Source: LL (from CD)
Released: 2016
Styles: Blues
Time: 59:31
Size: 136,8 MB
Art: Full
Personnel tracks 1-7 (Sao Paulo)
Wallace Coleman - vocals & harp
Igor Prado - guitar
Ari Borger - piano
Rodrigo Mantovani - Upright & Electric Bass
Yuri Prado - drums
Personnel tracks 8-14 (Severance, Ohio)
Wallace Coleman - vocals & harp
John Lucic - guitar
Jody Getz - rhythm guitar
Robin Montgomery - piano
George Lee - bass
Vernon Jones - drums
(4:00) 1. Tribute to Little Walter
(4:41) 2. Mean Old World
(3:22) 3. Mojo Hand
(5:18) 4. Mean Red Spider
(5:19) 5. Bricks In My Pillow
(4:14) 6. Southbound Train
(5:10) 7. Rooster Blues
(3:15) 8. Black, Brown & White
(3:35) 9. Corrina, Corrina
(3:47) 10. Matchbox Blues
(3:45) 11. Way Back Home
(5:33) 12. Seems Like
(3:46) 13. What's The Matter With the Mill
(3:41) 14. I Shall Not Be Moved
Wallace Coleman is often compared to Little Walter Jacobs and the first track on this live album is a tribute to his favorite harp player. Coleman is a multi-faceted musician and these performances are a glimpse into that complexity. "Live from Sao Paulo to Severance" evenly divides the 14 tracks between Sao Paulo, Brazil (tracks 1-7), and Severance Hall in Cleveland, Ohio (tracks 8-14).
Coleman spent November 2013 touring with the Igor Prado Band in their home country of Brazil, at festivals, in clubs, and in live performances on TV and, in full-band, live studio recordings. These Brazilian musicians captured the depth and feeling of American Blues and provided a platform for Coleman to stretch out and perform. He calls that a rare treat. When Coleman relaxes as the front man knowing that the backing band indeed has his back, well...you just have to hear for yourself. Track 7 was added to Prado's "Way Down South" CD on the Delta Groove label which held an extended #1 spot on Living Blues Charts in 2015. Tracks 4 & 5 were included in Ari Borger's "Live from the Cincinnati Blues Festival" CD on Chico Blues Records.
In January 2015, Coleman and band performed on the main stage of Cleveland, Ohio's most beautiful musical venue, Severance Hall, also the home of the world-renown Cleveland Orchestra. The event was a community day honoring Dr. Martin Luther King, Jr. For this performance, recorded live, Coleman presented folk, protest, original, and traditional Blues. As driving and raucous as the Brazil side of this disc, several Severance tracks are upbeat and fun, but it is that glimpse we get into Coleman's musical layers, both vocally and in his harmonica playing, where tender moments shine through from him on tracks like the instrumental "Way Back Home," the original "Seems Like," and the Charley Patton spiritual "I Shall Not Be Moved." These bring an appreciation of this diverse work. Coleman's comfort with his Severance band painting a backdrop is apparent in his vocals and his harp playing, and he takes full advantage of the opportunity. Wallace Coleman is an artist who easily shifts gears from driving blues to flowing instrumentals to blues shuffles to tender ballads -- each soundly vastly different, one to the next, but treating each as if it is the only thing that he does.
Coleman spent November 2013 touring with the Igor Prado Band in their home country of Brazil, at festivals, in clubs, and in live performances on TV and, in full-band, live studio recordings. These Brazilian musicians captured the depth and feeling of American Blues and provided a platform for Coleman to stretch out and perform. He calls that a rare treat. When Coleman relaxes as the front man knowing that the backing band indeed has his back, well...you just have to hear for yourself. Track 7 was added to Prado's "Way Down South" CD on the Delta Groove label which held an extended #1 spot on Living Blues Charts in 2015. Tracks 4 & 5 were included in Ari Borger's "Live from the Cincinnati Blues Festival" CD on Chico Blues Records.
In January 2015, Coleman and band performed on the main stage of Cleveland, Ohio's most beautiful musical venue, Severance Hall, also the home of the world-renown Cleveland Orchestra. The event was a community day honoring Dr. Martin Luther King, Jr. For this performance, recorded live, Coleman presented folk, protest, original, and traditional Blues. As driving and raucous as the Brazil side of this disc, several Severance tracks are upbeat and fun, but it is that glimpse we get into Coleman's musical layers, both vocally and in his harmonica playing, where tender moments shine through from him on tracks like the instrumental "Way Back Home," the original "Seems Like," and the Charley Patton spiritual "I Shall Not Be Moved." These bring an appreciation of this diverse work. Coleman's comfort with his Severance band painting a backdrop is apparent in his vocals and his harp playing, and he takes full advantage of the opportunity. Wallace Coleman is an artist who easily shifts gears from driving blues to flowing instrumentals to blues shuffles to tender ballads -- each soundly vastly different, one to the next, but treating each as if it is the only thing that he does.
Live From Sao Paulo To Severance
8 comments:
Wowwww and thanks :)))
Looking forward to this......thanks!!!
cheers johny
thank you so much wauuuuuu thanks little ushi
Could you possibly reupload this one? Thanks
New links for this post can be found below.
Wallace Coleman - Live From Sao Paolo To Severance (2016) [320]
MC: http://www.mirrorcreator.com/files/KETUYD9Y/WC-LFSPTS.rar_links
Zippy: http://www25.zippyshare.com/v/lxivzLaN/file.html
Will you please re-post this album, many thanks
Forget my request, I got it, many many thanks
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