up that year, Timmons found her masters sold to RCA Victor, along with her recording contract. She cut sides for Victor in New York, but also did some under-the-table recording for the United Records label. She was still busy working with Slim into the mid-'50s, and she was generating sides that were -- despite their large-scale accompaniment -- accessible to early-'50s listeners out for something harder in R&B. Timmons' recording career reportedly ended in the mid-'50s, when her then-current boyfriend, who fancied himself a talented musician, botched the accompaniment on a set of sides. She supposedly signed formally with United at some point in the mid-'50s, when she was still appearing in the area around Chicago. No recordings resulting from this contract are known to have ever appeared, however, and Timmons disappeared from recorded music after 1955. Her sides with Memphis Slim are far and away the highlights of her recording career, however, and any collection of this sadly lost R&B talent that contains them is worth owning. ~Bruce Eder

The Chronological Terry Timmons 1950-1953

Little Walter - Blues & Rhythm Series 5091: The Chronological Little Walter 1947-1953

Size: 191 MB
Time: 69:02
File: FLAC
Released: 2004
Styles: Blues, R&B
Art: Full

01. Ora Nelle Blues (2:40)
02. I Just Keep Loving Her (2:30)
03. Juke (2:45)
04. Can't Hold On Much Longer (3:01)
05. Blue Midnight (2:25)
06. Boogie (3:01)
07. Mean Old World (2:54)
08. Sad Hours (3:11)
09. Fast Boogie (2:48)
10. Don't Need No Horse (3:19)
11. Don't Have To Hunt No More (3:04)
12. Crazy Legs (2:25)
13. Tonight With A Fool (2:55)
14. Off The Wall (2:50)
15. Tell Me Mama (2:47)
16. Blues With A Feeling (3:10)
17. Quarter To Twelve (3:16)
18. Last Boogie (2:32)
19. Too Late (2:39)
20. Fast Boogie (2:52)
21. Lights Out (2:45)
22. Fast Large One (2:51)
23. You're So Fine (3:04)
24. My Kind Of Baby (3:06)

This 24-track compilation from the French Classics label focuses on Little Walter's crucial early sessions for Parkway, Ora-Nelle, and Checker. At the time of these recordings, the distorted amplified sound of Walter Jacobs' harmonica was helping map out the postwar blues idiom as an important presence in Muddy Waters' band, while under his own name Walter released such electric Chicago blues classics as "I Just Keep Loving Her," "Tell Me Mama," "Lights Out," "Blues With a Feeling," and the instrumental romp "Juke," which propelled the harpist into national prominence in 1952. Of the numerous available overviews of Little Walter's extraordinary career, this is one of the best. ~Al Campbell

The Chronological Little Walter 1947-1953

Zora Young - Tore Up From The Floor Up

Year: 2005
Bitrate: MP3@320K/s
Time: 66:29
Size: 153,8 MB
Styles: Electric blues
Scans: Full

1. Love Of Mine (4:30)
2. Go Ahead And Take Him (6:37)
3. I'm Gonna Do The Same Thing They Did To Me (5:14)
4. Toxic (6:03)
5. Til The Fat Lady Sings (4:51)
6. Slowly (4:52)
7. Ace Of Spades (3:27)
8. Rainy Night In Georgia (5:32)
9. Tore Up From The Floor Up (4:19)
10. Since I Fell For You/Silhouettes (7:11)
11. Handy Man (3:51)
12. Two Trains Running (5:51)
13. Interview (4:05)

With her mix of blues, soul, and rock, plus the just tangible presence of her native Mississippi gospel background, Zora Young can be a powerful performer when the material is there. On the best cuts from Tore Up from the Floor Up, her third album and second for Delmark, she shows a kind of hard-earned wisdom and an assurance in her vocals that rises well above mere shouting, and tracks like the moody, dynamic "Toxic" and the romping title tune (both of which are Young originals) show her to be a solid songwriter as well. She also turns in fine readings on a pair of covers, turning atmospheric on Muddy Waters' "Two Trains Running" and giving B.B. King's "I'm Gonna Do the Same Thing They Did to Me" a saucy, determined sheen.

Her take on O.V. Wright's "Ace of Spades" is surprisingly by the numbers, though, and while she certainly doesn't do a disservice to Tony Joe White's "Rainy Night in Georgia," it's a song that has been done to death and no singer on earth could possibly find a new way to approach it. The end result of all of this is an album that has some wonderful highs (the opener, "Love of Mine," simply soars and rocks) but also too many tracks that lack immediacy. It's worth noting, though, that Young's originals more than hold their own here, and that bodes well, because when her singing and writing intersect, sparks fly. /Steve Leggett, AllMusic

(For personnel details, see artwork included.)

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Nacho Ladisa Blues Club - Nacho Ladisa Blues Club

Year: 2012
Bitrate: MP3@320K/s
Time: 37:41
Size: 87,3 MB
Styles: Electric blues, Chicago blues
Scans: Front

1. Elmore's Groove (3:16)
2. Baby Please Don't Go (3:45)
3. Goin Away Baby (3:46)
4. Lightnin' D (4:02)
5. Money Marbles And Chalk (4:02)
6. Bright Lights Big City (4:04)
7. Lou Lou's Jump (4:08)
8. Take A Little Walk With Me (4:37)
9. Five Long Years (5:57)

After two years of playing on the Buenos Aires blues circuit Nacho Ladisa Blues Club has managed to release their first album. It was recorded live at the Circo Beat studios with additional voices recorded in the Coleguim Musicum School of Blues studio by Daniel de Vita. The album has nine songs and an artistic search towards the most significant years of this genre, the 1950s and 1960s in Chicago. The band plays covers of songs by Muddy Waters, Jimmy Reed, Jimmy Rogers, Eddie Boyd and Robert Lookwood Jr. with original and their own arrangements. In addition to great classics of the genre, an own identity was sought since the three instrumental songs are of their own composition and stylistically consistent.

This group, formed in early 2010, consists of very active musicians on the blues circuit in Buenos Aires. Nacho Ladisa joined the traditional blues band "La Caterva" in 2000, and with that group he has played in places like Blues Special Club, Jazz & Blues, Honkers Club and has also participated in the Jazz & Blues cable program and on radio blues programs like that of Adrián Flores. With Brotzman and Torres Blues Band he participated two consecutive years of the Jazz festival in the Subte, and he also joined the Blues Special Band as an occasional guitarist and accompanied various harmonica players on the local scene. Throughout the years he has had the pleasure of playing with artists such as Slam Allen, guitarist with James Cotton, and has also been invited to participate in the show of one of his great references Lurrie Bell on his last visit to Argentina. (Translated from Spanish)

Personnel: Nacho Ladisa (guitar, vocals); Federico Verteramo (guitar); Cristian Ferreira (bass); Homero Tolosa (drums); Gustavo Doreste (piano); Huguis Lopez (harmonica).

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Roberto Porzio & The Humbles - Something Inside Of Me

Year: 2019
Bitrate: MP3@320K/s
Time: 38:48
Size: 89,7 MB
Styles: Electric blues
Scans: Front

1. Walk On (Feat. Adrian Jimenez) (4:08)
2. Give Me Back My Wig (3:32)
3. How Many More Years (4:18)
4. Good Morning Blues (2:54)
5. Goodnight Irene (Feat. Eduardo Quiroga) (3:58)
6. Forty Days And Forty Nights (Feat. Adrian Jimenez) (4:10)
7. Glory Glory Hallelujah (Feat. Florencia Andrada) (4:18)
8. Something You Got (4:30)
9. Police Dog Blues (3:02)
10. Some Of These Days (Feat. Andrea Diaz) (3:58)

Roberto Porzio is a prominent blues guitarist on the Argentinian blues scene. He began his career in 1997 as a member of The Blues Special Band and has accompanied several international blues legends such as Billy Branch, John Primer, Phil Guy, Lurrie Bell and Jimmy Burns among others. He also works as a guitar teacher at the School of Blues in Buenos Aires, where he has taught for more than 20 years.

Personnel: Roberto Porzio (guitar, vocals); Florencia Rodríguez (bass); Miguel Ángel Romeo (drums); Anahí Fabiani (keyboards).

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The Downtown Alligators - Journeyman Blues: The MG Sessions

Year: 2017
Bitrate: MP3@320K/s
Time: 40:32
Size: 93,6 MB
Styles: Electric blues, harmonica blues
Scans: Full

1. Journeyman Blues (3:52)
2. Maybe I'm Wrong (4:16)
3. Me And My Woman (3:59)
4. Move Over (3:23)
5. Never Gonna Let You Go (3:47)
6. Why Are People Like That (3:22)
7. Scene Of The Crime (3:07)
8. Moving On Up (5:06)
9. Hard To Be (5:02)
10. Garlic Blues (4:32)

The Downtown Alligators is a band from Madrid, known for one of the hottest live shows on the national scene. Since they began their journey back in 2007, they have released several albums and have collaborated with names such as Tonky de la Peña, Marcos Coll, Ñaco Goñi and Luis Martín de los Ronaldos to name a few.

The Alligators are five guys in love with black rhythms and North American music. They are fronted by Carlos García, with an authentic and powerful voice, who is well supported by Jorge Lera's swinging harmonica and by Luis Resina's suggestive guitar phrasing. All this cooked on a base of groove, precision and power, with a lot of rhythm and flavor, which are handled by Adolfo Carrera on bass and Javier Planelles on drums.

With a wide, dynamic and varied repertoire, with themes from the greats of rthythm and blues (B.B. King, Ray Charles, Ike Turner, Little Milton ...), and the occasional song from their own harvest, they get people to dance and enjoy during their almost two hours live shows.

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The Lachy Doley Group - Make Or Break

Year: 2019
Bitrate: MP3@320K/s
Time: 50:34
Size: 116,7 MB
Styles: Blues/Rock/Soul mix
Scans: Front

1. A Woman (4:02)
2. Cruel Cruel World (3:53)
3. The Greatest Blues (5:04)
4. The Strut (4:16)
5. Give It (But You Just Can’t Take It) (5:50)
6. Into The Alone (5:39)
7. Make Or Break (6:06)
8. Mix Tape (4:01)
9. The Killer (5:42)
10. Can't Get Close To You (5:59)

Following on from 2017’s previous release ‘Lovelight’, ‘Make or Break’ is the fifth album under The Lachy Doley Group banner, with Lachy once again joined by drumming powerhouse Jackie Barnes as well as Joel Burton on bass. I’m happy to report that the same pent up energy & passion I saw that night at The Concert Hall in Perth, has been captured on this album, with a superb collection of ten funk, soul, blues & rock filled tracks. From the breathtaking opening song of ‘A Woman’ you are immediately transfixed by Doley’s outstanding keyboard work, as his rare Hohner D6 Whammy Clavinet completely mimics the sounds of an electric guitar. In fact, I spent five minutes looking on the album cover to see who the guest guitarists were and it was only until I saw a vid clip recently that I was finally convinced it really was Lachy on his magical whammy clav.

Some of the bluesier tracks also suck you into to believing your hearing guitar work from some of the finest in the business, but these too are Lachy and this is what adds an extra dimension and appreciation to the album. Funky 70’s style songs like ‘The Strut’ ‘The Killer’ & ‘Cruel Cruel World’ have you moving & grooving along before you’re taken deeper into some wonderful blues with tracks like ‘Can’t Get Close to You’ with its ‘Little Help From my Friends’ riff & feel, ‘Into The Alone’ & ‘The Greatest Blues’. Doley’s vocals work perfectly with everything he’s created throughout the album, along with his underlying Hammond organ work throughout and is backed up with fantastic rhythm work from both Barnes & Burton.

The word genius is usually reserved for those pioneers who have, at times changed the course of history one way or another by leaving an imprint on the world but when someone can produce music of this incredibly high standard and also tinker & experiment for our listening pleasure then Lachy Doley deserves to receive that accolade. ‘Make or Break’ is a stroke of genius by a master craftsman at the top of his game. Wonderful! The album was produced by Lachy and Kieran Collings, recorded by Ted Howard (Yothu Yindi, Paul Kelly, Kasey Chambers), mixed by Paul McKercher (Josh Pyke, Papa Vs Pretty, Sarah Blasko, You Am I, Eskimo Joe), and was mastered by the Grammy Award-winning Brian Lucey (The Black Keys, Ray LaMontagne, Royal Blood, Biffo Clyro).

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Tuesday, July 21, 2020

Charlie Musselwhite - One Night In America

Size: 116,8 MB
Time: 49:56
File: MP3 @ 320K/s
Released: 2002
Styles: Harmonica Blues
Art: Full

01. Trail Of Tears (4:21)
02. Cold Grey Light Of Dawn (2:58)
03. Blues Overtook Me (4:30)
04. In A Town This Size (3:42)
05. Walking Alone (4:48)
06. Rank Strangers To Me (4:38)
07. One Time One Night (4:46)
08. In Your Darkest Hour (4:32)
09. Big River (5:22)
10. Ain't It Time (4:22)
11. I'll Meet You Over There (2:54)
12. Ain't That Lovin You Baby (2:56)

On One Night in America, Charlie Musselwhite takes his music back home to the Memphis of his childhood, walking down some blues-drenched country roads along the way. Musselwhite, with strong assistance from guitarists G.E. Smith and Robben Ford, as well as from vocalists Kelly Willis and Christine Ohlman, creatively captures the sonic sensibilities of the Memphis musical melting pot with a wide-ranging selection of songs. Musselwhite rolls through everything from Johnny Cash's country classic "Big River" to bluesman Jimmy Reed's "Ain't That Loving You Baby" in fine fashion, spicing up the tunes with occasional harp solos, but primarily letting the songs stand on their own.

Austin country sweetheart Willis dazzles on a duet of Kieran Kane's "In a Town This Size" and lends some angelic accompaniment on the country gospel standard "Rank Strangers to Me" to provide some vocal diversity. Musselwhite, who contributes several autobiographical songs to the mix, does more singing than playing, but he has no trouble blowing through the blues in the straight-ahead instrumental workout "I'll Meet You Over There." And, for all the Memphis emphasis of the album, the title actually comes from East L.A., courtesy of Musselwhite's upbeat rendition of Los Lobos' Americana gem "One Time One Night," that concludes the recording. ~Michael Point

One Night In America MP3
One Night In America FLAC

VA - Boss Black Rockers Vol. 2: Bip Bop Bip (KMCD51)

Size: 152,8 MB
Time: 64:41
File: MP3 @ 320K/s
Released: 2020
Styles: Rock & Roll
Art: Front & Back

01 The Supremes - Don't Leave Me Here To Cry (2:23)
02 Big Bob - Your Line Was Busy (1:51)
03 Lowell Fulson - Rock This Morning (1:46)
04 Syl Johnson - Little Sally Walker (2:31)
05 The Cadets - Do You Wanna Rock (3:14)
06 Bobby Marchan - Rockin' Behind The Iron Curtain (2:19)
07 Joe Lyons & The Arrows - Shufflin Jive (2:17)
08 Joe McCoy & His Real McCoys - Hey Hey Loretta (2:02)
09 Johnny Copeland - Rock and Roll Lily (2:02)
10 Eugene Church - The Struttin' Kind (2:24)
11 John Greer - Come Back Maybellene (2:18)
12 James Brown - Chonnie-On Chon (2:09)
13 Screamin' Joe Neal - Rock And Roll Deacon (2:11)
14 Click-Clacks - Pretty Little Pearly (2:17)
15 Isley Brothers - Everybody's Gonna Rock & Roll (2:20)
16 Pretty Boy - Bip Bop Bip (1:53)
17 Mac Sims - Driving Wheel (2:02)
18 Harold Burrage - Betty Jean (2:49)
19 Guitar Junior - The Crawl (2:13)
20 Billy Garner - Little School Girl (2:09)
21 Barrett Strong - Money (2:36)
22 Johnny Fuller - All Night Long (2:57)
23 Clyde McPhatter - Deep Sea Ball (2:18)
24 Rockin' Sid - Misery (2:03)
25 The Satintones - Going To The Hop (2:10)
26 Willie West - A Man Like Me (2:17)
27 The Equadors - Stay A Little Longer (2:28)
28 Rene Hall's Orchestra - Flippin' (2:29)

The ''Mojo'' Man sez:
Dear Cats and Kittens, dig this cool array of killer black Rock and Roll from the ''Golden Age'' of American music. So many similar projects were devoted through the years to white rock and rollers (even the most obscure and unknown) and very little to the people that not only ''originated'' this music and played it long before white musicians started to fool around with it. They also continued to play it when black Rhythm and Blues music was suddenly re-named ''Rock and Roll'' to appeal to a wider white audience in segregated America and became a multi-racial genre in the mid-1950s. Some tunes are pretty well-known but the vast majority are not. I'm pretty sure you have never heard a lot of the tracks included here - even if a lot of them were pretty popular in the 1950s among both black and white Rock and Roll fans. Most of the artists in this new collection were actually household names in the ''Rock and Roll World'' of the 50s and early 60s. I sure hope this new series of 10 complimentary volumes will finally set things straight. Dig it! ~Little Victor Mac (a.k.a. DJ ''Mojo'' Man)

Boss Black Rockers Vol. 2 MP3
Boss Black Rockers Vol. 2 FLAC

Frankie Moreno - Back To The Boogie

Size: 85,9 MB
Time: 36:40
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues, Blues Rock
Art: Front

01. Back To The Boogie (3:22)
02. Ringin' My Bell (3:55)
03. I Like It Like That (3:01)
04. Love Doctor (3:54)
05. Sandman (3:35)
06. Good Lookin' Mama (3:33)
07. Whiskey Woman (4:03)
08. One Man Band (4:12)
09. Grizzly Bear (2:53)
10. A Girl Named Memphis (4:07)

With 9 Top-Ten Billboard albums (4 No. 1’s), 11 Top-Ten singles (5 No. 1’s), an Emmy nomination, and being named Las Vegas “Headliner of the Year” 5 times, Frankie Moreno is consistently breaking records and wowing audiences from coast to coast with his own brand of genre-blurring Rock n’ Roll.

Reaching millions of record sales worldwide, Frankie continues to write and release new music. In 2019, he made music history by becoming the only artist to have 6 albums debut at a Top-Ten spot on the Billboard Charts in a 12-month period.

As a child prodigy on the piano and a gifted multi-instrumentalist, Frankie was first introduced to American audiences at the age of 10 on CBS’s Star Search. His performance on ABC’s Dancing with the Stars brought him into America’s living rooms again performing his self-penned hit “Tangerine Honey”. He has continued to perform sold-out concerts including Carnegie Hall, The Kennedy Center, The Hollywood Bowl, and Vegas residencies.

Frankie’s collaboration with world-renowned violinist Joshua Bell, At Home With Friends, reached the No. 1 spot on Billboard. The album included Sting, Josh Groban, Chris Botti, Kristin Chenoweth, and Regina Spektor. Frankie and Josh have since released Musical Gifts, which reached No. 8 on Billboard and featured Placido Domingo, Gloria Estefan, Allison Krauss, and Chick Corea.

Frankie toured the U.S. with Sugarland and Billy Currington. He joined multi-platinum artists Air Supply for their world tour as musical director, and wrote their radio single “Dance with Me”, reaching No. 7 on Billboard’s Top 40. He is currently performing his original works for his Symphony concerts with the nation’s premier orchestras.

Frankie Moreno commands audiences around the world with his highly contagious music and playful stage antics. His songs are cleverly crafted and his musicianship is virtuoso. Frankie is an all-around talent who puts his heart and soul into his music. He is unquestionably a unique artist.

Back To The Boogie